****************************************
_out_EN_1.txt
****************************************

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L  l   IL  l   L  l   L  l   M  l   EM  l   M  l   M  l   N  l   AN  l   N  l   N  l   N  l   =O  l   |O  l   O  l   O  l   9P  l   xP  l   P  l   P  l   5Q  l   tQ  l   Q  l   Q  l   1R  l   pR  l   R  l   R  l   -S  l   lS  l   S  l   S  l   )T  l   hT  l   T  l   T  l   %U  l   dU  l   U  l   U  l   !V  l   `V  l   V  l   V  l   W  l   \W  l   W  l   W  l   X  l   XX  l   X  l   X  l   Y  l   TY  l   Y  l   Y  l   Z  l   PZ  l   Z  l   Z  l   
[  l   L[  l   [  l   [  l   	\  l   H\  l   \  l   \  l   ]  l   D]  l   ]  l   ]  l   ^  l   @^  l   ^  l   ^  l   ^  l   <_  l   {_  l   _  l   _  l   8`  l   w`  l   `  l   `  l   4a  l   sa  l   a  l   a  l   0b  l   ob  l   b  l   b  l   ,c  l   kc  l   c  l   c  l   (d  l   gd  l   d  l   d  l   $e  l   ce  l   e  l   e  l    f  l   _f  l   f  l   f  l   g  l   [g  l   g  l   g  l   h  l   Wh  l   h  l   h  l   i  l   Si  l   i  l   i  l   j  l   Oj  l   j  l   j  l   k  l   Kk  l   k  l   k  l   l  l   Gl  l   l  l   l  l   m  l   Cm  l   m  l   m  l    n  l   ?n  l   ~n  l   n  l   n  l   ;o  l   zo  l   o  l   o  l   7p  l   vp  l   p  l   p  l   3q  l   rq  l   q  l   q  l   /r  l   nr  l   r  l   r  l   +s  l   js  l   s  l   s  l   't  l   ft  l   t  l   t  l   #u  l   bu  l   u  l   u  l   v  l   ^v  l   v  l   v  l   w  l   Zw  l   w  l   w  l   x  l   Vx  l   x  l   x  l   y  l   Ry  l   y  l   y  l   z  l   Nz  l   z  l   z  l   {  l   J{  l   {  l   {  l   |  l   F|  l   |  l   |  l   }  l   B}  l   }  l   }  l   }  l   >~  l   }~  l   ~  l   ~  l   :  l   y  l     l     l   6  l   u  l     l     l   2  l   q  l     l     l   .  l   m  l     l     l   *  l   i  l     l     l   &  l   e  l     l     l   "  l   a  l     l   ߅  l     l   ]  l     l   ۆ  l     l   Y  l     l   ׇ  l     l   U  l     l   ӈ  l     l   Q  l     l   ω  l     l   M  l     l   ˊ  l   
  l   I  l     l   ǋ  l     l   E  l     l   Ì  l     l   A  l     l     l     l   =  l   |  l     l     l   9  l   x  l     l     l   5  l   t  l     l     l   1  l   p  l     l     l   -  l   l  l     l     l   )  l   h  l     l     l   %  l   d  l     l     l   !  l   `  l     l   ޕ  l     l   \  l     l   ږ  l     l   X  l     l   ֗  l     l   T  l     l   Ҙ  l     l   P  l     l   Ι  l   
  l   L  l     l   ʚ  l   	  l   H  l     l   ƛ  l     l   D  l     l     l     l   @  l     l     l     l   <  l   {  l     l     l   8  l   w  l     l     l   4  l   s  l     l     l   0  l   o  l     l     l   ,  l   k  l     l     l   (  l   g  l     l     l   $  l   c  l     l     l      l   _  l     l   ݥ  l     l   [  l     l   ٦  l     l   W  l     l   է  l     l   S  l     l   Ѩ  l     l   O  l     l   ͩ  l     l   K  l     l   ɪ  l     l   G  l     l   ū  l     l   C  l     l     l      l   ?  l   ~  l     l     l   ;  l   z  l     l     l   7  l   v  l     l     l   3  l   r  l     l     l   /  l   n  l     l     l   +  l   j  l     l     l   '  l   f  l     l     l   #  l   b  l     l     l     l   ^  l     l   ܵ  l     l   Z  l     l   ض  l     l   V  l     l   Է  l     l   R  l     l   и  l     l   N  l     l   ̹  l     l   J  l     l   Ⱥ  l     l   F  l     l   Ļ  l     l   B  l     l     l     l   >  l   }  l     l     l   :  l   y  l     l     l   6  l   u  l     l     l   2  l   q  l     l     l   .  l   m  l     l     l   *  l   i  l     l     l   &  l   e  l     l     l   "  l   a  l     l     l     l   ]  l     l     l     l   Y  l     l     l     l   U  l     l     l     l   Q  l     l     l     l   M  l     l     l   
  l   I  l     l     l     l   E  l     l     l     l   A  l     l     l     l   =  l   |  l     l     l   9  l   x  l     l     l   5  l   t  l     l     l   1  l   p  l     l     l   -  l   l  l     l     l   )  l   h  l     l     l   %  l   d  l     l     l   !  l   `  l     l     l     l   \  l     l     l     l   X  l     l     l     l   T  l     l     l     l   P  l     l     l   
  l   L  l     l     l   	  l   H  l     l     l     l   D  l     l     l     l   @  l     l     l     l   <  l   {  l     l     l   8  l   w  l     l     l   4  l   s  l     l     l   0  l   o  l     l     l   ,  l   k  l     l     l   (  l   g  l     l     l   $  l   c  l     l     l      l   _  l     l     l     l   [  l     l     l     l   W  l     l     l     l   S  l     l     l     l   O  l     l     l     l   K  l     l     l     l   G  l     l     l     l   C  l     l     l      l   ?  l   ~  l     l     l   ;  l   z  l     l     l   7  l   v  l     l     l   3  l   r  l     l     l   /  l   n  l     l     l   +  l   j  l     l     l   '  l   f  l     l     l   #  l   b  l     l     l     l   ^  l     l     l     l   Z  l     l     l     l   V  l     l     l     l   R  l     l     l     l   N  l     l     l     l   J  l     l     l     l   F  l     l     l     l   B  l     l     l     l   >  l   }  l     l     l   :  l   y  l     l     l   6  l   u  l     l     l   2  l   q  l     l     l   .  l   m  l     l     l   * l   i l    l    l   & l   e l    l    l   " l   a l    l    l    l   ] l    l    l    l   Y l    l    l    l   U l    l    l    l   Q l    l    l    l   M l    l    l   
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_10.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_100.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_101.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_102.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_103.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_104.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_105.txt
****************************************

﻿l   h  l             (     `  l     l     l   #     b            l   J  l     l     l     l   F  l     l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ There is a poster presenting
information about boat cruise tours. "Brunch Cruise Tour.
 +Advance booking required.+" Charo learned a new English phrase!
+Advance booking required.+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ There is a note at the bottom. "+The schedule is subject to change
 without prior notice+, depending upon
 weather conditions." Charo learned a new English phrase!
+The schedule is subject
to change without prior notice.+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_106.txt
****************************************

﻿l        W       l             F       l     l     l   [  l     l     l     l   W  +このメッセージには
英語訳がありません+ It is a safety notice.
It reads, "+Beware of the birds.+" Charo learned a new English phrase!
+Beware of the birds.+ +このメッセージには
英語訳がありません+ It looks like scribbles made by
someone in love. "I wonder if I should hit on her...
 +It's now or never.+
 It must be worth a try." Charo learned a new English phrase!
+It's now or never.+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_107.txt
****************************************

﻿w   7Q  DdT  0     7Q  S  0     7Q  J  0     :Q  W+  	1     8Q    B1  @   :Q    H1     :Q  l  V1  $   8Q  5  1     :Q  0n  1  G   =Q  g   1     =Q  _\  1     :Q  -k  2     :Q  DOpX  C2  q   8Q  7  l2     :Q  c  2     =Q  =CS  2     :Q  7?  2     =Q  F  2     =Q  H  !3  c   8Q  fN  I3     8Q  (7  o3  u   :Q  O1  3     =Q  j  3     :Q  O/  3     :Q  9a  3     7Q  >d  4     8Q  }Z  N4     =Q  !ė  4     :Q  A  4  #   8Q  !  4  T   :Q  ^9  4     7Q  rK=  4     =Q  X  5     =Q  3N  A5  H   :Q  #0  r5     :Q  IY  5     :Q  OE  5  t   8Q  4H/  5     :Q  |P  5     7Q  BhA  *6  c   7Q  S&%  P6     7Q  y8i  d6  ^   7Q  7a-  6     7Q  eta  6     7Q  B  6     7Q  	J  6     7Q  SQ  )7     7Q  V5  R7     7Q  ES  j7     7Q  X.J  7  m   8Q  yLd  7     =Q  N(  7  f   :Q  R   7  l   8     8Q  @&_I  Q8     :Q  oQ  r8     =Q  Z  8     8Q  Z]  8     :Q  xU  8  w   8Q  }\  9     =Q  V+X  :9     8Q  iF  e9     =Q  p>  9     8Q  >I  9     :Q  QE  9     7Q  _  9     8Q  J!Q>  *:     =Q  _P  G:  a   8Q  /~5  :     7Q  z  :     7Q  %Ic  :     7Q  G`?  ;     7Q  (B  ";     7Q  MU  I;     7Q  h7F  x;     7Q  ^~l}  ;     7Q  `  ;     7Q  [.C  
<     7Q  ]  %<     7Q  n  ^<     7Q  \kf  <     7Q  2S  <     7Q  %d  <     7Q  ud  9=     7Q  e  k=     7Q  Tc  =     7Q  YL  =     7Q  A  =  a   8Q  Fq/  >     =Q  bvO  +>     =Q  Q=  I>     8Q  ky  i>     :Q  |}b  >     =Q  _  >     8Q  >_  ?     =Q  Q  (?     :Q  3K4  R?     8Q  ~#3  l?     :Q  *W"k  ?     :Q  L|t  ?     8Q  6 [A  @     :Q  #x cG  @  `   8Q   ^+  B@     :Q   b  U@     =Q  Lc  @     =Q  P  @  /   8Q  `  @     =Q  yA  @     =Q  hZ\f  A     8Q  {x  IA     =Q  ?96  zA     =Q  u<  A     :Q  N@}  A     =Q  ei  B  =   8Q  '  OB     8Q  h7  \B  e   :Q  J  {B     =Q  hg  B  F   =Q  ;  B     7Q  I  B     :Q  4H  B     =Q  |Z  C     :Q  y~R  DC     :Q  )	\  nC     8Q   X  C     =Q  V`  C     =Q  H?_  C     :Q  !^  :D     =Q    lD  `   :Q  ؉	_  D  T   8Q  	'  D  k   :Q  
-  D     :Q  Z>
R  D     8Q  
yK  &E     :Q  i
ށ  JE     =Q  G^G  E     8Q  Zc  E     :Q  QN  E     :Q  MWZ  F     =Q  q  BF  }   :Q  #
^  yF     =Q  X
N  F     :Q  
n  F     =Q  ?r  G  T   8Q  D'  RG     =Q  \,  bG     =Q  ^  }G     8Q  dQ  G     =Q  ]  G  t   8Q  ^I  H     :Q  ]e  %H  t   8Q  S  ZH     =Q  Hi  |H     =Q  8  H     7Q  MI  H     7Q  kXR  I     :Q  ,3T  AI     7Q  _D  mI     7Q  o  I     7Q  E  I     7Q  >od  J     7Q  F  KJ     7Q  T  uJ  }   7Q  >X  J     7Q  sQ  J     7Q  aq  J     7Q  xY,T  /K     8Q  my  _K     :Q  '|m  K     8Q  R  K     :Q  ^i  L  l   @L     8Q  Oʥ  L     :Q  Tb  L  y   8Q  XJ  L  x   :Q  WD  M  s   8Q  X
A  "M     :Q  e(n  9M     8Q    M     :Q  R  M     :Q  O  M     8Q  ZQ  M     :Q  fZ  M  Z   :Q  	3#  N     :Q  <f  1N  Y   8Q  KE  jN     =Q  a7  N  u   8Q  ?  N  L   :Q  
G3  N     8Q  T:  N  R   =Q  kR'  N     8Q  y  N     8Q  fO  N     :Q  W  O     8Q  /dO  HO     :Q  <[F  oO     :Q  &E  O  l   :Q  
   O     :Q  +.  O     :Q  TZQ  O     8Q    'P  w   :Q  S  .P  D   8Q     ZP     8Q  7 my  hP     =Q  0 (i  P     8Q  X!HU  P     =Q  o!Z  Q     8Q  !]  6Q     =Q  I("dk  VQ     8Q  "fO  Q     =Q  "U  Q     8Q  8#dO  Q     =Q  8#;   R     =Q  #E  R     8Q  	$  CR     =Q  A$~k  HR  [   8Q  $H.  R     7Q  $^  R  /   =Q  %m  R     7Q  '%g  R  e   :Q  B%(  S     7Q  H%@  "S     7Q  G%[  IS     7Q  T&gI  {S  t   8Q  |&>S  S     7Q  &a  S     7Q  AR'U  S     7Q  'c  &T     7Q  (!Y  aT     7Q  e(3r  T  ?   7Q  7("  T     7Q  F(]  T  6   7Q  	W)  U     7Q  p)#k  #U     7Q  )^<  UU     7Q  9*r  pU     7Q  1*a  U     8Q  *  U     :Q  v+:  V  |   8Q  K+47  5V     :Q  +`W  NV     =Q  ?,A  V  S   8Q  z,S+  V     :Q  ͬ,  V     8Q  u,T  V     :Q  e->  V     =Q  7O-	P  V  m   8Q  @-o6  !W  n   :Q  -S9  6W     8Q  .8  KW     :Q  G.X  fW     8Q  ͟.G  W  a   :Q  .vP  W  ~   :Q  T7/I  W     :Q  ؀/g"  X  y   =Q  ?//  X  w   8Q  /9  7X  z   =Q  0L  OX  |   8Q  X037  qX     =Q  TxB  X  }   8Q  0N  X  2   =Q  0a1  X     8Q  >T  X     =Q  (1?  Y     8Q  O16  Y     =Q  Ά1v  5Y     =Q  1:H  iY  i   8Q  E2y2  Y  4   =Q  Gx2I!  Y  s   8Q  2X  Y  B   :Q  2;  Y     :Q  !.31h  Y     :Q  R3I  .Z     8Q  Y3IL  YZ     :Q  +4`  Z  x   =Q  4/  Z  h   8Q  P4?  Z     =Q  d4 B  Z  ~   =Q  d=5":  [  w   :Q  w5%%  9[     8Q  5  O[     7Q  E5z  T[     8Q  
&6[  [     :Q  6]C  [     :Q  6*L  [  O   :Q  97d%  
\     8Q  67\  \     :Q  <7Y  >\  l   l\  a   8Q  Z7rR  \  O   :Q  >8Z(  \  l   \     8Q  &g8g  ]  {   =Q  8{I  J]     8Q  9l  m]     =Q  *9\  ]  b   8Q  9Xa  ]  g   =Q  *C:[  ]     7Q  Ǟ:@T  ^     7Q  :d]  <^     8Q  kP;9  e^     :Q  8;sI  ^     :Q  ;'j  ^     =Q  =<u  ^     7Q  [</a  !_     8Q  =9  O_     =Q  WN=R  l_     =Q  o=i  _     7Q  d
>Ev  _     7Q  > =  `     7Q  >  -`     7Q  9F?5  i`     7Q  ʋGj  `     7Q  {?M1  `  Y   7Q  ?%  `     7Q  ?i  `     7Q  <@47  a  l   <a  l   {a  l   a  G   a     7Q  s@9  b  Q   4b     7Q  R@P  Mb  c   7Q  @2  }b  {   7Q  0Ac  b     7Q  \AX  b     7Q  A@I  b     7Q  D6BgU  c     8Q  B4  5c     :Q  6BfX  Oc     =Q  CV  c  z   8Q  nC3j  c  y   :Q  C/  c  D   8Q  D@!  c     :Q  )D`C  c     =Q  ylDF}  "d     8Q  DU  ad  h   :Q  c?E-  d     =Q  ZmE  d     8Q  ܇El  d     =Q  EU  d     8Q  JF|  e     =Q  F=  2e  D   8Q  6G@!  Oe     =Q  v%Gl  ]e  k   8Q  GGX  e     =Q  >GQ  e  W   8Q  =H*Q  e  c   :Q  .HO  e  b   :Q  HE6  f     8Q  I1-  ;f  /   =Q  BAI<2  @f     7Q  ~sI^]  Kf     8Q  I  f  k   :Q  RJI  f     =Q  LJ"P  f     7Q  nJEh  f  j   :Q  TK5  g  H   8Q  K !  %g  b   8Q  K[  5g  &   =Q  JL  [g  l   =Q  L*  cg  G   8Q  ILsF  xg     =Q  L
t  g     7Q  Mr  g     7Q  vM<@  g     7Q  *Mm  h     7Q  5~  Dh     :Q  \Q  }h     7Q  %NZ  h     7Q  D  h     7Q  Ie^  i  ^   8Q  N4  ;i     7Q  9NK  Mi  w   7Q  * O;L  yi     7Q  eLOWK  i  q   7Q  O;  i     7Q  V|  i     Q  D*  *j     7Q  G$OJ  uj     7Q  OC  j     :Q  >P  j  p   :Q  "P*  j  (   8Q  MP  j     7Q  pcP]  j     7Q  PM  k     7Q  Q  2k     7Q  ?QX  rk  n   7Q  Qs\  k     7Q  ?NRs;  k     7Q  Ron  k     7Q  !R5  +l     7Q  -Si  Gl  &   8Q  S+  l     :Q  ޭS=s  l     8Q  !TA  l     :Q  cTT  l  y   8Q  Tv5  m     :Q  TN  +m     8Q  Q;UC  \m  	   :Q  KUI  |m  _   8Q  UE'  m     :Q  ٲU<  m  y   8Q  Uq  m  V   8Q  _V@  m     :Q  =Va  m     8Q  V?  n     :Q   W>  7n     :Q  _Wb  \n     8Q  Wy  n  [   :Q  !gX-  n     :Q  Xq  n     :Q  Ye]  ,o     :Q  dY8  co     :Q  n6  o     :Q  Y[;  o  J   8Q  IYL  o     :Q  $Z(  o  f   7Q  eMZ0  o     :Q  C~Z  p     Q  +Z  p  ^   Q  ВZ=  p  P   8Q  Z]  =p     :Q  {.[QD  [p     7Q  U  p     8Q  r[f  p     8Q  W[X  q     :Q  S2\B  0q     :Q  	u\N  Qq  e   8Q  \4B  |q  7   :Q  ]  q     7Q  4.n  q     7Q  ]F  q  g   8Q  ЊT  q  w   7Q  *`]yJ  "r     8Q  ]  Er     Q  B]  Jr     Q  ]:  Nr  c   7Q  ]Z0  jr     7Q  u]k  }r     7Q  W^@  r     7Q   ^.[  r  t   =Q  .^SK  r  o   =Q  >_6  s     7Q  _s<  Bs     7Q  *`f  ds     7Q  z`@  s  l   s     8Q  `  s     7Q  `kI  s     Q  #a@  t  ~   Q  LaOL  <t  e   7Q  oݏy_  `t  c   7Q  *a4  t     7Q  <6  t     7Q  an  t     7Q  <bcv  t     7Q  b@  0u     =Q  .5  Su  z   7Q  !6  qu     7Q  bH  u     7Q  <cR  u     =Q  Xk8  u  z   7Q  >  u     7Q  $c;  v     7Q  8ct  'v     7Q  ?d+R  Xv     7Q  <d}l  v     7Q  d_  v  `   8Q  y]eO  v     8Q  eMW  w     =Q  fON  =w     8Q  &Rf'D  rw     =Q  MfJ  w  M   8Q  &g0  w     8Q  ZWgHF  w     =Q  gTX  x  #   8Q  g(  1x  V   8Q  }h0  :x     8Q  @OhJV  Lx  k   =Q  h@  ux     8Q  9hy4  x  _   =Q  iO  x     =Q  ji  x  c   =Q  i:  y  t   =Q  @)jR  5y     8Q  {j  by     8Q  ^jZ  gy     :Q  Rj  y     8Q  jo  y  d   :Q  jkA  y     8Q  kx_  y  d   :Q  lA  z  5   8Q  Ll   +z     :Q  ll*D  6z  g   8Q  l@-  _z  <   :Q  <l{  rz     :Q  lrg  }z     =Q  )am\  z     8Q  mm  z  5   =Q  +n1#  %{  W   =Q  Nnn?  2{  v   8Q  Xn/  D{     =Q  n5G  [{  7   SQ  oJ1  {  ,   =Q  _6o  {     SQ  6LoT  {  x   SQ  Ơo(  {  ,   =Q  Lo   {     SQ  oQ  {  ,   =Q  ;p  &|     SQ  Up  /|     7Q  'ipWI  5|     7Q  ~p3  [|  6   7Q  ւu  t|     7Q  v#b  |  F   =Q  vp%  |  v   =Q  4q*  |     =Q  K6q~[  |     =Q  ɑqU   }     =Q  Uq3  -}  `   =Q  s@)  I}     =Q  ,rZ  \}     =Q  urK  }     =Q  srT'  }  g   =Q  ru"  }     =Q  <so[  }     =Q  fsL`  %~  ,   =Q  s  [~     SQ  s8Y  d~  ,   =Q  1t  ~     SQ  QNt
  ~     =Q  ^dt$F  ~     =Q  t K  ~     7Q  tl    b   7Q  buG   6     7Q  Xu^2  J     7Q  u4  d     7Q  hvVK  ~     7Q  )v5    l     l     G   K     7Q  v<  h  Q        7Q  &wX    c   7Q  ~w7  π     7Q  Lw:    w   7Q  wK       7Q  <xF  $     7Q  xV  C     7Q  /xu8  l  f   8Q  y;       8Q  Nys    r   8Q  yyt  Ձ     :Q  6zZs    V   8Q  z2  -     8Q  zYR  >  V   :Q  \.{Q@  b     8Q  n{h  {  }   :Q  ,{L    e   8Q  #|7  Ԃ     :Q  [|d       8Q  |T       :Q  }N3  A     8Q  G}|9  ]     :Q  }1  |  W   8Q  }*Q    V   :Q  ~A       SQ  bD~x2  ك     7Q  v~@       SQ  q~;       7Q  D~&A  H  j   :Q  j4s?  `  H   8Q  s !  y     7Q  [       7Q  
j       7Q  ZV_       7Q  n  $  k   Q  (<0  _     7Q  XEj  x  A   7Q  Á    '   8Q  ݁
       7Q  I  Ʌ     7Q  1B    k   8Q  t(    S   8Q  F"  %  =   =Q     5  !   :Q  2  B     =Q  T  J  !   :Q  Q    `   :Q  $"    `   :Q  1    K   =Q         7Q   |  ˆ     7Q  }XA    G   =Q  I9    X   :Q  U/  ,     =Q  k'H  ?     7Q  {o<  [     7Q  
sY  x     Q  }Q       :Q  mW       =Q  /hF  Ƈ  !   8Q  uH       :Q  8;%/       7Q  ]ji  %     7Q  
_  Q     7Q  Hr  |     7Q  ̻       7Q  QjE    l     l   Y  l     l   ׉  l     l   U  l     l   ӊ  l     l   Q  One day...
at the back of Amici... Dread runs up to Charo and
Margherita. It seems like he has something
to say. Charo, you're here. Good.
I brought you some great news. News? Yeah, listen. Your country, Japan, is connected
to our country, the U.S., by í+ocean+. Ocean? Yeah, a big, big ocean.
Between the U.S. and Japan. Wait a minute. That means he can go back to
Japan by boat? Exactly.
If you hop onto the right boat, cross the ocean, and you'll be
in Japan. Really!? That's great! You are so small you can
easily sneak in. Wait a minute. Where can he
find the right boat? That, we have to figure out. So you don't know where the
boat is!? No, no, no. î+It's too dangerous.+ But I want to try.
I want to go back. I want to try everything. ï+That's the spirit+, boy! Charo! Mmmm. You are so brave! To the waterfront then. Let's start with the Hudson.
It's closer than the East River. The three arrive at a pier
on the Hudson River. Waa. It's a big river.
This is the Hudson River? Yes, that's right. The Hudson River
is connected to the ocean. See, Charo? There's a boat. Where? Way over there. The three return to the park. I guess it won't do us any
good if we're spotted. I guess it won't do us any
good if we're caught. You're right... Getting on the boat from the
boarding gate is impossible. Looks like we'll need to find
another spot... Where would be good? I don't know.
Let's look for another spot. This is the bank of the Hudson River. Ahead, there are... a pier on the left, with
rail tracks leading onto it... a big warehouse... and, on the right, a pier with
a boat anchored. A boat is anchored at the pier. A crowd is gathered in front of
the boat. Railroad tracks lead into the
warehouse. There is no one around. This is a pier with no boat
anchored. Railroad tracks run across the
ground. I see the boat.
Lots of people, too. Where is that boat going? ð+Let's check it out.+ +このメッセージには
英語訳がありません+ I should board that boat, right? Yeah.
It should be heading for Japan. Right. I'm sure that boat is
heading for Japan. From where should I get on the
boat? Well... anywhere except the front. I'll think of something.
I won't give up! Good boy, Charo.
You don't give up easily! I want to go on the boat soon. Well, I'm sure we'll find a way. I want to get on the boat soon. Yeah, we need to think of
something. The three dogs arrive at the pier.
There is a large white boat. Is that boat going to Japan? ñ+Good question+.... Shouldn't it be
written somewhere? Yes. I will go look. There is a boarding gate at the
pier. The area is crowded. They seem to be waiting in line
to board the boat. There is a big white boat. It is anchored at the end of
the pier. There is a boarding gate at
the pier entrance. A staff member is checking tickets. A large picture of "sushi" is
displayed on a sign. He is taking tickets from the
people at the boarding gate. The man looks a bit stern. Dread makes noise, drawing
everyone's ò+attention+! Margherita makes noise, drawing
everyone's attention! The people at the boarding
gate wonder what the noise is... and are watching Dread bark
from a distance! The people at the boarding
gate wonder what the noise is... and are watching Margherita
bark from a distance! However, the staff do not move
from the front gate. It is impossible for Charo to
go through here! They are alarmed by the
sudden noise! But they do not move from
the gate! What is that sign? Bingo! The sign says "sushi." It's got to be a Japanese boat. Then... I can go home if
I go on this boat! Yeah. But the question is,
how do we get you on it? That's right. We have to make sure
that we aren't spotted. I will think of something!
Somehow! That's a good boy, Charo.
I'll help, too. We'll do anything we can. Can we get on from there? You mean, from the front?
That might be a little reckless. First, that crewman is in the way.
We need to get his attention. I can't get on from there. Yeah, it'll be impossible from here. Get his attention? We need a decoy so that we
can sneak you on board. So the decoy makes noise
and gets their attention. Then, don't you think we need
some sort of signal? A signal? A signal for the decoy to start. When the signal is made,
the decoy makes noise. I understand!
What kind of signal would be good? Well... we need to draw their
attention to a different place... I think the signal should be
silent. For example, wag your tail... or
take a big bow... That's right. Or else all of the
attention will go to Charo. Yes. I know! When should I give the signal? When you're ready. When we see the signal, the
decoy will make the noise. Don't forget. Charo wags his tail broadly. That's right.
That's good for a signal. That's good, Charo!
Now we have our signal. Now we just need someone to
be the decoy. Whatever you decide to do,
be sure to let me know. Please, Dread.
Could you be the decoy? Dread will be the decoy?
That might be a good idea. I've got another job to do,
so I'll leave this to you, Dread. OK. I'll make some noise
and get their attention. I'm sure a big dog like you can
make a lot of noise! Well, I'll wait here.
Signal me anytime. Yes. Thank you. Ah, ó+that reminds me.+ Tell me when you want me to
stop making noise. Please stop being the decoy,
Dread. OK, we'll call off the decoy.
If you need it again, let me know. Come to me if you need any help,
OK? Please, Margherita.
Could you be the decoy? Margherita will be the decoy?
Good idea. I'll take a different role.
I'm counting on you, Margherita. OK! I'll make a lot of noise,
and get their attention! The perfect role for a
chatterbox like you. ô+Why do you have to be so rude!?+
You're always such a... ... OK, OK.
Anyway, we're counting on you. I'll be here, so give me the
signal whenever you're ready, Charo! Yes. Thank you. Oh, oh! I just remembered. Let me know when you want me
to stop making noise. Please stop being the decoy,
Margherita. OK, then. Let's hold off on
the decoy for now. Dread!
Stop being the decoy! The plan is off? OK!
For now, let's get out of here! Margherita!
Stop being the decoy! The plan is off? OK!
For now, let's get out of here! I got your signal! õ+Leave it to me!+
Bow-wow! Woof woof! When Margherita starts to make
noise... the surprised people take notice
of her! Got it. I'll make a scene.
Woof! Woof woof! The crowd becomes startled and
runs away from Dread's barking! Charo and his friends move a bit
farther away from the gate. They arrive in front of the
warehouse. This is the front of the warehouse
near the boarding gate. They can see the boarding gate
from here. It is a large warehouse with
a terrace. The roll-up door in the
front is the entrance. It is anchored very close
to the warehouse. The upper deck of the boat
is so close to the terrace, it looks like they are going
to hit each other. That's a big warehouse.
What do you think is inside? ö+Who knows...?+ Anyway, we need
to find a place to get in. Can we climb the warehouse
terrace right away? I don't know if we can from here.
Let's go and take a look. +このメッセージには
英語訳がありません+ That boat... it looks like it's going
to crash into the warehouse. That's it, Charo!
That warehouse terrace! See it? Terrace? Yes, I see it. Go up there and jump. From there? It's high. Charo... it'll be impossible to get
on the boat from the boarding gate. Yes... While one of us is making noise
over there... you board the boat when no one's
looking. I see! That's right, Charo. Jump on the
boat from the terrace. It's not so hard. Just make sure you're running
fast enough when you jump. Y...yes. I will try. Oh, Charo, you are so... I will jump from there. ÷+Don't worry.
You can do it.+ Yes... But be careful. Yes! I can see the boarding gate from
here. That's right. You can get a good
view from here. I can see the boarding gate from
here. Yeah, you can see both the
boarding gate... and the warehouse terrace
from here. Don't forget, Charo. When you're ready at the terrace, the decoy will make noise at
the boarding gate. Yes... When the time is right,
jump onto the boat. I understand! That's a big warehouse.
What do you think is inside? Charo, you need to figure out where
you're going to board the boat. It looks like the boat might
hit the terrace. Oh, it sure looks like it.
Is it safe? I have to jump... from there... You shouldn't have a problem
from there... but be careful. I can see the boarding gate from
here. Yes, the view is nice from here. I can see the boarding gate from
here. Hey, Charo, do you remember? We need a decoy at the
boarding gate. Yes! The decoy will make noise at
that gate when you're ready. Yes! That's right! Dread is making noise in front of
the boarding gate! Let's go! Margherita is making noise in
front of the boarding gate! Hurry up! Let's go! They arrive in front of the
warehouse. A trolley is parked in front of
the roll-up door. Does it have an automatic
brake system? Waa!
It stopped right here. This is the front of the large
warehouse with the terrace. Rail tracks run across the
warehouse floor. This is the front of the large
warehouse with the terrace. A trolley sits in front of
the roll-up door. There is a hanging ladder that
can be used to get to the terrace. It is closed. There is something to the left
side of the roll-up door. It is open. What is it? Charo is too small
to see it clearly. It is some sort of switch. It is a switch used to open and
close the roll-up door. The trolley roof reaches halfway
up to the terrace. If we get inside, will we be
able to go out on the terrace? Won't know until we go in... What is this rail track? It looks like it stretches
all the way to the pier. But it's a narrow track. A trolley track. Yeah. Can we climb to the terrace
with that ladder? Dogs can't climb ladders. Dread! Can't you say that
more nicely? Dread. What is that? Some sort of switch. What kind of switch is it? Beats me...
Can't tell unless we press it. It's in front of the roll-up
door. Ah, Charo!
If I step on this... I should be able to get
you up to the terrace. Tell me when you're ready. It's almost time, Charo. I wonder what's inside. Who knows?
Maybe hidden treasure. What is this rail track? It sure is a narrow track. This is a rail track for
a trolley. Oh, I see. Can we climb to the terrace
with that ladder? Dogs can't climb ladders. What's that, Margherita? Wonder what it is?
Hard to tell since it's so high. Maybe Dread can see since
he's big. What switch is this? I wonder... Dread. I want to climb
up to the terrace. That height?
Impossible. We need something that can get
us at least halfway up there. I could put you in my mouth
and carry you. Dread. Could you carry me
to the terrace? We can get to the top if we
use the roof of the trolley. It's almost time, Charo! Yes!
I will go, Margherita! Then I'll be the decoy in front
of the gate. I'll wait for your signal! Charo! Are you ready? Yes! Dread takes Charo in his mouth
and jumps with all his might. Hey, Dread.
I want to go in the warehouse. We need to open the roll-up
door... You can get in if you open
the roll-up door. OK. I'll push it. Waaa!
The roll-up door opened! This is a switch that opens
the roll-up door. +このメッセージには
英語訳がありません+ Please, Dread.
Press that switch. OK. I'll push it. +このメッセージには
英語訳がありません+ Margherita, I want to go up to
the terrace. Mmmm...
I'd like to climb it, too. Hey, Margherita.
I want to go in the warehouse. But we need to open the
roll-up door first. Please, Margherita.
Press that switch. I can't do it.
I'm not tall enough. The three dogs go inside
the warehouse. Charo and Dread go inside
the warehouse. How do I get to the terrace? Mmm....
There's no ø+second floor+. The only way to get to the terrace
is the ladder outside. Yeah... by the looks of it,
there's no way to get up there. Charo and Margherita go inside
the warehouse. How do I get to the terrace? Oh! This warehouse doesn't
have a second floor. You have to use the ladder
outside to get to the terrace. It is a big warehouse with rail
tracks leading into it. A trolley car is parked there. Other than that, there is no
cargo and only a high ceiling. There is no second floor. +It is not a good place to play
hide-and-seek.+ The warehouse is empty. This is a trolley. There is a small cargo bed on
the electric locomotive. There is a switch on the
trolley. +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ Ga-sshinggg...
Whiiiirrrr... The trolley's power comes on. Gaching!
Whhheeewwnnn... The trolley's power seems
to have been cut off. He decides not to. This is a trolley track.
It extends outside. There is a large lever at
the end of the track. It seems to be a large switch. It does not seem like Charo
can move it. Can you move this, Dread? There's no way I can move
something this heavy. That's right....
There must be a button somewhere. Dread. This is making a
strange sound. The power must be on. What is this? Don't know.
Want to try pressing it? You think it's okay to push it?
You don't think it'll explode? The trolley will move if you
push this? It seems that way... Wow. Margherita. Do you think
this trolley can move? That's right....
There must be a button somewhere. Margherita. This is making
a strange sound. Yeah, it looks like it's on. What is this? What could this be? I don't
think we could push this. If we push this, the
trolley will move! You're a smart one, Charo. Dread, please.
Press the lever. We press this?
OK, leave it to me. What the...!?
It's going to move! Wow! We did it! The trolley automatically moves
from the warehouse. Waa! It came back by itself!
Amazing! Ohh. That's amazing. Wow! Can you believe that? The trolley automatically moves
back to the warehouse. ...
Nothing's happening. You're right... Please, Margherita.
Press that lever. Ooomph! Charo, help me here! And... ooomph! Whew... Even the two of us
together can't do it. The two dogs safely make it onto
the warehouse terrace. This is the warehouse terrace. The boat's upper deck seems
close when looking down. Then Dread looks at the boat
and says in a low voice.... +What's the boarding time?+
I hope we can make it. It's not ù+too far for Charo to+ jump,
but... a crewman is standing on
the deck. The crewman who was on the deck
has gone below. Now is my chance! The crowd at the boarding
gate can be seen. Margherita is hidden in
the crowd. There is a commotion at the
boarding gate. It is drawing people's
attention. In the crowd, the guard is shouting to
put down the disturbance. What's the matter with you, doggy?
+Silence!+ Just shut up, will you? Charo turns and looks at Dread. Dread looks a little sad. Hm? What's wrong, Charo? Nothing. Dread looks up at Charo
and waits for the signal. Dread looks up from the
bottom of the terrace. With a serious look on his face,
he shows his support to Charo. Margherita looks up from the
bottom of the terrace. Her gaze is steady,
showing her support. Charo looks around again. Below the terrace... the trolley...
the front of the warehouse... The front of the warehouse! He can see the boarding gate
from the front of the warehouse! Dread... Well, this is where we say
goodbye. Good luck, Charo... There are people on the boat. Yeah... if you jump now,
you might get caught. I can't see Margherita. Don't worry. She should be
in front of the gate. I wish she could see this view. ... ...
Who do we signal? Yeah... It's a stalemate... I can't see Margherita.
How do we signal her? Should we bark? No, that's no good.
That human will notice us. Then what should we do? I wish I could be of help
somehow... Charo, why don't you take a
look around one more time? The front of the warehouse... we could
see the gate from there, right? Hey, that's right! From there, we can see both the
terrace and the boarding gate! Charo! It looks like I'll
finally be able to help you! I'll go to the front of the
warehouse... and give Margherita your signal! Whatever you need, just say it! Dread, please.
Bark! That's what you want, Charo? Dread barks loudly! Woof! Hm? Hey, you two!
That's dangerous! Dread, please.
Lower me down. You want to go down to the
warehouse entrance? Dread grabs Charo in his mouth, and
they drop in front of the warehouse. Dread! Please go to the front
of the warehouse... and give Margherita the signal
from there. OK.
I should be able to do that! This is where we part, Charo.
Stay strong. Yes...
Thank you, Dread... ú+Take care!+ Charo wags his tail,
signaling to the boarding gate. But Margherita cannot see
him. What should I do...?
Should I bark? Charo tries barking at
Margherita. Arf! Hm? Hey, dog! That's dangerous! He decides not to. Charo faces Dread and wags
his tail largely. Dread notices Charo's signal. He faces Margherita and
nods hugely. Oh! It's Dread.
He's giving the signal! Got it! I'll go all out!
Woof woof! Bow-wow! When Margherita starts to
bark... she surprises the people
and draws their attention! Their teamwork is perfect! +このメッセージには
英語訳がありません+ Arf! Charo jumps down to the boat's
deck! Hey! You're a gutsy little guy! Still, you're not allowed
on board. Charo has failed....
He is chased away. He decides not to. They are spotted by the crewman. Charo cannot jump now.
He will need to start over. Charo's group returns to the park
where they can see the harbor. The three dogs arrive at
the pier. I was waiting for you, Charo! Margherita joins Charo. Charo and Dread arrive at
the pier. Charo and Margherita arrive
at the pier. I was waiting for you, Charo! Margherita joins Charo. Charo arrives at the pier. This is a pier used for cargo.
There is no boat. Rail tracks are spread across
the pier. Something is written on the road.
It looks like graffiti. The tracks run all the way to the
end of the pier. What does it say?
I will read it... The boarding gate û+is far from here+. Yeah. It's hard to see when
we're looking from here. I want to go on the boat soon. Yes, but first, we need to find a
way to climb up to the terrace. Um...Margherita. What is John doing over there? Beats me.... Human adults have
their reasons. I see... Uh... Margherita? I can't press the lever if
John's there. Really? Then I'll get
John out of there. What are you going to do? Leave it to me!
John is my friend! But... it looks like he's got
something to do so... I don't think it will
last that long. If that's OK with you,
then call me anytime. Yes! Dread. There's no boat here. Yeah. Is that person going to
stay there for a long time? Who knows?
I couldn't tell you. Is John going to stay there
for a long time? Who knows?
I couldn't tell you. John left. Now's our chance to take
care of things. Where did John go? Who knows? If there's something you need
me to do, feel free to tell me. If there's something I can
help you with, just tell me. Please, Margherita.
Take John with you somewhere. OK. I'll go! Charo! It worked! Thank you, Margherita! Let's meet up later in front of
the warehouse! Margherita!
Wait! Bow-wow! What are you doing here?
Rosa will be worried. Hurry up and go home! Bow-wow! Hey, Margherita! I can't play
with you much today. Bow-wow! Wait! Charo arrives at the end of
the pier. A man is standing there. It is John. He holds a bouquet.
Is he waiting for someone? Oh, it's John! What's he doing here? If he finds me here, it could
be trouble... Charo, I'll be waiting at the
pier entrance. I'll leave the rest to you. Oh, John is there. There'll be some problems
if he sees me... Charo, I'll be waiting at the
pier entrance. I'll leave ü+the rest+ to you. John's gone back... What should we do, Charo?
You want me to call him again? OK, then I'll go to the front
of the warehouse later! Bow-wow! Hey, Margherita! I can't play
with you much today. Bow-wow! Wait! Then, I'll be waiting at the
pier entrance. I'll be over there. If you
need me, let me know. This is the end of the pier.
The tracks stop here. There is a trolley. He looks a bit nervous... He's just standing there. It is the trolley that was
in the warehouse. There is a switch on the
trolley. +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ Ga-sshinggg...
Whiiiirrrr... The trolley's power comes on. Gaching!
Whhheeewwnnn... The trolley's power seems
to have been cut off. He decides not to. The rail tracks end here. There is a large lever
near the bumper. It seems to be a large switch. It does not seem like Charo
can move it. It is a switch for a trolley. Hmm? Is that John? It's Margherita's friend!
We met when we were shopping! What is he doing?
He is holding flowers. Who knows...
Humans do lots of strange things. He yelled at us. We can't press the lever
like this. Hmmm...
He's in the way. It must have come all the way
from the warehouse. Seems like it.
We're at the last stop. Hmm? What is that? Who knows? Maybe you should
press it and find out. Is that a switch for the
trolley, too? Yeah. You want to press it? It's a switch for the trolley. Yeah. You want to press it? Dread, please.
Press the lever. That must be it.
Let's press it. Hey, ý+don't fool around+ with
that! The man drives Dread away. Hey, ý+don't fool around+ with
that! John drives Dread away. ...
Nothing's happening. You're right... The trolley automatically departs
from the pier. The trolley automatically stops in
front of the warehouse. The trolley automatically returns
to the pier. Charo passes the boarding gate
and runs to the white boat. Hey!
Get away from here! Just when Charo thinks that he has
made it past the gate... he's caught! (yelps) With the help of Dread and
Margherita... Charo boards the boat safely. Goodbye, Margherita. Goodbye, Dread. He's gone... Yeah... It's a long way to Japan, right?
I wonder if he'll be OK. Yeah... þ+No need to worry.+ Charo will be fine. ...You're right. Meanwhile, Dread and Margherita
are still at the pier. They are too sad to move. Oh, no... look! What...what is it? The boat. It's coming back. As soon as the boat arrives, a crewman dumps Charo onto
the pier. Don't come aboard again,
you dog! Charo! Charo! What happened to you?
Open your eyes! Wake up! Mmmm... Are you all right? Are you hurt? Charo is seasick.
He is completely done in. The first boat that Charo ever
rode was... a sightseeing cruise that
departed from the Hudson River. It seems that Dread and Margherita
will have to take care of Charo... for just a little bit longer. +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_108.txt
****************************************

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  _   8Q  6Fk(  ?
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  |   WQ  aS  
  ]   8Q  8(  
  A   WQ  ,"  
     WQ  Oy  
     WQ  ĝ`       WQ  k  6     WQ  Ȟ@I  b  3   8Q         WQ  ,x       WQ  bV       WQ  >M       VQ  n    b   8Q  Kv'  /     8Q  r  B     7Q  ;t  H     7Q  :  q  V   8Q  7%       7Q  \{H       7Q         8Q   3N    That night, Charo dreams of
Shota. It was snowing that day.
I was so cold and hungry. Just then, Shota came and found me. Oh, no....
He'll die if I don't do something. But Shota just P+went away+.
I was sad. I thought I was dying. Then, Shota again! With a sausage! Shota picked me up and took me
home. He wanted to keep me.
But Shota's father said no. But Shota didn't give up.
He held me and sat outside. Don't worry. I'll keep trying until
he takes you in. Q+Suppertime+ came,
but Shota stayed with me. After a while, Shota's father came
out. He said, "You win, Shota." We were very, very happy. And Shota gave me a name. Your ears are brown and white, so...
Charo. How about Charo? I was excited. I had a name!
I barked! Shota smiled, too...
Didn't you, Shota? Shota.... Huh?
He's not here. Shota...
I want to see you, Shota... I can get back to Japan,
right? Just as he mumbles this, some thick violet smoke rises
from nowhere. And look! A strange woman. The woman R+smiles at+ Charo
and kindly says, Yes, Charo. Sure. You'll get to see the boy again. Wh... who are you...? I am the Dream-traveler. I peeked into your dream. S+I hope you didn't mind.+ My... dream? It seems that +he is talking in
his sleep.+ May I have your name? My name is Cello! Oh, you're named after a musical
instrument? That boy didn't call you by that
name. Tell me your real name. My name is Chairo! I don't remember hearing
that name before. That boy called you by a different
name. Tell me your real name. My name is Charo! Okay, Charo. That boy gave you a name...
an important name... You and the boy are tied to each
other. +Bonds of friendship last a lifetime.+ He gave it to you as a present. My name... In order for me to return to
your dreams again, you needed to say your name. Thank you for saying your name,
Charo. My name is Andorra.
Someday, I will help you. Wait! Who are you? Wait! Charo wakes up.
He is at the usual nest. He can hear Dread snoring. Huh...? A dream? He listens to Dread's snoring. Charo looks up at the night sky
with a puzzled look on his face. I met a very strange woman... 

****************************************
_out_EN_109.txt
****************************************

﻿?   7Q  j       7Q  ZJ_       7Q  T       =Q  28%  C  h   :Q  W˥C    j   =Q  N    x   :Q  0]X       :Q  7B\       7Q  yR       7Q  ːnT  F     :Q  9_  m     :Q  )EJ    l   =Q  R       =Q  B.=       7Q  pb       :Q  Ҟ^  J  Q   =Q  0+  y  n   :Q  EE:    -   8Q  LG       :Q  \Ǫ%    x   =Q  ժ&*       7Q  $wm[    N   7Q  ү%       7Q  I[       7Q  ZK  7  l   =Q  dU  _  v   =Q  ?  {  6   :Q  ;=       7Q  G݋       =Q  xC       =Q  ˼Hq    #   8Q  .-
  .  !   =Q  @8{!  5     =Q  Y  =  H   :Q  IX  ~     7Q  &OZ    k   7Q  7B    That night... Charo is still recovering in Dread's
nest... after having been terribly seasick. Hey, you need some rest, too, Dread.
It's my turn to stay awake. Nah, I'm not sleepy. You know, Dread...
you're really ÿ+sweet+. No. I'm not. It's Charo. Noisy kid.
I couldn't get to sleep, anyway. Charo is mumbling in his sleep,
with tears in his eyes. Both of them watch Charo as he
sleeps. Well, he did go through a lot this
afternoon. It's no surprise he's having
nightmares. Oh, Charo.
He works too hard... I mean, look what he's gone through... They think back to the events
that have happened up until now. Hmph. Kids can be noisy.
Charo... and him too. What was that? Nothing... Ā+never mind.+ Unnhhh... Charo! ā+Get ahold of yourself!+ The two dogs continue to
call out to Charo. After a while... Charo wakes up. It's Dread's nest. Margherita is sitting right beside him. Charo! You're awake!
Great! Dread! Charo is awake! Oh... good. Checking on the pup, Dread is
relieved and closes his eye. It's so good to have you back. Dread stayed with you
the whole time you were asleep. Dread? Shhh... it's his turn to get some rest.
He must have been really sleepy. Zzzz... zzzz... Listening to Dread's loud snores, Charo becomes calm. 

****************************************
_out_EN_11.txt
****************************************

﻿   d                  B       +Charo learned a new English phrase!+
+She is holding back her tears.+ +Charo learned a new English phrase!+
+He has the mumps.+ +Charo learned a new English phrase!+
+A little bird told me.+ +Charo learned a new English phrase!+
+Don't be a show-off.+ +Charo learned a new English phrase!+
+It's on the tip of my tongue.+ 

****************************************
_out_EN_110.txt
****************************************

﻿l     l     l   :  l   y  l     l     l   6  l   u  l     l     l   2  l   q  l     l     l   .  l   m  l     l     l   *  l   i  l     l     l   &  l   e  l     l     l   "	  l   a	  l   	  l   	  l   
  l   ]
  l   
  l   
  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_111.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_112.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_113.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_114.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_115.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_116.txt
****************************************

﻿   7Q  4/C    b   7Q  c;
/        7Q  pj_  *      7Q  Gʰ2  c      7Q  Mz     {   8Q  fwC        7Q  $Z        7Q  W        7Q  L-m  &!     7Q  blb  c!  Q   7Q  XϲD1  !     8Q   d  !  T   8Q  7e$  !  T   ?Q    4  !     8Q   b
  !  q   8Q  bȳ8  !     ?Q  LV  "     8Q  WE  "  V   ?Q  [9  ?"     ?Q  ִ  P"     ?Q  Xƪ  "     7Q  rK  "     ?Q  O3p  "     ?Q  F>  "     ?Q  bM  $#  P   ?Q  "  A#  J   8Q  rӷ#  R#     ?Q  &[H  `#     ?Q  ?O  #  Y   ?Q  &  #     8Q  9  #  m   ?Q  *ϸ>  #  }   7Q  hYV  #     7Q  '<  #     8Q  .Pg  $     8Q  9  K$  m   ?Q  *ϸ>  Q$     8Q  ~SbV  q$  Z   ?Q  ੺\  $     8Q  OM  $     ?Q  3Sh  $     ?Q  ɻ  %     ?Q  |?  A%     7Q   F  ]%     8Q  ,A
  x%     7Q  Ksh  ~%     7Q  ]q  %     7Q  Y&Z  %     7Q  WD  &     7Q  %ƽ,G  5&     7Q  Q
C  V&      UQ  GQJ$  w&  z   7Q  u6  ~&     7Q  E  &     7Q  5  &     7Q  "iz  &     7Q  4D  '  2   Q  @y  D'  G   Q  0U6  X'     7Q  &D  i'     8Q  KkD  '     8Q  iR  '     8Q  0#K  '      TQ  SMU$  '  y   7Q  q\Y  '     8Q  A=  (     7Q  E;  ,(     8Q  "DI  H(     TQ  2z  h(  n   8Q  s'G  (     TQ  O  (     TQ  o  (     8Q  |W  )     TQ  &c  0)     7Q  B7Z  `)     7Q  NE  )     7Q    )  E   8Q  yB  )  \   7Q  j0  *     7Q  Y  *     7Q  V  <*  E   8Q  yB  u*  \   7Q  4  *     7Q  J  *     7Q  F>D  *  E   8Q  B  *  \   7Q  n1  +     7Q  7nK  +     7Q  R  D+     8Q    }+  S   ?Q  &G_  +     7Q  #  +  s   8Q  )\  +  E   8Q  cB  ,  }   ?Q  X`  ,  \   7Q  3  G,     7Q   :D  X,     7Q  ~E6  t,     7Q  ٴ
f  ,     7Q  !g  ,     7Q  li  ,     8Q  s  )-     Q  OG  0-     Q  H]  [-     8Q    -     8Q  X  -     8Q  Z  -     8Q  sVL  -  p   Q  ڿ]  -     Q  c<  ).     8Q  Z<  E.     Q  K_  _.     Q  Ge  }.     Q  \r  .  7   8Q  6(  .  z   Q  /w8  .     8Q  /<  /     Q  lXU  +/     8Q  C  I/     8Q  7  k/  f   Q  =$<  /     8Q  a<  /  q   8Q  F  /     8Q  }v  /  n   Q  O  0     Q  DX7  %0     8Q  VDD  ?0     Q  Uщ  E0     Q  kd  x0     Q  zYR  0     8Q  lN  0     Q  rW  0     8Q  t  1  q   8Q  {%pL  "1     Q  _}Fl  @1  q   8Q  q5R  z1     Q    1  f   Q  0  1  n   8Q   N  1  5   Q  &/0  1  L   Q  $  1     7Q  rF  1      8Q  #F  2  A   Q  8W>  2     Q  ]{  52     Q  H@  q2  	   8Q  	R  2     Q  !kp6  2  w   Q  1  2     Q  pF  2  	   8Q  x
  2  m   Q  *N  2  ^   8Q  HZ  3     Q  my  .3     Q  b*Q  b3  `   Q  md>  3  0   Q  7  3     8Q    3  ^   Q  dJX  3     Q  b  3     Q  F  4     Q  0w  #4     Q  C|f`  _4     Q  h<L  4     Q  1f  4     Q  DX  4     Q  #P  5     Q  h  G5     Q  ~Vfb  |5  T   8Q  E  5     Q  B  5  #   8Q  z%  5  5   Q  b%  5  8   8Q  8  5  y   7Q  VHZ  6     7Q  N"d  86  u   8Q  .  o6     Q  B  6     Q  #T  6     Q  yxT  6     Q  |ps  7  ~   Q  ?L  E7     Q  -q  p7     7Q  )_  7     7Q  >]9  7     7Q  1  7     7Q  ?  8  (   7Q    28     8Q  lD  :8     8Q  D\  V8  l   8     8Q  y  8     8Q  Z  8     7Q  N}F  9  (   7Q  ct  39     8Q  :oL  ;9     7Q  hg  ]9      TQ  A$  9     7Q  W  9     7Q  p?8  9  m   8Q  38  9     TQ  j  9  g   TQ  C<7  ):     TQ  h,H  >:  *   8Q  %(
  j:     TQ  M[^  s:     TQ  j  :     TQ  re  :     TQ  Cs  ;     TQ  [i  1;     TQ    c;     TQ  ^ކ  ;     TQ  ^_  ;     TQ  1Epv  <     TQ  I  K<     TQ  :  R<  m   8Q  8  u<     TQ  D@  <  R   8Q  &  <  h   TQ  E)  <  {   8Q  {  <     TQ  Qʇ  =  J   7Q  g6#  <=  N   TQ  cZ9*  K=     TQ  t  c=     TQ  Y  =  1   8Q  L3,.  =     8Q  xa  =  .   TQ  %h  =  J   TQ  v  =     TQ  Yv  =     TQ  -{  %>  *   8Q  F  f>     TQ  +g  o>     TQ  oG@  >     TQ  @  >  s   TQ  ;J  >     TQ  Zy  >  *   8Q    (?     TQ    1?     TQ  jD  d?     TQ  
G  ?     TQ  "Z  ?  u   TQ  }8B  ?  J   TQ  "   ?     TQ    ?     TQ  c<  2@     TQ  LH  M@     TQ  ,?  p@     TQ  *B  @  !   TQ  nmg  @  *   8Q    @     TQ    @     TQ  (n  @  a   TQ  !"6  1A     TQ  C{  CA  *   8Q  3H  uA     TQ  Z
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  oO     8Q  HD  O  k   8Q  FF[  O  |   aQ  d0  O     8Q  )mR  P  m   8Q   7  =P     8Q  |  RP     8Q    P  {   aQ  n?[  P     8Q  P  Q  |   aQ  Kdb  ,Q     8Q   A  QQ     8Q  7  qQ     8Q  nF  Q     8Q  >B  Q  D   8Q  b?  Q  E   8Q  )z+  Q  V   7Q  T)  R     7Q  A~Y  R  	   8Q  5  4R  >   8Q  ,  8R     :Q    ER     8Q  M  JR     :Q  R  kR     8Q  e6  qR     8Q  a  R     :Q  I]  R     8Q  <  R  One day, while walking in the park, Charo sees Candy. This is the entrance to the
fountain garden in the park. Candy is near the fountain. It's hard to see clearly, but
something seems to be wrong. I wonder what's wrong? Charo is near the fountain.
Candy is there. The stream from the fountain
seems cool. There is a peaceful sound of
water. +It sounds smooth.+ She is crying.
Something seems to be wrong. She seems sad. H... hi, Candy. It's me... Charo. Are you crying? T+Leave me alone.+ But... why are you so sad? It's... my birthday today. Birthday. U+Congratulations!+ Congratulations? No, there's nothing to congratulate
about my birthday. That's why nobody is celebrating. Again, Candy starts to cry. Last year, I had a gorgeous birthday
party. A big tall cake, lots of food, lots
of presents... Everything was just perfect. But this year... What's wrong? Chris and his father are gone. Both of them have forgotten about
me. What's going on? Um... Forget it!
Just leave me alone! Candy cries and cries... Charo doesn't know V+what to+ do. What should I do...?
Isn't there anyone around? Um... Forget it!
Just leave me alone! Someone was calling you from
over there. Just forget it.
Leave me alone... Chris was looking for you
over there. I don't want to see him.
He forgot my birthday... I hate everyone!
I don't want to see anyone! Don't you follow me either! Candy cries and runs away. Uh... This is the entrance to the
fountain garden in the park. The garden trees are box-cut
and look like a maze. Trimmed trees surround the
fountain garden. The tall trees block the view. This is a trail inside the park. There is a familiar-looking
boy. Candy! A boy calls for Candy. This is a trail inside the park. There is a bench for resting. Charo can hear the voices of children
playing cheerfully in the park. There are some boys running after a
ball. +I'll get it!+ No, I'll get it! There is a familiar-looking
boy. It... it's the boy from before! I think his name is Chris. Ah! I have to tell Candy! Candy! Chris continues to call
Candy's name. He must be looking for Candy... Chris is looking for Candy. Arf!
Candy's crying over there! Huh? You're... that puppy I saw
the other day. Arf arf!
Let's go over there! I'm looking for my precious
Candy. W+That's why+ I can't play with
you now. I'm sorry. Arf!
Candy's crying over there! I'm sorry, but I can't play
with you right now. Trimmed trees surround the
fountain garden. The tall trees block the view. She is still crying. X+There is
nothing that Charo can do.+ Candy!
About Chris... Candy runs away. It is a three-way path inside the
garden. She is still crying. There is
nothing that Charo can do. Candy!
About Chris... Candy runs away. Trimmed trees surround the
garden. She is still crying. There is
nothing that Charo can do. Candy!
About Chris... Candy runs away. It is a crossroad within the
garden. She is still crying. There is
nothing that Charo can do. Um... Leave me alone!
Go away... Charo can't talk to Candy since
she won't stop crying. Y+What should I do...?+
Maybe Chris can help. Candy!
About Chris... I've had enough!
I don't want to hear it! Candy runs away. There is an unfamiliar dog. Charo is near the fountain. The rising spray of water seems
cool. Maybe he stopped by the fountain
while Z+taking a walk+. Maybe he stopped by the fountain
while taking a walk. Hello. Hi there. You look like you're
in trouble. It's not easy going after girls.
(chuckles) No! Candy misunderstood Chris,
that's all. There really is nothing to cry
about... I want to clear things up for
them. Oh, is that right...?
Sorry about my joke! It's always something, huh? Candy won't listen to me. Mmm... well, that's not good. I don't know what goes on
in girls' minds, either. ... I know! Who did you say the
other one was? Chris? Yes. Chris. Well, [+what about Chris?+ Candy won't listen to me. Mmm... well, that's not good. I want Chris to follow me, but... I'm not getting through to him. Yeah? Why is that? That's because Chris is... That's because he is
a human boy. Chris is a human boy.
He doesn't understand me. Ah!
So, Chris is a human! Then that's got to be it. That? Yeah, you know? That.
Now, what's it called again? Mmm...
I think it starts with a "C." If I could remember, I could help you.... A word that starts with "C"...? That's right. \+Let me know+ if
you think of any. Yes! That's because he is
a horse. Well, ]+I guess so...+
But why can't you talk to him? That's because he is
a dog. What? I don't understand. I will make "contact"
with Chris! Good luck! +You can do it.+ The dog gently smiles at Charo. That... That's right!
A campfire! If you sit by a campfire and
look into each other's eyes... your feelings will come through! ... That's not what you mean,
is it? That's right! Concrete! Use concrete to make it solid! ... ... Sorry about that. Starts with "C"....
What could it be? Mmm... I'm sure it's a word
that starts with a "C." I could help you if I remember... I can't remember... That's it!
Contact! ?? I finally remember!
It's contact! Dogs and humans can make contact
with one another! Of course, not everyone can... ... only a person who wishes
to understand how a dog feels! But we can't speak the same
language as humans, right? That's why we respond with our barks. That's the only way we can
tell them our feelings. For "Yes," reply with a quick
"Arf arf!" The timing of your response is
very important. I just remembered! There's one more
important thing. You can also express your intention
by not responding. Not responding?
Really? "Contact" is a deep thing. I see... Good luck! Thank you! Charo has now learned
^+how to+ contact Chris. He _+is now eager to+ express his
feelings to him. I have to go to Chris! We can't speak the language
of humans. The timing of your response is
very important. For "Yes," reply with a quick
"Arf arf!" The timing of your response is
very important. `+Be quick.+ Oh, and one more thing.
This is important. You can also express your intention
by not responding. It is a a+three-way path+ inside the
garden. A flyer is on the ground. There is a puzzle on the flyer. A word is written on the flyer. Contact All right! I'll do my best! I think I'll stop for now....
I'll do it later. +このメッセージには
英語訳がありません+ Oh, no. I got it wrong....
Should I try again? I did it! I solved the puzzle! A word is written on the flyer. Contact It's a word that starts with
"C"! This is the entrance to the
fountain garden in the park. Candy! Chris is looking all over for
Candy. There is a bench for resting. Arf!
Candy is over there! Huh? You're... that puppy I saw
the other day. Hey, it's you again. Do you, b+by any chance+...
know Candy? Arf arf! It's almost as if...
you can understand me. ... I know! Will you listen to
what I have to say? You see, I've been looking all
over for Candy. Today is Candy's birthday.
It's very important. That's why my dad and I went to
buy her presents. I didn't think we could carry all
of them. Our arms were so full! We wanted to surprise Candy, so
we left c+without telling+ her. But when we got home, Candy was
gone. I thought that maybe she was
at the fountain garden, but... Say... d+Do you know where Candy is?+ Arf!
Candy is over there! You know where Candy is? Arf arf! I know! Or you don't know? Arf arf! e+I'm telling you+!
Candy is over there! Mmm... I'm sorry. I don't know
what you're trying to say. Chris murmurs. +If I were you...+ Well, I know it's not realistic.
But, even so, I could at least... If only I could speak to you
and Candy... (whimper) Arf! Hi, again. What's wrong? Could it be that...
you know where Candy is? Are you saying that you don't know?
Yeah... I guess that's it... Arf arf! What!? You mean, you know?
Or was it just a coincidence? How about one more time? Do you know where Candy is? If you do, bark twice! ... I thought so.
It must've been my imagination... Arf arf! Wow! It's like we're really talking
to each other! If you really understand me... I'd like you to bring Candy to me. Candy hasn't played outside very
much. I'm very, very worried! What's wrong? I'm sorry to f+cause you trouble+.
But I'm really worried. If you can hear my wish... I'd like you to bring Candy to me. You'll... bring Candy here? Are you saying that you can't
bring her...? Then... Arf arf! (laughs) It really sounds like
you're saying "Yes." Then I'll wait here.
I'm counting on you. (giggles) Take me to Candy! Are you saying "No"?
I'm not sure I understand... Arf arf! (giggles)
It's like you're answering "Yes." Then I'll trust you and follow
you. Will you take me to her? Oh, and one more thing.
This is important. You can also express your intention
by not responding. This is a trail inside the park. There is a bench for resting. Arf arf!
Follow me! It really seems like you're
helping me. I'd be happy if you took me
straight to Candy... Arf arf! We won't be able to catch
up with Candy! Candy....
Why is she running away? Arf! What's wrong, little puppy? I'm worried about Candy...
I want to see her right away. So...
what should we do, puppy? Should we chase her some more? Arf arf! I feel like your voice is giving
me courage. I've decided to go after her.
I won't give up! Or maybe... Should we both wait for her here? Arf arf! Hmm... Should we wait here...? Hmmm....
g+That won't work+, huh? Then h+why don't we split up?+ Arf arf! When you bark, it feels like
you're praising me. That's a good idea. I know, little doggie.
Will you hear me out? If you want to split up with me,
say "Arf!" once. Then, I'll wait over there. After that, if you want me to
follow you again... ... bark "Arf arf!" Arf! Arf arf! What a good boy! It really sounded like you
answered me. OK!
Are you ready? Arf! Hmm...
This is no good, either. Oh, and one more thing.
This is important. You can also express your intention
by not responding. Arf arf! It's almost as if you're telling
me to follow you... All right.
I'll follow you. Arf! It's almost as if you're telling
me to wait here... All right.
I'll wait here. Candy!
I finally i+caught up+ with you! What? j+What do you want?+ Why are you chasing me with
Chris? He forgot my birthday! You must be enjoying this! No one cares about my birthday! Again, Candy starts to cry. Oh... I see. "I see"? What can you see? I'm sorry. You'll know exactly how I feel
when it's your birthday. No... I won't. What do you mean, "No"? I... I don't know when my birthday
is. What? I was abandoned... so I don't know. Then you don't celebrate...? I don't think so. Oh... Candy seems a bit embarrassed. ... ... Candy!
You have misunderstood. Chris didn't forget your
birthday. What? Chris was searching all over
for you. That's why I helped. ... Chris wanted to surprise you. He went to buy presents with
his father. ... Oh... Just then, they hear Chris
calling from behind the bushes. Candy! Oh, Chris!
What should I...? See? Chris is looking for you. Answer him. You're... you're right. Arf arf!
Chris! I'm over here! Candy! There you are. I've been looking all over for you. What's the matter? Come on,
it's your birthday today. Let's go home and celebrate. (sniff...)
Arf! I'm so sorry to be late. We were looking for your
presents. Candy is happy. Thank you, little puppy.
It's all k+thanks to+ you. She turns to Charo,
who gives her a big smile. You'd better go. Yes... but... Happy birthday, Candy. Thank you. And about your
birthday... Instead of words, she just kisses
Charo on the cheek, and runs toward Chris. That night... My birthday? Yes, Dread.
Do you know your birthday? What is it, all of a sudden? Does everybody celebrate? Have
you ever celebrated your birthday? Cut it out. But have you? Yes, I have. Really...? ... l+It doesn't really matter
when your birthday is.+ You have a wonderful day
to celebrate anyway. ... You remember the day you met Shota? Yes. It was a snowy day.
Sunday morning. Then every snowy Sunday morning
will be your birthday.... ... What? Something wrong? No....
Thank you, Dread. ... It's late. Get some sleep. With this, Charo feels calm again. Before long, he falls into m+a sound
and peaceful sleep+. Shota was crying sometimes. The previous year,
his mother had died. I'm sorry, Charo.
This is our secret, OK? He was sad, but he was hiding it. He said he was fine. One day, Shota said that we were going
on a trip to America with his father. Then, Shota's grandma gave
each of us a lucky charm... Isn't this great, Charo.
We're a matching pair! In America, we were having great
fun. Look, Charo!
That hot dog is so big! Every day there was a surprise. But I was left alone at the airport.
What happened? Don't go, Shota! I'm still here! I don't want to be left alone. Shota! Shota! Shooootaaaa!! Charo wakes up. He is at Dread's nest in New York. ... ... a dream? Huh? Dread, I am going back to Japan. What? Shota did everything for me. Now, I will do everything
to go back to Shota. Huh? I can do it. Yes, I can. And I have
to. I have to get back home. 

****************************************
_out_EN_117.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_118.txt
****************************************

﻿l     l     l   J  l     l     l     l   F  l     l     l     l   B  l     l     l     l   >  l   }  l     l     l   :  l   y  l     l     l   6  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_119.txt
****************************************

﻿l   <   l   {   l      +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_12.txt
****************************************

﻿   P      {               +Charo learned a new English phrase!+ +It is not a good place to play
hide-and-seek.+ +Charo learned a new English phrase!+
+What's the boarding time?+ +Charo learned a new English phrase!+
+Silence!+ 

****************************************
_out_EN_120.txt
****************************************

﻿   7Q  b=  86     7Q  ̟Nd  T6  q   7Q  /  6     7Q  3T  6     7Q  M  6     7Q  bD  6     7Q  \H  "7     7Q  tcN  K7     7Q  er  u7     7Q  %h  7  m   8Q  ʍUQ  7     :Q  R  7     :Q  1O  "8     :Q  wcP  L8  ~   8Q  B  u8     :Q   f\  8     8Q  	  8  ?   :Q  9r @  8  \   7Q  S %  8     7Q   O  9  i   8Q  '!L5  *9     7Q  ]!Z  ?9     7Q  !&Q  _9     7Q  ">  9     7Q  G"Ix  9     7Q  Ϳ"E  9     7Q  g#TP  :     7Q  U#w  /:  }   7Q  #:  e:  y   7Q  }$b8  }:     8Q  ?$4d  :  k   7Q  $[  :  o   8Q  $d  :     7Q  d%;  :  y   7Q  %4;  =;     7Q  0&z  U;  y   7Q  y&a<  ;     7Q   '<Z  ;  z   8Q  ['?  ;     8Q  ݚ'L  ;     8Q  'yj  <  {   8Q  7R(1  9<  o   8Q  (f  R<     7Q  (k  w<  |   VQ  U)]  <  _   8Q  )Wb  <     7Q  E*]  <     8Q  !s*:  =     7Q  *r=  4=  Z   Q  e*l  R=     7Q  mW+S  p=     Q  +>a  =     7Q  P,Se  =     7Q  q,m  =     Q  ,+[  '>  J   Q  9-}  O>     7Q  T-1Q  m>  g   7Q  .V3  >     8Q  ;.?  >     7Q  z.O  >     7Q  .T  >     7Q  y/1  ?     7Q  ~P/W  -?  G   Q  /Y  Z?     7Q  04n  o?     7Q  p0^  ?     7Q  
0o  ?  @   8Q  y]14  @     7Q  E1|  (@     7Q  B2%_  h@     Q  ~  @     7Q  Yp2U  @     7Q  x2l  @  n   Q  l23^  "A  }   Q  }3`  KA     7Q  3W  ~A  _   8Q  FH4x$  A     7Q  l4Y  A     7Q  4wU  A     7Q  95b  
B  '   8Q  
~5X  EB     7Q  #5k  NB  s   Q  B6'  B     7Q  i6[  B  	   8Q  z6A  B     7Q  6c  B     7Q  _B7p  C     7Q  7 v  BC     7Q  <k  rC     7Q  /+8|E  C     7Q  p8^  C  1   8Q  8.!  D     7Q  8=  D     7Q  -9[C  +D     7Q  @q9`  LD  1   8Q  9(!  }D     7Q  9Z  D     7Q  M:x]  D     7Q  =:"p  D     7Q  _;ZD  $E     7Q  _;V  EE     7Q  q;$?  qE     7Q  ;J  E     8Q  A@<5  E     7Q  /v<b  E     7Q  '<d  E     7Q  ==XO   F     7Q  '=,v  BF     8Q  S>M  rF     7Q  QQ>o  F     8Q  >N  F     7Q  #?|Q  F     7Q  `?l  ,G     QQ  ?R  gG     7Q  t@H  G     7Q  _h@4  G  g   8Q  @(/  G  q   8Q  @L  G     7Q  Al  G     7Q  AU  3H     7Q  AK  VH  ;   8Q  Y&B'8  vH  r   QQ  ^Bd9  H     QQ  BF  H  *   8Q  B#  H     QQ  @C9.  H     7Q  y0C@]  H  e   8Q  C:   I     QQ  Cw  =I     QQ  ?D  nI     QQ  DDj<  I     QQ  D@r  I     QQ  pEԂ  J     QQ  Eb  @J     7Q  VF77  pJ     QQ  FV[  J     7Q  Fh  J     8Q   RG  J     7Q  `GR  J     7Q  4Gn  K  o   8Q  ;!Htp  DK     8Q  HЎ  oK     8Q   ImP  K     7Q  pI}l  K  N   8Q  iIxN  L     7Q  +JP  *L  \   8Q  1J4[  nL  h   7Q  W K,  L  7   8Q  ]LK#  L     7Q  BpK;W  L     7Q  }KK@  L     7Q  L   M     7Q  ʑL@K  @M     7Q  
L  eM     8Q  v0}  M  7   8Q  iM#  M     =Q  oM&  M     =Q  MX  M  l   8Q  N'  N     =Q  4Nr;  .N     8Q  oN7  ON  E   =Q  FN8  kN     =Q  .NL_  yN     =Q  z?Osk  N     8Q  O*[  N     =Q  PC<  N     =Q  ZBP3  O     8Q  fuPG  0O     8Q  vPK  SO  i   =Q  Q^  uO  l   8Q  fQT2  O     =Q  Q	U  O     8Q  !QA  O     =Q  0R0  O     8Q  `R(  P     7Q  HRc  P     7Q  RMG  ?P     =Q  f4SX  bP  "   8Q  SoA  P     8Q  -SQ  P     =Q  OTM  P  d   8Q  T<  P  P   8Q  QT$  Q     =Q  GTb  $Q  F   8Q  faUY!  MQ     =Q  Ub  \Q     =Q  U5  Q     8Q  ۅVS;  Q     =Q  .V>  Q  W   8Q  yU2  
R  x   =Q  WBD  R     8Q  'FWU;  BR     =Q  |WN  `R     8Q  4Ww  R     =Q  BGX_  R     8Q   X;A  R     =Q  ;Xw6  S     8Q  YG8  0S     =Q  VYk  NS     =Q  dYa  {S     =Q  
9Zc  S  c   8Q  Z62  S     =Q  Z3  S     8Q  {[8q  T     =Q  s[g  YT     8Q  [k  T     8Q  XF\?r  T     =Q  \#a  U     =Q  ]^  DU  w   8Q  ux]C  qU  K   =Q  s]q+  U     =Q  ]P5  U     =Q  4^OK  U     =Q  h^J  U     8Q  M^$e  V     8Q  q_W;  AV     =Q  S_V  _V     =Q  _Pm  V     8Q  `V  V     =Q  n`ˍ  W  j   8Q  m`:  DW     =Q  {6a.R  [W     =Q  ark  W     =Q  aO  W     8Q  Cb:M  W     8Q  b8  X     8Q  bg  -X  G   =Q  n1c#  \X     8Q  <Ucz  kX     8Q  cj  X  o   =Q  :d;  X  z   8Q  vd(7  X     =Q  ԭdr   Y  i   =Q  e
,  1Y     8Q  KeJ  EY     8Q  eS  gY  v   =Q  eHk  Y  k   8Q  Vf)  Y     =Q  fL  Y  v   8Q  nf=  Y     =Q  B
gi`  Z     8Q  jg\  AZ     8Q  g
_  lZ  h   =Q  &hG9  Z     =Q  _h^  Z     =Q  hX  Z     8Q  Vib  Z  ~   =Q  iJ  7[     =Q  Qi[  [[  v   8Q  =jh`  [     =Q  djZ  [     8Q  y  [     8Q  jmP  5\     7Q  Kk?x  \\  T   8Q  kzN  \     7Q  :lof  \  u   8Q  xl==  \     =Q  l1A  \  ]   =Q  lQ  ]     =Q  Imw  +]     =Q  mG-  g]     8Q  Nm7  ]  l   =Q  =&ng  ]     7Q  *n4e  ]  d   =Q  ^ne>  ]     =Q  1o?  "^     =Q  cqo|  D^  v   8Q  0o,  ^  p   8Q  p4  ^  ,   =Q  _Sp  ^     =Q  Phps  ^     =Q  pt  ^  v   8Q  Pqv8  /_     7Q  *qy  K_     7Q  rT  _     7Q  swf  _     7Q  vs\  _     8Q  rn<  `     7Q  u?rB{  3`     7Q  sɋ  m`     7Q  `tP  `     7Q  3tw  `     7Q  !)uӄ  a     7Q  ua  <a  5   8Q  vC  ma     a     a     8Q  VvI  a     8Q  Tv8@  b     7Q  v?G  1b     7Q  'w K  Sb     7Q  rw]  wb     hQ  wdk  b     hQ  %<x1  b     hQ  VxT  c  	   8Q  Gy  'c     8Q  /  +c     7Q  ZyH  mc     8Q  iymr  c     7Q  ezx  c  N   8Q  zN  c     8Q  C-{mP  d     7Q  }{J  (d     8Q  I{:r  Kd     8Q  :|  md     7Q  7|a  d  {   8Q  }H  d  m   8Q  Zf}T  d     7Q  9}P  e     8Q  A~  (e     7Q  .)~=]  -e     7Q  k~S  Te     7Q  |~tZ  ~e  |   8Q  ?  e     8Q  5?  e     8Q  .~  e     8Q  w:  f     7Q  M  9f     8Q  C ݍ  ^f     8Q   lP  f     7Q  ހ|  f  N   8Q  ZkN  g     7Q  ;  g     7Q  E		h  9g     8Q  :j  g     7Q  Pc  g     8Q  x  g     7Q  	o  h     7Q  6(C  Ah     7Q  zr  ch     7Q  _R  h     7Q  ?<  h     7Q  {z  h     7Q    i     8Q  @{_p  Ni     8Q  )<  ri     7Q  'r  i     7Q  h2o  i     7Q  	J^  i     8Q  iO  #j     8Q  %Y  Lj     7Q  C  qj     7Q  ͈|  j     7Q  PJ]6  j     7Q  	`O  k     7Q  \@  3k     7Q  is  Sk     7Q  wM  k     8Q  nъ*G  k     7Q  l  k     7Q  G  l     7Q  eO  0l     7Q  l΋z  Tl     8Q  |H  l  [   Q  [Xv  l     8Q  ߌbH  l     Q  3(  l     Q  эa{  m  ~   8Q  :M@  5m  h   Q  &u  Nm     8Q  `  um     Q  od̨  m  ~   Q  ;
  m     8Q  ƴ~  m     Q  Ui  (n     Q    Ln     Q  f3D  un     Q  |I  n  @   8Q  rߑo(  n  \   Q  o  n     8Q  d  n     Q  y~  o  c   8Q  b:  :o  _   Q  3z\  So  Q   8Q  -  po     Q  Z*  o  c   8Q  ac:  o  _   Q  盔tT  o     Q  [!  o     Q  h.*K  p     8Q  y[M  +p     Q  {  Op     Q  uo
i  gp     8Q  V  p     Q  DS  p     8Q  0<  p  _   Q  GmSg   q     8Q  vB  "q  r   Q  ԖWv  ;q     8Q  J<  gq  _   Q  6  q     Q  G  q  O   Q  s  q     Q  h_I  q     8Q  }J   r     8Q  (j  !r  |   Q  F̘%  Mr     Q  kaI  fr     8Q  _i?  r  _   Q  9  r     8Q  O<  r     Q  %^  r     8Q  (i?  s     Q  P  (s     Q  :  Ns  Z   Q  OO  ys  l   8Q  ՛+  s     Q  &   s     Q  A)1  s     8Q  E  t     7Q  f  Bt     7Q  T:  st  j   8Q  a :  t     7Q  rY|  t     7Q  k(t  t     8Q  E͝  0u     7Q  S7  7u     7Q   yc  Qu     7Q  8r  u  S   8Q  ]!  u     7Q  n  u  x   :Q  4 =  v     7Q  qL  $v  n   7Q  :8  Ev      8Q    av     7Q  pƟc1  iv     7Q  9  v     7Q  1\  v     8Q  )W  v     7Q  ?:N  v     7Q  y3Ӓ   w     7Q  dc  hw     7Q  Lơ?  w     7Q  D:  w     7Q  ~_  w  Z   8Q  -  #x     7Q  F%1E  5x     7Q  wj[  ]x     7Q  9ƣh  x     7Q  ;.  x     7Q  дh  x     8Q  oGq  )y     7Q  z  Yy     Q  O  y     7Q  r  y  '   8Q  []/  y     7Q  (h  y     7Q  $n  $z  {   7Q  d|4  ^z     Q  ~XW  wz     8Q  }  z     7Q  mR  z     7Q  ſ}  z     Q  v=h\  4{     Q  ޙ.k  e{     7Q  lz  {     Q  x_  {  *   8Q  ުt#  
|     7Q  
(h  |     8Q  2j3Q  @|     7Q  e`G  a|     8Q    |     7Q  j  |     7Q    |     7Q  J  +}     7Q  s[  I}     7Q  =ԭ!p  q}     7Q  ^D  }     7Q  ˮ\  }     8Q  v(Y  ~     Q  cGO  ?~     Q  ѯM  k~     7Q  p~  ~     7Q  
  ~     Q  	       7Q  -<k       7Q  l  G     8Q  /U  z     7Q  IZk       7Q  Ų	B       Q   Y       7Q  aX       7Q  Vk  G     7Q  d%x       Q  TJ       8Q         7Q  W       Q  FI  
     7Q  J{  ;     Q  O  r     7Q  (:@  w     7Q  b[d       Q  %|  ʁ     7Q  C<H       7Q  p       8Q  =f  P     8Q  U[9  l     Q  
;W       7Q  UF       7Q  :y  ق     8Q  	hq       8Q  ڹ[  =     Q  5Y  e     7Q  b+T       7Q         8Q  e|       8Q    ,     7Q  V4  1     7Q  1#pD  K  p   Q  g <  o  S   8Q  C       7Q  tP=    P   Q  $E       7Q  `j  ؄  x   8Q  Cm,    7   8Q  #O
  (     7Q  06  3  -   Q  g  L     Q  }&}  U  {   Q  2       7Q      y   Q  ]    x   8Q  ݿm,       Q  #
  1     7Q  v  5     8Q  w  o     7Q  l  t  _   Q  AW.       7Q  EXr    S   8Q  rD       7Q  bb4       7Q  0v       Q  P  T     7Q  T)l  X  A   8Q  }'I0       7Q  Wf       7Q  O  ͇     7Q  SyG       Q  U0I       7Q  ms  .     7Q  iu  d  l   8Q  fn       8Q  Y;  ׈     7Q  2M       7Q  NZO  0     7Q  .	f  [     7Q  7"|    g   8Q  ./       7Q  6-`  ԉ     7Q  c.W       8Q  P3  (     7Q  \x  A     8Q  T2]H  v     7Q  zy       7Q    ݊     8Q  xx       8Q  0_  W  ]   8Q  NP=@       8Q  t       7Q  2V  ۋ     7Q  ZD    u   WQ  [    u   WQ  R  9     7Q  U|  S     7Q   ~7       8Q  t    ~   8Q  nNa       7Q  \Pk       8Q  :h  F     7Q  C  u     8Q  n       7Q  $A       7Q  f8J       7Q  Y  B     7Q  	
k  h     7Q  &u?X    1   8Q  eq  Ǝ     7Q  8  ю     7Q  y p       Q  Is       Q  0Bk  F     8Q  S[  e  ~   Q  QM       7Q  0E5       7Q  zr:  ď  ~   Q  gc  ߏ     7Q  (:       7Q  SFn    g   7Q  W-  <  ;   8Q  //  O     SQ  
^  e     SQ  h*c       SQ  	B  ̐     SQ  SL>m       SQ  x  :     SQ  92s  y     7Q  ۥ)F       SQ  'X  ё     SQ  #_       SQ  .`  4     SQ  t8R  h  Y   7Q  +D03    	   8Q  [wR
       7Q  t       7Q  1
q       7Q  f  *     7Q  ;_e  ]     7Q  PMJ       7Q  j~  ē     7Q  @       7Q  i  "     8Q  y7'  S     7Q  +z       7Q  4i       8Q  g~       7Q  "j       7Q  43t  ;  t   7Q  gB  l  <   8Q  ~=3       7Q  pc       7Q  cN  ӕ     7Q  "N    {   8Q  qR  %     7Q  W  H     7Q  k  z     8Q  ""ş       8Q  `    g   8Q  l"(/  #     7Q  Q
?  8     7Q   o  T     8Q  I       8Q  IQ       7Q  C  ϗ     7Q  oI       7Q  '~       8Q  ~  I     7Q  ([  w     7Q  g    j   8Q  @F  ؘ     7Q  G1\^    c   8Q  b  #     8Q  D9  =  x   7Q  Of  ^     8Q  [       VQ  aw       7Q  U       8Q  /]{  ܙ  b   7Q  {.       VQ  JJ  $     7Q  F$  N     7Q  .*       7Q  X^  Κ  r   VQ  OW I       8Q  P   "     VQ     (     VQ  D^l  ]     8Q  ~>       8Q  X/w       8Q  
 F    X   VQ  =9  Л  }   8Q  *L9    X   VQ  y=       7Q  br  
  J   8Q  )X  =     VQ  a  Y     aQ  τ  v  f   aQ  h1y    V   aQ  (K    D   8Q  ,NO       7Q  ;|"  ɜ  g   VQ  ]G       VQ  .Jkm       VQ  g  >     VQ  :h  \     VQ         VQ  
C       7Q  ɛal  ڝ  C   8Q  *k9       VQ  A	    z   7Q  Fe  T     7Q  BG       7Q  }U       7Q  \  Ξ  _   :Q  Gm=       :Q  *"<  )  F   8Q  L"  A  d   :Q  	\E  P  |   8Q  AOk  c     :Q  ,n       :Q  *s       8Q  ŝ       7Q  qG       7Q  cZk  $     7Q  j  S  One bright and sunny day... Many people are gathering at
a corner in Manhattan. This is a street fair. This is a n+flea market+ with tents lined
up. Charo and Dread arrive at the
entrance. This is the entrance to the street
fair. Many tents are standing o+in a row+. Various items are displayed in
the tents. The area is crowded with people
who want these items. The bright sunlight seems to
brighten Dread's face. Wow! So many people! It's a human festival called a
"street fair." There's a lot of food and unusual
things. Why don't you take a look around,
Charo? Yes. Dread...
aren't you coming, too? You p+go ahead+. I have some
business to tend to. What? Never mind.
I'll see you. Having said this... Dread goes off somewhere by
himself. I wonder what it is? Just then, a strong wind blows. A piece of paper is carried by
the wind... and falls in front of Charo. Charo returns to the place where
he found the ripped flyer. Many tents are standing in a row. Various items are displayed in
the tents. The area is crowded with people
who want these items. It seems to be a flyer. Half of it is torn off. Hm? I've seen this woman
before... It's the old woman
he met in his dream. Hmm...
what's written on it? It is a flyer that shows the woman
whom Charo met in his dream. Half of it is torn off. It is a flyer that shows the woman
whom Charo met in his dream. Half of it is torn off. The flyer is already in Charo's
mouth. It says, "STREET FAIR"! Is that woman around here
somewhere? If she's here, I want to
see her again! I'll look for the woman! Ah! I remember!
She was in my dream! Charo thinks back to the dream
he had the other day. Someday I will help you. She will help me....
I wonder how? Charo holds the ripped flyer
in his mouth. Can I find that flyer somewhere? As Charo is looking around... Eeeek! Look!
What a cute dog! Suddenly, a woman approaches
Charo. Say, what's your name?
Where'd you come from? Her eyes shine brightly as she
talks to Charo. Just then, another woman comes
from behind the first. Hey!
Why'd you run off all of a sudden? Oh, look, look!
He's so cute! The two crouch and surround
Charo. Charo cannot move. Wha... what should I do!? Charo is surrounded by the
two women. The street ahead q+is full of+
people. The two women r+are gone+. She is s+a woman with+ shiny
black hair. Eeeek!
He's so cute! She shows her affection by
patting Charo on the head. She is a beautiful woman with
blonde hair. She is holding a flyer in front of
her face to block it from the sun. Hm?
That flyer... He is curious about the flyer that
the blonde woman is holding. Charo is staring at the flyer,
when... Oh, this dog is looking at us.
Does he want me to hold him? Just as the blonde woman
lifts Charo up... a sudden gust of wind blows
the flyer away. What're you doing!?
The flyer blew away. t+I couldn't help it.+
The wind suddenly blew. Irritated, she puts Charo
on the ground. Where did it go...? Charo wants to know where
the flyer went. But the women ignore Charo's
concern... and u+joke around+ while
patting Charo on the head. Aaaah... After playing with him for some
time, the women stand up. See you later, doggy. The women walk away while
v+chatting with+ each other. ... He cannot move because he's
surrounded by the women. Charo arrives at an area full of
clothes shops. Charo arrives at an area full of
clothes shops. Clothes of many colors are
lined up in front of the shops. The area w+is crowded with+
people. There is a familiar-looking
person in the crowd. It's Rosa! Rosa is among the people. The area is crowded with
people. There is a familiar-looking
person in the crowd. It's Rosa! There are several shops that
sell colorful clothes. The people around him are
enjoying those shops. Rosa is among the people.
She is x+browsing+ alone. The area is crowded with
people. Rosa has gone off somewhere
with the flyer. The shop sells old clothes. Of course, Charo cannot wear
them. She's talking to someone. Rosa is talking to an unfamiliar
woman. She is a policewoman whom
Charo doesn't know. A police dog sits near the woman. Rosa is busy talking.
She doesn't notice Charo. I shouldn't bother her while she's
talking... Rosa is busy talking.
She doesn't notice Charo. I shouldn't bother her while she's
talking... Rosa browses through the
clothes in the shop. She picks out some clothes
and holds them against herself. Hmm... Would this look good
on me? She seems to be having
a lot of fun. Rosa has gone somewhere. What should I do...? Maybe I'll go back to
Margherita. She is a policewoman with a
sharp look on her face. The police dog is a fine
Doberman. He sits without moving an inch. Hello, Rosa!
Arf arf! Why, if it isn't Charo! Huh?
What are you holding in your mouth? Arf arf!
Rosa! What's that in your mouth? Charo places the flyer in front
of Rosa. Arf arf!
Look at this, Rosa! You're giving this to me?
What is this? A flyer? Oh! It's that fortune-teller that
everyone's talking about! Is she here at this street fair? Wow! I'd like her to tell my
fortune, but... where is she? The most important part is
torn off, and I can't read it. Isn't there a flyer I can find
that's not torn? Rosa thinks for a while... Thanks for the flyer, Charo.
I'll look around. She thanks Charo and takes
the flyer with her. Ah! Charo panics and follows her,
but... she mixes in with the crowd,
and Charo loses her. What should I do...?
She took it with her. Could there be another flyer on the
ground with the old woman on it? Did the wind blow that flyer
this way? Charo looks around, but doesn't
find anything like it. Hmm...
it's not here... This is the food area of the street
fair. The air smells delicious. y+That smells good.+
I'm hungry. Margherita is there. Margherita! There are many rows of shops
that sell food. Margherita is on the roadside. Maybe because it's so busy, she
seems more cheerful than usual. This shop is grilling skewered meat. Smoke rises and the smell of
barbecue drifts through the air. Smells good....
Does it taste better than sausages? Margherita! Charo! I didn't know you were at the
street fair, too! What are you doing? I'm here looking for my friends. You have friends here, too? Many friends! The dogs in this area are all
my friends. I even have a friend who's
on the police force! Wow! On the police force! I'll introduce you to him
someday. What are you doing here, Charo? I came together with Dread, but... he said he had business and
left. Oh, that Dread!
He can be so mean. Where did Dread go? Probably looking for mint
ice cream again. I'm looking for an old woman. What kind of person is she? Um... Charo tries his best to explain,
but... Margherita doesn't understand
him. Hmm. I heard what you said,
but z+I'm still not sure.+ Mmm...
I know! There is a flyer with a photo
of her! Well, I might know if I see the
flyer. Yes!
I'll bring the flyer! Mint ice cream? Mint ice cream is Dread's
favorite food. I didn't know. Oh, my! He was eating it
behind your back! He's probably embarrassed that an
adult like him loves ice cream. Where could the old woman be? We might know if we see the
flyer. Margherita! Look! What's it like?
Hurry up and show me! Where could the old woman be? If we show the flyer to Rosa,
she might know. I saw Rosa just now!
But she was talking to someone... Now, who could it be?
Was it somebody you know? No, it's someone I don't know. What kind of person was it? Like someone from the police. Police? Ahhh...
that was probably Catherine. If so, then she isn't
the type who talks too long. Why don't you go there again?
They might be finished talking. Rosa is here, too? Rosa's around the clothes
shop. Rosa said that the old woman is
a popular fortune-teller. Then, if you know where she's
fortune-telling, you can see her. But Rosa said that she doesn't
know where the woman is. The important part was torn off
and she couldn't read it. The location must've been on
the part that was torn off. By the way, what happened to the
torn flyer? Rosa took it and went
somewhere... Oh, that Rosa! Well, it doesn't matter, right? The important part was torn off,
anyway. We want a flyer that's in
good shape. Yes! I need to find a flyer that's
not ripped! Where could the old woman be? I think that was written on the
part that was torn off. I'm sure we'll know, if we have a
flyer that's not ripped. {+Where can I find a flyer that's
not ripped?+ Say, Charo, that old woman is a
popular fortune-teller, right? Yes, it looks like it. Then there might be some
people at this fair... who are here because they want
their fortunes told by her. Those people might have the
same flyer. I see!
I understand, Margherita! I'll check around here again. Margherita! Did you see a flyer
float by here? No, I haven't. I see....
It must have blown someplace else. Margherita!
I found out about the old woman! Good for you, Charo!
Where is she? She's in a purple tent! A purple tent?
I haven't seen one around here... Where is that tent? It seems to be west of the stage. Will I be able to meet the old
woman? I'm sure you will.
I have a good feeling. Where is the stage? Straight this way.
Be careful when you go there. Yes!
Thank you, Margherita! Come to me if you have any
problems, OK? There was a crowd in front of
the stage... so I couldn't get to the
other side. Oh, that's a shame. Usually, the police sort out
this kind of thing. My goodness!
Just what are they doing!? That reminds me. You have a
friend in the police, right? That's it!
I could ask him to help. What do you want to do, Charo?
|+Shall I ask him?+ Thank you, Margherita!
I'll go to the stage. I'm sure that you'll be able to
get past it now. Could there be another flyer on the
ground with the old woman on it? Did the wind blow that flyer
this way? Charo looks around, but doesn't
find anything like it. Hmm...
it's not here...? Charo shows the flyer in his
mouth to Margherita. This is the old woman. Oh, I've seen her before. Hmm....
Now, where did I... ... ah! I know! It was in a magazine
that Rosa was reading! Rosa may know something! Can we ask your friend for help? Sure! I'll go ask him.
Leave it to me! After Margherita says that,
she walks off somewhere. Thanks for waiting!
I talked to him. I told him to direct the crowd... Why don't you go to the stage?
I'm sure you'll be able to pass it. Thank you, Margherita! Then I'm going to go. See you! This is where we part.
I'd like to go with you, but... my friend Marilyn is waiting for me.
... I'm sorry, Charo. Yes!
Thank you, Margherita! These shops are selling daily
supplies and general goods. These shops are selling all
kinds of products. There are many people handing
out advertisement flyers. The ground is covered with
discarded flyers. There are a lot of shops. These shops are selling daily
supplies and general goods. On the surface of the road is
paper, paper, paper... Flyers are scattered everywhere. They are all advertisement
flyers from the street-fair shops. This one has a photo of the
old woman he saw in his dream. It is the flyer that Charo
has been looking for! I did it!
I found it! "Andorra's Dream Fortune-Telling.
Let's meet in your dream." "I await in the purple tent west
of the stage." The purple tent west of the
stage... I'll see her if I go there! They handle many household items. Many people are handing out
flyers. There is a familiar-looking
person in the crowd. Shirley!
I am looking for my Shirley! Does anyone know where my
beautiful, striped snake is? Please contact me if you see her! ... Could there be another flyer with
the old mysterious woman on it? Many flyers are lying on the road. Waa!
The street is full of paper! Charo looks around, but doesn't
find anything like it. Hmm...
it's not here... Did the wind blow that flyer
this way? Many flyers are lying on the road. Waa!
The street is full of paper! It will be hard looking for it
here... but I'll do my best! A familiar-looking flyer is on
the ground. Oh... is this the flyer!? Waa! So many people! A street band performs on
the stage. Wow. A crowd of people surrounds
the stage. It doesn't seem possible to
move forward. A crowd of people surrounds
the stage. There are many people. }+I won't be able to go through...+ The purple tent is straight
ahead.... What should I do? I think I'll ask Margherita. A street band performs on
the stage. Could there be another flyer on the
ground with the old woman on it? Did the wind blow that flyer
this way? Charo looks around, but doesn't
find anything like it. Hmm...
it's not here... This is the front of the stage. ~+The crowd of people+ is gone.
It is now possible to go through. Wow!
It's all thanks to Margherita. It's possible to see the other side
of the stage. That must be the west side of
the stage. OK! The crowd of people is gone.
It is now possible to go through. A policewoman directs the
people. Nearby, the police dog from
before supports her. The next band is on the stage,
preparing. This is the front of the stage. A band dressed in flashy clothes
performs onstage. A crowd much bigger than the
one before surrounds the stage. Oh, no!
Now there's a bigger crowd! I won't be able to go back... The vocalist, dressed in flashy
clothes, shrieks. The sound is so loud that the
speaker cracks. The audience is getting excited
listening to that. It... it's so loud! +I feel dizzy.+ I have to go someplace else, fast... The guitarist is waving his electric
guitar and screaming. Charo arrives at the food area
that is to the west of the stage. There are shops selling food. There is an ice cream wagon
near Charo. This is an area for food shops. This seems to be a shop that
specializes in ice cream. There is a dog sitting next to
the wagon. Does that dog belong to someone? This seems to be a shop that
specializes in ice cream. Becky is sitting next to the wagon. It is a bulldog sitting gracefully. Somehow, his manner is soft
and strangely feminine. Hello! Oh, hello.
What a cute boy. Do you belong to the wagon's
owner? That's right. How about a taste
of the world's tastiest ice cream? I'm Becky, the shop's mascot girl. Girl? But you're a male. +How rude!+
I'm a lady at heart! Ice cream tastes good even to
dogs? It's a matter of opinion,
but I think it's delicious. Sometimes dogs who eat
ice cream stop by. Dogs eat ice cream...?
Does Dread eat it, too? Dread?
I've never heard the name... Our mint ice cream is out of
this world! If there's anything special about him,
feel free to tell me. What kind of dog is he? A big boxer. I see.
He's a big boxer. My favorite kind of dog,
a pug! A pug...?
I haven't seen one around here. Huh?
Did I get it wrong? Come on!
I'll ask again, OK? A lonely husky. A husky....
I don't recall seeing one. Huh?
Did I get it wrong? Oh, well.
I'll ask again, OK? Appearance is important.
Like my cute ribbon. What is distinctive about him? He is wearing a patch over
his eye. An eye patch? How cool! Then maybe you mean... him? He is wearing a bandage over
his mouth. What an odd dog. Then I guess
he can't speak very well? Did I say something strange? I'll ask again, OK?
Now, come on! He is wearing a bandage. Oh, that's a shame....
Has he been injured? Did I say something strange? I'll ask again, OK? Now for the last question. I like vanilla.
How about him? Hmm... What flavor of ice cream
does he like? I think he likes mint ice cream. He cares more for love than
mint ice cream. Yes, love is everything! But I don't think I follow you... Did I say something strange
again? I'll ask again, OK? He is like mint ice cream. Hmmm? I have no idea what
he looks like... Did I say something strange
again? +Do you mind telling+ me again? Oh, so it is him!
He comes here sometimes. In fact,
I saw him today... Where did Dread go? He just walked past the wagon and
turned at the corner over there. It leads out of the fair.
I wonder where he went? He turned at the corner?
Thank you! Charo arrives at an area facing
the main street. It is outside of the street fair. There're many cars. The traffic is so heavy that rushing
into the street would be dangerous. There is a dog standing still
at the side of the main street. Dread! He does not notice Charo. Dread stands still at the side of the
main street. Dread just stares at the main
street and doesn't move. What's wrong...? Charo can barely hear Dread's
voice. He's mumbling to himself. I'll never forget you... Dread mumbles softly to himself. And +he sighs deeply.+ Drea... Charo starts to call him... but then decides not to. He feels that Dread is doing
something important. I better go back before he
notices me... Charo arrives in front of a
blue tent. There is a blue tent in front of him.
Something about it is mysterious. This is inside the blue tent.
The atmosphere is mysterious. He quietly peeks into the tent. The inside is a mysterious space,
lit up by blue flames. Fortune-telling items are
all around. Someone's here... There is a young woman in the
darkness. Another exit can be seen behind
the woman. The female fortune-teller
is mumbling to herself. Charo can go out the back of the
tent if he uses that exit. However, the female fortune-
teller is in the way. Maybe if I go to the other side
of that exit... Just then, the female fortune-
teller notices Charo! Ohhh, what a cute puppy!
Let me hold you! The woman throws her cards
aside and runs up to him. Waaah... Charo is caught by the female
fortune-teller. The female fortune-teller
plays with Charo for a while... and finally lets him go. Come back here anytime!
I'll play with you again. Aaaaah... she patted my head
so much... Charo dizzily leaves the area. As long as the woman is there,
he can't go to the back of the tent. Your destiny is controlled by
the tarot cards... Believe in the path revealed
by the cards... (laughs) The fortune-teller from before
is standing in front of the tent. (laughs) You want me to play
with you some more? Oh, no... Charo remembers how dizzy
he was before. I... better stay away from here! Charo runs away from the tent. But... I can't meet the old woman
if I don't go through here! Charo makes up his mind and
faces the woman. Charo and the woman are facing
each other before the blue tent. The air around them is tense. It's a woman wearing a very long
dress. The woman blocks the way that
leads to the back of the tent. It is a very long dress that
almost touches the ground. If she steps on her dress,
she may fall. I have to go past here, +no matter
what+! What's wrong? Why don't you
come over here? Huh!
I must've gotten too excited... She looks at Charo, who doesn't
move, and calms down. She looks at Charo, who doesn't
move, and tries to approach him. Oh! She loses her balance because
she has stepped on her dress! ... But somehow she is able to
regain her balance. Ah!
I could have gotten past her. She looks at Charo, who doesn't
move, and stands up. The woman is watching Charo. Yes? Is there something you
want to say to me? The woman takes one step
closer to Charo. The long dress makes it difficult
for her to walk, but... as long as she stands still,
she won't step on her dress. Now, then!
I'm going to play with you! Aah! Charo panics and takes one
step back. What's wrong? You want me to
come over there? The woman stands and takes one
step closer to Charo... Huh? Suddenly she stops moving. The woman is stepping on her
dress with her right foot. Oh, you're so cuuuuuute!
Come over here! The woman waits with open arms. There doesn't seem to be any
chance for him to get past her. Oh, no! I made her excited! I better not wag my tail... Come over here!
I'm going to play with you! The woman is waiting with open arms. There doesn't seem to be any
chance for him to get past her. Waaa....
Right now I can't get past... I'd better wait until she calms
down... Oh, what's wrong, doggy?
Are you tired? The woman squats and watches
Charo. The bottom of her dress spreads
around her feet as she squats. If she takes a step toward me,
she may step on her dress... Now! Charo jumps to the right! Charo tries to jump straight ahead. Now, come to meeeee! Oh, no!
She'll catch me! Charo stops in his tracks. Oh, too bad....
I was so close. She lets out a bold laugh and
stands in front of Charo. I have to find a way... Here goes! Charo jumps to the left. (laughs) The fitness machine I got from the
shopping channel keeps me in shape... You can't run from me! The woman stops Charo in
his tracks with her swift footwork! Now, let me catch you,
little puppy... I have to find a way... Oh! The woman has stepped on
her dress and loses her balance. Now! Charo tries to run past the
woman's arms, but... Oh, no, you don't! The woman falls, but still
stretches her arms out. Oh, no!
She'll catch me! Charo quickly jumps back. The woman rises quickly and
blocks Charo's way again. Oh! The woman has stepped on
her dress and falls over! I... I'm sorry! Charo uses the opportunity to
run past the woman. He succeeds in running into
the tent! Charo leaves the area for now. Where are you going, puppy? It is a tent village with many
fortune-telling tents. He is in front of three tents, with
the purple one in the middle. +I finally made it+!
It's the purple tent! Will the dream woman see me? It is a fortune-telling-tent
village with mysterious tents. Three colored tents are standing
in a row. From the left, they are
red, purple, and blue. There is a sign that says
"Closed." He cannot go in. What should I do...? A troubled Charo is sitting down
there, when... suddenly, he hears a singing
voice. Where is it coming from? There is a sign that says
"Closed." He cannot go in. Is there an entrance around
here...? Searching for an entrance, Charo
looks at the side of the tent... but there is a pile of luggage, so
there's no space to crawl in. The old woman must be in this
tent. What should I do...? Is there another way...
another place to enter? Oh!
That reminds me... I can get to the purple tent by
going through the back exit! Charo decides to look in another
area. He can hear a singing voice. Lululuuuu... lalalaaaa... Lululuuuu... lalalaaaa... As Charo approaches, the singing
can be heard louder and clearer. +It sounds like a ringtone.+ It's coming from inside the tent!
Someone's there! But what should I do...?
I can't get in. A singing voice can be heard from
inside the tent. I can't go in,
even though someone's inside... This is the front of the red tent,
the leftmost of the three tents. It's not the old woman's tent...
but could she be here? There is a red tent in front of him. The shape of the tent is like the
others... but it has Eastern-style
decorations. The red tent is popular and there
is a line of people. A familiar-looking man exits
the tent. It's John! Charo peeks into the tent. He hears a man make a strange
sound from inside. Fortune-telling is a hit-or-miss
affair! Nonbelievers will be punished! It doesn't seem like the old woman
is here... Hey! No puppies allowed! The man yells at Charo. Charo peeks into the tent. Hey! No puppies allowed! The man yells at Charo. John, who has exited the tent,
seems tense. He scans the area. Arf arf!
Hello, John! Whoa! Oh, it's you, Charo!
You startled me... Don't tell anyone I was in the
fortune-telling tent, OK? I don't know what they'd say
if they found out.... But it's not like a dog would go
and tell anyone! (laughs) Hey, Charo... I had my fortune told
and the results were good! I was told that my wish will come
true! +Ta-da!+ John seems to be in a good mood. Well, I better get back to the
store. See you, Charo. Well, you know Charo, but don't
tell anyone. I want to hear you say "+my lips are
sealed.+" ... Oh, there's no use asking you
for that. John skips away. ... This is an alley between the
street fair and the main street. Few people walk through the alley,
as it leads away from the fair. It is a narrow alley
surrounded by tall buildings. There is an old +fire escape+ on
the wall of the building. The fire escape runs up
the building. The whole neighborhood can be seen
by climbing the fire escape. Charo climbs the fire escape. Charo climbs the fire escape
for a while, but... Huh? It's a dead end.
I can't climb any further. The fire escape ends just before
he reaches the roof. Charo looks around from the
top of the fire escape. Wow!
I love the view from high places. The fair spreads before Charo's
eyes. Charo looks at the scenery for
a while, until... something catches his
attention. Hm?
That tent... Charo can see the neighborhood
from the fire escape. There are various tents
on the right side. There are a variety of tents
lined up. Is that...
a fortune-telling tent? Various objects have been placed
around the tent. From here, he can see what
appears to be the back exit. If I go through the back of the blue
tent, I might get to the rear door. That woman is at the front of
the tent. What should I do...? Charo thinks for a while... If he wants to return to Shota,
he must not give up. I have to go through the blue
tent! And then I'll meet the old woman! Charo goes down the fire escape. Charo has gone through the
blue tent! It is a very narrow open area
surrounded by tents. Ah! It's the area I saw from the
fire escape! The back side of the purple tent
is nearby. Like the blue tent, the purple
tent has a back exit. Can I get in there...
from here? Charo quietly peeks into the
purple tent. Hello?
Is anyone in here? Who was singing +earlier+? As he looks around,
somebody picks him up! Arf! It's all right.
There's no need to worry. It's the woman he saw in his dream. It's... it's the old woman!
I've finally found her! Charo is delighted. +I've been waiting for you+, Charo. The woman lights her lamp
and burns some purple flower petals. A sweet smell surrounds Charo,
making him sleepier and sleepier. In his dream, Charo wakes up
and sees the woman's face again. We meet again, Charo. Ah... I'm the Dream-traveler.
I visited your dream before. You want to see a boy named Shota,
don't you? Yes! I want to see Shota! But... I want to see the meaning
of Shota. Oh, was I wrong? I saw Shota in the sea. Oh, was I wrong? Andorra brings her hand close to
Charo's forehead. It's Shota!
Shota! It's me! Shhh.... Be quiet and watch. I am looking for my dog. Uhh...
I don't understand. My dog... where? Shota! Shota! Charo calls out to him,
but soon the vision disappears. I'm afraid that's it. You just saw a piece of Shota's
dream. See? He's trying to find you. He's even looking for you in his
dream. And you know, maybe I can help.... Why don't we see each other again?
In your dreams. Saying so, Andorra strokes Charo
on the head. Huh?
When did I...? We should call it a day now.
I'll see you again, Charo. Charo leaves the tent,
walking unsteadily... He returns to the ice cream wagon. Dread is eating a large cup of
ice cream. Charo is still feeling dreamy as
he walks to where Dread is waiting. This is delicious.... Hey, what's the matter? I saw Shota... What? You OK, kid? A woman... I knew her....
She showed me Shota. Uh-oh.... This is serious.
Maybe too much sun. All right, why don't you sit here
in the shade and rest? Yes. Dread goes on licking his ice cream. Charo still cannot forget
the vision of Shota. Shota is looking for him!
This makes Charo feel strong again. 

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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_122.txt
****************************************

﻿l                  l   J  l     l     l     +このメッセージには
英語訳がありません+ "+A hero needs good food to be
 a hero.+" Charo learned a new English phrase!
+A hero needs good food to be
a hero.+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_123.txt
****************************************

﻿   7Q  -
s  @)     7Q  H  )     7Q  B_  )  X   8Q  ]()  )  ?   =Q  +  )     7Q  V<_  
*     7Q  7I;  B*     7Q  ;  \*     7Q  =
ou  v*     7Q  
VJ  *  b   =Q  
%X  *  f   8Q  '+h   +  v   =Q  ՓN  %+     =Q  ,  G+  &   8Q  i\  }+     =Q  5{C  +  {   =Q  *  +  ^   8Q  N  +     7Q  
7C  +     7Q  >  ,     7Q  zKb  ",     7Q  N  S,     7Q  +P  y,  c   Q  |mc  ,     7Q  6B  ,     7Q  E"z  ,     7Q  _60  $-  c   Q  R  =-     7Q  @N  b-     8Q  m  -  	   Q    -     Q  1c  -     8Q  Z  -      8Q  TE7  -     Q    -     8Q  ÝJ  -     Q  .ޙw  -     8Q  
o  %.  ]   Q   _  Y.  h   8Q  U*  v.     Q  V  .  5   Q    .     Q  m!L  .     8Q  |mT  .  <   Q  Ё6  .     Q   ^  .     8Q  M   /     Q  (Z  &/  c   Q    R/     Q  U
z  y/  t   8Q  ϚD  /  t   8Q  F  /     Q  /  /  t   8Q  mZ<  0  W   Q  C  10     Q  S  B0     Q  WP  g0     8Q  j`  0     Q  Lw  0     Q  Z>Ē  0  i   Q  l  0     Q  cY  (1     8Q  
7  d1     Q  A!^n  k1  Q   Q  T  1  D   8Q  1G  1  l   Q  +0  1     Q  \`z  1     Q  }J  &2     Q  b!
  ?2     Q  lJ  w2  2   8Q  h	<  2     7Q  $=  2     7Q   I  2     7Q  kjq|  2     7Q  x  3     7Q  _l  Y3     7Q  Da  3     7Q  - G  3     7Q  u =  3     7Q   =r   4     8Q  $!Hf  04     8Q  4!~  d4     Q  
"R  4     Q  `)"[  4     8Q  Q"  4     Q  P"3x  4     Q  #UJ  5  m   8Q  Z#,S  55     8Q  #P  X5     8Q  #~P  5     Q  mO$c@  5     Q  Џ$  5     Q  	՛  6     Q  P(%Ul  :6  x   Q  %@  h6     8Q  &%$  6     Q  %gF  6     Q  @&|  6     Q  p&H  6  j   Q  u'j6  6     Q  ;'|  7     Q  ['s  E7     8Q  <(9  u7     Q  %Q(u@  |7     Q  (  7     Q  Y:)5n  7  s   Q  ):]  7     Q  *[  8     Q  a*%_  E8     Q  *  i8     Q  `+A  8  D   Q  
,2  8  f   8Q  =,'  8     Q  d,u]  8     Q  gRa  "9  w   Q  #,9  H9  7   8Q  ,6  _9     Q  ;-  k9     7Q  C/-ޔ  r9  7   7Q  !-  9     7Q  -aL  9  W   =Q  4).`  9  G   8Q  ɜ%P  
:     =Q  .e  $:     =Q  .BS  Z:     8Q  B/{r  :     =Q  _/  :     =Q  '/  :     7Q  CI0^  ;     7Q  =r  4;     7Q  [0yV  e;     7Q  0*q  ;     7Q  n1ic  ;     7Q  g1^  ;     7Q  02#b  *<     7Q  29  [<  v   QQ  ѥbl  x<     7Q  2Ns  <     7Q  -@3IA  <     7Q  v3L  <     7Q  3  =     7Q  X4u  c=     7Q  d4͑  =     7Q  =Y  =  J   8Q  1`58  >  #   QQ   5a  *>     8Q  5	  6>  	   QQ  5x  8>  f   QQ  55  <>     QQ   6S  _>  1   8Q  ̋I  >     QQ  S6L  >     QQ  K6f  >     8Q  7  ?     QQ  7;k  ?     QQ  y7F`  9?  *   8Q  7  j?     QQ  7>  s?     7Q  %8bE  ?     7Q  !k8KN  ?     7Q  l8l  ?     QQ  d&9T  
@     7Q  S{9Ja  *@  :   QQ  9  Y@     QQ  9S  e@     QQ  gJ:՝  @     QQ  <:D  @  '   8Q  -;;  @     QQ  JA;gm  A     QQ  ;Q  6A     7Q   <'k  fA     QQ  k<:  A     QQ   =  A     7Q  ՝R  A     7Q  +=X2  B     7Q  ]=b  /B     7Q  =os  bB     7Q  4>GO  B     7Q  (L  B     7Q  b>J  C     7Q  p>3H  'C  p   7Q  ?,  SC  h   7Q  B?D+  iC     7Q  m?K  ~C     7Q  j  C  7   8Q  ?"  C     8Q  Z?O<  C  A   =Q  @  D     =Q  7@ˋ  $D     =Q  m@5  kD  $   8Q  8@  D     =Q  A=  D     =Q   A  D     8Q  A  D     =Q  gAm  D     8Q  6B:  E     =Q  pB;  )E     =Q  aBz  HE  S   8Q  W'CD  E     =Q  lCՍ  E  U   8Q  C(  E     =Q  "Db  E     =Q  ӄDfL  F  #   8Q  9Dt$  HF     8Q  DL  QF  A   =Q  AE6  rF  y   =Q  ^Eu  F     =Q  ET8  F     8Q  
F%  F     =Q  D(F^  F     =Q  ǆF?  G     8Q  rF*J  )G     =Q  GX  IG     =Q  .iGkR  nG     7Q  x<4h  G     7Q  ks  G     7Q  GKO  
H     7Q  
HL@  6H     qQ  0KH{  _H     7Q  H-  H     qQ  HwQ  H     qQ  oEIG  H     7Q  Ie  H     7Q  IG{  %I     7Q  lJCK  cI     7Q  Jl  I     8Q  %K  I  F   Q  7K:  I  2   8Q  rK  I  b   8Q  KG  I  d   Q  K#  J     Q  x|m  J     8Q  K`  GJ     Q  +	Li  LJ     8Q  rLUo  sJ     8Q  H  J     Q   LX  J     8Q  :Mt  J     8Q  Mi1  K     Q  t?  K     Q  Mc  KK     8Q  DNQV  vK  '   Q  _N0  K     8Q  NR  K  m   Q  O@~  K  o   Q  n_  K     Q  O]  +L     Q  C=P[  eL     Q  Pzl  L  A   8Q  fQA  L     Q  %GQ  L  5   8Q  RQ  L     Q  clQC  L     Q  Qk  L     8Q  [;R  'M  :   Q  ^NR$  ,M     Q  _rR`  9M  v   Q  0RE  nM     8Q  #S  M     7Q  `  M     7Q  !Sx  M     7Q  MSJ  N     7Q  'Sm  CN  8   7Q  ST2  N  L   Q  MlTI  N     Q  ƯJ`  N     Q  TD  N  i   qQ  Tk  N  [   8Q  "{U,  O     Q  UMs  0O     Q  d&,N  `O     7Q  PVR  O     7Q  8nVr  O     7Q  RVZp  O     7Q  bd>l  !P     7Q  PWc  YP     7Q  Чm  P     7Q  1>]]  P     8Q  Wk  P  "   8Q  f X  +Q     8Q  6X  3Q     7Q  XA  qQ     7Q  Y	i  Q     ?R  oYw  Q     7Q  $Zw  R     8Q  Zr^  iR     7Q  :L  R     7Q  j  R  l   R  l   :S  l   yS     8Q  
Z  S     7Q  Zd6  S     7Q  2[=  S     8Q  o[  S     7Q   W  S     7Q  w[3  .T     7Q  $[Q  JT     7Q  [/n  yT     8Q  k\  T     7Q  Xi  T     7Q  r\7  T     7Q  \Qr  U  8   8Q  
]  IU     7Q  ']T|  TU     7Q  B]]  U     7Q  ^K  U     7Q  M^Ze  U     7Q  F^@  #V     7Q  I^K  HV     7Q  >_S  tV     7Q  u_![  V     7Q  _:C  V     7Q  0`^  V     7Q  \`Z  #W     7Q  aJ  iW     7Q  ?V  W  `   Q  aaN  W     7Q  gzl  W     7Q  &a6q  X     7Q  \!b<  JX     7Q  Y^bl  hX     ?R  b.  X     7Q  ic  X     7Q  Yd  <Y     Q  cR  wY     Q  R~  Y     Q  ѩt  Y     Q  |Fbe  Z     7Q  u,s  IZ     7Q  Ed[  Z     7Q  MdH  Z     7Q  djv  Z     7Q  :`e~U  [     7Q  ep{  O[     7Q  =z  [     7Q  (1f[  [     7Q  یfkE  \     7Q  Ff}x  -\     7Q  c  j\     7Q  JgW  \     7Q  E[  \     Q  gZ  ]     Q  $gX  9]     Q  ޫR  `]     7Q  &^j  ]     7Q  UhX  ]     7Q  X  ^     7Q  ~h~  E^     7Q  ɢ;b  ^     7Q  
-i[  ^     7Q  ƈiu  ^     7Q  i=\  ._     7Q  Zj9k  b_     Q  07A  _     Q  j
u  _     Q  xQ  	`     7Q  (;koa  8`     Q  ki6  k`     Q   k:>  `     Q  yʫ  `     7Q  :la  `     7Q  4sl<E  a     7Q  pl*z  9a     7Q  2mF  ya  q   7Q  jym$C  a     7Q  m/w  a     7Q  3n  a     QQ  ˲n\  <b     XQ  oB  _b     QQ  Qoce  |b  8   AQ  $o  b     QQ  oq  b     XQ  <p}G  b     XQ  p:b  c     QQ  Yp/m  Ic     7Q  Sqk  zc     7Q  7q1X  c  k   =Q  hro  c     8Q  
rO  d     AQ  rVB  /d  w   7Q  4s2H  Od     8Q  fasJ  gd  O   8Q  s,2  d     =Q  Fs  d     AQ  ct5  d     =Q  {tph  d     =Q  u9n   e     =Q  $pu7E  Se     =Q  [uk  {e     7Q  &!vu  e     7Q  ߖva  e     7Q  v7L  $f     7Q  DwN  If     7Q  w4s  nf     7Q  x>  f     7Q  ExAh  f     =Q  >+L  g     8Q  9x8  $g     8Q  簣X;  ?g     AQ  x*  Yg     8Q  x8  ug     8Q  ?9  {g     =Q  LxW  g  s   7Q  HDyzk  g     7Q  ¯yV  g     AQ  Vz  h     =Q  pz#K  h     AQ  `zm  6h     AQ  cz:  yh     =Q  r{H  h     =Q  	Q{z  h  ]   AQ  {(  i     =Q  j{h  i  S   =Q  \|!  Si  _   7Q  ~|.  di  q   7Q  ׬|vB  wi     =Q  M|[  i     =Q  w}z<  i  \   8Q  "}T7  i     =Q  v}vE  j     =Q  0~T  $j  j   =Q  ~v=  >j     =Q  ~  Sj     8Q  M~M  j  &   =Q  C  j     =Q  ^N  j     =Q  j%-  j     =Q  09  
k  L   =Q  ~js  7k     8Q  I=  Fk     7Q  :o  fk     7Q  -G  k     7Q  u  k     7Q  ^_   l     7Q  %T  0l  _   XQ  g0  \l  I   QQ  1
#  l  t   XQ  >K  l  e   XQ  %  l  ;   QQ  +c  l  '   XQ  G!
  l  S   XQ  0T!  l     AQ  u  l     qQ  ~dr  l     ?R  E  (m     7Q  7?  Dm  f   8Q  vA4  bm     7Q  ,?  xm     8Q    m     7Q  wcp  m     7Q  c7q  m  z   8Q  Յ19  n  d   8Q  B0  n     7Q  ,?a  2n     8Q  &9
  kn  4   7Q  _%  on     7Q  zh  |n  Y   7Q  І+$  n  s   8Q  MT  n     7Q  ]I7;  n     7Q  E  o     7Q  ɇR  "o     7Q  R  Lo     7Q  kn<  so     8Q     o  q   AQ  ňE  o     AQ  
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  fu     =Q    lu  9   8Q  !5  u     7Q  Eb  u  k   8Q  &L  u     7Q  9K  v     7Q  Q?U  ?v     7Q  ;C  hv     :Q  ؖVn  v     8Q  $GR  v     :Q  v[}  v     :Q  nk  v     8Q  ڗ)O  w     :Q  )	X  (w     8Q  쁘H  Xw     8Q  4>  ]w  l   :Q  Sј*  {w     :Q  "h  w     :Q  d:  w  On a gloomy Monday morning, there
is a crowd in front of John's shop. Margherita and Charo are there, too. A burglar has broken in
and is barricading himself inside. Look, Margherita! The +burglar+! On the next day, +the skies are
still gloomy.+ The air outside is windy. This is Restaurant Amici. Charo has come to play.
He enters the restaurant, but... Margherita is about to +go shopping+. Hi, Charo!
+How're you today?+ Hi, Margherita!
I'm fine, thank you! Oh, I just remembered.
You see... I came up with an idea to help you
get back to Japan! Really!? I'll tell you when I get back from
shopping! Could you wait a while? Yes! I understand!
I will wait! Charo sees Margherita off. This is Amici's front door. The customers talk loudly inside the
restaurant. A dog lies comfortably near the door. There is an unfamiliar old dog. What was it...?
I can't remember.... The old dog mutters to himself. He can't seem to remember
something, and it is +bother+ing him. He seems to have awoken. What was it...?
I can't remember.... As usual, he mumbles to himself. Hello! ... Mmm...
I can't seem to remember.... Do I have to talk louder for him to
hear me...? HELLO! Hm? Hello. Hmm... I don't recall ever having a
grandson.... I'm not your grandson.
I'm Charo. Nice to meet you. Ah, I see!
Nice to meet you. Is something wrong? Ah, you want to hear what's troubling
me? Recently... I've +become very forgetful+. Yes. Umm... uhh... Drat!
I forgot what I was worried about! What? The police dog who did so well
yesterday... I forgot his name!
Uhh... what was it? The name of that dog...
What was it? Are you talking about
Pegasus? Are you talking about
Santa Claus? Hmm... I don't think that's it.
But it's close.... Are you talking about
Sirius? Yes! That "-us"! My owner is +a fan of+ Sirius. She wants to send him a fan letter. Yes. My owner is at a table back there,
writing a card. She can't come up with anything
and she's really at a loss. Since I'm her pet,
I'd like to help her. I've been thinking, too, but
I can't come up with anything. I see. Would you like to help me search
for some words? Don't say that!
Please help me. I understand!
I will do it. You'll be a big help. Everyone in here is talking
about yesterday's incident. Some words for a hero... I want you to look for some words
in praise of heroism. I'm counting on you, grandson. I'm Charo. This is Amici's front door. The old dog is lying on the floor. Charo can see many customers
eating inside the restaurant. The restaurant's menu board,
covered with writing, is nearby. An old dog is lying on the floor
near the entrance. He is waiting impatiently for
Charo's answer. It is a simple, handmade board. The board is covered with writing... including today's menu and
a message from Rosa. I tried listening to a group of
four people, but... everyone talks at the same time,
so I can't understand them. Hmm... There must be some trick to
listening to them. Trick? Change your listening position,
get their attention... you know, some trick like that. A trick....
I will try. Thank you! By the way, why are you sleeping
here? Isn't your owner at the table
over there? I feel comfortable here. There's a group of four at the
table across from my owner, and... the muscleman is in that group.
He's a big dog lover. Every time I get close to him,
he touches me. Anyway, he's +annoying+. I see. If you move slightly away... he stops touching you, but then
he talks loud. An odd fellow, that's what he is. You watch yourself. My owner, the Sirius fan, is still
having trouble... Have you found some words in
praise of heroism? Umm... Are you talking about food? If I eat well, I wonder if
I'll become like Sirius. Unfortunately, these aren't
the right words. Mmm...
+Something's not right.+ It doesn't sound like praise
to me... I can't offer such words
to Sirius. Your knowledge is vast.
I love classical music, too. I don't want to hear about
Beethoven. I want words for Sirius. Ah, that's it! What do you think? Brilliant! Just how I pictured it! I will let my owner know immediately! Thank you, grandson... It's Charo. Charo! The dog slowly rises and walks to the
far side of the restaurant. Just then, Charo hears someone singing
merrily. La-la-lalalaaaa...
Lalala-la-laaaa... Margherita!
Welcome back! Thanks for waiting, Charo!
I'm done with my shopping. By the way, you remember what
we talked about? Of course!
How to get back to Japan, right? Right! I'll explain, so later I want you to
wait in front of the map, all right? After that, Margherita enters the
restaurant. This is Amici's front door.
The old dog is gone. Through the glass, Charo can see
outside. The sky is gloomy and cloudy,
and the wind is strong. This is a counter table in a corner
of the restaurant. Rosa sits on a chair and reads the
newspaper. It is a clean and well-maintained
counter table. Glasses are neatly lined up. Robbery... police dog...
wow... She is absorbed in the newspaper
and doesn't notice Charo. She eagerly reads the newspaper. Charo secretly peeks at
the newspaper. It is an article about yesterday's
robbery. There is a photo of Sirius. Charo notices the advertisement
in the corner of the page. The definitive classical recording!
The Complete Works of Beethoven. +It was Beethoven
who composed the Eroica.+ Arf arf! Rosa!
Hello! Oh, my!
... ? ... Whew...
+that made me jump.+ Oh, Charo, don't startle me
like that! Ah... um...
I'm sorry. You barked so suddenly,
you scared me. When you're absorbed in something,
it's easy to be surprised. Arf! I'm sorry. I asked Margherita to
go out shopping. She should be back soon,
so just wait a bit, OK? Arf arf! Anyway, +that's amazing+... Rosa returns to her newspaper. She mumbles to herself as she
reads. Rosa mumbles to herself as she
reads the newspaper. That Sirius... what a dog... Rosa notices Charo listening
to her carefully. Hey, Charo! Look! There's an article about
yesterday's robbery. "The wonder dog is to be
given a medal by the +NYPD+." Wow! +Isn't this something?+ Really... It says that a dog like you played
an active role. It's too bad that you can't read the
newspaper. Rosa mumbles to herself as she
reads the newspaper. It says, "The wonder dog is to be
given a medal by the +NYPD+." Wow... This is all the way back in
the restaurant. There is a map on the wall. This is a corner all the way at the
back of Amici. Loud talking from another table
can be heard all the way here. A map of the United States is
on the wall. Washington DC, New York City,
Los Angeles, Chicago... The name of each city is on
the map. This is all the way back in
the restaurant. A map is on the wall. Margherita is there. She wags her tail while looking
at Charo. She has a big smile on her face.
Maybe she's confident in her idea. Margherita! How will I go back to Japan? Well, Charo... Sirius, the super police dog from
yesterday, comes to this restaurant. I'm friends with him, too. Really? And... Don't you think the police would
know how to get you back to Japan? ! It's a pretty good idea,
if I do say so myself. How would I go back to Japan? I'm thinking of asking Sirius. I mean, he's a police dog.
He should know a way to get back. Say, Margherita,
what's that? It's a map of the United States.
New York is on the right side. Where is Japan? Mmm...
unfortunately, it's not on there. It's on the other side of the ocean,
right? I see... Wasn't Sirius amazing yesterday? That's right! He's really smart,
and he can run fast... He's a super police dog. Wow... He comes to this restaurant with
his partner Catherine. +I wonder if he's coming today.+ Hey, Margherita... it's Sirius! Ah, the crime-stopping hero
arrives! Come here, Charo.
I'll introduce you to Sirius. These are the tables along the
back wall of the restaurant. A female customer sitting at
a table seems uneasy. A female customer is sitting
at a table. She +is concerned about+ the time. Ohhhh!
If I don't hurry, I won't make it! She mutters to herself. If I don't get this card written fast... he'll show up before I'm done! These are the tables along the
back wall of the restaurant. A female customer and the old dog
from before are at a table. The female customer is still
fidgeting. Underneath the table, the old dog
from before is restless. Hello! Ah, grandson! I'm Charo. You seem nervous.
What's wrong? You want to know? It's about that wonderful message
you told me. Yes. How do I tell the message
to my owner? I forgot....
Dogs can't talk to humans. When that happens, make
contact! Oh!
And how does that work? For yes, say "Arf arf!"
For no, say "Arf!" If you follow this rule... You are a hero every New Yorker
is proud of! Will I be able to communicate
this phrase? I'm sorry....
I don't think it's possible. Hmmmm... What are you going to do about
telling her? No matter what I do,
I can't tell her... No! Fretting about it
won't solve anything! I've lived a long dog's life.
I can do anything if I try. I've learned this wonderful message. So I have to find a way to tell
her! That's right!
Good luck! Woof! Good luck! Leave it to me, grandson. If I put my heart into it,
my words will reach her! Yes! Here I go... Woof woof woof woof!
Woof woof? Woof woof woof woof! Woof woof woof! Woof!
Woofity-woof! Wah! The old dog's sudden barking
surprises Charo and he leaps back. Charo bumps into the magazines
piled on the seat on the other side. The man with the glasses
becomes quiet. The two women are startled by the
barking and they stop talking. And then... I'm telling you,
that Sirius... he's like a hero every
New Yorker is proud of! Huh?
Why is everybody so quiet? Ahhhh! Those words!
Wonderful! Isn't that great? You can do anything if you put
your mind to it! +All is well that ends well.+ The dog's owner happily writes
the message. There are several tables in a row
in front of the windows. A customer is talking loudly.
He seems to be excited. A group of two men and two women are
talking excitedly. There is a stack of magazines
near the man with the glasses. A group of two men and two women are
talking excitedly. It seems the subject is yesterday's
robbery. Everyone is talking about
yesterday's incident. I know! Maybe I'll be able to hear the
message the old dog asked for. Several magazines have been
stacked up. The stack of magazines looks like
it may fall over. ... yesterday... ... John... ... police...
... burglar... ... Sirius... Charo +can't catch what they're saying+,
because everyone is talking at once. Hmm...
+I can't make out a thing.+ This is an +aisle+ along a row
of tables. A group of two men and two women are
chatting excitedly. +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ Arf! Charo barks energetically. But no one takes notice of him. Arf! The blonde woman is startled by
Charo's barking. She suddenly stops talking. The man with the glasses doesn't
stop talking. He is too busy talking and cannot
hear Charo's barking. Arf! The woman with dark hair is
startled by Charo's barking. She suddenly stops talking. Charo approaches the magazine pile
that is ready to collapse. Here goes. Charo touches the magazines with
his nose, and they fall over. Startled, the man with the glasses
stops talking... and begins to stack up the
magazines. Charo listens carefully, trying to
catch their words. The four people start to talk again. Charo moves to the right side
of the table. The man with the glasses
and the blonde woman... are now very nearby and
easy to hear. Charo moves to the middle of
the table. All four voices can be heard
equally from here. Charo can catch the voices from the
seats on both the left and right. Charo moves to the left side
of the table. The muscleman notices Charo
at his feet. Wow! What a cutie!
Come here, doggie! Fascinated by Charo, the
muscleman stops talking. Everyone has stopped talking.
There isn't a sound... The two near Charo are quiet. He cannot quite hear the voices
at the other side of the table. ... yesterday... ... John... ... police...
... burglar... ... Sirius... Charo can't catch what they're saying,
because everyone is talking at once. He can clearly hear the voice
of the woman with dark hair! John was taken hostage
inside the store. John was staring at the man. I was
afraid he would spring at him. So I was saying in my heart,
"Stay out of it!" +No one expects you to be a hero and
save people.+ Charo hears both the woman with
dark hair and the muscleman. Because of that, he's not sure
what they're saying. The blonde woman on the right
is quiet. However, the other three voices
are mixed and hard to catch. The man with the glasses on the
right is quiet. However, the other three voices
are mixed and hard to catch. Charo hears both the woman with
dark hair and the man with the glasses. Because of that, he's not sure
what they're saying. The blonde man on the left is
quiet. However, the other three voices
are mixed and hard to catch. Charo hears both the woman with dark
hair and the woman with blonde hair. Because of that, he's not sure
what they're saying. Charo focuses on the voice of the
muscleman. That police dog Sirius is a genius! A dog like that is what I call
a hero! Maybe we can say, "+You are a
hero every New Yorker is proud of.+" He hears both the muscleman
and the man with the glasses. Because of that, he's not sure
what they're saying. The woman with dark hair on the
left is quiet. However, the other three voices
are mixed and hard to catch. He can hear both the muscleman
and the blonde woman. Because of that, he's not sure
what they're saying. Charo can hear both the man with the
glasses and the blonde woman. Because of that, he's not sure
what they're saying. He can clearly hear the voice
of the man with the glasses! Yesterday's robbery was something! If that police dog hadn't stopped him,
there would have been a gunfight. +I have no idea what's going to happen. + He can clearly hear the voice
of the blonde woman! The burglar wore a mask. Do you think he was really
good-looking? +Cut it out!+
Even so, he is such a dangerous man. From here, it's hard to hear the
voices from... the other side of the table, but... it's very easy to hear the voices
from the seats next to Charo. Charo has gone away, so... the muscleman starts
to chat again. The restaurant is bustling with
talk about yesterday's burglary. Just then, a police officer and
the Doberman enter the restaurant. Hello, Catherine! Congratulations! It wasn't me. It was Sirius. Hi, Sirius.
How does it feel to be a hero? Woof woof! So, Sirius, shall I fix you something
special as a reward? That's nice, but no thank you, Rosa. He was just doing his job.
We don't want to spoil him. Oh, OK. It's tough to be a police
dog, isn't it? Catherine and Sirius walk toward
the table at the far end. Margherita takes Charo next to
Sirius. Sirius, this is Charo.
He's from Japan. Hello. My name is Charo.
Nice to meet you. Hi. Welcome to New York, Charo. Sirius responds boldly. You caught the burglar, right? That's amazing! I hear that you're going to receive
a medal for yesterday's work. I was just doing my job. Well then,
I wonder if you could help us, too. This Charo over here,
he wants to return to Japan. What kind of advice could you give
him? Come on, Charo. Tell him you
want to go back to Japan! This is the table at the end of the
row. Catherine is sitting here. Sirius sits as if he is protecting
Catherine. He is a Doberman with tight
muscles. His collar is decorated with medals. He is watching the restaurant with
a confident look on his face. She is a sharp policewoman. She adjusts her appearance
by straightening her uniform. Now, Charo. Tell him your wish. I want to travel in Japan. I won't go back to Japan. What are you trying to say? Um... I want to go back to Japan. Well, Sirius?
Do you have any advice? Sirius looks at Charo,
thinks for a while, and finally, in a calm voice... None. That's it?
You can't think of anything? For a dog to get back to Japan,
he would need the help of a human. +Without that help+, it's impossible. But +there must be a way.+ I mean, you're with the police,
you're supposed to help us. A fact is a fact. OK, OK, I shouldn't have asked
you +in the first place+. Charo, let's go. Margherita leaves. Margherita is +furious+. He's always like that, you know.
Calm and logical. +All he cares about is his work.+ But he was right. He's always right, but... but... can't he show some heart, some warmth, some... I mean, it wouldn't hurt to say
"I'll try," or "I'll look into it." Please don't be so angry. (sighs) You're right, Charo.
I shouldn't be so angry.  +It's a waste of energy+.... I'm ¡+going out to get some
fresh air+. See you later. Yes, see you later, Margherita. Meanwhile, Sirius sits patiently
beside Catherine. He seems very proud and happy. It's been only a short time since
Catherine and Sirius sat down, but... Catherine receives an urgent
call on her radio. Catherine's expression changes
immediately. ¢+Copy that.+
We're on our way. Work already? That's right, Rosa.
We've got a situation. Sorry to rush off. Be careful. Thanks. Let's go, Sirius! Woof! Good luck, Sirius!
I'll send another card, OK? Good luck, New York's hero! Catherine and Sirius run out. I think I'll go home. Charo leaves the restaurant, too. Wah! It is windy outside.
A storm is nearing the city. Little Charo feels like he is
going to be blown away. I better go home soon. The wind is strong! Around the corner, there is a
familiar-looking figure... Oh! It's Sirius! He seems different than when Charo
spoke with him at Amici. There is tension. Yes. Sirius is amazing. It is the corner of a back alley. Strong winds blow constantly. Sirius focuses his eyes toward
the alley. He is on guard and examining
the area. Charo can feel the tension. Sirius! Shhh. You're... Charo. Listen, you'd better go back
and use another street. What's wrong? A suspect is hiding out in that
building. We're on a stakeout now. Just then, a hat comes dancing
from nowhere. An old woman is looking for
her missing hat on a sidewalk nearby. The old woman is in trouble....
She's looking for this hat. Sirius... Be quiet! It's dangerous here. You better
use another street quickly! It is a woman's broad-brimmed
hat. It is bigger than Charo's small
body. I want to give this to the old
woman. This... is hers. Why don't you take it to her?
You are faster. I told you I can't move. With a glint in his eyes,
Sirius watches the building. I understand. I'll go. Charo takes the hat in his mouth.
The hat is bigger than his body. OK! I will try! Waaa...
I'm having trouble carrying this... But I won't give up! Finally, Charo reaches the old
woman! Oh, you brought back my hat for me. How sweet of you!
Thank you very, very much. Arf arf! Charo successfully delivers the
hat! Meanwhile... Woof! Catherine and Sirius burst into
the building. The next day... Sirius's deeds are mentioned in
the newspaper again. Look! Sirius has done it again! He found a murder suspect.
Wonderful, isn't it? Yesterday, I met Sirius again. There was an old lady, too.
The wind blew off her hat. I asked Sirius to help. But he said he was working. I thought his work was to help
people. Maybe he was in a tight spot. I brought the hat... to the old woman. £+Good for you+, Charo. What? What you did might not be heroic, but
I'm sure you did a very good thing. Thank you. Without a word,
Dread starts off to his nest. I'd better go, too.
Goodbye, Margherita. Cheers can be heard from inside
Amici. Margherita appears to be more
irritated. Dread talks to Charo while they
walk. Sirius did the right thing.
Dogs have pride, too. Pride? Yes. If you're trying hard,
you should be proud of yourself. I try hard... to get back to Shota. I know. You should be proud of
yourself, Charo. Yes. Dread, what are you proud of? What am I proud of? Hmm...
I used to have something, but... maybe I dropped it somewhere. 

****************************************
_out_EN_124.txt
****************************************

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  l   ]
  l   
  l   
  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_125.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_126.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_127.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_128.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_129.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_13.txt
****************************************

﻿   (      v   +Charo learned a new English phrase!+
+He is talking in his sleep.+ +Charo learned a new English phrase!+
+Bonds of friendship last a lifetime.+ 

****************************************
_out_EN_130.txt
****************************************

﻿l      l     l   Z  l     l     l     l   V  l     l     l     l   R  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_131.txt
****************************************

﻿g     ^   $  _   C  b   a  n                            P     |            It's Aries.
March 21 - April 19 It's Taurus.
April 20 - May 20 It's Gemini.
May 21 - June 20 It's Cancer.
June 21 - July 22 It's Leo.
July 23 - August 22 It's Virgo.
August 23 - September 22 It's Libra.
September 23 - October 22 +It's Scorpio.+
October 23 - November 21 Charo learned a new English phrase!
+It's Scorpio.+ It's Sagittarius.
November 22 - December 21 It's Capricorn.
December 22 - January 19 It's Aquarius.
January 20 - February 18 It's Pisces.
February 19 - March 20 

****************************************
_out_EN_132.txt
****************************************

﻿l        W            l   ^       b     n        !  l   p  l     l     l   -  l   l  +このメッセージには
英語訳がありません+ There is brief information about the
theatrical musical under the title. "+A story about a boy who
 gets over sadness and grows up
 to be a man.+" Charo learned a new English phrase!
+A story about a boy who gets over
sadness and grows up to be a man.+ +このメッセージには
英語訳がありません+ Comments from the audience are
listed at the bottom of the poster. "Wonderful story!" "+A story that makes
 everybody happy.+" Charo learned a new English phrase!
+A story that makes
everybody happy.+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_133.txt
****************************************

﻿l      l     l   Z  l     l     l     l   V  l     l     l     l   R  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_134.txt
****************************************

﻿l   ,     k            l   r       b     n        5  l     l     l     l   A  l     l     +このメッセージには
英語訳がありません+ There is brief information about the
theatrical musical under the title. "+A story about a boy who
 gets over sadness and grows up
 to be a man.+" Charo learned a new English phrase!
+A story about a boy who gets over
sadness and grows up to be a man.+ +このメッセージには
英語訳がありません+ Comments from the audience are
listed at the bottom of the poster. "Wonderful story!" "+A story that makes
 everybody happy.+" Charo learned a new English phrase!
+A story that makes
everybody happy.+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_135.txt
****************************************

﻿u   7Q  t90  k     7Q  ɤBh  k     ?Q  
  k  M   8Q  W1  l     ?Q  ^e^  l     8Q  i<  1l  l   ?Q  ,[.5  Nl     7Q  ZcM  el  d   ?Q  ݲU  l  f   7Q  3#  l     ?Q  W>s  l     ?Q  ʳR  l     8Q  ]mC  m     ?Q    4m  j   8Q  {1  :m  '   ?Q  *  Nm     ?Q  wyQ  Xm     ?Q  gw  |m     8Q  ߵO  m  K   ?Q  /:I  m     ?Q  x`  m     ?Q  ٶ[  n     8Q  4WF  /n     ?Q  {T>  Kn  Y   8Q  e\F  dn     =Q  d  n  y   8Q  udv  n  h   7Q  ڸ	2  n  Q   =Q     n     7Q  ,  n     7Q  7:,  1o     7Q  =~9  Jo     7Q  _  go     8Q  LTM  o     7Q  ؙ V  o     7Q  s[  o  F   8Q  KK#  p     8Q  1op  p     7Q  ߻  Hp     7Q  iZg  p     7Q  мQ  p  R   8Q  "s+  p  i   7Q  RK7JN  q     7Q  2NG  2q     7Q  X  Tq     7Q  >L  q     7Q  7V`  q     8Q  7; p  q     7Q  7|  r  H   8Q  ;4  Or     8Q  p  _r  A   8Q  .  r     8Q  "_  r     7Q  u  r     7Q  E  s     7Q  ;J  ,s     7Q  ąm  Vs     7Q  ^@^  s  A   8Q  Q.  s     8Q  E  s     7Q  L=  s  d   t     Q  $  2t     7Q  (U  7t  y   7Q  '~;  dt     7Q  Y  zt     7Q  hQ  t     7Q  7~  t  A   8Q  8eY  u     7Q  L  0u     7Q  ,MN  [u     7Q  yYyR  u     7Q  r  u     7Q  i  u     Q  QYB  4v     Q  ~  Xv     7Q  Hp  v     7Q  ZxM  v  A   8Q  .  v     7Q  5G  w     7Q  }*M  'w     7Q  \F  Sw     7Q  	9  zw     7Q  x8U;  w  `   7Q  J+  w     7Q  -vxI  w     7Q  ?r  w     7Q  1?  *x  {   8Q  q6  Lx     7Q  >%T  cx  G   zQ  c#  x     zQ  I _c  x     7Q  (k  x     zQ  k  x  8   zQ  gZC  y  Y   8Q  zJ  y  [   zQ  [?  ;y     zQ  N(f  My  0   8Q  i.  qy     zQ  {NJ  |y     zQ  qO  y  t   zQ  :W#x  y     zQ  ]}  y     zQ  dLs  y  $   zQ  N+   z     zQ  %Hp  (z     zQ  m=  Nz  #   zQ  ,o.  }z     zQ  [~[  z  &   zQ    z  b   zQ  Ncn  z  v   zQ  >OV  z     zQ   UD  z     zQ  Uy@  {  <   zQ  ]-  .{  \   zQ  W8Pu  :{  {   zQ  +G|  W{     zQ  _  |{  -   zQ  b)  {  |   zQ  uP  {     zQ    {  `   zQ  m  {  h   zQ  c  |  _   zQ  zrH  7|  N   zQ  jEq  J|     zQ  4{  j|     zQ  *i  |     zQ  (9CF  |     zQ  3  }     zQ  G3  }     zQ  Y  }     zQ  o  }  h   zQ  &/  A}     zQ   N  Y}     zQ  a3  _}     zQ  t  e}  _   zQ  G  k}  N   zQ  p  ~}     zQ  B  }     zQ  j  }     zQ  n9I  ~  ;   zQ  1D  6~     zQ  Av  C~     zQ  L$S  ~     zQ  _d  ~     zQ    ~     zQ    ~  Z   zQ  Q4aG  ~  Y   zQ  {u  ~  o   zQ  W       zQ  I  4  8   8Q  -l  i     7Q  S  t     zQ  3G>    z   zQ  qX^~       zQ         zQ  s    _   zQ  U>    N   zQ  X       zQ    1     zQ  ta  n     zQ  cV    ?   zQ  !,K!  ̀  '   zQ  lM  ـ     zQ  W]       zQ  =q3       7Q  p(=       7Q  P       7Q  7)_  6     7Q  `pS  i  j   7Q  )W+       7Q  Q       Q  bAU  ݁     Q  Ua       7Q  )_  =     7Q  XPZ  p     7Q  StM       7Q  9^  ˂     7Q  D       8Q  l  D  G   8Q  wE  J     Q  rkp  c     8Q  \       8Q  d  ΃  Z   Q  Y[%6       8Q  ~Y       Q  Q6f  0  T   8Q  Q4  c  %   Q  rT  u     Q  Ƙv^    s   Q  <8       Q  /D  ل     Q  yta       Q  QhY  8  `   8Q  /@  i     Q  ap^  |     Q  /X    |   8Q  'Z8       Q  6`H    #   8Q  D5       Q  y+  !     Q  Vk  ^     8Q  :\    ?   Q  k       Q  ]<ͅ  ņ     Q  *e       Q  
(}  '     Q  U  _  ~   8Q  C       Q  >5b       Q  &9.    	   8Q  _       Q  WY       Q  C3  '     Q  v\  B  V   Q  G  y     8Q  k       Q  s       Q  P    H   Q  J@       Q  A؀  )     Q    m  X   8Q  O       Q  &]  ȉ  y   Q  %C6.       Q  [q/       8Q  ,`  0     Q  t  T  T   Q  v*D       Q      Q   8Q  L_-       Q  y?       Q  s  %     8Q  u-j  k     Q  5Wq    7   Q  :  ŋ  /   Q  	O  ҋ     8Q  ~Yx    ^   Q  eW       Q  {)n  <     Q  Y  u     7Q  z       7Q  l8    w   7Q  5:[       7Q  s  -     7Q  
:D  o     7Q  X       7Q  q)       7Q  ':V  ܍     7Q  $,;9@    n   7Q  ]l;:H  /     7Q  d  K     7Q  ;.H  ~     7Q  ? UA    f   8Q  A7  Ǝ     7Q  yr@  ێ     7Q  ;tJ       7Q  9G<>       7Q  ><4:  <     7Q  r<  ^     7Q  YD=|    F   8Q    ԏ     Q  
X    2   8Q  0C       Q  C=d       8Q  Ot  E     Q  <	nn    ]   8Q  w3       8Q  {U  Ɛ     Q  < 
       8Q  L 8Y       Q  g 3=    t   8Q   3  -     Q  { 	  D  #   8Q  o5  d     8Q  a  m     Q  j^       8Q  AK       Q  ]w  Ƒ     8Q  O    y   Q  /$Bb    f   8Q  q^C  N     Q  7y  c     Q  CE       Q  È0U  Ē  s   8Q  |)    O   Q  o@-        8Q  4       Q  O  H  |   Q  V4K  k     7Q  [
I       Q  }    6   8Q  "#  ֓  8   8Q  Ei       Q  Y^i    -   Q  _  $     7Q  	6z  -     7Q  ?]2g  r     8Q  q8[    p   Q  	6G  Δ  m   Q  f	@,    ?   8Q  	!<       Q  @	7  #     Q  wP
{:  a     Q  
d  ~     Q  
    :   8Q  ,{!       Q  ;Q    f   Q  Po       7Q  5]r  4     7Q  Th  y           7Q  7
J    ]   8Q  ҂
7  ܖ     7Q  
6       7Q  
h       7Q  {ZaI  B     7Q  ܣs  g     7Q  J<       7Q  SA       7Q  4&>p       7Q  R>  &     7Q  =  n  Z   8Q  M    V   7Q  ,       7Q  LW    t   7Q  1       7Q  Ha       7Q  F8\u  5     7Q  V  t  L   Q  c%       Q  ;*D    G   Q  n        Q  \       Q  )a  $     7Q  GM`  \     7Q   DO       7Q  DyO    &   zQ  L       zQ  BkS       zQ  H       7Q  eQA  H  	   8Q  d
  c     7Q  Ѡ=S  g     7Q  4       7Q  (o       7Q  WG       7Q  U       7Q  5 4  .     7Q  iOR  J     7Q  &Y  x  ~   7Q  2       8Q  QH  ǜ     Q  \c  ͜  G   Q         8Q  P@    r   Q   ,0  '  M   Q  T1?3  =  d   Q  Q(  S  @   Q  y  g     8Q  s8  v     Q  #       Q  "k       Q  7Z?S  ޝ     8Q  v{    b   Q  )(  5     8Q  3H5W  H     Q  h0  m     Q  4    `   Q  B    	   8Q  3  Ȟ  G   8Q  7.@  ̞  \   Q  o;       Q  gd?9    x   Q  
?1I        8Q  k  H     Q  a{  q     8Q  0u    \   Q  |R  ԟ  #   8Q  ~Z6       Q  ubm       Q  9  8  D   8Q  ((  W     Q  Dn  e     8Q  ʲ@       Q  eaI       8Q  < L  ڠ     Q   L       8Q  ` {[  %  \   Q  1!(  K  e   Q  Y!5  g     Q  ;?,W  |     8Q  !M    i   Q  !7j  ɡ  	   8Q  G"       8Q  tZ"S       Q  l"J       Q  s"s  B     Q  bl# s       Q  g>@]    #   8Q  b#5       Q   @p       Q  'Aa  #  #   8Q  #5  ^     Q  mA  g  u   Q  |A]       8Q  $!  ٣     Q  ZQB~       8Q  7$T^  '     Q  $,U  J     Q  3$no  o     Q  Z%,k       Q  %N       8Q  u&{  
     Q  o&:u  :  #   8Q  '6  {     7Q   '#O    	   8Q  p'I       7Q  K'Z       Q  G'O  ܥ  	   8Q  K6(#
       7Q  nC(nd       7Q  ܧ(`L  A     7Q  -B2  i     7Q  <(A       7Q  .6)t       7Q  5)=W       7Q  r*:       7Q  =<*<  2     7Q  x*)[  V     7Q  *@       7Q  +>       7Q  R+__  Ƨ     8Q  N+    	   Q            `   7Q  <+.       Q  +W       Q  tU,[  J     7Q  4,0n       7Q  d-5  è     7Q  T-C       7Q  C<l       7Q  oCw  ;     7Q  k-d       7Q  -R       7Q  O.=       7Q  .|  
     7Q  H
/k  O     7Q  Su/W       7Q  /V  ª     7Q  /#0#]       7Q  R0D  (     7Q  I0Q  G     8Q  1  t     Q  1Q5    -   8Q  1	4  ̫     Q  &2V  ګ     Q  }2@  	  ]   Q  2,+  ;  	   8Q  2c  M     7Q  3u  Q     7Q  w3b       7Q  3P  Ϭ     7Q  *4in    |   7Q  CU  5     7Q  ,4MO  c  ]   8Q  y4e       7Q  kN5Oo    2   8Q  5  ٭     Q  5^       Q  j26&3    c   8Q  e6a  -     Q  <D=  K  #   8Q  64  p     Q  6WR  y     Q  57#3    %   8Q  7h7  î     Q  π7U7  ˮ     Q  $7S       Q  
80V       Q  =b8I  C  #   8Q  86  i     Q  N8ZN  r     Q  9;       Q  P9c    #   8Q  95       Q  96       Q  	P:A  /     Q  ͑:NS  V     8Q  :]       Q  
C;Ua       Q  _;/!       8Q  ;rg       8Q   -<        Q  <g  Z     8Q  3=k       Q  =f       Q  >{       8Q  x>u  6  P   Q  >z,  b  W   8Q  $?
@  q  c   Q  zD[       8Q  d?~       Q  GDY  Ҳ     8Q  ?+    _   Q  Ď@T  C     8Q  N@  ]  H   Q  8A&       Q  AdY       8Q  #B'  ڳ     7Q  JB@       Q  VBg       Q  1BF  8     8Q  C5  _  \   7Q  
C6  f  u   8Q  UC6Z  y     8Q  Cs    C   Q  /EQ'  Դ     8Q  aJDĘ    v   Q  %Da  *     8Q  EEVF  I     8Q  kEN  e  C   Q  :WE5       7Q  ܌E]       7Q  oEza       7Q  F?       7Q  AZF|  /  a   7Q  KFE  s     LQ  !Fb2       LQ  	Gh    X   LQ  G6  ն     LQ  G$       LQ  zH_       7Q  Hw  K     7Q  RIi    C   7Q  OI       7Q  3It  ŷ     7Q  8PJI       7Q  J5q  1  s   8Q  -KA  o  m   8Q  LK|)       7Q  {vK\    W   7Q  ]K &  ׸     7Q  ]K`       7Q  YL'\       7Q  L'e  J  A   8Q  .MW  z     8Q  sMˈ       8Q  M`|  ʹ     8Q  GxNA       8Q  NY    c   Q  OU  8  D   8Q  5K  W  #   Q  iO  l     8Q  OFp  u  e   Q  5OG       Q  =P/Q       Q  ˑFѤ       Q  APk  (     8Q  P~^  Z     Q  iXQk       8Q  -Qb<    c   Q   Rc/  ջ     Q  /Ry       7Q  Rh?       7Q  bR  A     7Q  PlS]4       7Q  SaY       7Q  Sl  ּ     7Q  fTb       7Q  TK  >     7Q  UG  h     7Q  6Gi       7Q  B\U.  ν     7Q  U8       8Q  U[    U   8Q  V'  /  '   Q  Gf  A  e   8Q  FVj<  K     Q  V^  `  ~   8Q  Vj       Q  LWBx       8Q  Wh  ۾  }   Q  -X0  	     8Q  ]XF    x   Q  eXZ  @     8Q  6F  ^     Q  4X  v  U   8Q  OY4K       Q  YE       Q  Z _  ȿ     7Q  tZe       Q  dZ%v  .  v   7Q  P[*5  j  ^   Q  [!       Q  [       7Q  [b    J   Q  \W       Q  9\+       7Q  e\T       7Q  \]  !  q   Q  :]pk  \  k   8Q  v]    c   Q  75^4       Q  @5y    T   8Q  i^u3       Q  H^3V       7Q  {^|  )     8Q  p_  h  j   m     7Q  v_
8       7Q  ܮ_k    M   8Q  h`xS    A   8Q  m`(       7Q  G_       Q  `y`  5     8Q  `y  c     7Q  ae\  i     7Q  HW       7Q  aai       7Q  ]a]t  	     8Q  _b  C     7Q  giH]  I     7Q  HS    {   7Q  kbM       7Q  *b@    k   8Q  bFD    X   Q  I=    |   Q  >cfQ  -  *   8Q  cH5  V  |   Q  cfQ  a     8Q  .d^    t   Q  ud7    2   8Q  ڬdK    o   Q  jd/]       8Q  Ue       Q  e:Z  6  *   8Q  8fu)  Z     8Q  VbfFD  c  	   Q  f       Q  'f)    Y   Q  fnE       8Q  S,gO    b   Q  {gK       Q  gJ    E   8Q  hh       7Q  (hx  $     Q  hFS  Q  X   Q  9h.  w     Q  "iVX    #   8Q  {i6       Q  HiH:       Q  i|       Q  Lji       Q  jj  I     Q  !k~*    #   8Q  Kk4    -   Q  fke!       Q  #k6h       Q  YksJ       Q  :lG    f   8Q  lj;  ?     7Q  }mT  S  9   Q  >\m37       Q  qm       Q  n:R       Q  Ofn3       8Q  Un@       Q  YIAY  0     Q  nP  c     Q  *oہ       Q  Ϭoa       8Q  Sp    k   Q  n"p06       Q  QIg       Q  Xpxn  1     Q  pF  f  6   8Q  
q(>       7Q  CJa    h   7Q  EKq-    x   8Q  'yqj    ^   Q  qf%    Z   zQ  "r;    L   zQ  }^rO  %  '   8Q  :r/  4     zQ  ArD  =  P   zQ  "sc%  V     7Q  gGs@  f     7Q  dsɁ       Q  -
t@       8Q  Kt    x   8Q  at/6    X   Q  t6       Q  tQm       8Q  *<uD  H     Q  uC  h     zQ  uEs    o   zQ  7v[    I   zQ  TvA    T   zQ  wd0       zQ  }HwB       zQ  w  /     zQ  s_x@"  J  \   zQ  (|J,.  Q     zQ  x<   d  Q   zQ  xp>  k     zQ  _x  |  S   zQ  JxCB       zQ  9yUm       zQ  yB       zQ  yTS    x   zQ  <ze    w   zQ  z*    /   zQ  z(  &     zQ  (zK  0  b   zQ  9A{?  X     zQ  H{^R  l  -   zQ  {(       zQ  {/       zQ  q*|l       zQ  %|V       zQ  |P       zQ  	|M    _   zQ  I}}K    N   zQ  T}tp  &     zQ  ~  F     zQ  ׌~T       zQ  ^~4a       zQ  B       zQ  TI    ^   zQ  TJ=h    W   zQ  K*S  '  u   zQ    8     zQ  eKXl  _  q   zQ  KFM    ^   zQ  YLUk    W   zQ  L}I       zQ  :Y       zQ  +L]    q   zQ  >1M4B    b   zQ  $?I  0  )   zQ  c.*'  C     zQ  U(  M  r   Q  Ձf  r     7Q  <h9    _   7Q  ud'       7Q  M)_       7Q  vq       7Q  mb.  <     7Q  㛃\m  Y     7Q  ?	zT    Q   Q  ]C       Q  ;d       7Q  w  
     7Q  b}r  O     7Q  C5       7Q  %2       7Q  xX.5    ~   7Q  X       7Q      M   8Q  !  R     Q  ћ{  b  /   8Q  /       7Q  _G@       8Q  s}       Q  __v       Q  {nd  6  A   8Q  ,6  j     Q  GJ  y     8Q  9aV{    |   Q  ܊g2       8Q  Y    1   Q  h       8Q  m       8Q  ,%  X     8Q  (5E       Q  ]TI       Q  ;c       8Q  `t       Q  rsMz  8     Q  0G  j  r   8Q  [>    u   Q  ҙ\       Q  PM       8Q  4       Q  g+k       8Q  Ү  ^  B   Q  s;0       8Q  Y$s       8Q  ̐H    o   8Q  sk       Q  (ho       Q  \  C  b   8Q  &M`3  }     Q  eR       Q  ҒX       Q  +>    6   8Q  im       Q  Bw    8   8Q  A  R  w   Q  97  ]     7Q  WHo  u     7Q  ䷔s       7Q  d+x1       7Q  \<j  
     7Q  Ǖ;O  E     8Q  SZq  k  W   Q  GN       8Q  Ֆ8       7Q  b    &   zQ  q  	     zQ  aZ       zQ  uI  7     7Q  o<  l  	   8Q  d
       7Q  EZ       7Q  28       7Q  8LV       7Q  ⢙W       7Q  E  9     7Q  >G  c  r   8Q  57       Q  /P    }   Q  5J    r   Q  X\$       8Q  8}       Q  V       Q  YG  5     Q  62DP  [     Q  z:>       Q  u       Q  n6RW    J   Q  !       Q  ڮc  .  J   Q  =!  b  5   Q  4  q     7Q  4SS  {  5   Q  t!       7Q  uȞtN    r   8Q  37    i   Q  NeI       Q  0=       8Q  ԟ       Q  l  $  [   8Q  _X/I  V  B   Q  ;  l     Q  ܠb}       Q  Zf       Q  `q       Q  2e  9  @   8Q  "  l     Q  ?Nl  x     Q  ]K       8Q         Q  
H       Q  <p  &  ~   Q  U4  N     Q  ĉc  g  Q   Q  D    ^   8Q  2       8Q  PՈ       8Q  ٥6K     e   Q  $.       Q  S0Y  1     Q  鬦e  c     Q  -NU    #   8Q  5       Q  GOk       Q  2-l    #   8Q  O6  A     Q  O  J  u   Q  +V       7Q  
E    	   8Q  OG       7Q  lX    5   Q  ŨZ  
     Q  ^΀    z   8Q  ,dj~  Y     Q  d  {  ~   Q  QGe       7Q  _    L        7Q  X  	      Q  se)  5     Q  iV  <     Q  R  _     Q  6S    v   8Q  8    m   7Q  ¬5    r   Q  :        Q  S3       7Q  ?}L    l   Q  xb8  &  %   8Q  ĭt  <     8Q  Nݭd  D     8Q  An  j  :   Q  !       Q  Ѯ>       7Q  Jb       7Q  qG       7Q  ٹXi  C     7Q  1#V       7Q  z:       7Q  a       7Q  <    \   8Q  nRwW  )     Q  婱bN  E  u   8Q  GM  g     8Q  E8w    g   Q  O       Q  /       8Q  o<g    2   Q  &       7Q  ʳ)r  #  V   7Q  <c$  Y  l   i     7Q  QaGU       7Q  RL       7Q  Y       7Q  C  <  Z   7Q  P'       Q  A6R:       7Q  p6       7Q  fIa       7Q  xP       7Q  'YbE  3     7Q  yH  R     7Q  #  q     8Q  %wo       Q  i       8Q  dPh       Q  :  H     7Q  2ɹ}k  N     7Q  4`       7Q  wA       8Q  #׺~       8Q  VV    z   7Q  9.  1  O   7Q  &ۻ#  J     7Q  k  Z     7Q  kf       7Q  Ҽ@       8Q  A       Q  TT  	     8Q  \im  <     Q  Wm  b     Q  c       8Q  H       Q  nCPY1       8Q  0[    v   Q  tP3       8Q  ~:w  ,  H   Q  )  T  c   8Q  hC  d     Q  Ib  x     8Q  L6  ~     8Q  y3       Q  NPT    D   8Q  *(    i   Q  (2a    @   8Q  Z6I  ;     8Q  Q  H     Q  Bf       8Q  N       Q  `~F       Q  @Z       Q  .  #     Q  1r  A     8Q  k       Q  `r       Q   w,    ^   Q  w&       Q  hI       7Q  %e  4  R   l  	   8Q    |     7Q  ]       7Q  j<s    _   8Q  uL       Q  K       7Q  
`    R   W     7Q  tnQ  g  /     W   Q  mU8    c   8Q  G6L       Q  A       8Q  9y    G   Q  x  (     Q  b  7  e   Q  0/"  o     7Q  Q|       7Q         7Q  Qd       7Q  1"P  F     7Q  SY  q     7Q  _z       7Q  ^       7Q  59M       7Q  j  F     7Q  ms       7Q  d!       7Q  E  
     7Q  ;1>  8     7Q  oG  Z  l   7Q  1       Q  J    V   8Q  34;       8Q  "os       Q  8F       8Q  U(  	     Q  W:  A     8Q  Ix  [     8Q  cq       Q  Pn9       8Q  ^TF       Q  4z       8Q  ,  9  l   Q  p  @     8Q  <\  l     Q  #q    q   8Q  UW    h   Q  -       Q  (8    p   8Q  ;  .  q   Q  O(,  E     8Q  {f  [  H   Q  i    c   8Q  dC       Q  @e    k   8Q  Vo3       Q  VA       8Q  D    P   Q  G6Q-       8Q  j       Q  xOs       Q  e\  L     7Q  C  }  9     W        7Q  bC;    -   7Q  ޝ    h   7Q  |"       7Q  9:    Z     P   7Q  D  >     7Q  Y=  ^  ^   Q  a%    y   Q  R1    e   8Q  ,:    |   Q  (.       7Q  WQ    -        #  R   )     7Q  es  @     8Q  T5  |     7Q  .pl    t   Q  1    o   Q  s2       Q  dA`    !   Q    (     Q  2  0  P   Q  56  H     7Q  k7  X     7Q  tb  s     7Q  en    Y   LQ  I]    |   LQ  0Nx   ]   LQ  ,  )    LQ  y  <    LQ  l'  o    LQ  3      LQ  z3      7Q  ̮b      8Q  j,  =    Q    q    7Q  w'!w      7Q  T      7Q  4j      7Q  ]a  I m   Q  ̿16  } ]   8Q  <      Q  2wi   x   8Q  kB   B   Q  L   Y   8Q  8  
    8Q  6d  " @   Q  HQ&  P    7Q  9g  _    7Q  (t      8Q  h   #   Q        8Q        8Q  t  *    Q  $dQ;  Y    Q   {  t    8Q  ֜1}   $   Q  v      8Q  }2o      Q  ͓   M   8Q  QFG  L    8Q  z  g ?   Q  f$      8Q  -8{      Q  γq      8Q  %  	    Q  r  K j   8Q  Q;<      Q  ewJ]      8Q  4      Q  dM   &   8Q  Ų       7Q  DC  (    7Q  @  D    7Q  I9c  j 5   8Q  -3      Q  5'      8Q  \3?      Q  *?      7Q  iq      7Q  -KM  0	    7Q  x(I  \	    7Q  qq  	    7Q  
'7  	    7Q  Q`  	    7Q  4 E  
    7Q  4__  8
    7Q  9\  f
 o   7Q  E$  
    7Q  >5  
    7Q  ktc  
    8Q  a    O   Q  94  1    8Q  3m>  I    Q  BU  g    8Q  ;      Q  Fd      8Q  3"T      8Q  US1M  #    Q  D  H    8Q  t  d g   Q  )Y I      Q  I7   S   8Q  M\   /   Q  6U.   c   8Q  jd~J   l   
 P   8Q  1  D
 ^   Q  r  U
    7Q  R 5_  g
 b   8Q  _  
    7Q  u9  
    LQ  U  
    LQ  [V   X   LQ  u  9 j   LQ  
|  \ E       7Q  gO      7Q  
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)    7Q  2+t  #)    7Q  539  b)    7Q  3jp  )    =Q  Q%4ȯ  )    8Q  4  "*    :Q  4\  '* Early one afternoon... Charo and Candy are walking to
Margherita's place. So, you came from Japan, right?
When are you going back? I... don't know. Japan is very far, isn't it? Yes. But... I will get back. Oh. Well... good luck. Candy looks into the window of
a shop. Beautiful red star. Candy looks at it... Um, Charo... did you know that... if you wear a red star, you can return
to anyplace you want? Really? I can go back to Japan? Sure! What is a red star? W-well... It's a red-colored star, of course! If you can wear it, then any red
star should do. Where can I find a red star? Oh, um... well... it's just a rumor so I don't really
know. But I don't think it's easy to
find one. I will look for a red star! Really? Then, good luck! Hello, Margherita.
This is Candy. Oh, I remember you. Welcome. Um... I need to go now.
¤+Excuse me.+ Charo dashes away. What was that? Charo looks for a red star in all
of the places he can think of. But he doesn't find one. The area begins to get dark. Charo is tired from running around
all day... ... I can't find a red star. While Charo is looking for
a red star, he arrives at an unfamiliar part
of the city. Where am I...? It's getting dark....
Will I be able to get home? This is an old apartment district.
It is ¥+a bit+ far from the busy city. There appear to be some small
shops at the end of the alley. At the end of the alley, a sign
lights up. It's a red star! A red star is lit up
on the sign. Charo dashes toward the red star. This is a restaurant in an old
apartment district. A delicious smell drifts through
the air. A red star shines on the restaurant's
sign. Ah... it's a sign.
I can't take this with me. It is a sign with a shining red star.
Charo can't take it with him. Smells good.... That reminds me.
I haven't eaten anything today. I'm hungry.... Where is that smell coming from? The aroma seems to be coming from
the back door of the restaurant. This is the back door of the
restaurant. A delicious smell drifts through
the air. This is the back door of the
restaurant. There is a ¦+garbage can+. There is a delicious smell
drifting through the area. I'm hungry.... Is there anything to eat? Charo jumps at the garbage can. CRASH! Clang clang! Hey! Suddenly, a cook appears from the
back door. He chases Charo away! This is a restaurant in an old
apartment district. A delicious smell drifts through
the air. A red star shines on the sign.
Charo can't take it with him. Smells good.
I'm hungry.... Charo is at the front of the
thrift store. Voices can be heard from inside
the store. Various goods are placed in front
of the store. The goods appear to be old, but
they do not seem to be trash. There could be something here.
Charo decides to look carefully. It's time to make a profit tonight. Let's stay up all night and find as
many valuable things as we can. A garbage can and useless things
clutter the area. A delicious smell drifts through
the air. I'm hungry.... There is no food at this hour. Charo arrives in front of an old
apartment. This is the front of an old
apartment. There is nothing unusual here. Is this dog from this area? He looks familiar... Charo checks the necklace that
he picked up. It is a fancy necklace
shaped like a Scorpio sign. Charo looks for Molly's necklace. Where is the necklace? Just then, a strange dog appears. Good evening. You are looking for something,
hmm? Just as Charo is about to look for
Molly's necklace... You are looking for something,
yes? Let's talk. G-good evening...
I'm Charo. Oh! Good evening. You are looking for something,
hmm? Yes. Um... Stop!
Just one moment, please! Just a moment. A moment, OK? I pick up many things. That's why I have many things. I'm sure that I have what you're
looking for, OK? OK, OK. That's why we should talk,
my friend. Allow me to guess what you're
looking for, OK? Oh, no! You will surely regret it.
Oh, yes.... Thanks! Now then.
I will question you. Let's talk again, hmm? I will be waiting here for you. Yes. Now then. I will question you. Cool? Cold? I got it!
A popsicle, right? But, too bad!
There aren't any here. If you find one, please share it
with me. Delicious! I want to eat one, too. If you find one, please share it
with me. Oh! Not food!
I understand. Yes. Let's start afresh.
Next question. Oh! I hate snakes! I hate snakes!!
They're scary!! Once, I was bitten by one,
and I thought I was going to die. Just thinking about it gives me
the shivers. I need a drink of water!!
I'll be right back! What? What? What? Oh... you don't have enough.
Words, that is. But... I'll be waiting. What? What? What? Oh! I hate snakes! I hate snakes!!
They're scary!! Once, I was bitten by one,
and I thought I was going to die. Just thinking about it gives me
the shivers. I need a drink of water!!
I'll be right back! Oh! Scorpio! A constellation that shines in the
night sky, yes? I love horoscopes. I think I'm getting the idea of what
you're looking for! And now, the final question. What? What? Oh! It's fabulous! I picked that up.
I have that! This is just splendid! I'll give this to you as a gift for
playing with me. Thank you! Charo puts Molly's necklace in
his mouth. What? Is it something to eat?
Then I was wrong.... What? You probably shouldn't eat it,
hmm...? Oh! I hate snakes! I hate snakes!!
They're scary!! Once, I was bitten by one,
and I thought I was going to die. Just thinking about it gives me
the shivers. Oh, I need a drink of water!!
I'll be right back! Okey-dokey. ... And? What? What? Alarmed, Charo runs away. He escapes to the park behind
the restaurant. This is a small park in an old
apartment district. The man from the restaurant has
stopped chasing him. Charo looks around. Suddenly, he hears a voice above
his head. So, you were chased away from
the restaurant? Poor puppy. You won't find any
food at this hour. This is a small park in an old
apartment district. Charo looks up, toward the
direction of the voice. There is a cat on the branch
of a tree. Her gray fur blends in with the
darkness of night. She is a young and pretty cat. Her
fur is gray and her nose is black. Um... Good evening.
I'm Charo. Hi. My name is Molly. You're not
from around here, are you? No. I... got lost while looking for
something. Suddenly I found myself here. Oh. §+That's awful+. Hey, Molly... do you know
this area well? Well, I guess you could say it's like
my own yard. Then, is there... ¨+Hold it+. Before you ask, I'd like you to do
me a favor. Oh.
Well, ©+that's too bad+... Thank you.
Here's what I'd like you to do. A little while ago, near the
apartment next door... I dropped my necklace.
Could you bring it to me? Yes. I understand. A little while ago, near the
apartment next door... I dropped my necklace.
Could you bring it to me? What kind of necklace? It's a pendant of my star sign. I see... It's m-shaped and it's shining....
The design is very fancy. Well, I would say "cool" best
describes it. How should I describe the necklace? ª+Like I said...+ It's m-shaped and it's shining....
The design is very fancy. I see.
So that dog is over there.... He asks odd questions, doesn't he?
He's a bit tiresome. That's why I asked you to do it.
Good luck. What is your star sign? I don't know. That's what I was
told when it was given to me. I don't know what it means. ... (chuckles)
Wouldn't you like to know? Even if you are a child... I could never tell a male I've met
for the first time. Ohh...
«+stop teasing me!+ Molly. Is there a red star around
here? Huh? A red star?
What an odd thing to ask. So, you weren't looking for food...? A red star...?
Well.... If you're looking for a red star
around here, it's that restaurant. In front of the restaurant, there's
a big sign with a red star on it. ...
That won't work. The lighted sign is no good?
But it's so pretty. You ask for ¬+too much+. Then, what kind of star? A red star that I can take with me. You're into jewelry, too?
Hmm... you're quite fashionable.... Well, let's see...
oh, I know! A little while ago, I saw a pretty
accessory with a star on it. What? You did!? But it may be a little big for you. If you don't mind that, there were
plenty of them on the main street. R-really!?
Which way is the main street? The main street is that way.
But... the color... isn't red... Hey! Wait!
Ohhhh... Molly. Is this the necklace you
were talking about? Yes! That's it!
Thank you, Charo! I thought you were a child, but
you really came through. If there's anything you want to
know, ask me. This is the east side of the park.
There are many trees lined up. A raccoon is looking around. It is a young raccoon,
smaller than Charo. This is the east side of the park.
There are many trees lined up. It is the young raccoon from before. He is the youngest of
three raccoon brothers. Looking up at the tree... a bag of ­+chips+ is stuck on a lower
branch. A slogan is written on the bag. +Very Tasty+ & Crispy. It is a tall tree.
Charo cannot see the top of it. A bag of chips is stuck on a branch. There is something inside the bag. What could it be...? Charo rustles the bag and... a moisture-absorbing packet comes out. It is an empty bag of chips. English is written on the packet. It says in big letters, "DO NOT EAT."
+It is not food.+ It is a moisture-absorbing packet used
in bagged snacks. Good evening! Whoa!
Don't scare me like that. I'm sorry.
I'm Charo. I'm Michael, the youngest of
three brothers. Michael, could you tell me if there
is a red star around here? A red star? I don't know.
Does it taste good? I don't think so... Do you know a cat called
Molly? Yeah. Then, have you seen Molly's
necklace? Yeah, I've seen it before. How is it shaped like? It's m-shaped and it's shining. I see... Hey, Michael.
What do you think that bag is? You mean the bag stuck on that
branch? Yes. I climbed that tree just now, but
there were no chips inside. Oh... you can climb trees? Yeah, a tree like this?
®+Piece of cake.+ Wow... that's great. I climbed that tree just now, but
there were no chips inside. Please hurry and find my brothers. If you do, I'll get that bag for you. I found your brother. Really!? Where? He was in a wall at a construction
site for a building. So that's where he was!
Thank you! OK, wait just a moment. Michael skillfully climbs up the
tree. Okay, Charo.
I'm gonna drop the bag! Ready? OK. Ready. Thank you! Well, Charo. I'm heading over to
the construction site. Bye-bye. Michael jumps off of the tree and
runs toward the construction site. It is at the top of a tree.
Charo cannot get to it. Michael, could you get that bag
for me? That bag of chips?
There's nothing in it. Do you still want it? ¯+Yes, please.+ Then... °+could you do me a favor+
and find my brothers? We're playing hide-and-seek. I'm "it," so I'm looking for my
brothers. I don't care which one you find.
Just tell me where one of them is. Okay, sure! Then, I'll be waiting here, OK? Oh...
well, in that case... This is the front of an apartment.
There is garbage on the sidewalk. Someone has also thrown away
a small refrigerator. Whump! Charo hears a door being shut
somewhere. What could it be? Tomorrow is garbage day. Trash and useless items have
been put out on the sidewalk. This is an old type of refrigerator. The door that Charo heard closing
was the refrigerator door. Someone may be inside of it. There is a sticker on the
refrigerator. It is a picture of a movie star
holding chocolate ice cream. There is a sales message, "Really
+Cool+, Rich, and Irresistible!" Charo talks to the refrigerator. Hello?
Is anyone inside? No one answers. It can be opened only by
gripping the handle. Charo cannot open it. Charo arrives at the road on
the other side of the park. The fire hydrant seems to be
broken. Water is pouring from it. There is a raccoon family near the
fire hydrant. Now, children... ±+be sure not to+ stay out too
late. We know, Mom! We're just going to play
hide-and-seek one more time. All right, guys! Let's meet under
the tree at the park! The raccoon brothers have
begun playing hide-and-seek. A child raccoon is beside his
mother. It is the raccoon that Charo
found earlier. (sighs) I drank some water to calm myself.... Let's continue our quiz.
I'll be waiting over there. The strange dog runs away. ... This is a road on the other side
of the park. Tomorrow is garbage day. Trash and useless items have
been put out on the sidewalk. She is a large female raccoon. She is a rather large female raccoon. Water is trickling from it. There is a large puddle of water
in the road. This is the young raccoon from the
construction site. He seems disappointed... Um... Oh, Charo. Let me introduce you
to my oldest son. This is Scott. Good evening. I'm Charo. Hey, you're that dog! Scott!
Don't be rude. Greet him properly. ... I'm Scott. Do you know a red star? You mean that restaurant? The garbage can over there is
full of delicious food. But if you go there early or late,
it's gone. I see....
But I'm not asking about food. Then I don't know. Is the hide-and-seek still going
on? Yep. Jack hasn't been found yet. ²+How come he found me so quickly?+ Do you know why? ... Good evening.
I'm Charo. Oh, good evening.
I'm Martha. My children are around here. If you see them,
feel free to say "hi." Martha, is there a red star around
here? A red star? Oh, yes...
that symbol on the restaurant? Don't you know any others?
Like a pendant... A pendant? Well...
no, I don't. I see... I know! If you're looking for
something fancy like that... then maybe Molly might know... Who is Molly? Molly is a Siamese cat.
She might be at the park. Do you know Molly the cat? I've known her ever since she was
born. Have you seen Molly's necklace? Oh, you mean that pretty thing?
Of course. What is Molly's necklace shaped
like? ³+Difficult to say+... It's m-shaped. So... I would say +it is shaped like a snake.+ Do you know Molly's star sign? Molly's star sign?
What's a star sign? ... Do you know when Molly's
birthday is? I've known her ever since she was
born. It was the middle of autumn...
I think the beginning of November. Be careful, OK?
That fire hydrant is broken. Ever since a car drove into it,
it's been loose. I see... Sometimes humans fool around
by pushing and kicking it. When that happens, water shoots
out of it like a fountain. I see... It makes a real mess when it sprays.
Water gets all over the place. Police cars come, too.
It's a huge commotion. Wow... Well, since you're so small, pushing
it probably wouldn't do anything. Why is there so much garbage
here? Tomorrow is garbage day.
That's why. The humans put their unwanted
things out on the streets. There are also humans who collect
them and sell them again. That's what kind of town New York
is. There are people who collect
trash and sell it? They collect things that can be of
use, fix them, and sell them. I see... Charo tries pressing on the fire
hydrant. ... He pushes, but no water sprays
out of it. Well, aren't you the mischievous
type? ... Charo arrives in front of the
construction-site entrance. There are two posters on
the blue wall. Someone has just hidden. Charo decides to search carefully. The building construction site
is surrounded by a blue wall. There is a small hole at the
bottom of the wall. There are two theater posters. There is a simple bolt on the door. It might be easy for a human to
unlock it, but... not for a dog, like Charo. There is a small hole in the wall. The hole is not big enough for
Charo to fit through. Hey! ... There is no reply. Ack! I've been found!
... Hey! You're not Michael. ´+Don't bother me+ right now.
I'm playing hide-and-seek. Even though Molly isn't finished
talking, a happy Charo... runs toward the main street. Charo arrives at the main street. Although it is night, the
main street is full of people. This is the front of a general store
at the corner of an intersection. It is late at night, but there are
still many people. All of the people seem to be holding
something... and looking in the same direction. Charo wonders what it could be,
but he cannot see past the crowd. However, something seems to be
coming from the main street. There is a parrot on a perch
in front of the entrance. It does not move....
Could it be a stuffed bird? Just then, cheers can be heard
from the main street! Surprised, Charo turns around! Elephants are marching down
the main street. So big! What are they?
I've never seen such animals. So, you've never seen an
elephant? Ah!
It spoke! How rude! Someone needs to
learn some manners! Sure, I've been alive for a hundred
years, but... see how fit I am? ... This is the front of a general store
at the corner of an intersection. Decorated elephants are marching
down the main street. He is moving...
though a little clumsy.... The elephants are wearing star
decorations on their heads. In the middle of a star
made of white lace... a big blue star is shining. It's a blue star...
not a red star.... It is Charo's first time seeing such
a big animal. Elephant? Ah, yes.
That animal is called an elephant. It's the biggest land animal. I see....
They're all pretty. The parade is to promote the
circus. I see... Ah, yes.
That animal is called an elephant. It's the biggest land animal. Circus? Don't you know what a circus is? Well...
they travel to different towns, and the animals and humans
perform acrobatics. They're popular among human
children. I see... And so the circus has come to
Manhattan. That's why the humans are
excited. It's not every day you see an
elephant parade at night. I see... Well, anything can happen in
New York. (laughs) The circus travels to different
towns, and the animals and humans
perform acrobatics. Mister, do you know where
the circus is? It's probably at the other end of
the main street. Why don't you follow them? Yes! I will go look for a red star! It's a blue star....
Why are they all wearing blue stars? That's the circus's symbol.
It's a circus from France. Hmm...
you know a lot of things, mister. Well, you know, I've lived here
for a hundred years. That blue star is the symbol of the
circus. It's a circus from France. Then, mister, do you know
about a red star? Not blue? Red? Yes, a red star. A red star... hmm... If I have a red star, I can go
back to where I want to be. Interesting....
You want to go back to some place? I want to go back to Japan!
Shota is waiting for me in Japan! Japan.
That's far away... Mister, if I have a red star,
I can go back to Japan, right? A red star...? I'm sorry, but I've never heard of
such a thing. What!? Charo is very surprised. But you must understand that
I µ+don't know everything+. What you are saying might be
possible. I see. Charo is relieved. Anyway, I will look for
a red star. And I am going back to Japan.
Shota is waiting for me. You do that.
Good luck. Hey, mister. If I go to the circus,
will there be a red star? Hmm...
I really wouldn't know. I will look for a red star. I'm going back to Japan.
Shota is waiting for me. You do that.
Good luck. The elephants appear to be
moving slowly, but... their speed is faster than
what Charo expected. The parade moves briskly away. On top of that, Charo can't move
forward because of all the people. Meanwhile,
in a tall treetop... Ack! Aah... this is what happens when
you can't use your legs.... Why is this tied? I've almost reached the big park,
but it's gotten dark. I guess I'll have to sleep here
tonight.... The big bird decides to use the
spot as today's nest... While following the circus,
Charo has become lost. He realizes... that he has returned to the
front of the red star restaurant. But it is already the middle
of the night.... The light from the red star on
the restaurant sign is off.... Aah...
I'm back here again.... Where should I go...? This is a restaurant in an old
apartment district. The light is off. There is no light coming from
the red star sign. The restaurant is closed.
Although it is faint, a delicious aroma still drifts
through the air. Smells good.
I'm hungry.... That reminds me.
I haven't eaten anything today.... Ah! The garbage can that Molly
mentioned! There might be some food left. Enzo, have you ever seen a red
star? A red star?
Like my blue star? Maybe.
I don't know. I see... Hey, Enzo, what do you do at the
circus? Mmm,
I'm still a beginner. That's why I greet people at
the entrance. I run around while my father
and the others perform amazing stunts. (chuckles)
¶+That's all I can do+ right now. How long has your mother
been in the hospital? It's been a year....
I wonder if she remembers me. She wouldn't forget you. Hmm... you're right. Oh! There's a human.
I'm going back, OK, Charo? This is the front of the
thrift store. The store is already closed, but
a clerk is standing on the sidewalk. The store's lights are out. Many items have been placed in
front of the store. They are all a bit old, but they do
not seem like trash. The store lights are off and the
area is dark. Items have been left out on
the sidewalk. The shop seems to have closed
for the day. The man is sitting on an item that
is out on the sidewalk. He is mumbling to himself. There is a familiar sticker. There may still be someone
in the store. Let's be quiet... Got it... That refrigerator... Hm? What about the refrigerator? I've seen it before and
I'm curious... Hmm.... If you're curious, do you
want to open it? He really was hiding inside the
refrigerator. Hm? What do you mean? They were playing hide-and-seek. Hmm.
I couldn't fit in there. That kid ran away fast. Yeah. I must've surprised him.
(laughs) Shhh... be quiet. Huh? Oh, yeah. (laughs) What's Tommy doing?
I want to go home soon... Charo approaches the items
on the sidewalk. Suddenly... Hey! They may not look like it,
but they're for sale! Shoo! Charo is chased away. What should I do? OK! Enzo uses his trunk to open
the refrigerator. You saved me! Wh-wha-wha-what in the...!? The young raccoon jumps out of
the refrigerator... and, alarmed at the sight of
Enzo, runs off at full speed. Uh-oh... he ran away.
I-is it OK, Charo? Yes... we helped him,
so I think it's OK. Yeah. You're right. I was waiting for you, Charo.
I'll follow you again, OK? That scared me! Yeah, that was a close call. A garbage can and empty bottles
are lined up against the wall. Arf! Crash! Clang clang... He knocks over a garbage can. However, the garbage can is
empty and has been cleaned out. Hmm...
nothing inside? I'm hungry.... Just then, an apple floats out
from the darkness. Are you hungry?
Here, you can eat this apple. What? The garbage can is knocked over.
It is empty. It is a young elephant that works
at the circus. He wears a star decoration like
the one Charo saw at the parade. It is a pretty decoration with a
blue star in the middle. Waaa! An elephant comes out of the
dark! He is still young. A young elephant is hiding in the
garbage area. It is a delicious-looking
red apple. The elephant offers it with his
trunk. G... good... evening... Hi there.
Are you hungry? You can eat the apple.
I'm already full. O... OK... You can eat the apple.
I'm already full. Thank you for the apple.
I'm full now. I'm glad to hear that. Oh! Um...
I'm Charo. I'm Enzo.
I work at the circus. Circus? Then, were you in the
parade on the main street? Yeah, I was walking with my
father. Oh, wow. But... why are you here alone? ... Can you keep a secret? I see....
That's too bad... Yes! I can keep a secret! Really? Thank you!
You see... I'm going to see my mother right
now. Your mother? Enzo's eyes sparkle as he
explains to Charo. My mother works at the circus,
but... she's a bit sick. I heard that she's at the zoo
in Manhattan now. I see... The young lady at the circus... is a very kind person and she
always takes care of us. Whenever I feel lonely, she always
talks to me. She told me that my mother will
come back when she gets better and that I should wait a bit. I see... And so... ever since the circus decided to
come to Manhattan, I've been planning this... planning to sneak out of the
parade and see my mother. That's great, Enzo! Charo ·+is impressed+ with Enzo's
words. (chuckles)
But... If a human finds me, it might
cause a lot of trouble. Then I won't be able to get to
the zoo, right? Charo, will you help me? How would you like me to help? Do you want to see where I would
like to go again? Well, you see, I want to go
here. If a human sees me, I will
be taken back to the circus. I want to make sure that I'm
not seen. Yes. I'll follow you, but... if I see a human, I'll come
back here and wait. When nobody is around and I'm able
to go with you... come back here again and call me. (munches) Sweet and sour juice runs down
his throat. Charo feels better. All right, I understand.
I will help you, Enzo! Thank you, Charo! Oh! Good evening! We meet again. Y-yes... I wanted to talk to you. You too, right? This is the front of an old apartment. It is a big dog. He is looking at
Charo with a smile on his face. What a strange sort of dog... Yes... Do you know this line? Mmm... not really. I think it might be Number 1 or
Number 3. What kind of story do you like? Of course, one with a happy
ending. This line is famous.
Have you heard this before? To be or not to be,
that is the question. Ohh! Fabulous! That is correct! You know your literature!
I'm so proud. I have a proposal for you. Sorry. You were... close. Sorry. Not quite right. Ohh... Not even close. You can make an important
selection here. Please go ahead and choose. You want to change your result? OK, come back anytime! Please go ahead then. Oh! Cool? Does it have to do with something
cool? Either way is cool. And?
Which one do you choose? Delicious! Do you mean a story about food? No.  This isn't about food. And?
Which one do you choose? What? And?
Which one do you choose? Oh! I hate snakes! I hate snakes!!
They're scary!! Once, I was bitten by one,
and I thought I was going to die. Just thinking about it gives me
the shivers. Oh, I need a drink of water!!
I'll be right back! What? And?
Which one do you choose? It is a sad story.
Are you sure? It makes me cry. This story is going to
end with tears. Are you sure it's OK if it's sad? Pleeease... don't cry. It is a sad story.
Are you sure? It makes me cry. Ohhh, this story is going to
end with tears. Are you sure it's OK if it's sad? Pleeease... don't cry. Oh! A happy story! I got it. Well, then, please enjoy this story. Oh! Someone's here!
I'm going back, Charo! There is a man near the bushes. The park is quiet. This is a small park in an old
apartment district. The man is peeking into the bushes
and wandering around. Is he looking for something? He peeks into the bushes,
speaking in a soft voice. There seems to be no one
at the top of the tree. Molly... Molly...
are you there? Come home, Molly....
I can't close the store. This is the east side of the park.
There are many trees lined up. This is the east side of the park.
There are many trees lined up. Charo looks up at a tree... there is something shining. Someone seems to be there. It is a tall tree.
He cannot see the top. It is a beautiful, young female cat
with gray fur and a black nose. Good evening... Oh? Charo, you came back.
How was the main street? Oh, Molly! Molly is at the top of the tree. Um... there was a blue star on the
main street. That's right, silly. You shouldn't
have run off while I was talking. But I'm sorry. Were you
disappointed because of me? No... it's OK. Are you still looking for the red
star? Yes. I'm still looking, but...
where should I go? Now, that's a problem... Right now, I'm helping out a friend. A friend? His name is Enzo. He's a young
elephant working at a circus. Enzo slipped away from the circus to
see his mother. I'm going to the zoo next. Wow. That's some friend you have. I'd like to meet him. Hey, why
not bring him here? By the way, there was someone
looking for you at the park. Ah. Tommy, right?
He's always like this at night. He's fussy whenever I stay out. Is Tommy your owner? (chuckles)
We just live together. I don't dislike him, but he's just
a little too protective of me. You're not going home yet? Nope. It's a moonlit night, so
I'd like to stay out a bit more. Enzo is worried because Tommy
is over there. Why is that? I want to go past this park with
Enzo, but... Enzo is an elephant, so... if a human finds him,
it will be trouble. Yes... you're right. It would definitely
cause a scene. Would you like me to help?
I'd like to make it up to you. Really? Thank you! If there's something I can do,
let me know. OK. Too bad I won't get to
see Enzo... I'll go back to the shop with
Tommy. The shop? The thrift store. If I go back,
they'll close it for the night. Thank you! Well, Charo. Good luck. With that, Molly jumps off the tree
and dashes away. This is the front of the apartment.
Garbage is placed on the sidewalk. Tomorrow is garbage day. Trash and useless items have
been put out on the sidewalk. The refrigerator is nowhere in
sight. Hey, Enzo...
is there a refrigerator? Refrigerator?
I don't think so. Did someone take it with them? Charo arrives at the road on
the other side of the park. (sighs) I drank some water to calm myself.... Let's continue our quiz.
I'll be waiting over there. The strange dog runs away. ... This is an area near the building
construction site. There is a broken ¸+fire hydrant+. Martha is washing her hands
energetically. She is a rather large female raccoon. Water is trickling from the
fire hydrant. A large puddle has formed on the
road. Good evening, Martha. Hm?
Ah... you're... Charo, right? Good evening... oh!
That reminds me, Charo. Have you seen Jack? Jack? Oh... that's right.
You haven't met him yet. He's the second of my three
children. The other boys are already back
at our burrow. He's the only one who hasn't
come back. I'm so worried, washing's the
only thing keeping me calm. If you see him, please tell him to
come home soon. Please, Charo. If you see Jack, please tell him to
come home soon! Please, Charo. Hm? What? Martha's mind must be somewhere
else. Hm? What? Martha's mind must be somewhere
else. Good evening, Martha. Charo!
Thank you so much. You helped Jack, didn't you? Jack? Oh, my. I didn't tell you.
Jack is my second son. Oh.
His name is Jack. That's right.
That's why... I'd like to repay you, so is there
anything I can help out with? If there's anything I can do,
let me know anytime. I'd like to repay you, so is there
anything I can help with? If there's anything I can do,
let me know anytime. How's Jack? Jack is fine. He's sleeping in our
burrow right now. Thank you so much for helping him. It was Enzo, Martha.
He's the one who helped Jack. Really?
Thank you very much, Enzo. But you sure are a big and unusual
dog. I'm an elephant, Martha. I snuck out of the circus for just
a little while. Oh, is that so?
¹+No wonder.+ You see, Martha... Enzo escaped from the circus to
see his mother. We're on our way to the zoo. Well, good for you. Let me know if there's anything
I can do to help. You be careful now.
That fire hydrant is broken. Ever since a car drove into it,
it's been loose. I see... Sometimes humans fool around
by pushing and kicking it. When that happens, water shoots
out of it like a fountain. I see... It makes a real mess when it sprays.
Water gets all over the place. Police cars come, too.
It's a huge commotion. Charo tries to push the fire
hydrant. ... Charo pushes, but no water sprays
out. No, Charo. If we break the fire hydrant here,
we'll get caught by the cops. I see....
Right. Here is no good. If I push it, it will break.
Are you sure? OK! I'm going to push it!
Ummmmph! Enzo pushes the fire hydrant with
all his might. PSSSSHHHHHHH!! Lots of water sprays from the fire
hydrant. Yaaay! Oh, dear! What are you two doing!? Police cars will be here!
Run, quickly! Oh! That's not good, Charo. You're right! Let's go! Charo and Enzo run. Yeah, º+let's not do it.+ »+Got it!+ Enzo sucks in the water with his
trunk. I've sucked in a lot! Martha. There's something I want you to
wash. Could you come with me to the
building construction site? ¼+No problem!+ Then I'll be waiting for you over
there. Charo arrives in front of the
construction-site entrance. There are two posters on
the blue wall. The building construction site
is surrounded by a blue wall. This is the entrance to the building
construction site. There is a simple bolt on the door. It might be easy for a human to
unlock it, but... not for a dog, like Charo. Hey, Enzo.
Where's the zoo? It's just a bit farther this way. I see....
How do we get there? Can we get to that street from this
entrance? Oh, yeah!
That's a good idea! What are you going to do? Hey, Enzo, could you open the
entrance door? Hm? Sure. Enzo skillfully removes the bolt
with his long trunk. The door opens. +このメッセージには
英語訳がありません+ Charo has entered the building
construction site. The inside is bare with concrete. Cement bags are on the floor.
A small lift is on the left side. An exit leading to the main road can
be seen at the wall in front of them. Martha is waiting. So, what should I wash? She seems to be motivated. This is the inside of the building
construction site. There are stairs that lead to
the second floor. The exit seems to open easily. The exit seems to open easily. The two open the door on the main
road side a little and peek outside. There's a police car outside of
this exit. Yeah... we won't be able to get
past here like this. You're right....
Let's take a look around here. Yeah! It is a lift that carries heavy things
to the second floor. A bag of cement sits on the
load-carrying tray. Charo peeks into the lift's gear. Oh... there's a lot of mud and
gravel stuck in it. Maybe that's why it doesn't move. The lift is clean again. The lift moves. There is a pile of cement bags
at the far side of the room. There is even a cement bag on
the load-carrying tray. The cement bag looks pretty
heavy. How do we get to the zoo? It looks like we can only go
through that exit.... Hey, Enzo,
can you hold a cement bag? Nope, that's really heavy.
I can't lift one. But I think I could push one and
move it around. Why doesn't the lift move? Is something stuck in it? Maybe we need to wash the gears. Wash them with water? Maybe it needs to be washed
thoroughly. You're right... The lift is OK now. Yeah! If water sprays out of the fire
hydrant and causes a scene... a police car would come. You think it will be that police car
we just saw? I don't know. I'm sure of it.
It's that police car! Hey, Martha. Please tell me about that broken
fire hydrant over there. You mean that broken fire hydrant
with the water dripping from it? Yes. A car drove into it and it's
wobbly. That's why if someone strong like
Enzo pushes it... or something heavy hits it... it'll break easily and water will spray
from it like a fountain. If water sprays from it,
what will happen? It'll cause a scene. The whole
place will be soaking wet and a police car will show up. What should I do? OK. I'm going to spray it... Enzo shoots out the water that
was stored in his trunk. Sssssshhhhhhh!! ... The mud on the surface is washed
away by the water. However, it doesn't wash away the
mud and gravel inside. Oh... it's no use... OK. I'm going to spray it... Enzo shoots out the water that
was stored in his trunk. Sssssshhhhhhh!! Martha uses the water to wash
the gears. (scrubs) How's this?
Is this all right? It's clean!
Thank you, Martha! There's no water to wash with. Martha, I want you to wash the
gears on the lift. Got it, Charo. I'll wash it for you anytime,
as long as there's water. I'll be waiting here. Charo and Enzo climb up to the
construction site's second floor. The walls on the second floor are
incomplete and there are big holes. The bottom path can be seen
through the hole in the wall. The broken fire hydrant can be
seen below. A lift used for loading is placed
nearby. The walls on the second floor are
incomplete and there are big holes. The bottom path can be seen
through the hole in the wall. The broken fire hydrant can be
seen below. This is the broken fire hydrant.
Water is trickling from it. It looks like it will come apart easily
if it receives a shock. This is a lift used for loading.
The lift stretches from the first floor. There is a switch on the side
of the lift. It looks like Charo can press it. The bag is carried from the first
floor. It looks very heavy. The scenery is nice from here. Yes. It's pretty. Hey. It's that broken fire hydrant. Yeah. I can see the puddle. What will happen if water sprays
from the fire hydrant? It might cause a scene... Right. Martha said that a police car
would come. It was exciting when water sprayed
from the fire hydrant. It sure caused a commotion! The police car came, too. Hey. Isn't that the police car that
was outside of the exit? Is it? Yeah, I'm sure of it.
It's that police car! This must be used to carry the
cement bags from the first floor. Ah, I get it.
And you're smart, Charo! The lift stopped.
What happened to it? Is something stuck? Let's go down and take a look. The lift won't move... What should we do...? Maybe it needs to be washed
more thoroughly. You're right... The lift is OK now. Yeah! The lift worked out. Yeah! Here comes the cement bag! Yeah. We did it! Hey, Enzo,
can you hold a cement bag? Nope, that's really heavy.
I can't lift one. But I think I could push one and
move it around. Charo presses the lift's switch. WHIIIIIIRRRR... GRRROOOOOONNN... The lift begins to move, but... it stops. Is something stuck? Charo presses the lift's switch. WHIIIIIIRRRR...
KLAKATA-KLAKATA It's a success.
The lift moves. The cement bag is being carried. What should I do? Where do I move it to? Umm... I don't know. Where should I drop it? Enzo pushes the cement bag and
drops it on top of the fire hydrant. SHOOOM... WHAM! KAPOW!
PSSSSHHHHHHHH!! Water sprays out of the fire hydrant
with tremendous force. Yay! A police car parked on the main
road receives a transmission. Car 42, do you copy? Copy. This is Car 42. We've got another broken fire
hydrant. Stand by at the scene. Got it. Got another one, Terry. Let's go, then. The police car drives off. The scene changes.
It is the top of a tall tree. The water from the fire hydrant
reaches all the way to here. Wha-what the...!
What's going on? Waa! My beautiful wings!
They're wet! Hey, a police car! This town is so noisy.
I can't even get some rest. It might be safer to go back to
the big park and sleep there. Mm... They'll share some of their
breakfast with me at the zoo, too... Yeah, I think I'll do that! Having said this, the noisy bird
flies away. Enzo, we did it!
The police car is coming this way! Hooray, Charo!
Let's go through the door now! Now that the police car is gone,
the two move to the main street. Charo and Enzo arrive at
the main street. Several cars are parked on the road,
along with a few people. The area is surrounded by the
silence of the night. It's already midnight. Yes. That's right. Don't you have to go home?
Your mother will be worried. It's OK.
I don't have a mother. You don't...? No.
I was abandoned. That's why I don't know my
mother and father. ... I'm sorry. Enzo feels like he's asked a
very bad thing. He realizes that he's been thinking
only about himself. You don't have to apologize.
I have Shota. Shota? Yes, he is my owner.
He takes very good care of me. Actually, Shota doesn't have a
mother, either. Oh... both of you don't... Well, then, I'm sure Shota is
taking good care of you. Yes! That's why I have to go back
to Japan soon. Japan? Yes. Shota is waiting for me to
come back to Japan. Isn't Japan far away?
You're more amazing than I am! (chuckles)
But, you see... in order to go back, I have to find
a red star. A red star? If I wear a red star, I will be able to
go home. Really? So that's why you're looking
for a red star? Yes. I'm going to wear the red star
around my neck just like you. That's cool!
I'm sure ½+it will look good on you!+ Yes! I think so, too. So where can you find a red star? I've been looking for a long time,
but I still haven't found one. I see....
I hope you find it soon. Thanks! Charo replies with a smile. The two approach a business
district. Even though it is midnight,
a crowd of people is there. Wait! Enzo! Huh? There are still people over there. Oh....
What should we do, Charo? A neon sign shines on the other
side of the main street. There is a small crowd in front
of a store. They seem to be cheerfully
waiting in line. No one seems to be looking in the
direction of Charo and Enzo. It may be a popular club. This is the only place open at this
late hour. There is a small crowd at the
entrance. All of the stores on Charo's side
are closed. There are a few cars parked along
the street, but... there are no people. By moving behind the cars... it seems that even the large Enzo
would be hidden. Why are there people in the
middle of the night? Hmm...
it's New York... They aren't looking this way. You're right...
they're all making noise over there. There are people gathering at that
place across the street. Yeah, just that one place and
nowhere else... Only in front of that place. There's no one on the sidewalk here. There are only parked cars. Can we move while hiding behind
the parked cars? Ah!
That's a good idea! Charo, will you lead the way? Yes! OK.
Enzo, follow me! Right! OK! OK! I'll do my best! +このメッセージには
英語訳がありません+ We did it, Enzo! Thank you, Charo! The two safely pass the crowd on
the main street. Aah! We'll be seen!
Enzo! Go back! They end up back where they
started... Whew! I finally got it off!
Woohoo! Putting the string on the fence
to take it off... was a good idea!
I sure am bright! Well, I'm off to bed!
Nighty-night! (flaps away) The big bird stretches its
freed feet, and flies toward the other side
of the park.... He is Sally, a migratory bird. His true importance will become
clear later on. Charo and Enzo... arrive at the zoo inside the big
Manhattan park. Charo! We're here!
This is the zoo! Really!? We're here?
Where is the entrance? That's the entrance over there.
Let's hurry, Charo! Yes! The area is lit up by the truck's
lights. Something is hanging from the fence. This is the front of the zoo fence. The area is lit up by the truck's
lights. Something is hanging from the top
of the fence. It is a red star pendant! The pendant taken off by the
big bird earlier... is hanging from the top of
the fence. Waa! It's a red star!
It's a red star! The pendant taken off by the
big bird earlier... is hanging from the top of
the fence. Ooph! Charo tries to climb the fence. Ah! Oww... Charo falls and sprains his paw. Ooph! Huh? Suddenly, Enzo is standing beside... and supporting Charo. Ah! I got it! Charo, it's a red star! Th-thank you! Charo! Our adventure tonight
was awesome! There's no way I could've made it
here without you. I'll always remember this.
We're friends forever! Yes! Well, Charo,
I'm going back to the circus. I hope you're able to see
Shota again soon! Yes! Enzo turns to the young woman. Are you ready, Enzo? (trumpets) Then get into the truck. The truck with Enzo inside leaves
the zoo. Charo watches the truck go away, and thinks back to the things that
happened on this long day: his loss of courage... getting lost in the city at
night... his adventures with Enzo... and... Charo... finally found the red star. This is the front of the
zoo entrance. This is the entrance. Yes! We're here. Thank you, Charo.
It's all thanks to you. This is the entrance to the zoo.
The gate is closed. There is a gap that might be
big enough for Charo to fit through. Enzo feels small. She must have been worried. With tears in her eyes,
she brings her cheek to Enzo. It's closed.
How do we get in? Hmm....
What should we do? I can go under the gate, but...
will I be able to open it from inside? Hmm... I wonder. Should I go ahead and check the
inside? Yeah, please do... Suddenly! A truck drives toward them! The truck lights stop the two! Aaaah! The frightened two... cannot move as the lights remain
on them! Sccreeeeecchh! The truck stops in front of the two.
A woman gets out. Enzo!
It's you! The woman approaches Enzo and
hugs him around the neck. (trumpets) It seems that this is the woman
Enzo mentioned... the woman from the circus. Ohh... you had me worried... (trumpets) Your mother already came back
to the circus. (trumpets) She was discharged from the
hospital today. During the parade, she returned
to the circus. And then you went missing, and the
whole place has been in chaos! Your mother has been so worried. (trumpets) Um...
your mother was discharged? Yes...
it seems so. That's great, Enzo! Thank you!
... I'm sorry, Charo. You did so much to help me. It's OK, don't worry!
I'm really happy, Enzo! Well, I should get going. Yeah. Thank you, Charo. The area is lit up by the truck's
lights. Something is hanging from the fence. This is the front of the zoo fence. The area is lit up by the truck's
lights. Something is hanging from the top
of the fence. It is a red star pendant! The pendant taken off by the
big bird earlier... is hanging from the top of
the fence. Waa! It's a red star!
It's a red star! The pendant taken off by the
big bird earlier... is hanging from the top of
the fence. Ooph! Charo tries to climb the fence. Ah! Oww... Charo falls and sprains his paw. Ooph! Huh? Suddenly, Enzo is standing beside... and supporting Charo. Ah! I got it! It's a red star, Charo. Tha... thank you. Charo...
thank you so much for tonight. There's no way I could've made it
here without you. But... It's OK. Enzo... I have a place to go back to.
My father is waiting. The people at the circus treat
me kindly. Charo...
I hope that you can meet Shota. ... Yes. Enzo turns to the young woman. Are you ready, Enzo? (trumpets) Then get in the truck. The truck with Enzo inside leaves
the zoo. Charo watches the truck go away, and thinks back to the things that
happened on this long day: being alone, feeling himself
weakening, wandering around in the town
at night, encountering Enzo, going on an adventure with Enzo,
and... seeing Enzo come to terms with
his sadness.... And after all that... Charo has grown a little bit. This is the front of the
zoo entrance. This is the entrance. Yes! We're here. Yeah. Thank you, Charo.
It's all thanks to you! As Charo goes through the gate,
he hears a voice. Is this the woman that Enzo
talked about... the woman from the circus? Ah, there you are.
I've been worried about you, Enzo. (trumpets) But I can't believe that you've
come all the way here. Did you... understand what I said? (trumpets) But...
I'm sorry, Enzo. Your mother isn't here. ...? Maybe you'll understand what
I'm going to say... Your mother was very ill. That's why... I'm sorry, Enzo.
I lied to you. ... Enzo...
let's go home. This is the entrance to the zoo.
The gate is closed. There is a gap that might be
big enough for Charo to fit through. It is a truck that has a circus
symbol on it. Enzo stands still.
He does not move at all. The woman gently comforts Enzo. It's closed.
How do we get in? Oh....
What should we do? I can go under the gate, but...
will I be able to open it from inside? Hmm... I wonder. Should I go ahead and check the
inside? Yeah, please do! Enzo... There was no mark for an elephant
on the information guide. ... Well... Enzo,
I'm going to go now... ... This is the zoo entrance. An information guide board of the
park stands in the front. This is the zoo entrance. An information guide board of the
park stands in the front. It shows where the animals are
located in the zoo. There is no mark for an elephant.... A solid bolt placed on the inner
part of the gate. It doesn't look like they'll be able
to open it. It is difficult to see from here
because of the backlight. Just then, the area outside the
gate is brightly illuminated. The headlights of a truck. A woman gets out of the truck. She approaches Enzo. The next day Candy is visiting
Margherita's place again. Dread also runs in.
He seems upset. Hi, Dread!
You look... terrible! Hey, have you met Charo's girlfriend
Candy? Girlfriend?
Then, have you seen Charo? What's the matter? Charo didn't come back last night. No! You really don't know anything? N... no. Just then, Charo shows up.
He's limping. Charo! Where have you been!? Dread... Margherita... Are you all right? A red star is shining around Charo's
neck. I found it. See, Candy? The red star.
You told me about it. I... did? I can go back to Japan...
if I wear this. Oh... that. Candy seems very uncomfortable. ¾+Needless to say+, red stars ¿+have nothing to do
with+ going back to Japan. She just À+made up a story+
and was playing a joke on Charo. Margherita realizes what is going on
and cuts in.... That's great, Charo! You keep it, and
someday your dream will come true. Yes! Charo, you must be hungry.
Here. Eat. 

****************************************
_out_EN_136.txt
****************************************

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Charo and Dread Á+are sound asleep+. Noisy bird.
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nest. There is a big pile of empty cans. There is a slight smell of both
food and drink in the air. It is likely that +there are some
leftovers+ inside the cans. A bizarre bird is crouched on top
of the pile of cans. He is pecking constantly at a can. The strange bird is holding the
can with his hands... er... wings. He is humming to himself. Hi. I'm Charo. Me, Sally. How dee doo dee? (laughs) You're funny! Sally's fun style of talking makes
Charo happy. Thank you, Charo! Whether you're angry or sad,
time passes by, right? So you might as well live with a smile,
having fun! What were you doing here? I came because of the delicious
smell from those cans! I flew a long way, so I'm hungry
and tired. I see. I'm tired from all the trouble
I've been flying into. My legs got tangled up,
I got soaking wet... Where are you from? Good question!
I'm from everywhere. You know how I go everywhere?
I fly around the world. Where're you from? Uh... I'm from Japan. Japan? Whoa, that's far away, isn't
it? It's a great place, though. You know Japan? Of course I do!
Who do you think I am? Wow! What places do you know
in Japan? Err... I went to... more or less...
to the... south of Japan! South? Yeah, where there are lots of...
penguins! How come you know Japan? Well, that's because
Sally has wings, of course! I can fly to anywhere. You can fly.
Â+I envy you...+ Penguins!? Really? Wow.
I... I want to be like you. Then, I'd be able to go back
to Japan... I want to fly to Japan. That's easy! Just flap your wings! That's all you need to do to get to
Japan. But... I don't have any wings.
I'm a dog. Hmm... now that's a problem.
That means you can't go back! Charo looks sad. Sally feels a little awkward. Oh, c-come on, d-don't be so
depressed. Hey, I'll tell you what. Go west! West? Yeah! Japan is to the west of America. West!? OK. I'll go west.
Thank you, Sally! You're welcome! So, stop worrying and
be happy. Why don't you sing a song!? Good, good!
You've got talent! Sally's voice becomes excited.
But then... Hey, didn't I tell you? Get... out! Uh-oh, oh oh oh,
ohhhhhh... What time does he think it is? Ã+Are you leaving?+ I'm not good around that type. Charo, remember,
Japan is to the west! Yes! Thank you, Sally. See ya! Without Sally,
the place suddenly becomes quiet. West... I will head west. Isn't there anything left in here? Isn't there anything left in here? Could there be some cod inside?
Salmon? Sardines? Could there be some cod inside?
Salmon? Sardines? I'm not picky.
I'll eat anything! I'm not picky.
I'll eat anything! If you have questions about
anything, just ask Sally. I beat my wings, zip through the air
Reaching there, never getting anywhere That's cool, man, the earth is round
It's boundless, I fly endless Been to Cuba, ？？？？？
Met a panda in Uganda Come on, now! Get into it!
How hard could it be!? Now listen! OK! Good ears!
Here comes some more! Day in day out, I do my own thing
Seeing things, never learning anything That's cool, man, as long as I swing So clap your paws if you haven't
got wings Been to Asia, Micronesia
？？？？？ in Uganda You don't even know that!? I'll sing one more time! Wow! I'm surprised you understood
that! Now, this next one's the last! Konnichiwa, alligator
？？？？？, equator +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_137.txt
****************************************

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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_138.txt
****************************************

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  50     Q  ￋPI  90     ?Q  ?	3?  g0     ?Q  rHb  0     7Q  ^rv  0      Q  !  1     7Q  a4`  1  ~   ?Q  R  @1  P   Q  ,-  a1     Q  V  q1  D   Q  k{  1  -   Q  c  1  7   ?Q  }8  1     7Q  u܎a  1     7Q  =
J  2     Q  4  &2  3   ?Q  мQ!  D2     7Q  !ޏRK  O2     ?Q  s)t  k2     8Q    2  g   8Q  1  2     8Q  ~2C  2     7Q  |  2  J   Q  ,/0  %3     Q  \u  :3     7Q  ґ|  t3     8Q  [O+f  3     7Q  D  3     7Q  :  4     7Q  r5  )4     7Q  d(}  o4     7Q  8}d  4     7Q  	M  4     Q  vE  +5     Q  00  Z5     7Q  V=h  5     7Q  Ur  5     8Q  ^n  
6     ?Q  Fg 0  B6     8Q  F'e  Z6  N   ?Q  mk@  6     7Q  wO  6     ?Q  9<  6     7Q  U3Q   7     7Q  <R  +7  W   LQ    ^7     LQ  v  |7  !   8Q  
͘}  7  b   ?Q  ۘ8)  7     7Q  ;  7     7Q  b@_  7  H   8Q  T8  8     7Q  ؙe  -8     ?Q  >3  c8     8Q  xr  8  S   8Q  -=4  8     7Q  jLQ  8     7Q  :T  8     7Q  `Ђ  8     7Q  [  39  S   KQ  f  u9  W   7Q  )3  9     7Q  *AT}  9  c   8Q  ~5  9     8Q  I=b  9     7Q  VPo  #:     KQ  ŞMg  \:     8Q  #-/  :     8Q  R<l  :  n   KQ  ş[  :     KQ  Fӆ  :     KQ  ̠C\  <;  _   8Q  /):  g;  A   8Q  CcR  z;  q   KQ  뵡h  ;     KQ  ^  ;  L   8Q  }-  ;     8Q  DG  ;     KQ  /  <  s   8Q  P  U<     KQ  I  y<     ?Q  TuF  <     KQ  Ӥy  <  _   8Q  Mw-  <     KQ  z  <     7Q  ؍L  <     7Q  ڥ(U  !=  0   KQ  /rM  M=  S   KQ  /}  V=     7Q  D"F  q=  r   8Q  Gh1  =  ,   KQ  !  =     7Q  ߻;  =     KQ    =     KQ  X7  =     7Q  M  '>     ?Q  S._  N>  n   8Q  0  >  C   KQ  n/  >     7Q  @  >     KQ  S0z  >     KQ  ͪN  >     8Q  CQ  '?  k   8Q  n=4  Q?  !   KQ  C  f?     7Q  /:  n?     7Q  K  ?     8Q  ?/  ?     8Q  N  ?  e   8Q  3  ?     7Q  # N  @     7Q  q7G  3@  d   KQ  V  W@  &   8Q  :  x@     8Q  #D  @     7Q  hb  @     7Q  ʮ@  @     8Q  n<  @  .   KQ  ",I  @  J   KQ  ky  @     7Q  }"]  A     7Q  BV  2A  d   8Q  ,x7  ZA     KQ  а  oA  ^   KQ  Y-  A     KQ  Kt  A  9   8Q  u  A     ?Q  \8T  B  m   KQ  _r7  9B     KQ  >\  OB  I   8Q  D&  |B     KQ    B  g   ?Q  ³&=  B  }   8Q   <  B     KQ  -<͐  B     KQ  ̴OG  ,C     8Q  I"  OC     8Q  k(c  VC  z   KQ  G_b  C     KQ  YK  C  J   8Q  0  C     7Q  W,N  C     7Q  9#s  
D     7Q  "y  ED     7Q  & ^  D     7Q  Ąp  D     7Q  zA  D     7Q  7b  	E     8Q  o  >E     7Q  S	M  lE     7Q  V_Z  E  !   8Q  k}  E     7Q  2i  E     8Q  +  F  &   ?Q    EF     7Q  ĺ`  NF     8Q  $X  }F     8Q  7
b  F     KQ  D)V  F     7Q  mtrz  G     KQ  T  TG     7Q  C!r  yG     KQ  ϵ{  G     ?Q  12]  G     ?Q  N   H     8Q  ݾ>  JH     ?Q  C  cH  4   KQ  ^  H  U   ?Q  zb"  H  {   KQ  g  H     KQ  m  H  B   ?Q  q]'  I  q   KQ  N5O  I  f   ?Q  E  :I     ?Q  d.,?  aI     KQ  m  I  y   8Q  X  I     KQ  1_X  I     KQ  5un  J     KQ  %_  ?J  k   KQ  P/  iJ     8Q  $l  J  !   8Q  Pn  J     7Q  s  J     8Q  Dv  K     ?Q  &  ?K  n   7Q  !2  EK     KQ  
C  ZK  Z   ?Q  $#  zK  L   8Q  Gw  K  <   KQ  Pb,  K     KQ  w  K     KQ  a  K     7Q  h(  L     ?Q  X  YL     8Q  B}  ~L     7Q  @/^  L     7Q  of  L     7Q  >B  M  Y   ?Q  3  >M  `   8Q  $T  QM     7Q  Nt]  xM     7Q  &{  M     7Q  "(M  M     7Q  %uR  N     7Q  S  9N     7Q  L  eN  }   8Q  <  N     ?Q  XG  N     ?Q  Ns  N     ?Q  S  O     ?Q  fJ  2O     ?Q  b  WO     7Q  ^<  O  {   7Q  ]P_3  O     7Q  r  O     7Q  l  O     8Q  nc;  >P     7Q  9  XP     7Q   cZ  tP     7Q  c3D  P     7Q  'x>r  P  /   8Q  e2$  P  S   ?Q  W  	Q     7Q  4f5z  !Q     7Q  i(s  \Q  L   ?Q  So?  Q  h   ?Q   s\  Q     Q  sOA  Q  o   Q  06  Q  u   Q  g2  R     7Q  [:c  0R  P   8Q  >  oR     7Q  T<X  R     7Q  ,  R  |   7Q  a  R  =   8Q  l#6  S  X   8Q  
ZJ  S  c   ?Q  ܤ
  6S     7Q  &[  YS     8Q  nLn  S  i   8Q  F  S     7Q  77b  S     ?Q  H  S     8Q  F  T     7Q  Z)-  *T     7Q  CWw  FT     7Q  
N  T     8Q    T     ?Q  "O  T     ?Q  ev  T  %   ?Q  lM  )U     7Q  :  1U     7Q  O  KU     7Q  t  vU     7Q  xiB  U     7Q  aC  U     7Q  +  U     7Q  /sgb  (V     7Q  jH  XV     7Q   A  V  |   7Q  _bN  V  G   KQ  C  V  t   KQ  B  V     7Q  3u  W     KQ  t  CW  b   8Q  >  W  U   8Q  \x0  W     7Q  WD  W     7Q  _d  W     8Q  16D   X     KQ  dn8k  X     KQ  ({z  NX     KQ  s  X     KQ  {V  X     8Q  ]p  X     ?Q  C?  'Y     8Q  '  EY     KQ   o  Y     KQ  |  Y     KQ  %V0  Y     8Q  !k  &Z     8Q  Ɛ  VZ     8Q  z  Z  &   ?Q  \2  Z     8Q  l  Z  u   KQ  O~  Z     KQ  c(_  [     8Q  @t  5[  5   KQ  je"  e[     8Q  :X{  o[     KQ  0B  [     KQ  2  [     8Q  c:  [     KQ  Ȯ  \     KQ  e>}  W\  A   8Q  B  \  P   KQ  
7  \     KQ  C>  \  O   KQ  ɂ8G  \  8   8Q    \  j   KQ  <  \     7Q  +r  ]  V   8Q  $  @]     ?Q    Q]     7Q  sO  U]     7Q  :v  ]     8Q  ō>  ]     7Q  JN  ]     7Q  u  ^     7Q  |  F^     7Q  X  ^     7Q  ~el  ^     7Q  d  ^     7Q  6h   _     7Q  Ӟ:  X_     7Q  UUY  {_     8Q  2i  _     7Q  Uq  _     7Q  cT  !`  _   ?Q  -  S`     7Q  o  h`     7Q  hR  `     7Q  K  `  :   8Q  f %  a     ?Q  JE  a  =   8Q  c  1a     8Q    >a     8Q  ~^  ya  6   ?Q  >Q#  a  l   a  R   8Q   <  a     7Q  <X  b  "   ?Q  d"  6b     8Q  
  ?b     7Q  &Q@  b  j   ?Q  fB  b     8Q  9  b     7Q  -X  b  *   ?Q  a$0  c  '   TQ    #c     7Q  |l  ,c     TQ  =`  [c  o   ?Q  G  c     TQ  ol  c     ?Q  Re  c  W   ?Q  ˷/  #d     TQ  Z  7d  `   TQ  sB6  ld     TQ  <ye  d  :   ?Q   5  d     TQ  PK&  d     ?Q    e     7Q  <b  %e  w   8Q  a1  Ne     7Q  !w  ee  b   7Q  SN!  e     7Q  Zo|V  e     ?Q  /  e     8Q  ^Y  f     ?Q  eNk  'f  6   8Q  '3!  hf     ?Q  ZP<  rf     ?Q  Dd  f  4   8Q  {!  f     7Q  i  f     8Q  xL  g     7Q  0Ty  %g  The Manhattan afternoon is very warm,
and the sky has cleared up. The familiar street is bustling with
people, as always. That day... Charo, who has been strolling,
spots Candy in the city. Ah, Candy. Charo runs to Candy. ... But... there is something a bit
different about her. This is downtown Manhattan. Many people are walking around,
drawn outside by the warm weather. A man is speaking to a young lady. +Excuse me, do you have the time?+ It's 2:30. In contrast with the beautiful
weather, Candy looks sad. Candy!
Where are you going? Oh, Charo. I'm going to the hospital right now. Chris is going to have heart surgery
pretty soon. ... I didn't know that.
Ä+You must be worried.+ Aunt Charlotte usually takes me to
the hospital. But she's been busy lately, and
I've been on my own. That's why... I'm going to see
Chris alone today. Aunt Charlotte...? Oh... Aunt Charlotte is Chris's aunt. I'm staying with his aunt while
Chris is in the hospital. ... The loneliness of not seeing Chris, and the strangeness of living at
his aunt's home... have taken a toll on Candy's heart. Candy? What? Are you all right? Me?
Of course, I'm all right! But in fact, Candy is crying. Don't cry. ... I'm lonely. I know I shouldn't complain. But Aunt Charlotte wants me to enter
a dog show this weekend. And I'm Å+not interested in it at all+! I'd rather she take me to the hospital
instead of to the show. I want to see Chris... Aunt Charlotte does everything her
way. She doesn't even care about me! ... Candy. But... you're going to the hospital
now, right? When you see Chris at the hospital,
I'm sure you'll feel better. Charo... Chris will be happy if you go see
him with a smile on your face. Yes... you're right. Talking with Charo makes Candy
feel much better. Æ+Say,+ Charo. Ç+Would you like to come with me to
the hospital?+ Yes. Sure. Charo and Candy start walking
together. So, have you found a way back to
Japan? No, È+not yet...+ But look! I have this red star! Oh... "If you wear a red star, you can
return to anyplace you want." Candy remembers the story she made
up, and this É+almost makes her cry+ again. They walk for a while... Charo and Candy arrive at the
hospital where Chris is staying. Two guards in uniform are standing
at the entrance. Charo and Candy stop at the
front gate. This is it, Charo.
Let's go inside. What? From here!? Charo becomes worried. This is in front of the hospital gate. It is a very big hospital surrounded
by a fence. The two guards talk to one another
while occasionally looking around. Candy is in a brighter mood than
before. She feels more positive since she
is going to see Chris. Say, Candy.
How are you going to see Chris? We always go in from the front
and stop at the reception desk. But since Aunt Charlotte isn't here
today... let's go straight to his room. What? Just us? Yes, that's right. There are guards at the gate.
Will they let us go through? What? Why not? We need to go through here in order
to enter the hospital. Candy seems used to it. Let's go, Charo. Uh... OK... A bit worried, Charo follows Candy,
who seems calm. Just as the two try to pass through
the gate onto the hospital grounds... Whoa! Whoa! Ah! Hey! Where do you doggies think
you're going? Arf arf!
We're here to see Chris. We know where his room is, so
you don't need to take us there. Candy walks around the guard and
tries to go further, but... Uh-uh! One of the guards blocks Candy's
way with his foot. Arf arf!
Hey! What're you doing? Hey, be gentle. They probably belong to a patient
or a visitor. Yeah, I know. All right. Arf arf!
Ê+Let me go!+ Candy and Charo are lifted up
by the guard... and put back outside of the gate. Sorry, but you can't come in. Wh... why? Candy is extremely shocked. This doesn't happen when I'm with
Chris or Aunt Charlotte. Yes... Don't worry, Candy. Let's look for another way in. Charo and Candy try to pass through
the gate to the hospital, but... Hey, hey, hey!
Stop! Here again? You better cut it out or
I'm gonna get angry! The guards block Charo and Candy
more forcefully than before. We... we can't go past....
Let's go back. This is in front of the hospital gate. The guards are blocking the
entrance. It is a very big hospital, but there
are few people coming and going. The guards that chased Charo and
Candy away block the entrance. The guards Ë+in uniform+ continue
to chat like before. But there seems to be no chance
for Charo and Candy to pass by. And she is...
... Hey, +are you with me?+ Oh, sorry. The dogs over there just
caught my attention. Candy becomes depressed
compared to when they arrived. Being thrown out at the gate seems
to have been a shock to her. We can't go through here because
of those two people... Then what should we do? Well... let's see if there's
another way in. Yes... all right.
Let's go. After saying so, Candy murmurs
with her eyes to the ground. +I am out of luck today...+ This is a path along the hospital
grounds. They hear a loud voice from the
end of the path... Can I... get out?
I cannnn't! Wow! I'm in some trouble here...
oh, baby! Hmm...? What's going on...? Charo and Candy move closer... A bird is struggling with its head
in a pickle jar. Hmm...?
Is that Sally? It is the migratory bird that Charo
met this morning. Is he Ì+a friend of yours+? Yes. But...
what happened? This is a path along the hospital
grounds. The grounds are surrounded by a
tall fence. Sally's head is stuck inside a jar,
and he can't get it out. The pickles in the jar swish around
each time he shakes his head. S-s-s-sour!
It's really sour! It's a sad sight. This is a large jar with pickles and
Sally's head inside. That's a big jar.... It's too big for me to get my
mouth around it. Sally shakes his head around,
trying to get the jar off. Í+The only thing I can do is shake
my head.+ Ah...! Maybe the jar will come off if you
shake your head hard...? That's it! Great idea!
You're a genius! But the world outside of the jar
is blurry, and I can't see right. Could you tell me which way I
should face? Yes. I understand! Um... Sally?
Are you OK? Oh, yes! Pardon me,
as I'm inside this jar! I can't see too well. Who are you? It's me, Charo. That jar... won't come off? Aww... I tried to eat the pickles in
this jar, and look what happened! Please wait.
I'm going to help you. Wow. If you can help me,
I'll be happy! But how can we get the jar off? OK, OK!
Please tell me what to do! Tilt your head up! Up! Sally tilts his head straight
upward. The pickle vinegar runs into
Sally's mouth. (coughs) S-sour!!
It's really sour! Sally seems to be suffering. Turn your head right! All right! Sally turns his head to the right. Oh, no...!
The pickles are in the way.... Make these pickles miraculously
disappear! The jar doesn't seem to be coming
off. It looks like shaking his head won't
be enough... Turn your head left! Left... left... Sally turns his head to the left. Oh, no! The earth is spinning
round and round! It's pretty difficult when you're
wearing a jar! Maybe shaking his head won't be
enough... Tilt your head down! Down... Sally tilts his head downward. The jar hits the ground with a clank. Ah...! The jar is made of glass. It might
break if it hits the ground. That's too weak...? Sally lowers his head facing upward. The glass jar hits the ground hard. Hey!
Î+That was promising!+ Really!? Then try it one more time! Sally raises his head once more
and lowers it. The glass jar splits in two! Yay! Yes! Yes! You saved me! Sally has been set free from the
pickle jar. He strokes his sore beak with
his wing. That was terrible... Well... to tell you the truth, I don't
want to eat pickles for a while. Thank you, Charo! I knew from the start that you
were a good guy! (chuckles) I'm glad Ï+everything worked out+,
Mister Bird. Oh, what a cute girl! Pardon me for not introducing
myself sooner! This is Candy. I'm Sally, a migratory bird who
travels all over the world! Oh, my... the world? Sally knows Japan, too. Sure. I know Japan and the
street corners of Manhattan. Are you two on your way
somewhere? Yes... We're looking for the entrance to
this hospital. Huh? What?
The hospital entrance? Well, it's right back there behind you. Y... yes, but... This is a path along the hospital
grounds. A pickle jar, split in two, is at the
side of the path. Pickles have spilled from the jar
and are spread across the ground. Also...
there is a very sour smell. Charo doesn't find the smell of
pickles to be appetizing. Charo looks up at the tall fence. It looks difficult for Charo to
jump over the fence. Isn't there another way to go
over the fence? Grass is growing at the bottom
of the fence. Charo moves a little closer and
looks carefully. Huh...? There is a space that Charo and
Candy might fit through! This is it! We may be able
to squeeze through this space. Really!? He looks relieved to be free of
the glass jar. There are men at the hospital
entrance, and they won't let us in. That's why we're looking for another
way to get in. Oh... if only you both had wings
like me... Sally flaps his wings and lands
on top of the fence. See? You can go anywhere with
wings! Then he spreads his wings and
gently drops down. You could fly to the courtyard
without anyone getting in your way. The courtyard is where Chris
spends the afternoon. Chris....
I wonder what he's doing now... We're here to see Chris. He's a patient in this hospital. Ah, Chris? You know Chris? Oh, yeah. Chris....
Ummm... sure I know him. There was a little boy sitting on
the courtyard bench just now. That's Chris! M-maybe.
I didn't get his name. Is he still there?
We have to hurry... Chris can't stay out too long. If you're going to the courtyard,
it's fastest to go over this fence. But...
this fence is too high. Now, now.
Ð+Don't let that get you down.+ If you can't go over the fence,
go around. No one can say
that there's no other way. (laughs) I'm a poet,
and I didn't know it. Y... you're right...
we should look around more... Umph... Charo crawls under the fence,
checking to see if it's safe. Candy! It's a little tight, but we
can get through! OK... Candy follows Charo. It was right under our noses... Thank you, Sally. See you later. Good luck... Now I'm going to give everyone
the gift of pickle aroma. Keeping this smell to myself
would be a waste. The two dogs say Ñ+farewell+ to Sally
and proceed to the courtyard. Chris...
should be around that tree. Um... Candy? Let's make sure
we don't get noticed. Charo and Candy arrive at the
hospital courtyard. The inside of the hospital can
be seen clearly from here. The two crouch under a big tree. Where is... Chris? I'll look for Chris.
Stay here, Candy. This is a big courtyard on the
hospital grounds. It is a big facility with a hall on
the other side of the window. Doctors and nurses hurry around. This is a big tree growing in the
courtyard. The thick green leaves are casting
shadows. +It is a perfect place to take a rest.+ Where is Chris, usually? He's usually in his room, but... when it's warm, he spends his
afternoons in the courtyard. He sits under this tree or on
the bench... but he can't stay out here
too long. They take him back to his room
before he gets tired. Charo looks around, but... he does not see Chris. Benches stand in a row alongside
the plants in the courtyard. There are a few people sitting
there, but Chris isn't among them. ... Did he already leave? Patients spend time here... until they are taken back to their
hospital rooms. Charo looks at the hospital
carefully. Doctors, nurses, and visitors
walk the halls... Ah... hey! Oh, there he is!
Chris! However, Chris is inside the
building and cannot hear her. He has just gone inside and
is returning to his room. Arf arf!
Chris! I'm here! I came to see you!
Come back! Arf arf! You hear that noise in the
courtyard? Hey, look!
Dogs have gotten in. It's those dogs again. The guards from the entrance
have noticed them. They approach. Aah!
They found us! They are near a big tree
in the hospital courtyard. The guards are approaching. During this time, Candy
continues to call Chris. Candy!
Let's run...! Come on...
we'll get caught! Chris! Chris!
Please... notice me! Candy is still calling desperately
to Chris. Oh... no...
I have to Ò+do something+...! I... I'm sorry, Candy. Charo catches Candy by the tail
and tugs. Hey! What are you doing!? They're coming! Let's go! The guards are approaching. Charo leads Candy to the path
outside the hospital grounds. Candy keeps crying all the way. Ó+I'm sorry. I didn't mean to make
you cry, but...+ I know! We had to leave anyway. But I just wanted to be with Chris.
I just... (cries) Candy breaks down crying. This is a path along the hospital
grounds. A pickle jar, split in two, is at the
side of the path. Candy cannot stop crying. She had been holding in her
feelings. However, after seeing Chris's
face, she feels even worse. Candy has stopped crying and
calmed down a bit. There are still tears left on her
cheeks. Charo looks up at the tall fence. It is Sally.
He seems a bit uneasy. H... hey.
How are you? I was wondering...
when you'd notice me. Sally flaps his wings and drops
from the top of the fence. So the scary guys at the entrance
chased you away too, huh? Yes, that's right... What? You, too? There is a gap under the fence,
and... Charo can get to the hospital
grounds through there. Those people chased you, too? Yeah, well, they are probably
big fans of mine. Lately, I've been singing in the
hospital courtyard every day, but... when I start to sing, they come
right away. You should see them run from
the front entrance! If there's noise in the
courtyard, they come fast.... Just like they did right now. When they chase you, do those men
come from the hospital entrance? That's right. But those guys seem
to be out of shape. After they chase me around,
they are really tired... and they take a long time to
get back to the gate. It takes time for them to get
back to the gate? So... if someone draws them to
the courtyard... Candy, we'll be able to go inside
the hospital! Really!? Yes. We'll be able to go to
Chris's room! Yeah, yeah! Good idea!
You're a genius! So, uh, how do you plan to
do this? Please, Sally!
Could you sing in the courtyard? What? Me? We want to enter the hospital
while you lure those two. But...
I've already sung today. Could you come back tomorrow? Please.... Your music will make
Candy's wish come true. My music... will make her wish
come true? Huh...? Huh...? Actually, I'm really busy right
now, but... oh, well... Sally!
You'll do it? Sure.
Leave it to me! You saved me from the pickles. I'll sing plenty. Thank you! Just leave it to me! Sally hums to himself while flying
to the courtyard. Let's go, Candy! OK! This is a path along the hospital
grounds. Sally's singing voice can be heard
from inside the courtyard. Ô+Let's hurry to the entrance!+ This is a path along the hospital
grounds. A pickle jar, split in two, is at the
side of the path. Pickles have spilled from the jar
and are spread across the ground. Also...
there is a very sour smell. Charo doesn't find the smell of
pickles to be appetizing. This is the metallic fence that
surrounds the hospital. There is a hole that Charo and
Candy can crawl through. This is the hospital's front gate. Now there are no guards at the
hospital entrance. It looks OK....
Let's hurry to Chris's room! It looks like they can safely get to
the entrance from the front gate. But they do not know when
the guards will return. Will Sally be OK...? This is a very big hospital surrounded
by a fence. Chris is in one of the rooms in
this building. Finally, Charo and Candy are able
to get inside the hospital! We're here! Chris's room is... upstairs. Wait, Candy. If the hospital staff finds us,
we'll be thrown out again. Let's hide behind things as we
advance. OK. Got it. +このメッセージには
英語訳がありません+ Wah... Õ+we failed!+ Charo and Candy are chased out
of the hospital. Chris... Ö+We've come all this way+.
We can't give up. Let's try again! Charo and Candy make it through
the hallway without being noticed! That's it!
That's Chris's room. Yay! Charo and Candy arrive at
Chris's room. Arf arf!
Chris! Candy... Candy is so happy that she
runs into the room. What's wrong, Candy?
Where's Aunt Charlotte? Arf arf!
I wanted to see you. You ×+shouldn't have come+ here
alone. You'll get yelled at. I couldn't wait until the day we
were supposed to visit... I'm sorry... arf... Aunt Charlotte will worry if
you leave the house.... But...
Ø+I'm glad you came.+ I'm sorry, Candy...
for making you feel alone. Arf... arf...
Chris...! I'm going to do my best during the
surgery, so just wait a bit more, OK? Arf... Charo can feel Candy's joy in
her voice. Good for you, Candy... Charo shuts his eyes and imagines
the day he'll be able to see Shota.... On the way home... Candy has calmed down and
recovered. Thank you for today, Charo. I'm glad you were able to see
Chris. Hey, Charo, would you come to the
dog show with me this weekend? Dog show? I really don't want to go... but if a friend could join me,
it wouldn't be that bad. A friend... The sound of the word "friend"
echoes in his heart. Yes. Sure. I can go with you. It leaves him warm inside
for a very long time. 

****************************************
_out_EN_139.txt
****************************************

﻿l     l   C  l     l     l      l   ?  l   ~  l     l     l   ;  l   z  l     l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_14.txt
****************************************

﻿~   (   l   ^   ...That's a good idea!
+Let's go+ to the movies. +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_140.txt
****************************************

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G{z  h;     7Q  ǳx1  ;  |   QQ  xzt  ;  ;   8Q  HZB  ;     7Q  `HA  <     QQ  H  #<     QQ  NFIP  f<     QQ  0I<4  <     QQ  lIr[  <     8Q  &JnT  <     7Q  L{JL  <     8Q  5sy  $=     8Q  NJ,\  X=  R   8Q  z#Kx=  s=     8Q  `K6E  =     8Q  (KLe  =     8Q  tLؙ  =     8Q  LL|  >  l   :>  l   y>     7Q  _!Me  >     7Q  QM2  >     7Q  MA  ?     7Q  PYyw  '?     7Q  yF  r?     7Q  M4J  ?  ?   8Q  ENx"  ?     7Q  ihNd  ?     7Q  xNJ  @     8Q  MOty  3@  r   8Q  OR@  g@  R   8Q  hWOx=  ~@     8Q  O6E  @     8Q  OLe  @     8Q  b?Pؙ  @     8Q  :P|  A  l   EA  l   A     7Q  MUQa  A     7Q  )Q{5  A     7Q  QD  B     Q  ?1R2b  ;B     Q  qR@  kB     7Q  ARK  B     Q  : Se  B     7Q  OS,Z  B     7Q  )z.@  C  |   Q  izE  =C     7Q  {S5b  rC     Q  ATC  C     Q  Tj2  C     Q  TmA  C     Q  iTlL  D     7Q  EUM  .D     7Q  zB  UD     Q  zV  rD     7Q  ]UH  D     Q  iU>  D     Q  IV  D     7Q  LVg  )E  n   8Q  T
W c  ^E     8Q  tmWJ  E     7Q   WG  E     7Q  WG  E     8Q  ety  E  r   8Q  MGXR@  +F  R   8Q  Xx=  BF     8Q  X6E  TF     8Q  M
YLe  qF     8Q  oYؙ  F     8Q  q	Z|  F  l   	G  l   HG     7Q  ZO  G     7Q  "Z7<  G     7Q  Y[Y  G     7Q  [|X  
H     7Q  .[  9H  d   Q  I{Xb  xH     7Q  m\wm  H     8Q  /\O1  H  Q   Q  ~]0  H     Q  =]UP  H  R   8Q  \]5&  I  =   Q  ]*  ,I     Q  ]Ś  AI     8Q  x^U  |I     8Q  ^W  I     Q  &_y  I     8Q  U_iT  I     Q  _ڨ  	J     Q  `z  EJ  J   8Q  >a2  J  d   Q  pa]y  J     Q  pa<>  J  W   8Q  'bg=  J  Y   Q  ebAp  J  ,   8Q  Tb  J     Q  bYq   K  V   8Q  R_c&3  &K     Q  xc  7K     Q  *d  kK     Q  ?de  K     Q  "e  K     Q  ef  K  _   8Q  Jf6  L  n   Q  fˑ  #L     Q  g  KL     Q  cg|  L     Q  O?hk  L     Q  hI  L  y   Q  h:e  L     Q  Yi%[  M     Q  iٯ  3M     Q  djZ  fM     Q  j؁  M  x   Q  uk]  M     Q  ke  M  y   Q  9lpP  N     Q  lh  .N     8Q  l)  GN     Q  m؍  MN     Q  q{~  ~N     Q  m  N     Q  )|3j  N  ~   Q  !n  O  %   8Q  nB,  <O     Q  n  FO     Q  oW  }O     7Q  coY  O     Q  ApI  O     7Q  paJ  O     7Q  MpH  P     8Q  }Auy  .P  r   8Q  qR@  bP  R   8Q  8_qx=  yP     8Q  q6E  P     8Q  qLe  P     8Q  2Grؙ  P     8Q  
r|  Q  l   @Q  l   Q  It is a bright sunny day. In order to meet Margherita... Charo goes to Restaurant Amici. There are several customers inside
the restaurant. Margherita doesn't seem to be
around. One customer is staring at Charo. The customer looks at Charo
strangely. Who is it? Do I know that person? It seems like the customer knows
Charo... but Charo doesn't remember the
person. Who is it...?
Umm. I can't remember. Maybe Margherita will know.
I think I'll ask her. Charo walks toward the back of the
restaurant to look for Margherita. As Charo is about to pass the
customer from before... the customer suddenly picks
Charo up! (screams) Sam. Look at this red star.
Ù+Doesn't it seem familiar?+ A young woman is staring at
Charo's red star. What, Tomoko?
What seems familiar? This star. It looks just like
the one that was on my necklace. You know, the one that I lost
the other day. Tomoko tries to take off the red
star from Charo's collar. Arf arf! That's my red star!
Don't take it! Oh, I'm sorry. It's yours, right?
Relax. I won't take it. While touching Charo's red star,
Tomoko looks closely at it. So when did you lose this necklace? Last week. I must have lost it
somewhere around this area. While stroking Charo gently, Tomoko notices the lucky charm
that Shota's grandma gave him. Oh, wow. This guy has another
lucky charm. It has something written on it! Charo. That must be his name.
And there's some kanji, too... ... Ichi-ro, Hei-an? What does that mean? Ichi-ro means "the road" and
hei-an means "peace and safety." Ú+All together+ it wishes for a safe
trip. Û+Beautiful.+ So, Tomoko, do you wear any of
these lucky charms? Not anything traditional, but... for me, the red star pendant
was supposed to be for good luck. Ü+I didn't know that.+ You see, the stage director that
I just adore... his latest musical is titled
"The Red Star." Oh, I really wish I could write
like him some day. And that's why I had my red star
pendant. Charo somehow feels a bit sorry
for Tomoko. (whimpers) I'm sorry. ... Hm? I'm... sor... ry? W-what was that? Strange. I thought I heard him say
"I'm sorry" in Japanese. (laughs) Oh, maybe the red star is yours
after all, and maybe this little guy knows it.
He's Ý+apologizing+! (laughs) Maybe so. But anyway, Charo, this is yours. You take such good care of
that pendant. You're following your dreams
like me, right? As Charo leaves Tomoko, he passes by
the window. He sees himself in the glass,
standing proudly with the red star. Charo speaks softly. Þ+Believe in yourself,
and your dreams will come true.+ ... Thank you, Tomoko. After a while... Tomoko leaves Amici. Just after that, Margherita returns. This is inside Amici. The number of
customers is growing. Margherita is in front of Charo. In the restaurant, some customers
are talking about traveling. There is a phrase that catches
Charo's attention. "+Have a safe trip.+" That is exactly the same message
as his lucky charm. She just returned from shopping. Welcome back, Margherita! Oh, Charo! ß+What's up?+
You look happy. Well... Charo tells Margherita about his talk
with Tomoko. Hmm, I see... Who'd have thought that your
red star had such a history. "Believe in yourself,
and your dreams will come true"... You use that red star as a lucky
charm and do your best. Yes, I will do my best! Oh, yay!
à+Speaking of+ dreams! Japan! Eh, what? I thought of something pretty good! That's why I came here.
To tell you! Now, á+let's see...+ Just as Margherita is ready to tell
Charo, Rosa shows up. Arf?
What's wrong, Rosa? I'm sorry, Margherita, but would you
do something else for me? There's something I forgot to buy.
I'm really sorry! Oh, that Rosa!
She sure can be careless. Charo, I have to go shopping again. I'm sorry, but could you wait just
a bit more? Let's continue our talk when
I come back! Yes, OK.
â+I'll be waiting+! Actually, we're having a fun event
in the restaurant today. Rosa has been preparing since
yesterday. While you're waiting for me,
ã+why don't you try it?+ Wow...
I wonder what it is. I'll see you later! With her usual basket around
her neck, Margherita leaves. A fun event...?
What could it be? I'll go look. I did it! I solved the puzzle! This is the fifth so...
I got them all right! Sausage! Sausage! I have to go to Rosa! Around the time Charo finishes
the puzzle... Margherita returns. Margherita!
ä+Welcome back!+ Hi, Charo.
å+Sorry I kept you waiting.+ Listen.
I solved all of them! Wow, that's great. You get a sausage if you solve all
of them, right? Charo... how do you plan to tell
that to Rosa? Oh... that's right. Just then, Rosa notices Charo. Oh, welcome, Charo. Arf arf!
Hello, Rosa! Are you hungry, Charo?
I'll give you something good. Rosa gives Charo a sausage. Ah! Sausage!! Rosa is saying something to herself. There weren't many customers
who could solve them. But thanks to you, Charo,
the prize didn't go to waste. Well, it all worked out. Charo enjoys the sausage. It tastes even better than usual...! As Charo finishes eating
the sausage... Oh, that's right!
You wanted to tell me something! What did you want to tell me? Right, right. About that. Could you come with me?
I want to show you something. Charo follows Margherita. There is a map in front of Charo.
Margherita is next to it. It is a map of the United States
of America. Japan is not on it. There is something written on the map.
"+Drive safe!+" Margherita seems more serious
than usual. Margherita, what was it that you
wanted to tell me? OK. Now, listen to me. Look. This is a map of the
United States. Japan is to the west of America.
Right? Yes. Here's New York. And here's a
very big city called Chicago. In order to go back to Japan,
you should go west. If you really want to travel west,
you might want to start from there. I have a friend who has moved to
Chicago. Maybe she can help you out. You have many friends! She's a cat friend, actually. A cat? Yes. Her name is Louisa.
She has this strange power. She can look into the future, and
her words often turn out to be true. Wow! Go and find her. Tell her my name,
and she'll be good to you. I think she lives in Chinatown now. Thank you, Margherita! Then, Catherine and Sirius come
in. Hi there, æ+what are you guys up to?+ We were looking at the map.
Japan is to the west of America. So, I will first go to Chicago.
And then more to the west. (laughs) You're still thinking of going back!? Watch it, Sirius. You have no right
to ç+laugh at+ other dogs' dreams. Oh... excuse me.
But it's really so unrealistic. Charo quietly responds... Then, è+what would you do if you
were separated from Catherine?+ What? You would go back to her, no?
Even if she was far away. Well, of course, but... This is the entrance to
Restaurant Amici. There is a board at the restaurant
entrance. The light from outside makes a
sunny spot. It's a beautiful day. There are some people inside
the restaurant. A message is written on the board
and flyers are posted on it. Charo reads the message. "To thank our customers,
we're giving out special flyers!" "Try the puzzles for a chance
at a prize!" "Five different flyers in all!" "Solve all the puzzles and win
a free sausage!" I guess this is the fun thing that
Margherita was talking about. Can I get a sausage even though
I'm a dog...? A customer can be heard talking
from a distance. Voices can be heard from the
seats near the aisle. I'm gonna give it my best today!
é+I love this sort of thing+. Well, don't come crying to me if
you can't solve it. Don't worry.
+You can count on me.+ There is a puzzle on the back
of the flyer. I don't think I'll do it now....
I'll try it later. OK! I'm going to try hard! Yes! I solved it! Are there any other puzzles? I will look for flyers in the
restaurant! Oh, no. I was wrong....
Should I try it again? I'm done with this puzzle.
I'll go look for another one! +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ This is the counter at Amici. Rosa is busy working. Dishes for the customers are lined
up on the counter. (sniffs)
Something smells good. Fancy chairs are in front of
the counter. A stack of flyers is on the seat. Rosa seems busy with her work.
She doesn't notice Charo. She is talking to herself. +I'm getting confused.+
What should I do first? Arf arf!
Hello, Rosa! Rosa does not notice Charo. (sighs) Thanks to the flyers,
the restaurant has been busy, but... no one has gotten them all
right yet. Were the puzzles too hard? The sausages will go to waste if
this keeps up... Don't worry, Rosa! I will try! There is a puzzle on the back
of the flyer. I don't think I'll do it now....
I'll try it later. OK! I'm going to try hard! Yes! I solved it! Are there any other puzzles? I will look for flyers in the
restaurant! Oh, no. I was wrong.
Maybe I'll try one more time... I'm done with this puzzle.
I'll go look for another one! +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ These are the seats along
the back wall of Amici. A customer is sitting there. The customer is quietly eating. On the table he puts a traveler's
guidebook, "+Welcome to New York.+" There is a picture of Manhattan on it. A flyer lies near the customer's
feet. It's a flyer! The customer doesn't seem to
be interested in the flyer. There is a puzzle on the back
of the flyer. I don't think I'll do it now....
I'll try it later. I'm going to try hard! Yes! I solved it! Are there any other puzzles? I will look for flyers in the
restaurant! Oh, no. I was wrong.
Maybe I'll try one more time... I'm done with this puzzle.
I'll go look for another one! +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ These are the seats along
the street side at Amici. Two customers are sitting there. Charo hears two customers talking. Auuugghhhh! I give up!
I don't know the answer! Who needs this flyer, anyway? The customer's flyer is on the
floor. Don't get mad just because
you can't solve a puzzle. The two customers are sitting across
from each other. The man's voice is getting louder, +Give me another shot.+
I know I can do better. One of the customers is focused
on the puzzle flyer. Darn! This is pretty hard! Why don't you just give up? ... Uhhhh, just wait a minute, OK? If I can't solve it this time,
I'll give up. One of the customers seems
frustrated. The man is making an excuse. +Don't blame me.+
This puzzle is too difficult. Charo hears two customers talking. I can't solve it! I give up! Who cares? If it'll make you feel
better, I'll buy you a sausage. Charo cannot see the flyer from
where he's standing. Too bad. I can't see
the flyer from here. I'll go look for another flyer. A crumpled flyer is on the ground. There is a puzzle on the back
of the flyer. I don't think I'll do it now....
I'll try it later. I'm going to try hard! Yes! I solved it! Are there any other puzzles? I will look for flyers in the
restaurant! Oh, no. I was wrong.
Maybe I'll try one more time... I'm done with this puzzle.
I'll go look for another one! +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ These are the tables at the back
of Amici. A white cat is on a chair. The white cat is on a chair.
He probably belongs to a customer. The white cat is sitting on top of
a flyer. The cat is looking at Charo with a
satisfied look on his face. You are doing well.
+Keep going.+ Charo cannot see the flyer.
The cat is in the way. Thank you for the flyer! You're welcome. I hope you get those sausages. Hello, I'm Charo! ê+Hello there.+ I've never seen you around.
ë+What can I do for you?+ Uh...
I know it's sudden, but... I want to see that flyer under
you. Hmm....
Why do you need a flyer? I want to play the puzzle on the back. Ahh, that seems to be popular
in this restaurant right now. Something about winning sausages
if you get them all right. Yes! That's it! Sausages are nice.
I love them. You like sausages, too? Yes. I love them! Which makes us...
rivals. Rivals...? You see,
I'm after the sausages, too. What!? You are!? That's why I can't just let you
look at this flyer. Now what should I do...?
Aha! I know! I'll quiz you on sausages. That will show me how much you
love sausages. If you can get all of them right,
the flyer is yours. Yes. I understand! Let's start, then!
Question Number One! What do you call a food that has
a sausage between bread? A hot cat....
I don't know what that means. A hot duck? You mean, Chinese food? That's different than a sausage. Bingo! ì+You got it right.+ Well, that was an easy one. They're gonna get harder.
OK, Question Number Two! You know about a sausage dish called
an American Dog? What do you call an American dog
in America? That's the same thing.
Think harder! That sounds similar, but you're wrong. Bingo! You got it right. Not bad! Not bad at all! Yeah! OK, this is the last question.
It's a tough one! What do you call a sausage with
skin made from pig intestine? Too bad! That's what they used
to call hot dogs. Too bad!
That uses cow intestine! Ding ding ding ding ding!
Wow! That's right! I did it! I'm glad to meet someone who
loves sausages like I do! I'm happy to give this flyer to you! The cat drops the flyer onto the
floor. Good luck with the puzzle! It is a slightly warm flyer. There is a puzzle on the back
of the flyer. I don't think I'll do it now....
I'll try it later. I'm going to try hard! Yes! I solved it! Are there any other puzzles? I will look for flyers in the
restaurant! Oh, no. I was wrong.
Maybe I'll try one more time... I'm done with this puzzle.
I'll go look for another one! +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_141.txt
****************************************

﻿l   T  l     l     l     l   P  l     l     l   
  l   L  l     l     l   	  l   H  l     l     l     l   D  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_142.txt
****************************************

﻿l     }        "     X  l                  X  l             !     n  l             L       l             ,     c  l     l     +このメッセージには
英語訳がありません+ It looks like a piece of
somebody's diary. "+I am in trouble with my selfish
 girlfriend.+" Charo learned a new English phrase!
+I am in trouble with my selfish
girlfriend.+ +このメッセージには
英語訳がありません+ It is a piece of poster asking
for help. "+I have been looking for
 something but I can't find it.+" Charo learned a new English phrase!
+I have been looking for
something but I can't find it.+ +このメッセージには
英語訳がありません+ It seems like a piece of
questionnaire. "Q.11 +It's a pain in the neck and
 I don't feel like looking for it.+" Charo learned a new English phrase!
+It's a pain in the neck and
I don't feel like looking for it.+ +このメッセージには
英語訳がありません+ It is a piece of coupon for a
FREE lunch buffet at... We need the other piece
but +the wind blew it away.+ Charo learned a new English phrase!
+The wind blew it away.+ +このメッセージには
英語訳がありません+ Page 123?　It must be from a novel. "+I want to find out about your
 true nature...+" Charo learned a new English phrase!
+I want to find out about your
true nature.+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_143.txt
****************************************

﻿l              `  l               l   ^            l   3  l   r  +このメッセージには
英語訳がありません+ "+It is a chain.+ It helps us not
 to drop our pocket watches." Charo learned a new English phrase!
+It is a chain.+ +このメッセージには
英語訳がありません+ "+It is a white ribbon.+ It
 makes your gifts more memorable." Charo learned a new English phrase!
+It is a white ribbon.+ +このメッセージには
英語訳がありません+ "What is a food that must have
 a diameter of 20-35mm?
(Answer: +It is a sausage.+)" Charo learned a new English phrase!
+It is a sausage.+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_144.txt
****************************************

﻿]   7Q  ;.  [     ?Q  *|s  [     ?Q  1}?  [     ?Q  F}b   \     8Q  Ө}J  8\     7Q  }~  V\     7Q  cr~Nb  \  Z   8Q  ~8  \     7Q  L  \     7Q  Yl  \     7Q  _K  ]     7Q  .fp  >]  z   8Q   .  ]     8Q  Q  ]     8Q  Ѐt  ]     7Q  y׀hN  ]     7Q  %J~  ]     7Q  9Z  ]  1   8Q  +f  ^  1   ?Q  -a  $^  J   8Q  .  /^  @   8Q  ǂG  =^  f   ?Q  .3  W^     ?Q  BZ  l^     7Q  ۝[/  ^     ]Q  6̓<  ^     7Q  0
VQ  ^     ?Q  [9  ^     ?Q  OC  
_  C   ?Q  ׄ<  ._     7Q  #B  J_     7Q  !V]h  c_     8Q  ~t  _  c   ?Q  ŅSI  _     7Q  E'x  _     7Q  l8i  _     7Q  b]  '`  '   8Q  N  R`     8Q   fN  [`     7Q  :  ~`     7Q  >  `     7Q  -G  `  v   7Q  uH  `  p   7Q  /  a      8Q  y  "a  o   7Q  '2  )a     ?Q  >  >a     7Q  Sm  Ea  o   ?Q  G2  xa  i   ?Q  V  a  Q   8Q  YJ#  a     7Q  Rnr  a  y   8Q  1  a     ?Q  }r  b     8Q  {
  Cb     ?Q  B/.  Ib     ?Q  q>  cb  #   8Q  Y  b  9   ?Q  mn  b     7Q  -t  b  K   ?Q  ꡌ+  b     ?Q  ͌ 8  b  Z   8Q  %4  c     ?Q  9d  c     ?Q  {  Fc     8Q  hL  c  o   ?Q  g-  c     ?Q  QW  c     ?Q  jj=^  c     ?Q  gK  ,d  p   ?Q  6(  \d  ,   8Q  _  yd     ?Q  DnX  d  X   8Q  Əp  d     8Q  7w?  d  ,   ?Q  \w%  d  4   ?Q  j   d  e   8Q  벐^  e     7Q  e  e  c   ]Q  w#  Le     7Q  n=  _e  V   7Q  gّ  {e  _   ]Q  W"  e     ]Q  2^  e  0   ?Q  )y  e     ?Q  ј  e     ?Q  ŲK  e     ?Q  iX  
f  J   8Q  7W0  Cf     ?Q  %`  Tf     7Q  c  f  _   ?Q  M  f     7Q   90>  f     7Q  0w^  f  v   8Q  Ք?(  #g     7Q  $SD  :g     7Q  wBU:  Xg     7Q  |l  g     7Q  ?  g     7Q  )?  g     7Q  (j  g     7Q  hlL  "h     7Q  9  Gh     7Q  f;  ^h     7Q  U*L  h  |   ]Q  TwC  h  *   ]Q    h     7Q  җl  h     7Q  >i  i     7Q  8  0i     7Q  3p  ni     7Q  ֤y  i     7Q  P  i     7Q  oHJ  j      8Q  J  4j     7Q  G՚  ;j  M   8Q  WY.  j     8Q  IQ  j  q   8Q  
ڛ|(  j     7Q  H<  j     7Q  >bo  j  =   Q  0  .k  E   Q  ÜH  :k     Q  :  Wk     Q  Gk  wk     Q  ϝO  k     Q  Q>[  k     7Q  cF  l     7Q  r6~  -l     7Q  qg  il     7Q  mٟ~x  l     7Q  Qz  l     7Q  ̠  m     7Q  ^Q<I  ^m     Q  -  }m     Q  QȡP  m     Q  H  m  k   Q  a5  m     Q  gc  n     Q  {  Bn  )   8Q  vm  ~n     8Q  h(<  n     7Q  98q  n     7Q  Ȫ8  n     7Q  SV  o     7Q  <:  #o     7Q  Oɥk  `o  f   8Q  ."1k  o     7Q  42\  o  y   7Q  /;  o  w   8Q  ̦O9  o     7Q  6݀  p     7Q  <  Op     7Q  ça  qp  L   7Q  %p#  p     7Q  IB  p     7Q  틨>W  p     7Q  +b  
q     7Q  F  Aq     7Q  -֩]  q  T   Q  3i=  q     Q  IqRM  q  :   Q  P  	r     Q  b^  r  8   Q  ժA/  Yr  	   8Q  ,Q  or     Q  }^  sr     Q  q1X  r     Q  ɫ7  r     Q  ݁  	s     Q  pt  Fs     Q  a0X  s  I   Q  P;<  s  r   Q  ̌K'  s     Q  G  s  (   Q  	  t     Q    
t  C   Q  g'  t     Q  C  $t     Q  Sa  +t     Q  ;*  ft     Q  ߮<^  t     Q  &>CH  t  2   Q  i-  t  W   Q  "  
u     Q  UA  u  7   Q  ?=  =u     Q  |  Hu  ~   Q  r_@  u     Q  ϰ\  u     Q  j,e  u     Q  `9  "v  v   Q  U˱[<  <v  n   Q  19  \v  u   Q  @f*  tv  =   8Q  Gk  v     7Q  ъn@  v     7Q  ?˲@C  v  ^   8Q  ,@  v     8Q  N  v  g   8Q  Nڳ(/  w  ^   Q  v	l(  .w     8Q  1p  @w     7Q  RBB  Cw     7Q  脴e  ^w     7Q  =  w     7Q  'z  w  j   Q  ͢D  w     7Q  ^<  x     7Q  2$H  &x  ^   Q  IlmS  Gx     7Q  I  ox     7Q  _	7  x     7Q  @/  x     8Q  pt  x     7Q  G  x     7Q  +zQ  y     7Q  };b  Hy  ^   8Q  L߸,]  uy  ^   Q  x<0  y     8Q  |lp  y     7Q  |lC  y     7Q  X&3  y     7Q  ~S  y  ^   Q  G@$  z     8Q  ]k  +z  `   Q  (wF  3z  w   Q  㽺a5  Yz     7Q  D[x  rz     8Q  ko  z     7Q  ڻb<  z     7Q  q  z     7Q  =  {     8Q  żd  6{     8Q  *6)  h{     8Q  S  o{  =   7Q  f  v{  p   7Q  1zB  {  b   7Q  "  {  j   Q  ;+  {     7Q  *R[  {     7Q  |k"H  {  |   7Q  5   |     7Q  `  8|     7Q  Hy  j|  1   8Q  ¿/  |     Q  Pc  |     Q  `U0  |  ^   8Q  c{  |  2   Q  7  }     Q  8z  "}     7Q  K[  W}     7Q  Y=  }     Q  RLi  }     8Q  -N  }  C   Q  ۵UI  }     8Q  08  ~  S   Q  h^.  H~  =   8Q  ƻ0  X~     7Q  g  f~     8Q  V{  ~     8Q  K	p  ~     Q  Tlg       7Q  ;  [     7Q  yT]N  |  #   Q  ֢       Q  H    l   Q  Am       7Q  kW    e   8Q  ;  7  '   Q  
  J  `   Q  6  S     8Q  B  d  p   8Q  xYzj  h     Q  U    _   8Q  "    z   Q  o<	x       8Q  mQ    _   Q  xpR       Q  n  >  v   Q  u(  u     Q  L}o       7Q  
}    s   Q  OfD       8Q         Q  U  8     Q  Ck  @  d   8Q  H@7       Q  &       8Q  p  ǂ     Q  /Aَ       8Q  od  (     Q  w4  H     Q  4be       Q  b
    j   Q  '+P  Ń  <   8Q  #x~e    2   Q  3       8Q  i       Q  (}  
     Q  t  I  t   Q  @  v  e   8Q  tR%(       Q  z+d       Q  Q  ҄     Q    ل  t   Q  (JF       Q  r>  2     Q  t)I  R     Q  aY  q  K   8Q  F6    r   8Q  @]c       Q  7r  ؅     Q  e`  
     Q  !t  9     Q  ':ty  o     8Q         Q  _       Q  f'/j    `   8Q  7  0  |   8Q  hO  C     Q  \  \     Q  tl       Q    Շ     Q  W  ۇ     Q  +ED    t   Q  J  (  X   8Q  <;  K     Q  9  ]  c   Q  D kE  d  U   8Q  eE    k   Q  \       Q  fk       Q  sOM    |   Q  Te:       Q  I  (     Q  t  /     Q  ]  c     7Q   Q    p   Q  RRc  ˉ     Q         Q  e6m       Q  W  <     7Q  ;9  i  G   7Q  4!    \   7Q  zV)    y   Q  B       Q  2q  Ɋ     Q  F3U    e   Q  *=-  ,     Q  g=O  A  <   Q  U(  _     Q  -S  m  1   Q  L       Q  [d       Q  &.q  ۋ  M   8Q  -       Q  yd  $  <   8Q  ]9c  Y     7Q  BA  u     Q  X*       Q  	-AS       8Q  J%    1   Q  ڥ%!    u   8Q  A    X   Q  Z       7Q  fc_  @     8Q  W8_  m  J   8Q  ")    0   Q  )L0    R   Q  |N    ^   Q  b  ڍ     7Q  6BA    [   Q  x($    T   Q  L18       Q  OB  2  x   8Q  _J  U  v   Q  P  q     Q  PD    =   Q  D\;-  Ď     Q  EP  Ԏ     7Q         7Q  c_E  S  w   Q  I=  n     Q  ;C    X   Q  'S[       Q  Xh  ŏ  :   Q  F)    -   Q  %    -   Q  &&0    	   8Q  V2       7Q  $ljm    W   8Q  [  =  e   Q  x5-N  W  0   8Q  *-  r     Q  ϰ{H  }     Q  JQ       Q  J  ؐ     Q  t\j  ݐ  i   8Q  Amw    _   Q  >Q  B     Q  F3  ]     7Q  K  x  3   Q  FM;    Z   Q  MO  Α  a   8Q   -    ;   Q  M"       8Q  I(r        7Q  -BA  ,  q   Q  o6  G     Q  b>  c     7Q  QD    q   Q  %:  ǒ     7Q  BA       8Q  XPP
       7Q  ZOf    q   Q  C  8     Q  F  T     Q  XKG  }     8Q  \N
       7Q  fOf       7Q  <q@       7Q  
;  ד     7Q  I3       8Q  |t       7Q  G  A     7Q  8T  c  v   7Q  e1    %   Q  Q       7Q  <z6    J   Q     є  C   Q  }3!       7Q  UT    l   8Q  u8       7Q  tc  .     7Q  np  s  	   8Q  GQ       7Q  ^       7Q  e
x       7Q         7Q  np  d     7Q         7Q  S       7Q  O       7Q  	#I  >  ^   8Q  l0]  m     8Q  N
       7Q  IAl       7Q  @?D  ȗ     8Q  Ʉ(    Y   7Q         8Q  t       7Q  s;    O   8Q  zLB  $     7Q  9qi  @     8Q  7(o  {  G   8Q  _}-       7Q  ?@    =   7Q  p  ֘     7Q  >?f       8Q  }b    ^   8Q  f3f  D     8Q  U  g     Q  "     0   Q  y8 $       Q  \ [       7Q  )        Q  H;f    r   Q  A6  "  6   8Q  :0.  8  >   8Q  j@!  D     7Q  (+K  Q     Q  s  y     7Q  E    x   Q  .    &   Q  H    h   Q  %    A   Q  6w  К     7Q  HOkU  ޚ  F   8Q  A       7Q  r       7Q  pu  N  D   Q  8    D   Q  0       7Q  M       7Q  iY  ֛     Q  q       8Q  oL       7Q  3N  #     8Q  &%  L     7Q  L{  R  A   Q  4!       7Q  bP       Q  \:ԁ  Ü  W   8Q  0CI       7Q  s^        7Q  +d H  S  G   Q  K#  r     8Q  n>       Q   8       8Q  7	Up  ŝ  h   Q  r	;       Q  	'/       8Q  
a  #     Q  
&
Ea  +     7Q  O
Yg  M     Q  
e       Q  XTt       Q  $L       Q  p^v  A  y   Q  1  }  e   8Q  %(       7Q   I       7Q  3F
U  ϟ     Q  ,
T       Q  
<I    m   Q  J:D  I  W   Q  (  `     8Q  6  r     Q  e       Q  RD
n    	   8Q  #
       8Q  +:       Q  X       8Q  PC_  B     Q  (	w  j     Q  1'    l   Q  -    3   8Q      D   Q  (  	  g   Q  B
_    K   Q  l1  ?  8   8Q    O     Q  n  Z     Q  ?r    A   8Q  ܲrX  Т  \   Q  N\D       Q  O5        Q  #a    T   Q  M   E  t   Q    X  !   8Q  =
  n  8   8Q    v     Q  `       Q  jC2    V   Q  8v,  ͣ     Q  Ңhe    o   8Q  :K    |   Q  SK  9     8Q  }  W     Q  .':  [     Q  UxL  x  l   8Q  43       Q  ghyr       Q  2       Q      t   Q  .t  @  !   8Q  В=
  V     8Q  
7  ^  s   Q  [  x  V   8Q  0q,       8Q  0]m    A   Q  ?       7Q  :-1g    v   Q  kj  9     Q   B  g     Q  Ow    *   8Q  9A )  ɦ  s   8Q  Yj.  Ҧ     Q  !&E       Q  G<O  	  &   Q  -  +     7Q  =Il  3  f   8Q    h     Q  }s  {     Q  Z4p       Q  Y    3   8Q  "       7Q   P  $     Q  q<  R     Q  q,  t  J   8Q  7        Q  g       7Q  $.V`       7Q  z#>  ר      Q         8Q         8Q  ׅ    [   Q  { *2  2     8Q     E     8Q   x  J  f   8Q  p5!    |   Q  
L![       7Q  !qW    n   Q  V!       7Q  "|    D   Q  "  @     7Q  ³"l  M     7Q   #e       Q  #       7Q  #E    #   Q  #  ܪ     7Q  $.       Q  ͧ$)  &  <   Q  $+  @  8   Q  $v  N  D   Q  )%"  Y  9   Q  
=%  g     7Q  %   r     8Q  P%c       7Q  %<  ث     Q  2%y    G   8Q  &
%    C   Q  &&)    m   Q  P&G  #     7Q  4&L~  J  _   Q  'j       Q  'Vj       Q  'A       Q  V,($       8Q  z(  C  s   8Q  (.  H     Q  (`  ]     Q  V)F    &   Q  )       7Q  ӭ)2i        Q  *       Q  ".*t       Q  Ǣ*0C  #     7Q  *l  A     8Q  R+  s     7Q  c+~  y     7Q  _+>       7Q   ,Z  Ӯ     8Q  z,lG       Q  j,l    T   8Q  ,j%  !  _   Q  @,q3  5  5   8Q  )-|>  P  O   8Q  -h-   a  I   Q  -~  p  \   8Q  e:  ~  e   Q  26p)       8Q  _8n    c   Q  ^-;Q  ۯ  >   Q  +!    W   8Q  )3    {   8Q  -P    A   Q  F.:  0     8Q  [.U  >  8   Q  K.Y  ^     Q  .uY  i  $   8Q  /:    O   8Q  S3/	U       8Q  \/12    K   Q  /  Ұ     7Q  !/O    t   7Q  pT04  $     7Q  0-H  :     7Q  0>  c     7Q  t15       7Q  D1G       7Q  18D  ϱ  L   Q  13       Q  1C1       Q  H20        Q  H2w  =     Q  2Xg  d     Q  (3GX    S   7Q  f37       7Q  3x  Ѳ     7Q  04R       7Q  4P8  :     7Q  4SJ  [     7Q  A5_       7Q  f5=2       7Q  A5]  ѳ  v   8Q  V5>       7Q  F46L       7Q  Ӏ61s  <     7Q  6v  x     8Q  j71H    M   8Q  75  ̴  F   7Q  Y7&  ݴ     7Q  #8Y       7Q  h8e       7Q  8  I  {   8Q  8O9!i       7Q  Y9U    y   8Q  :Q       7Q  _:D       7Q  :yo  '     7Q  );CV  a     7Q  lj;Ar    j   7Q  ;Y+  ʶ     7Q  <@  ޶  W   8Q  C       7Q  H<1c       7Q  <CB  Q  }   8Q  =<\  r  W   8Q  <K=y#       7Q  n=^       7Q  A=cC  ۷     8Q  >    W   8Q  <>4  -  d   Q  &>_n  E     Q  H?w  f     Q  >?       7Q  J?@F       7Q  Q@Y    l   8Q  o@2  4     7Q  vAS  J  6   7Q   dA:  v  A   Q  Z{A    E   Q  A*"       7Q  $An    {   7Q  'B5  й  '   Q  ]Be	    G   Q  gB#    *   8Q  B$    j   Q  /B-#  
     Q  \BX  #  	   Q  *C"  W     Q  ?C1<  [     Q  <{CH       Q  C:       Q  Cc-  ĺ     Q  +Dd       Q  WD0Q  !     Q  Ep  K     Q  TrEh7       Q  Eg       Q  F8  ߻     7Q   JF/    *   8Q  yF$    V   Q  &Fd#  )     Q  F
1  9  ;   Q  FA  \  $   Q  D4G  t  f   8Q  G?GZR  }  	   8Q  G=       7Q  ޟGM_       7Q  +G  ͼ  v   Q  ̃H(V  
     7Q  EIY  9  r   Q  H4  f     Q  IV  |  ^   Q  IQ?       8Q  SIt  ʽ     7Q  IM  Ͻ     Q  JCJL       Q  J:a  !     Q  "JPY  N  ;   8Q  rJK  z     Q  aKRF       Q  hK]    L   Q  mL9  Ͼ  =   Q  D>L2    H   Q  qL@     :   Q  L1    	   8Q  +L_  %     Q  Lo  )  k   Q  
HMj%  U  a   Q  wmM<  j     Q  HM|u    P   Q  N        Q  ?NFv  Ͽ  s   Q  &ND       7Q  N  &     Q  |OJ  a     7Q  OT?  }     7Q  PO    !   7Q  VP       8Q  iPQ       7Q  xPJ       7Q  Pd       7Q  (QS  +     7Q  *|QF  O     7Q  Qc  t     Q  k&R    t   Q  O6R^       7Q  ӔR$}       7Q  SD       7Q  VS Q  8     7Q  ݧSk  f     7Q  T`       7Q  tT:z       Q  T<p  	     Q  _U^  E  F   Q  UC  v     Q  Vm    A   Q  LoV
!       Q  VV=       Q  VJ    -   Q  6W8'    {   Q  n?W+>       Q  }W~>  ;  I   Q  W"  _     7Q  WF  n     7Q  b%X4    	   8Q  #     z   7Q  $jX3       7Q  Xd       7Q  YT5       zQ  .8YLN       7Q  zY6  3     7Q  YC  L     7Q   ZD  l  =   Q  DZ       Q  \Zd       Q  Z'       Q  :ZNI       Q  2[:|  
     Q  ®[\  D     7Q  \2  x     7Q  =\S       7Q  \\       7Q  \2c       8Q  Q]#  &     7Q  t]Q  -     7Q  ]G  [     7Q  X^1@       7Q  N^C       8Q  ^
       7Q  e^vF       7Q  ^9       7Q  c_Dg       7Q  _>  K  e   7Q  F_i)  l     7Q  _q    )   8Q  e]`
    J   7Q  rt`)        8Q  `       7Q  ``X=       7Q  `       8Q  @faJm  F  _   8Q  aY$  h  ^   8Q  a4  |     zQ  ,bq       8Q  .b       7Q  O       7Q  b;       7Q  cab       7Q  jcEj  5     7Q  ^cA  m  	   8Q  Vd       7Q  *'dY       7Q  dA       7Q  pd:R    s   7Q  eL       7Q  -
X  2     8Q  ae  \     zQ  Lte#  c  i   8Q  oe    m   zQ  fߦ    3   8Q  f0g.    G   zQ  _gP       8Q  g        zQ  egk       8Q  C3
  0  L   zQ  m)hkX  4     zQ  ؁h<  P  p   zQ  i  z     zQ  iQ    \   zQ  <i       zQ  Dsj    u   zQ  Cke    o   zQ  `tk  9  o   zQ  kς  ]     zQ  f6    n   zQ  ~l    H   zQ  Wm0       zQ  Bmx    x   zQ  tmNg       zQ  "n    p   zQ  q9n!G       zQ  mc  0     zQ  n@  [     zQ  Ґn  a     zQ  n  g     zQ  n  m     zQ  n;  s     zQ  ng  y  ?   zQ  o@o7    R   zQ  xoN]    K   8Q  do6$    o   zQ  oqy    2   zQ  sp,    8   zQ  Пp)       8Q  Xp6N    d   zQ  qc  -  w   7Q  ){q#=  L  _   8Q  Lqc  n  x   zQ  rg    p   8Q  r[       8Q  rM       zQ  ,s    %   zQ  6Is "    f   zQ  6ks2    f   zQ  Ýs:>       zQ  s  #  y   zQ  	ht  V  %   zQ  tG        zQ  u>       8Q  "u,       zQ  uJ]       zQ  !v    f   8Q  v0  *  5   zQ  v  >     8Q  \v^  I     7Q  qYw
w  n  y   7Q  {w,    h   8Q  mN       zQ  pwJ]       zQ  Zx    f   8Q  Nx1  =  5   zQ  y  Q     8Q  4ys  \  r   8Q  '<yr  `  H   Q  y       Q  6y       7Q  y    {   8Q  [zVn       Q  zH     o   Q  {-T  &     8Q  g{  I     7Q  {{[  P     7Q  {a    r   Q  *9|,    1   Q  e|    7   8Q  {|       8Q  ||<    s   Q  |V       7Q  (}4     q   8Q  u]}c4  =     8Q  ؑ}[@  R     Q  3}  o  Z   Q  }F  t  g   Q  b~A:    ?   8Q  ;~&    v   8Q  zb~8    G   8Q  +~<    G   8Q  ~<       8Q  W       7Q  2c       7Q  0  2     8Q  )_  K  E   8Q  	,  q     7Q  YA       7Q  3T       7Q  fWE       7Q  ̀nY       7Q  +'<L       7Q  gsK  9     7Q  |M  e     7Q  &I       7Q  TIi    x   7Q  
+       7Q  -a       7Q  J  3     7Q  ݃h  v  v   8Q  FbM    D   8Q  㓄%    v   7Q  jyF    z   8Q  \n       7Q  ?nm       7Q  Nۅa  I     7Q  +=B       7Q  f       7Q  i       8Q  TPդ  
  u   8Q  )Du  I     8Q  mj(u  u     7Q  ߈(W       7Q  6>g       7Q  K    '   8Q    ,     7Q  a  5     8Q  ^  i  c   8Q  e+       7Q  Z       7Q  >Q       7Q  <Tf       7Q  "T  ;     7Q  H4  h     7Q  +f       8Q  v       8Q  	:       7Q  "B       7Q   1  C     7Q  j  c     7Q  D       8Q  qɎ=w       8Q  @1<    I   8Q  |%$       8Q  Bp       8Q  Fsn  D     8Q  N  u     8Q  ΐ       7Q  PאF?       7Q  f    l     l   3  l   r     7Q  F}R    6   8Q   Б    [   8Q  	I6    P   8Q  R%       7Q  9?       8Q  6ǒ  N     7Q  Ғ6R  Q  !   8Q  2%G?  x  `   8Q  yda       8Q  cƓ+i       7Q  /l       7Q   d       7Q  Nj  &     7Q  iT[  \     7Q  FŕG       7Q  LO       7Q  [    8   8Q  ݖ"       7Q  f |1       7Q  1<]  8  ;   8Q    f     7Q  s  s     7Q   ~]       7Q  ~H       7Q  Ƙ>       8Q  I  /     8Q  Oj<  K     8Q  U  m  w   7Q  ݣE4  s     7Q  "ؙL       7Q  $T    i   8Q  y    /   8Q  =    k   7Q  aA\       7Q  4  A     8Q  ӛU  \  Y   7Q  VVN  b  e   7Q  9B    %   8Q  {A,       8Q  7       7Q  ߜy       7Q  Y}       7Q  ֝S3  @  #   8Q  	G?  ]     7Q  ;I-O  f  T   8Q  hX       8Q         7Q  T]    ?   8Q  @       7Q  ^<       Q  Ib       7Q  <  4  =   Q  :35  N     Q  ?oyF  a     Q  $f       7Q  d       7Q  .g       7Q  J  (  b   Q  1&I  O     8Q  ${  m     7Q  \  r     7Q  j    )   Q  O;    q   Q  vB    Z   Q  5Σ+       7Q  G  %  G   7Q  Ab  K     Q  _#  Z  a   8Q  F  a  e   Q  ʤ  t  H   8Q  {C       Q  -g       8Q  ?       8Q  RRG       Q  JG       Q  A#       Q   -    }   Q  3.    v   8Q  ML  2  6   Q  a6  K     7Q  V  X     Q  J=       Q  +M       Q  kyH       8Q  Q       7Q  ^i       Q  3Ȩjq  G     7Q  9x<  }     Q  v6       Q  oh       Q  jr    e   Q  9cW  0     Q  ߪ<  L     7Q  +  q  0   8Q  C#)    p   8Q  fǫZ9       Q   d       7Q  eH       Q  Q    F   Q  4$  \     Q  Xa  j     Q  
i    !   8Q  #        7Q  6Fe       Q  P  	     Q  ~?  1  a   Q  f,.  V  R   Q  Z:  j     Q  e       7Q  {X       7Q  )T.Y       7Q  W7     L   Q  y    t   Q  O  (     7Q  IIY  O     7Q  X#f       7Q  {NM    W   8Q  UX       7Q  ]O       8Q  7g  J  &   Q    z     7Q  Q       Q  ER    _   8Q  t7I       8Q   >    r   Q  D  ?     7Q  TdH  e  m   7Q  ,       7Q  uٵT       8Q  q.       Q  Fw        Q  M    t   8Q  a3    =   Q  kN       8Q         7Q  [    ,   Q  v	W  [     8Q  η	  d  )   8Q  ׷m  g     7Q  O^RL  o  	   8Q  W    N   8Q  Ÿ,    V   8Q  <M       7Q  @p    ~   7Q  3       8Q  Sr    }   KQ  R       7Q  FT  E     7Q  UA  t     7Q  ݺS       7Q  0C       7Q  tm8       7Q  4Ub        KQ  y  2     7Q  o.a  \  8   7Q          8Q  ^<    j   8Q  C-       KQ  pP    z   KQ  :"       KQ  WI  
     KQ  p-9  1  B   8Q  .gU9  Q  r   8Q  |  a  8   8Q      Q   KQ  17       7Q  hF       7Q  *L    A few days ago... Hey, Charo, would you come to the
dog show with me this weekend? I really don't want to go... but if a friend could join me,
it wouldn't be that bad. Yes. Sure. I can go with you. It is Sunday, the day that Charo
promised to be with Candy. Charo arrives at the dog show
and looks around. Where's... Candy? The place is full of dogs. Charo has never seen so many dogs
at once. All of the dogs have beautiful fur. Charo Ă+makes his way through+ the crowd
of people and dogs. Where could Candy be? Um... Ah! Candy sits between the big dogs. All of the dogs are splendid, and
Candy is no exception. However, she seems very bored. Hi, Candy! Hi, Charo. So many dogs! But it's OK.
You can win! I don't really care. I hate being compared with other
dogs. Aunt Charlotte comes over. First, we don't need this. She begins to untie Candy's ribbon. Arf arf! What are you doing! Chris gave me that for my birthday. Give it back!
Arf arf! Arf! Candy's bark is so loud! Startled, Aunt Charlotte loses her
hold of the ribbon. Ah! Oh, no! My ribbon... The other dogs look at Candy.
Maybe they heard her bark. Candy stares in the direction
that the ribbon has drifted. Big tears are ready to fall from
her eyes. Candy... Candy, I'll go and get it for you! Charo leaves the dog show. Charo ă+hurries back to+ the park. The competition is already finished. Some dogs are on the
winner's podium. One of the dogs is... Candy! Candy notices Charo. Charo! Seeing Charo, Candy jumps down
and runs up to him. You found my ribbon! Thank you, Charo.
Thank you so much. You're welcome. Candy seems different now.
She is very happy. The show. Did you win? Not the first prize, but they're
giving me an award anyway. Good! It doesn't really matter. I'm much happier about the ribbon. I know. Thank you. Candy receives the ribbon.
She Ą+gives a sigh of relief+. ... I'm so glad. Now I can go to Chicago. What? Chicago...!? Uh-huh. Of course,
it's not that I want to go... If I didn't have this ribbon,
I wouldn't have been able to accept it. Candy!
You're going to Chicago!? Oh, didn't I tell you? That's right.
I'm going to Chicago next week. There was the dog show,
and now we're going to Chicago... There are so many things,
it's hard to keep up! ą+What's wrong+, Charo? ... What? What are you staring at?
Am I boring you? N-no, Candy.
It's not that. I... I want to go to Chicago, too! ... What? You, too!? Y-yes.
You see, actually... Charo explains to Candy.
But at that moment... Oh, there you are. Aunt Charlotte spots Candy. She approaches. Come here, Candy. It's time to give everyone your
acceptance speech... ... Oh no. Charo! Could you come to the hospital
tomorrow? There's something I want to talk
to you about.... OK? Y... yes, but... I'm going to Ć+repay you for+ finding
my ribbon. Candy looks to the side and
speaks softly... Thank you, Charo.
I appreciate it. After that, she trots away. He looks at Candy's back
and mutters softly. Good for you... Candy! This is the dog-show grounds. The dog show ć+is about to+ start. The owners check their prized dogs
one last time. Candy has moved near the stage. There is a rope barrier nearby. The area is open only to staff and
contestants. It is too far to see clearly, but... Candy seems to be sad. Aunt Charlotte approaches Candy. She speaks to Candy in a loud
voice. And here... is your hat! Perfect! The strange hat that Aunt
Charlotte put on Candy's head... prevents Charo from seeing
Candy's expression. It is a white, tulip-shaped hat with
a monkey applique on it. There are many decorations
other than the monkey applique. It looks like a lamp shade that
belongs in a child's room. Candy is on the other side of the
rope barrier. She is too far away to talk to. Candy! Charo shouts, but his voice does
not reach her because of the noise. Poor... Candy... I will get the ribbon for you...
for sure... Please wait a moment! This is the dog-show grounds. The man Charo met at the bench
is standing at the entrance. Where am I? It's so loud!
I can't relax! I want to get out of here fast! Wha... what is this place!?
It's full of dogs and humans! Uhhh... uh-uh. I don't like
this place very much. I want to go somewhere else now.
Can I? The dog show has already
started. Dogs with beautiful fur are
standing in a row on the stage. Candy is next to the stage,
waiting for her turn. She is wearing a bizarre hat.
Charo cannot see her face. This is the man who was sitting on
the bench, looking into a notebook. He is glaring at the stage from the
entrance with his arms folded. He seems to be very irritated. What is that guy doing!? Ĉ+No wonder he never showed
up at the rendezvous.+ He's here... doing whatever
he's doing.... My plans ĉ+are ruined+! When is he going to finish?
That no good... Hurry up and finish! How long
do I have to wait, you jerk!? (pants) Wh-where's the ribbon...? This is the end of the small path
that leads to the dog show. There is a forest in front of him. The forest is full of tall trees. In the tended park, only this area
seems like a real forest. Charo looks around, but does not
see the ribbon. I lost sight of it....
What should I do? Charo is troubled.
He looks up at the sky. It is a very windy day. Did it get blown away? No matter how hard Charo looks,
he cannot find the ribbon. The wind blows toward the
forest. Ċ+Without a doubt+, the ribbon flew
toward the forest. It is not here. The ribbon must be in the forest. This is the area right outside the
forest. There are two men near the path
that goes to the park. One of them is the man who was sitting
on the bench, looking into his notebook. He is talking energetically with
the other man. Do it over...?
Are you joking? You just told me it's a wonderful
trick! Yeah, I did. I thought the Statue of Liberty
and the alibi trick were original. Then why!?
This is... ... ċ+It took me an entire day to come
up with that idea!+ Even while you were entering
your dog at that show! And you're telling me to rewrite
it!? Don't you know anything about
scheduling? You're a producer! The deadline for the script is
tomorrow! Don't you know that!? (sighs)
You still don't get it, do you? No, I don't!
I don't get it! Then let me say this. The setting for the next
show is... Chicago! What? ... AAAHHHH!!!!! You... you get so focused that you
can't see anything around you. Why don't you do something
about it? The revision made this time was
due to your misunderstanding! You didn't need to make a note
to announce the crime! But you... W-wait a second! All right! I'll rewrite it again! Of course! I... I'm sorry.
Just don't Č+make that face+, will you? ... Yeah, yeah.
Oh, and one more thing. Your clothes and your hair...
oh, and your tone of voice. Why can't you be a little more
aware of what people think? You really are annoying!! Hey, I'm not done yet.
Hold it! ... Uh, I mean, uhhh... please wait a moment!!! He's gone... This is inside the forest. This is inside the forest. (sighs)
What should I do? I found the ribbon, but I can't
get it. Umm.... What should I do...? What should I do? !? This is inside the forest. This is where Charo heard a
a soft voice earlier. This is inside the forest. A small squirrel looks at Charo's
face from the branch above. You're here again....
What is it? This is inside the forest. A squirrel sits on a low branch. Oh, č+it's you.+
What should I do? Tall trees are standing in a row. But in between the trees... a bright light is shining. If I walk a bit more, I can
get out of the forest. Charo pushes the bushes aside. He looks carefully at the
branches above him. However, there is no sign of
a white ribbon. It's not here....
What should I do? What should I do? !? Charo turns and looks around. There is nothing but trees. He does not see anything that
might have spoken. What should I do? ... Oh. What should I do?
If this keeps up... Oh... this is a problem. It is a very soft voice.
Charo can hear it from above. ...
What is he worrying about? Charo looks up at the sky. The branches and leaves spread
out, hiding the sky. He cannot see who is speaking. That's strange.
It should be Ď+around here+. Umm... Hello! Just then... the branches make a
rustling sound. At the same time... What? Who are you? The leaves spread open like
a green curtain. A small squirrel pokes its head out. The ribbon is not here. It is a small squirrel with a stripe
on its back. It ď+tilts+ its head and looks at
Charo with big eyes. Hello!
I'm Charo! Oh. Charo!
That's an unusual name. I thought you were a dog! Uh? I am a dog.
My name is Charo. Oh. I see. Ah. I am a squirrel.
Nice to meet you, Mister Charo! The squirrel skillfully crosses a
narrow branch... and quickly approaches Charo. And... what? Is there something
you want from me? Have you seen a ribbon around here? A ribbon?
What's that? Well... it's made of a very long
and narrow cloth. What's a cloth? A cloth is... Charo explains Đ+in detail+, but the
squirrel doesn't seem to understand. Anyway, I'm looking for a white,
fluttering thing. It should have flown near here.
Have you seen it? A white, fluttering thing...
a white, fluttering thing.... Hmmm! The squirrel thinks for a while. Soon, the squirrel gives out a
little shout. Oh, no! I can't think about such things
right now! Ohhh! Oh, no! Oh, no!
What should I do...? The squirrel becomes quiet and
starts to think. Hey, what's wrong? ... Huh? Do you have ESP? No. But you keep saying,
"What should I do?" Oh! So that's how you know! So, what's wrong? Well, you see, actually,
I'm getting married. Married?
Shouldn't you be happy then? She'đ+s picky about+
interior design! "I don't want a normal house!
It needs to be special!" That's what she says! It's hard to find something
like that! Very hard! After talking nonstop, the squirrel
gives a little sigh. Oh, what should I do? Hey. What do you mean by
"interior design"? Well... I'm talking about fancy items for
decorating a room, of course! For example, what? Sparkling, gorgeous, special,
and excellent things! Mmm...
I'm getting more confused. See? You don't know, right?
That's why Ē+I'm in trouble+. About the... interior design... ... Huh? That again? You seem
to be really interested in that. Do you... ē+happen to+ have
what I'm looking for? What!? What is it? What?
Where can I find it? Uh... ummm... Oh. I see. ...? Thanks, but no thanks. That's not
really what I'm looking for. Yours is... how should I put it...
too chic. It needs to be more...
vivid! What do you mean? Hm? Weren't you going to offer
me your fur? What!? I told you, your fur won't do.
It's only white and brown. It has to have more...
impact! But thanks for your enthusiasm. Then why are you so concerned? Are you picky about interior
design, too? No. It's just... If I find something,
I can bring it to you. Hmm... I don't know who you are,
but you're kind. Thanks. If you find something,
then please do. I'm looking for a special item for
decorating a room. I'll be sure to give you something
if you find it. Please help me! Yes. I'm looking for a special item for
decorating a room. I'll be sure to give you something
if you find it. Please help me! Yes. I understand. What is interior design? I'm looking for a special item for
decorating a room. I'll be sure to give you something
if you find it. Please help me! What? Oh, by the way, you've got
something, don't you? Is that what I think it is? Are you going to give
that to me!? Yes, if you wish. What!? What is that?
Is that tree bark? No. It's a flyer. Flyer, shmyer.
I can't accept that. It doesn't look very high-quality.
And besides... it's a little too big for our room. Thanks, but no thanks. What!? I told you, that won't do.
I appreciate it, though. It has to have more... impact!
But thanks for your enthusiasm. Charo gives the squirrel a
blue feather. Wow, look at it shine! Now, this...
this is what I've been looking for! My fiancee will definitely be
satisfied! I'll decorate our room with this
right away! The squirrel climbs up the trunk... and vanishes. After some time... It's wonderful! Brilliant! It's sparkling, gorgeous, special,
and excellent! I can't wait!
I've got to tell her right away... Hm? Wait a minute... Sorry. I forgot to thank you! You... you... Aaaahh! What should I say!?
There are no words to thank you! ... I know! I have no words, so I'll use action! Are you in any trouble?
I want to show my appreciation! Appreciation...? Yeah! My appreciation!
Tell me if there's something! Uh... ummm...
well, then... This is inside the forest. I've been waiting for you. I was surprised when you left
in the middle of our talk. Could you come with me? With you? Yes! I need your help. Sure, what is it?
Ask me anything. Charo explains the ribbon
stuck in the tree. You might be able to reach it
since you're light. That's why I... Ah! I see! OK, I got it!
I'll go with you. Take me with you. This is inside the forest. Huh? What the...? This...
this is my home. That ribbon you mentioned
is here? No.
It's in a strange tree. Yeah, yeah, I know.
That was my intention. Let's go to that place with the
ribbon. Oh!
Where am I? Where's the ribbon?
Please take me to it Ĕ+right away+! A soft voice can be heard from
between the leaves up in the tree. There are many tall trees. It's wonderful, darling. I'm glad you like it, honey. It's fabulous!
Look at it shine! No shine can match your smile. Oh, darling. (laughs) (laughs) ... Charo can hear a soft voice from
the top of the tree. He seems happy.
I'm glad. H-hey!
It's Charo the dog! Oh, hello. What is it?
Are you leaving already? ĕ+Don't be a stranger.+
You should've called me. Hey. Is that what I think it is?
That thing you were looking for. Yes! It's the ribbon!
I finally got it! I see!
Well, that's great! That makes me feel better. Just then, a soft voice from above
the leaves calls the squirrel. Who is it?
A guest? Huh? Umm... uhh... I'm going to leave. Y-you are? Yes! Goodbye!
And thank you for everything! This is inside the forest. Hey...
we're near my house. That thing you're looking for
is here? This is inside the forest.
This is where the small bird was. Hey...
we're near my house. This is inside the forest. ... Ah. There is a small bird on the ground
not far away. Hey...
we're near my house. What you're looking for...
it's here...? Huh? ... Ah. There is a small bird on the ground
not far away. There are many tall trees. But in between the trees... a bright light is shining. If I walk a bit more, I can
get out of the forest. It is a small, light-footed bird. The bird is constantly pecking
at something. The little bird pecks... I can't! The little bird pecks again... It's impossible! What'll I do!? She murmurs to herself as if by
habit. What is she doing...? The little bird is cautious of Charo
and ready to fly at any moment. Something is hidden behind
fallen leaves. Charo can't see well. ... Charo moves a little closer to
the small bird. Suddenly, the small bird notices
Charo and stops moving. The little bird is cautious of Charo
and ready to fly at any moment. Something is hidden behind
fallen leaves. Charo can't see well. However, if Charo gets any closer,
the little bird might fly away. Charo brushes aside the clump
of bushes. He looks carefully at the
branches above him. But there is nothing that looks
like a ribbon. It's not here.
What should I do? ... Ah. There is a small bird on the ground
not far away. There doesn't seem to be a
ribbon. Hello! At that moment... Ah. The little bird flies away. I scared you....
I'm sorry. Charo searches the area where
the little bird was pecking. That little bird was pecking at
something. Was it... this? On top of the pile of leaves... is a walnut. There are many tiny scratches
on the surface of the shell. Did the little bird make those
marks? Many scratches....
She tried hard. She really wanted to eat this. Oh! A walnut!! Waa!
This is my favorite food! The squirrel holds the walnut with
both hands and gazes at it. I never expected to find
this here. I'm lucky! Say, can I have this? Umm, yes... What? Umm... Before Charo can finish his
sentence... Stop! A very soft cry can be heard. Mm? Is someone there? Stop it! That's my treasure! Give it back! The soft sound of wings
comes closer. Oh! You are... It is the little bird that flew away
when Charo scared it. The bird occasionally looks at
Charo and pecks at the walnut. It's delicious! I'm so happy! The little bird finishes eating the
walnut. She looks at Charo and then
at the squirrel. No! Don't worry! Just a little. Charo hurries and bites into
the walnut. Ow... Charo's teeth won't break the hard
shell. His teeth just hurt. Are you OK? The squirrel stares blankly at Charo. Your teeth hurt just from biting into
that walnut? Do you have a cavity? Um... umm... hello. Charo tries not to frighten
the little bird again. He quietly introduces himself. Who are you? I'm Charo. Nice to meet you. Why are you trying to steal
my treasure? I-I didn't try to steal it!
Really! A misunderstanding?
Really? Then what are you doing here? Well... (coughs)
Uh... may I have a word? The squirrel cuts in between
the little bird and Charo. He's not the one who tried to
take it. It was me... But I didn't know that someone
could own a walnut on the ground. Of course, I think it was wrong of
me and I don't want to take it now. But why did you leave something
so important on the ground? Because I can't eat it! What do you mean? The little bird takes one step
forward. The little bird is not so wary
anymore. I can't eat it. The shell is too hard! I went through so much trouble
finding it! It looks so delicious! It's so annoying! Say, do you like walnuts? What are you talking about?
Of course I do! It's impossible to find a squirrel
that doesn't like walnuts! ... What about you, little bird? I don't know!
I've never eaten one before! Really?
Then why do you want to eat it? Because it looks delicious!
I've never eaten one, but I want to! I want to eat it because I can't!
I want to eat it really bad! Do you understand!? How is it? It's delicious! It's mild and crispy!
And it's juicy! I thought so... Thank you! Hm? You mean the walnut?
No problem. It's nothing. But what are you going to do?
You haven't solved your problem yet. Don't worry.
It will be OK! Yeah, but... uhh... something's bothering me. It feels like an acorn stuck in
my throat. It's a problem...! What is your problem? ... Hm? Thank you! You mean the walnut?
No problem. It's nothing. Well, then. I'll be going... Whoa!
... Wait a minute. Does your problem have anything
to do with the walnut? No.
Actually, it doesn't... What?
Then I can't leave yet. Hm? You still have your problem. It'll bother me if I leave things
like this. But... are you sure? Of course, I'm sure.
Ė+Otherwise+, it'll keep bothering me! Right? You helped me when I had a
problem, and you still have yours. What is your problem? ... Hm? Thank you for everything! No need to thank me.
I didn't do anything. That's not true! If you hadn't been here, I wouldn't
have known what to do. Well, thanks.
I'm glad. The squirrel happily swings his
tail up and down. Uh... well, then, Charo.
Is it OK if I leave? The problems have been solved,
and... I want to hurry and tell my fiancee
about the blue feather. Yes, OK. Thank you very much! I should be the one thanking you. I hope that your wish comes
true. See ya! After that, the squirrel disappears
into the forest. What do you think? Hm? Are you talking about the little
bird getting the ribbon? Then, of course, I'm for it!
I mean, she has wings. I'm sure she can reach places
that I can't. You see... Charo tells the little bird
about the ribbon. Oh, is that what's troubling you? Why don't you just fly!? ... I can't fly. Oh my! The little bird begins to
groom enthusiastically. Suddenly, she raises her head. I'll go! What? Yes! Mister Squirrel, you break
this walnut! What? I should...? Yes! If you agree, this will repay me
for the blue feather. What do you think? Hmm.
Well, sure, that's easy. The squirrel holds the walnut with
both hands. What are you doing!? ė+In an instant+, the squirrel's teeth
break the hard shell in half. Here you go. The squirrel places the broken
walnut back onto the ground. He steps back, slowly and
reluctantly. My! The little bird hops around the
walnut. My, my! She looks at Charo, the squirrel,
and the walnut again and again. You're giving this to me? Uh... yeah... Of course. I'm so happy! (chuckles) The squirrel gives Charo a smile
showing mixed emotions. Please, little bird.
Would you come with me? The little bird thinks for a moment. Yes! What? Really? Yes!
It's so easy! I'll go with you!
Please lead the way! The little bird flaps her wings
and flies above Charo's head. That's great.
Now I Ę+feel better+. Well, then, Charo.
Is it OK if I excuse myself? The problems have been solved,
and... I want to hurry and tell my fiancee
about the blue feather. Yes! Thank you very much! What?
I should be the one thanking you. I hope that your wish comes
true. See ya! After that, the squirrel disappears
into the forest. Oh my! It's too early to go home!
I haven't done anything yet! Hey!
Take me with you! Hurry! A completely empty walnut shell is
on the ground. Uh... A beautiful singing voice can be
heard from inside the forest. There are many tall trees. The beautiful singing echoes
through the trees. What a beautiful voice... Oh! Hello, little bird! Oh, my!
That's the ribbon! Yes!
I found it! Thanks to you! Good for you! Hey. Are you OK? Huh?
What do you mean? You were carried away with the
ribbon. Are you hurt? I'm fine!
Just a little dizzy! It's nothing! OK. That's good. That song. Was it you? That's right! What a beautiful singing voice! Thank you! It's thanks to that nut!
I feel great! Really? Well, little bird.
I'm leaving! Thank you for everything! See you later! Charo leaves the forest where the
beautiful singing voices echo... and hurries to Candy. This is the clearing next to
the forest. There are a number of benches
lined up. A man sits on one of them. This is the clearing next to
the forest. There are a number of benches
lined up. Where are we? It's bright and wonderful! I'd like to rest here a bit! This is...
a really, uh... drab place. I can't get comfortable and
I'm itchy. Could we go someplace else...
quickly, if possible? It is a big lawn. The grounds are backed by the
forest and there are many benches. There is a row of white
wooden benches. A man is sitting on one of them. The man who was on the
bench is gone. He holds a notebook with one
hand and looks at it... while mumbling to himself. He is leaning back and looking
down at Charo. I wonder what it says. Charo stands on his hind legs, but... the man's hands are too high
for Charo to see the notebook. The notebook is open on the
bench beside the man's hands. Maybe I can see it now... What is this...? It is strange. It is just paper scraps and not
a ribbon. Fine English print is written on
the paper scraps. Before it was ripped, it seems to
have been a newspaper or magazine. Why are there so many
scraps of paper? There are many scraps of paper
around the bench. Did this man cut them?
... Why? There are now more paper scraps. The man has ripped up the flyer
and added it to the pile. There are many paper scraps
scattered about. There are no more paper scraps
with readable English print. Charo looks around. He does not see the ribbon,
but... Hmm?
What are these? ... there are many small scraps of
paper around the bench. He can see several white things. Was the ribbon cut up?
Oh, no... I have to check! There are many small scraps of
paper around the bench. He can see several white things. Oh, no. Was the ribbon cut up?
I don't think so. But...
I have to check! The child...
East 67th Street... If you want... bring the...
over here is good. Over here... The problem is where they wait...
But... to secure... hmmm... The man talks softly and
quickly. Charo cannot hear most of what
the man is saying. What is he saying...? Without thinking, Charo approaches
the man. Suddenly... Arrrgghhhhh! It's no good!! The man suddenly screams and
looks up to the sky. Then he notices Charo. ... Huh? Who are you? Arf arf!
Hello! ... Huh? What the...? What're you barking at?
Don't startle me like that. ... Hey, dog.
Let me ask you something. I'm having trouble coming up
with an idea. I can't find a good spot. It's got to be in New York. A place that'll attract attention
and guarantee an escape route. You know...
a place for a crime to occur. Central Park is too plain, and
Broadway is too small. At first I thought about the Met... I'm making a ransom note, but
it doesn't have much punch. I can't think of a meeting place. The man looks up again. Arf arf!
Hello! Huh? You again? Did you come up with a good
place? Yeah, right!
(chuckles) ... Heh. Good!
It's not the ribbon! ... Charo tries to show the flyer
to the man, but... the man is too busy with the
notebook and doesn't notice Charo. Hm? What's that, dog?
What's in your mouth? The man peers at the flyer
in Charo's mouth. What's this? A flyer? Now dogs are handing out flyers?
What a world! (laughs) ...
Here. Let me see. Hey! The man pulls the flyer from
Charo's mouth. It's a quiz on the Statue of
Liberty? One lucky person wins a trip to
Hawaii, huh? Hey, dog. You want to try this?
Here we go. Huh? What? First question! Three choices! What is the Statue of Liberty
stepping on? Number One!
A white ribbon! Number Two!
A chain! Number Three!
A sausage! Which one!? ... Ha-ha-ha-ha! It's a joke!
I'm just kidding! You look so worried! What? You're not?
(laughs) By the way, the answer is two!
She's stepping on a chain. Aren't I smart? I may not look smart, but I know
a little about the Statue of... Huh? The Statue of... The man grasps the flyer with
both hands and stares at it. The Statue of Liberty!!!!!! The man becomes excited and... pulls a pair of scissors out of
his pocket. Then... Waa! He begins to cut up the flyer
quickly. The flyer pieces fall to the ground
like snow. Charo just watches the pieces fall. Then the man pulls out a
glue stick. He glues the torn pieces of
the flyer to the notebook. Done!! ... Now.
Let's see here... hmm. The man reads the notebook
and mutters excitedly to himself. The man who took the flyer from
Charo... and cut it up and glued it to the
notebook... reads the notebook and mutters
excitedly to himself. On the bench, the man with
the scissors is excited. It's dangerous, so it would be best
not to get too close. Yeah, yeah... cut it here...
glue it here... and finally... wait at the Statue of Liberty at
2 a.m. tonight. Hey, not bad! This way, both the setting and
the alibi are great! It's perfect! Why didn't I think of it before? You can't see the forest for the
trees. (laughs) Whoa! Look at the time!
Gotta run. I've got to go tell him right away. You just wait! The man jumps up and dashes off. In an instant, he's gone. ... A park gate is nearby. The New York skyscrapers are
lined up in front of him. The park gate is nearby. Hi! I've been waiting for you! The park gate is nearby. That dog is not around anymore. The dog has gone off on his
stroll. Where am I? I don't want to go there!
It's dusty and noisy! Let's go somewhere else! Hey!
There's a human den over there! (shakes) It's not very appealing.
I can't go any further. Could we go someplace else...
quickly, if possible? The park gate is nearby. The wide roadway lies between here... and the New York skyscrapers
on the other side. ę+Compared with+ the park, it is a
whole different world. Mmm... Charo carefully checks everything
around him: the treetops in the forest behind
him... behind the information sign... on the top of the lawn around the
gate... Huh? On top of the lawn near the
roadway, something white is fluttering. The white fluttering thing is
just a scrap of paper. There is no ribbon here, either. There is no ribbon. The ribbon seems to be stuck
somewhere in the strange tree. Maybe...! Charo hurries. Oh... It is just a scrap of paper. He Ě+mistook it for+ something else
since it was deep in the thick lawn. (sighs)
I can't find it anywhere. Where did it go...? What should I do? Hi! Lovely weather today!
Taking a stroll? Waa! The dog suddenly calls to him
from behind. Charo quickly turns around. A familiar-looking dog sits right
behind Charo. He looks like someone that Charo
might have met before. Only the white back part can
be seen. ... Charo turns it over with the
tip of his nose. The scrap of paper is a flyer. A large photo of the Statue of
Liberty... and flashy fonts are
printed on it. Charo already has the flyer
in his mouth. Hello! Hi! Nice to meet you. Yes.
How are you? Nice to... meet you?
It's me, Charo. Oh! Mister Charo.
It's a pleasure. Yes. Ye... yes.. By the way.
... What is it? What? Mister Charo. You're worried.
Aren't you? Eh? I know, I know.
I can tell. We dogs can always understand
each other. Ask me anything, OK? Oh... you don't want to ask me
anything? Am I not reliable?
How sad... Oh! There's nothing better than
people asking me for help! I will do my best. Yes.
Please tell me. OK, OK. I understand.
Then, uhhh... OK, OK. I understand.
Then, uhhh... What is the matter with you? Oh... Mister Charo.
You lack words. Yes. But...
I'll be waiting. Oh! Sorry. That's too bad. Why?
Why can't you find it? Oh! Such a tragedy. Oh... What is that?
That was blown into the sky? What? What? What? What? What? A white ribbon that blows in the
sky...? I see, I see!
I get it! I know. I saw it! What!? Really!? Yes! The ribbon flew.
I saw it. It stayed! It stopped! Wh-where did you see it!? Over there.
On a strange tree! The dog points toward
the forest. Strange?
A strange... tree? Over there. It's big!
You'll know right away! A big, strange tree... It was stuck on such a tree? Yes! Sorry... I don't understand. Oh! Your girlfriend? Mister Charo... patience.
Do your best. Good luck! Oh... Mister Charo.
That would be a pain... Sorry... That's a bit different than
what I was thinking. Thank you for telling me! I am so happy that you asked
me. Yes. I was just taking a stroll.
Let's meet again! Yes, see you later! Good luck! I wonder if it'll be ě+useful+? Charo is a bit confused.
He takes the flyer in his mouth... and carries it with him. Thank you so much!
I'll take a look! I was so happy that you asked
me. Yes. I was just taking a stroll.
Let's meet again! Yes, see you later! Good luck! Ah! Little bird!
Hold on! Are you OK!? Uh... uhhhhh... Ah! The little bird opens her eyes and
rises. She seems to be fine. It looks like you're OK.
I'm so glad...! I'm OK!
I was just a little startled! But I have bad news!
The ribbon... What!? The little bird flaps her wings.
She's panicking. She's wobbling. She may still
be a little dizzy. The ribbon flew away! That way! That way!? Which way is... that way!? That way is that way!
That noisy area! The little bird points at... Outside of the park? It flew straight over there? Yes! But it's no good! I'm not going there!
Impossible! Don't worry! Leave the rest to me! I'm going now.
Thank you! I'm going now.
Thank you! Waa... Charo brushes away the grass
and his view... suddenly becomes better. The strange tree the dog
mentioned... must be this. This is inside of the forest. But there aren't many other trees
around this one. This tree is standing alone. It is a big and badly twisted
tree. The thick trunk twists from the
ground. Many branches are growing from
one another. It is like a tree from a fairy
tale. It is a thick trunk with many
bumps. There are marks around the bottom,
made by something sharp. There are many marks. They must have been made by
tourists or children. Mixed in among the names of couples
and other meaningless words... are strange phrases, carved into
the tree trunk. Quickly! Quickly! Slowly! What is this? Quickly! Quickly! Slowly! Does it mean anything?
I wonder... The branches from the twisted
trunk hang low at the sides... and leaves are growing thickly
just above the ground. Charo searches each tree
branch. Many branches are growing all
around near the ground. Charo is able to reach the lowest
branches by jumping. If I jump onto that one...
then I can move to the next one. Then I can go there...
and then... there... Yes!
Maybe, if I jump in the right order! Charo can see just a little
between the leaves. When Charo broke the branch
earlier, it opened a gap. It is definitely Candy's white
ribbon. Candy... Charo looks up at the ribbon
and thinks to himself. I'll definitely Ĝ+bring back+ that
ribbon. Please wait, Candy! It is a beautiful, shiny blue
bird feather. It seems to have dropped when
Charo fell. Charo is already holding the
blue feather in his mouth. Charo decides to take the blue
bird feather. Charo looks up at the tree... he looks hard for the ribbon that
should be there, but... The leaves are in the way.
I can't see. If I could climb this tree...
but I don't think I can. Charo approaches the lowest
branch. He ĝ+takes a deep breath+. Charo looks up at the ribbon
and thinks for a while, but... he decides to not climb the tree. No matter how much I climb,
I can't reach it. I have to think of a way... I should stop. How can a dog like me climb up
a tree...? But if I quit, the ribbon will stay
on the tree. Is it really OK for me to
give up...? ... Wa! The top of the branch is slippery. When Charo stands still,
he starts to wobble. +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ Charo carefully jumps onto the
next branch! Wa! Wa! Wa! Oh. This branch... doesn't wobble! Standing on the branch, Charo sighs
with relief and looks around. !? Charo slips and falls onto the
ground. Owww... Hmm...
the timing is hard. Somewhere, isn't there... a clue? Green leaves and many branches
surround Charo. There is a bird's nest.
It is right in front of his eyes. Charo has never seen the view
from the top of a tree. The branches above look
thin and fragile. They may break if Charo climbs
on them. It is made from thin tree
twigs. It seems no one is living there,
but something is shining inside. What is it? It is a blue bird feather. It reflects the sunlight and is
shining blue. It's pretty. It is a beautiful blue bird feather,
reflecting the sunlight. It may have been left by
the bird that lived in the nest. A white ribbon is dancing in the
wind. It has to be Candy's ribbon! Candy won't be sad anymore. I have to take it back to her.... Ah!!! Charo finally notices... that the ribbon is higher
up in the tree. It is stuck in the thin branches
near the top. I... I can't get it.
What should I do...!? (groans) He did his best, but
can go no further. Charo looks up at the sky. Ah!!! Charo looks up.
There, he sees... the ribbon!
He finally found it! I did it! ... I have made up my mind. Charo becomes determined.
He aims for the closest branch. It seems impossible for Charo,
but he has no other choice. Charo takes a deep breath... Owww...! The branch breaks and Charo
falls. (sighs)
I couldn't do it. Hm? A blue light flutters down in front
of Charo. Ah! This is... This is the strange tree. Hey, is this the place you were
talking about before? This is the strange tree. Ahh...
here again? Sorry, but this is out of
my league.... Don't you have... any other
problems that I could solve? Charo can see just a little
between the leaves. When Charo broke the branch
earlier, it opened a gap. It is definitely Candy's white
ribbon. Huh. So...
that's the ribbon? Yes! He looks around, more nervously
than before. Charo asks the squirrel to get
the ribbon from the tree. OK, OK.
I got it. I think I'll be able to
bring that back. OK, I'm gonna go. The squirrel runs up the bumpy
trunk. Before long... Hey... Are... are you OK? What do you mean? You...
you just fell! Yeah? Yeah. Aren't you hurt? Are you OK? Yeah, I guess it hurt a bit. But forget about that... I have to tell you something. It's far more important. Important... what is it? Uhh, well... The squirrel scratches his head
awkwardly. It's no problem getting close to it. The problem is that last step. Uhhh, what I'm trying to say is,
well... You... couldn't get the ribbon. The squirrel becomes annoyed
and puffs out his cheeks. Yeah, you're absolutely right.
Sorry I couldn't help. The squirrel is discouraged. When I got there, I noticed. The only thing I can hold onto
there is the tip of a leaf. I don't weigh much, but I'll fall from
that leaf in a second. Aww...
if only I had wings! Then I'd be able to pay you back...! The squirrel largely looks up at
the sky and then sighs. Hey, um... don't worry about it. But then I can't repay you for
the interior design. The squirrel is not satisfied. Say, isn't there anything else?
Something I could do to help? Like, acorns? Do you want to know a great
spot to find acorns? If that's what you want, I'll
be able to help you for sure. Mmmm... Unfortunately,
Charo doesn't need acorns. Well, at least think about it a little. In the meantime, I'll stay with you. Yeah. I've decided! Uhh...
are you angry? I just... haven't... repaid... The squirrel stops talking and
looks at Charo. There seems to be something
else he wants to say. This is the strange tree. Where are we? It's the strange tree!
The weird area! Charo can see just a little
between the leaves. When Charo broke the branch
earlier, it opened a gap. It is definitely Candy's white
ribbon. Thank goodness.
It's still there...! Charo points at the ribbon appearing
and disappearing behind the leaves. Please, little bird.
Could you get that ribbon? Ribbon?
Where? The little bird lightly flaps her wings
and reaches the top of the tree. This? Is this long, flapping thing
the ribbon? That's it!
That's the ribbon! I want you to bring that to me! Nothing to it!
Just wait right there! The little bird grabs the ribbon
with her beak. She flaps her wings. Finally!
The ribbon comes off the branch! Yay! Huh? Uh-oh! Wha... what's wrong...? Oh, no!
Ohhh, nooo!! Ah!! The little bird is carried away by
the wind, along with the ribbon! Noooooo! !? (pants) Charo stops at the alley
intersection. ... It's not here... Ohhh...
where did it go? After becoming lost, Charo
decides to turn at the corner. Then, all of a sudden... Wa! Hey there, Doggie!
Could you help me out? It is just around the corner of
a small alley. The bird is at the corner of the
alley. He is sitting on the ground,
looking at Charo. Something seems strange. It is Candy's white ribbon! Charo is already holding the
ribbon in his mouth. This thing!
It got me while I was flying! When Charo looks at Sally's legs,
he sees... the ribbon! That's my friend's ribbon! I was looking for it. Whatever it is,
it's tied up around my legs. Just get it off of me, and you can have it, take it,
keep it. Hmmm.... Isn't that nice of me? OK! I will try! Ohhh... I failed....
Should I try it again? Thank you! You're welcome. Charo holds the ribbon in his
mouth! He is forgetting something
important. 

****************************************
_out_EN_145.txt
****************************************

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     8Q         7Q  d       TQ  BaD  W     TQ  4  x     TQ         TQ  [    *   ?Q  E    i   7Q  NV/       7Q  Bn       ?Q  1  $     7Q  
3  +  B   8Q  ="  C  3   ?Q  o`#  Q     8Q  ,V  [  2   ?Q     `     7Q  .U  k  q   7Q  $`       8Q  ;l       ?Q  4    J   TQ  /S        7Q  !@  

     7Q  (b  $
     TQ  9^  _
     TQ  6B  f
     7Q  ;PW  
     8Q  O  
     ?Q  
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     ?Q  }`  %     7Q  d  P     ?Q  zW  }  c   ?Q  *?       8Q  
    R   ?Q  #    t   ?Q  B;       ?Q  }v    V   ?Q  D   *  R   8Q  'Y  ;  	   ?Q    [  G   ?Q  D  _     ?Q  
A  x     8Q  !f    6   ?Q  3&    Z   ?Q  Y?       ?Q  7G5       ?Q  A       ?Q  Rp    $   ?Q   K  ;     8Q  ].
  C     7Q  hM  I  	   8Q    m  L   7Q  s  q     7Q  $:       7Q  (k       7Q  F       7Q  W       7Q  $.  2     7Q  ­y  t     7Q  '&E       8Q  l       8Q  C    u   8Q  Q4-  '     8Q  Pb~A  =     7Q  Σr^  [     7Q  @v       7Q  xr<       8Q  3Z    ;   :Q  l0       7Q  lV       7Q  eMO  &  m   8Q  ,  I     8Q  B9  ^     :Q  H  y     8Q  K]    _   :Q  lL    ;   :Q  #       8Q  9       8Q  N       8Q  HJ  N  I   8Q  &m  m  ?   :Q  nAt!  {  $   8Q  bk       :Q  MtC       :Q  ַ    /   8Q  <3)       8Q  e~u    D   :Q  ?@$  1  |   8Q  o  F  f   8Q  }o  t     :Q  m    _   8Q  S       7Q  Le+S       7Q  wp       7Q  !)Z  <     7Q  9  j     7Q   S       7Q  _Rv       8Q  MVm       7Q  C]  2  i   7Q  ?F1  k     7Q  B       7Q  7Wx       7Q  3       7Q  zP       8Q  <>  
     7Q  HP=  +  z   ?Q  ύH  G  7   8Q    _     ?Q  <v  j     ?Q  f4    o   ?Q  !g3       ?Q  P       7Q  R       7Q  +>@  1     7Q  ~VW  N     7Q  (;  |     =Q  !_    _   :Q  q7    r   :Q  X    N   :Q  5    That day... Charo was hurrying to the hospital. He had Ğ+made a promise+ with Candy. Charo! Please come to the hospital tomorrow. There's something I want to talk
about... OK? Candy... What does she want to talk about? OK, now... Where's Candy? Ah! Charo spots Candy and Chris under
the shade of a tree in the garden. Here, let me tie them for you... just as they were before. See? You are the prettiest dog
in the world, Candy. Arf arf! Candy seems happy. Charo watches the scene from afar
ğ+for a while+.... Then... Charo! Candy runs over to him. Hello, Candy. You came. Yes. Hey, look! Candy turns her head and
shakes it a little. A white ribbon sways
before Charo's eyes. It's back to the way it was!
It's wonderful, Candy! Yes. Hm? You are... Chris notices Charo, too. Chris looks both at Candy's ribbons
and Charo for a while. I see. You brought the ribbon for Candy. With that, Chris smiles kindly
at Charo. Wow! How did Chris know? How...? The answer is obvious.
Because it's Chris. She says it as if it were common
sense. Oh...
Now, what I wanted to tell you is... Candy looks into Charo's eyes
as she speaks. You said you want to go to Chicago,
but... are you... serious? What? How did I know? You told me last time. I said I was going to Chicago,
and you said, "I will go, too..." Did you forget!? Ah... r... really?
I'm sorry... ... Oh, forget it.
Anyway... you really want to go to Chicago? Yes! OK. Then... OK, I understand.
Then... come by my home tomorrow. We're going to Chicago by car. If you can Ġ+sneak into+ the car,
you can come with us. Got it? Ah... After that, Candy returns to Chris. ... That evening... Charo rushes back to the nest... to tell Dread that he wants to go
to Chicago with Candy. ... But Dread is nowhere ġ+in sight+. A partially eaten bagel lies on
the ground. The nest looks the same as always.
But Dread is nowhere in sight. It is a partially eaten bagel.
There are large bite marks in it. It seems to be Dread's leftovers. Dread always tells me to eat
whatever I can.... Why didn't he finish the bagel? Did something happen? Anyway, I have to find Dread! Charo gets ready to look for
Dread. Just then... Dread returns. He seems to be
walking with a little pain. Something seems to be wrong. Dread! Oh... Charo. Dread doesn't seem to have
his usual strength. There seems to be something
wrong. Welcome back, Dread! ... Did something happen!? What do you mean, "something"? Why didn't you finish eating the
bagel? Humph...
I didn't eat what? Huh? What? You left some of the bagel.
Why didn't you eat it? You said, "Eat whenever you can,
whatever you can." It was you who taught me that. Are you sick? It's nothing. Really? I'm fine, Charo. Don't worry. Anyway, you didn't come here just
to tell me that, did you? Oh, right! Candy is going to Chicago tomorrow.
I want to go with her. Ģ+Why Chicago?+ Chicago is to the west.
It's closer to Japan. What do you think? Huh. Well... why not?
Make your dream come true. Yes! I will!
Thank you, Dread. Dread quietly smiles back at Charo. Charo has ģ+made the decision to+
go to Chicago with Candy. Today is the day that they leave
for Chicago. In order to get a little closer to
Japan, Charo will go west. Margherita's friend should be in
Chicago... a cat called Louisa, who has
mysterious powers. I have to meet Louisa in
Chicago's Chinatown! A big limousine is parked at the
corner of the crossing. It is a big crossing. A big limo is parked nearby. It is a very long car with three
big doors. Candy is beside the limo. She waits for Charo with a
worried look. Candy! Thank you for waiting! Charo dashes over to Candy. Charo! You really came! Of course! Perfect timing!
Hurry up and get into the car. Which door should you Ĥ+go through+? It's not a tree door! You can't go through all three doors! Charo goes through the third
door from the front. The limo quietly drives off. Dread and Margherita are
wagging their tails, wishing Charo all the luck. Do you really think he'll ĥ+make
it+ to Japan? Maybe, maybe not. You can do it, Charo.
I know you can. Do it... for me. 

****************************************
_out_EN_146.txt
****************************************

﻿   7Q  a)R  
     7Q  ?J  5
     7Q  I{  X
     7Q  Zt  
     7Q  zg{  
     7Q  q     c   7Q  Vg2  .  H   8Q  F	:  B     7Q  )Z  R     7Q  Wn       8Q  !cV       ?Q  (`       ?Q  ^  	  ]   8Q  yw>  A  !   CQ  |a  ^  !   CQ  @   f     8Q    n     7Q  r  s     ]Q  gZ    m   ?Q  n		       7Q  G  
     ?Q  3j  7
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  *   ?Q  p2  
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     Q  #L       8Q  MpW  #     ]Q  P  E     8Q  3O9y       ]Q  l<O       ]Q  J       8Q  xb9M    u   7Q  q6  +  X   ?Q  "@  B  z   7Q  &8  ]  ~   8Q  O	w  v  s   7Q  _B       8Q  k       7Q  !`       ]Q  2nb    	   8Q  E  @     7Q  O  D     7Q  2e  d      8Q         ]Q  Hi       ]Q  m       ?Q  "    r   7Q  ؛0    y   ?Q  3       ?Q   +  7     7Q  a  x  N   7Q  ;"       ?Q         ?Q  	       7Q  xu	  *     ?Q  	8  p     ?Q  >	v    '   8Q  a	!
       7Q  0y       7Q  c	05    }   ?Q  	(O  ,  \   8Q  	Y  U  B   8Q  VV	6  z  e   8Q  H	pq    l     R   8Q  	
@       7Q  XY5       7Q  Ngg        7Q  <f  L  R   8Q  [ 	5-    q   CQ  & 	*t    *   CQ  P 	*    0   CQ  V'	6       CQ  H^	_       ?Q  	j       ?Q  -X	1       CQ  !	  9  x   8Q  4	F8  ^     CQ  zG	e  u  v   CQ  	Fx       8Q  В=
       CQ  	uv       CQ  ;-	s  	     CQ  4Y	  6     CQ  E	.o  l     CQ  sc	k    S   CQ  >	(8       CQ  v	>       CQ  	I       CQ  	~  $     CQ  	z  X     CQ  X	S       CQ  f	q       CQ  	       CQ  (	       CQ  X	c  +     CQ  t	  L  c   CQ  *R		zK    u   ?Q  		y1    9   8Q  		r       7Q  /1	m       7Q  		g       CQ  Π	xU  '     CQ  NH
	*  D  8   8Q  x
	Y  {  z   CQ  	^d       CQ  	n       ?Q  
	y       CQ  ]	w    m   CQ  b	9  H     CQ  	  ]     CQ  	@B       CQ  C	ʄ       CQ  
`
	܀       CQ  
	    _   8Q  z	@O  h     7Q  	nA       7Q  N	w    O   8Q  	V    a   7Q  	        7Q  	'a       7Q  [	|  1  v   7Q  	H  n  m   8Q  k!	s    ~   ?Q  	+Q    m   8Q  "	O    !   ?Q  5	    Charo is inside a big limousine. The car zips along toward
Chicago. The travelers include Charo, Candy,
and one more dog.... In front of Charo is a great big
Saint Bernard. The Saint Bernard lies on the
limo floor with his eyes closed. His body is very big, but he
seems easygoing. He seems dignified. He's so big.... Candy looks at Charo with a
smile on her face. She seems happy that Charo
is going to Chicago with her. Candy, who's this big dog? Oh, his name is Ike.
He's Aunt Charlotte's partner. He said that he hasn't been
back to Chicago in a while. Nice to meet you.
I'm Charo! Zzzz... Zzzz... ...? Ike seems to be sleeping.
He does not notice Charo's voice. Hm? What was that? I thought
I heard a sound back there... Shh! Charo, be quiet!
She'll hear you! Aunt Charlotte has noticed
the sound. Hurry up and hide, Charo!
She'll see you! Charo panics and tries to hide,
but... Ooh la la!
Where did this little one come from? Oh, no... Anything wrong, ma'am? There's a strange dog in the
back seat. Shall I just throw it out, ma'am? I'm Charo! I'm not a strange
dog! Hm? It seems like this little one is
trying to say something... I'm Candy's friend!
I want to go to Chicago with her! I don't know what he's trying to
say, but... I wonder if he's Candy's friend...? How can I make her understand? Suddenly, Candy yells. Charo, Ħ+stay+ still! Charo is in big trouble! Well, at a time like this,
what should I do? Charo can't run away
from here! I'm in a car and
there's no place to run... Charo dances as a sign
of friendship. What's he doing?
What unusual movements... ... Charo gives up and stays still. Candy quickly moves toward Charo
and starts to lick him. Candy! Oh, look!
You like him that much, huh? All right, Candy. ħ+You win.+
We'll take him. Arf! Candy seems pleased. That was Ĩ+close+, Charo. You see, Charo? Because of me,
you are now officially one of us. The limo is just about to enter
Chicago. Ike is sleeping. Let's be quiet so that we don't
cause another scene. Looks like +it will be a long trip.+
I'm going to be bored... Ike is sleeping with his mouth open.
He looks a little uncomfortable. Maybe it's a bit hot for him. Ike is fine in the cold, but
+he is sensitive to the heat.+ ... Hmm? Looking closely, Charo notices
a magazine at Ike's feet. This is a puzzle magazine. Let's do a puzzle while
Ike is sleeping. Maybe not now....
Let's do it later. OK! I will try! Hm? No good....
Should I try again? +このメッセージには
英語訳がありません+ Yes! I solved it! After Charo solves the puzzle... the old Saint Bernard Ike opens
his eyes... and ĩ+takes notice of+ Charo for
the first time. Hello. I'm Charo! Well, what a surprise. (yawns) (coughs) I wake up and find a nice little
stranger. Ike, this is Charo.
He's coming with us to Chicago. He's never been there before. Is that so?
Glad to meet you, Charo. Glad to meet you, too. It seems to be your first time to
Chicago, but... just how much do you
really know about it? ? To Ī+avoid+ boredom, let me
ask you a question. In which direction is Chicago from
New York? East of New York is... the sea.
Are we going to swim? North of New York.
That would be... Boston. That's correct.
All right, do you know this? Which is larger? The population of
Chicago or that of New York? That's a strange thing to say. Do you really think so...?
Think it over once more. That's right.
You know a lot about Chicago! And now, the final question. I will be impressed if you can
answer this. "Chicago-style" is a popular type
of pizza. Do you have any idea what
Chicago-style pizza is? That's not really Chicago style. I don't hate it, but it's different
from Chicago style. Splendid! ī+Well done!+ That's amazing, Charo! (chuckles) Ike, Candy, and Charo enjoy
talking together... and before they know it,
they are close to Chicago. Ah, we're almost in Chicago. Before we arrive, I must tell you
something important. What is it? About the place you'll
be staying in Chicago... it's Aunt Charlotte's older brother's
mansion. It's Chris's uncle's house!
He is a very kind man! Miss Charlotte's brother,
Mr. Gregory Spencer, owns a big business. And from generation to generation,
the family dogs have always been at the top. At the moment, it's Joseph.
We call him "Sir Joseph." I've known his family since
his grandfather's generation. Ĭ+The first thing+ you should do when
we get to Chicago is greet him. Yes, I understand!
Thank you! The limo arrives in Chicago... and slowly passes through
the Spencer estate's big gate. Wow... it's big... Beyond the gate... a grove of trees spreads across
the grounds. It's not every day you see a small
forest in someone's yard. Charo is so surprised. This... all belongs to
Chris's uncle? Yes. Chris's father was
born here, too. Your family is... rich. Maybe. 

****************************************
_out_EN_147.txt
****************************************

﻿   7Q  	       7Q  	oc  	     7Q  8	<h  F	     7Q  t	Y  x	     7Q  
E	z  	     7Q  ſ	Z  	  ;   ?Q  	%  !
     ?Q  @	X  5
     CQ  	  g
     ?Q  C	z  
  0   8Q  ߽	_  
  d   8Q  >	.Y  
     7Q  l(	  
     7Q  n	<]  ;     7Q   	x  b     7Q  <	HQ       7Q  D 	?       7Q  !	u        7Q  l!	"u  ]     7Q  "	{       ?Q  <	y       7Q  	"	l  '
     7Q   #	/Z  e
     7Q  $[#	O7  
     7Q  s#	Y  
     7Q  W#	 O  
     7Q  w;$	~R       7Q  $	g=  R     7Q  \$	l  s     7Q  v7%	YU       7Q  ό%	݆    :   8Q  &	P    d   CQ  c&	a  #     CQ  &	WK  =     CQ  '	aA  _     7Q  `R'	9       EQ  \'	mH       CQ  '	*]    }   EQ  1(	$    R   CQ  V(	w+       7Q  `(	zo       7Q  (	
f  R     7Q  W)	$\       7Q  )	(       7Q  0>*	       7Q  ng=	b  =  >   8Q  *	Z  z  m   ?Q  D*	!       ?Q  *	\:       ?Q  =4+	wo    \   8Q  +	5       7Q  +	n       CQ  d,	%_  [     CQ  ,	tx    }   EQ  <-	)       EQ  sf-	j    y   ?Q  -	'       EQ  /-	  2     7Q  ".	<  9     7Q  G.	\  T     7Q  f.	
J    N   7Q  p.	L"       CQ  /	_       7Q  p/	P       8Q  9/	Q       EQ  j=	$  !  :   8Q  9	S?  :  ]   8Q   :	N  P  y   EQ  0	4  n     ?Q  G0	>    v   ?Q  0	x7    3   8Q  0	        EQ  0	9       8Q  m:	k    q   8Q  1	).       7Q  G1	G  %     7Q  Ԏ1	ZG  I     EQ  .1	U+  m  O   8Q  2	_    O   8Q  2	m]    }   EQ  Ov2	Z    ]   8Q  <2	T    y   EQ  %3	q^       EQ  =	nU       8Q  :	Y  F     8Q  3;	Tm  f     EQ  >3	9    S   8Q  ݽ3	1       ?Q  3	vf    3   8Q  U4	        EQ  v4	-       8Q  4	       EQ  +5	a  >     7Q  ^5	kL  a  j   EQ  oD>	%       EQ  Jj>	Y       8Q  נ;	Q    {   8Q  K<	'?       EQ  5	f    0   8Q  @6	rF  %     ?Q  6	)<  1  6   8Q  (6	7  O  W   EQ  _6	j#  ]     8Q  `;	&Y  q  t   EQ  7	&       7Q  ,7	8T       7Q  7	KW       7Q  =7	sZ       7Q  28	
  *     7Q  <8	Ñ  1     7Q  y8	i  t     7Q  89	Q    j   EQ  9	U    The limo carrying Charo ĭ+proceeds+
onto the wide grounds... It stops in front of the large
Spencer mansion. The big, heavy doors of the
entrance slowly open. The butler and the servants appear
to greet the limo. The driver opens the limo door
and helps Aunt Charlotte get out. Then Charo and the others step
out of the limo... We're here.
... Oh! The air seems a bit different
than in New York... That's because it's Chicago's air.
Ahhh... the memories... Hmm... cities have different air?
How strange... Heave-ho Wow....
What a big house... It is a mansion that is almost the
size of a Manhattan city block. Charo can't hide his look of
surprise. This is the front of the mansion
of Chris's uncle, Mr. Spencer. The butler and servants are
ready to help. Ike lightly stretches his legs, which
have become Į+stiff+ from the car ride. He squints at the mansion entrance.
It brings back memories. Candy is grooming her fur with a
calm look on her face. She's a bit concerned about her fur,
which became untidy during the ride. I simply don't like traveling by car.
+I'll never get used to it.+ The servants briskly carry
the luggage in an orderly fashion. They guide Aunt Charlotte to
the inside of the mansion. Just then, from the entrance... a beautiful, big white shepherd
appears. The servants have finished welcoming
Aunt Charlotte... and are already į+working on+ their
next tasks. The white shepherd walks slowly. His slender face gives the sense
of a noble pedigree. Charo feels a sense of
excitement growing. It is a strange, mixed feeling of
fear, hope, and shyness. He's...
Sir Joseph. Yes.
Now, relax, Charo... I'll introduce you to Sir Joseph. After that, you should greet him. Ike approaches Sir Joseph. Welcome, Ike.
I was waiting for your arrival. Sir Joseph.
Thank you for greeting us. And how was your trip? Very pleasant... This is the front of the mansion of
Mr. Gregory Spencer. The servants have returned to
their duties inside the mansion. Sir Joseph is the top dog in
Chicago. He has an imposing presence, but
as he looks at his old friend Ike... he seems very gentle, and appears
to be enjoying their reunion. It seems that +they are on good terms
with each other.+ Uh... hello...! Wait a minute, Charo. You need to İ+mind your manners+. Ike is going to introduce us in order,
so let's just wait. Oh... that's right. Charo slowly takes a breath and
waits for his turn to be introduced. Oh, let me introduce my young
friends. This is Candy.
She is Chris's wonderful companion. Yes, I've ı+heard of+ you. Please relax and Ĳ+make yourself at home+
during your stay here. Thank you, Sir Joseph. And... Sir Joseph looks at Charo. All the other dogs have wonderful
pedigrees. Among them, Charo is a bit... well, different. This is Charo. Candy's best friend. Sir Joseph gives Charo a sharp glance. I... I have to greet him properly.... Nice to meet you, Charo. Nice try.
Sir Joseph. Nice meat to you,
Sir Joseph. Mm? What did you say? Charo, don't be so nervous. Say it like Sir Joseph. Y... yes.... Why don't you try it one more time? Nice... to meet you, too.
Sir Joseph. Please call me Charo. Sir Joseph nods ĳ+in silence+. His sharp eyes have softened
a bit. Are you from New York, too? I'm from Japan! Uh, um...
I'm from Japan! Japan?
Such a faraway place... Yes!
My home is there. ... But, this is Chicago.
Japan is so far away. Charo, do you know which way
it is to Japan? Japan is very close to Chicago. Japan is in the very center
of Chicago. Hmm? What did you say? What? Uh... um... Get ahold of yourself, Charo!
Ĵ+Calm down.+ Y... yes.... I'll ask you once more... Yes, Japan is very far to the west
of Chicago. Yes.
Your home is very far, but... Sir Joseph is suddenly silent. By the way, Charo... about Chicago...
what was your first impression? I am surprising everybody! I slept well. Thank you! I'm... not sure if I know what you
mean... Uh... um... Get ahold of yourself, Charo! Uh... well... I will ask again... I am surprised at everything! I'm glad to hear that. Sir Joseph looks at Charo
curiously... It is as if he is seeing through
Charo. This is a world that is different from
what he knew. But... coming to Chicago is just the
beginning of his return to Japan.... That is, his first step in reuniting
with Shota... Charo seems more than ready
for it. Now then, everyone.
Please come inside... 

****************************************
_out_EN_148.txt
****************************************

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     7Q  m?	CZ  8
  g   EQ  ?	'  `
     EQ  @	F  s
     7Q  lJ@	5`  
     7Q  @	_q  
     7Q   A	.M       7Q  .iA	.  ,     7Q  \A	Io  r     7Q  fB	cl    U   8Q  B	6       8Q  	C	    #   EQ  C	  *     EQ  C	lD  3     EQ  )D	I|  [     EQ  rD	       7Q  D	,       EQ  7E	R    ]   8Q  OeE	@       GQ  E	R#  7     GQ  LE	I  P  T   8Q  F	'       CQ  [:F	\       CQ  !F	l       ?Q  G	w    u   8Q  {G	v  2     GQ  8G	D2  `     7Q  |$H	i       8Q  &H	L    y   GQ  H	fM       GQ  E(I	(Y       GQ  mI	j  D  _   ?Q  ;I	    	   GQ  
J	l    d   GQ  CJ	       GQ  B6J	,       8Q  bJ	        ?Q  rJ	T       GQ  +k	pd       GQ  'k	/E  C     GQ  Vk	7  o     GQ  zJ	P    T   ?Q  K	-       ?Q  EK	 a    q   GQ  K	       GQ  sK	O  #  6   8Q  BL	4  U     ?Q  JL	^6  c     GQ  EL	R
       ?Q  L	    	   GQ  {
M	l       GQ  M	S_       GQ  :M	N       GQ  M	&I  A     GQ  N	_  r     ?Q  vN	*7    c   8Q  N	{6       GQ  eN	&L       GQ  0O	G    f   8Q  үO	6  E  J   8Q  iO	#  Y  o   8Q  \
P	a;  h     GQ  EP	Zo  ~     ?Q  P	5>       ?Q  LP	]    I   8Q  {Q	'=       GQ  иQ	hS  /  5   ?Q  8R	6  d     GQ  WBR	t*  z     8Q  lR	'J    b   GQ  R	#$       8Q  R	Z       ?Q  oR	0       GQ  S	s       8Q  ʒS		H  *  o   8Q  S	a;  G     GQ  4T	,3  ]  J   8Q  :)V	#  x  o   8Q  T	a;       GQ  XT	f       GQ  cm	p    `   ?Q  _!U	a       GQ  dU	ZR  C  `   ?Q  U	2-  x     GQ  V	J'    f   8Q  `IT	6    r   GQ  ,MV	!       8Q  >nV	Z       GQ  V	Fa    f   ?Q  V	uA       GQ  S$W	<  4     ?Q  `W	  [     GQ  lW	Q  b     GQ  ۽W	I    !   8Q  X	     *   ?Q  'X	-       GQ  TX	A       GQ  Cl	 k  
     8Q  X	ݦ  S     8Q  =Y	t    o   8Q  GY	a;       GQ  Y	Y@    k   GQ  .Z	(    0   8Q  VZ	#       8Q  zZ	
>        GQ  Z	c  ;     GQ  [	;    :   8Q  W[	$    \   GQ  F|[	#       GQ  ^[	75    	   8Q  [	       7Q  a[	E|       ?Q  n\	P  /     GQ  I\	{D  [     GQ  ]	H       8Q  L]	L       GQ  ]	h       GQ  ^	e     e   ?Q  g^	C6  ]  w   GQ  ^	B8  p     7Q  ^^	e       GQ  <_	Q       8Q  _	,       GQ  _	+       ?Q  [_	       7Q  Y `	uu        7Q  u`	R~  [     7Q   `	i       7Q  a	mi       7Q  a	d        7Q  Pb	\  9      7Q  b	nq  h      7Q  c	X        7Q  wc	\u        =Q  _c	  !     =Q  Dtd	hG  Z!     =Q  d	e  ~!  b   =Q   e	>  !     =Q  c_e	+  !  k   8Q  be	]  !     8Q  {e	!  "  h   8Q  b
f	'  "  7   GQ  @2f	"  +"     8Q  Tf	!  ;"     GQ  vf	s7  A"     GQ  Uf	  h"  m   GQ  f	F  p"     GQ   g	<  "  S   8Q  =g	L&  "  	   8Q  0Q 7  "  ~   8Q  dg	Mb  "     GQ  _g	4  "  u   GQ  cg	<   #     GQ  6h	y  G#     GQ  h	z5  #  "   8Q  ch	  #     GQ  nh	[  #     GQ  	
l	\,  #     ?Q  Xi	h  $  t   8Q  i	88  :$     7Q  e9l	m  V$     7Q  i	hR  $     7Q  0Lj	u  $     7Q  j	i  $  This is the Spencer estate. Sir Joseph, a big, white, beautiful
shepherd, guides... Ike, Candy, and Charo into the
mansion. So my dear guests, please think of our house as ĵ+your
own+. The entrance hall has a high
ceiling and is... decorated with various colored
antiques and paintings. Everything is Ķ+new to+ Charo. Sir Joseph stands gallantly, which
suggests that he is strict, but... he welcomes Charo and the others
with a gentle expression. He is a calm-mannered collie
with impressive blue eyes. Um... Sir Joseph. This is the first time I've seen
such a big house. I see... Then, why don't you take a look
around? The view from the mansion terrace is
beautiful and one of our treasures. Frank! With Sir Joseph's call, a very
sharp-looking collie comes over. This is my good friend Frank.
He works for me. Nice to meet you.
I'm Charo. Nice to meet you, Charo. Let me guide you through the
mansion, Candy and Charo. What about Ike? I've been to this mansion many
times. I'm going to catch up on old times
with Sir Joseph. It's been a while since they've
met so let them take their time. You're right, Candy.
I'll see you later, Ike. Then, this way, if you please... Charo, Candy, and Frank walk
around the mansion. We climbed up a lot of steps... This is the top floor...
the floor for guests. The cleaning's finished and the
servants won't return for a while. Food and water have been prepared,
so please make yourselves comfortable. Thank you, Frank. ... By the way, Charo. Do you plan to stay here for a
while? What? Why? Is Charo not allowed to be
with us? Well, the Spencers are hosting a
very important party. If someone without nobility were
present... it would question the Spencers'
honor. In other words, Charo.
You're an uninvited guest. That's so mean. There should be no difference
between Charo and us. Well, I would hope so. Charo, are you familiar with
first-class manners? Um... well... Why don't you teach him, Frank!? Me? Looking after someone is one of the
things that make you noble, right? ... The party will be starting shortly.
I guess I have no choice... Well, Charo. Let me test your
social manners. Answer my questions.
If you can't answer them... I'll teach you until you learn.
How does that sound? Sounds good, right, Charo? Yes. I want to try! Good. I like your attitude.
Now, let's begin. In a formal setting, on which side
of a lady should a man stand? In front of a lady. Behind a lady. D-did I get it wrong? That would be rude to the person
and to everyone else around. Calm down and think, Charo. If there are two of you, wouldn't it
be natural to stand side-by-side? Side-by-side... Candy, you're not helping Charo
by giving him hints. Oh really?
I'm sorry. I'll ask the same question. On the left side of a lady. Very well. Correct. Yay! That's the spirit, Charo. When descending stairs with a lady,
on which side should a man walk? On the right side of a lady. D-did I get it wrong? That answer was incorrect. Behind a lady. D-did I get it wrong? It depends on the situation,
but that answer is uncommon. On the stairs, you should escort a
lady while considering their safety. Think hard, Charo.
In cases like... Candy, you're not helping Charo
by giving him hints. That's true, but... I'll ask the same question. In front of a lady. That's right. Correct. Yay! Now, the next question might be
a little hard, but... It's OK, Charo.
I'll give you a hint. Candy, that's not going to help
Charo. But... ... I'm sorry, but could you wait in
the parlor next door? Food has been prepared so
make yourself at home. I'm OK. Uh... OK. Now, then, Charo.
Let's continue the lesson. When you are invited to a party,
what would be a great gift to bring? I would bring ingredients for dishes
to be prepared at the party. I would avoid raw foods....
Maybe cookies? D-did I get it wrong? That answer would be rude to
the person. Try and think again. Y... yes... I wouldn't bring anything! Correct. You're doing well. The
sooner we get this done, the better. There are ninety-seven more
questions to go. N... ninety? There's still time. Now, on to the next question. ... Just as Charo is getting tired from
the lesson, Candy appears. Charo...! You're still doing your
lessons!? Looks like we ķ+were absorbed
in+ our lessons. We'll continue later, Charo.
Let's call it a day. What!? There are still more? There are many manners for you to
learn. The path is long, Charo. Oh yes. I would like to guide you
both to a wonderful place. A wonderful place? Come and you will see.
This way, please. Frank leads Candy and Charo
up to the terrace. This view should help you ease
your tiredness... Waa! A beautiful view, isn't it? Very! This is the mansion terrace.
The last place shown to them. A golden, beautiful view of
Chicago spreads out below. The cityscape of Chicago reflects
the sunset and looks marvelous. The view looks different from the
one Charo saw yesterday. He realizes that he is far
from New York. Her face shows that she
is a bit tired, but... she is content as she looks out
on the beautiful view. Frank quietly looks at the view
from the terrace. Charo thinks back to what Margherita
said before leaving New York. I have a friend who has moved to
Chicago. Maybe she can help you out. I think she lives in Chinatown now. Her name is Louisa.
She's a cat friend, actually. Go and find her.
Tell her my name... and she'll be good to you. Chinatown...
How do I get there? Um... Where is Chinatown? Chinatown?
Why? Um... You can't get to Chinatown
by walking. Also... I wouldn't ĸ+recommend
that+ dogs go there. It's completely cat territory. Cat... territory? ... Dogs can't enter a cat
territory? There is no rule that you can't,
but... you won't be welcome.
That's for sure. I heard that a newcomer in Chinatown
had made it to the top of the cats. A female cat called Louisa. Louisa! Anyway, if you'll excuse me,
I have other business to tend to. Make yourselves at home. Yes, I'd like to enjoy this view
for a while. Thank you very much,
Frank. The cityscape of Chicago shines
like gold. Louisa is somewhere in this city. Charo thinks deeply to himself
until the sun sets. He wonders how he will be able
to meet Louisa.... 

****************************************
_out_EN_149.txt
****************************************

﻿l     l   C  l     l     l      l   ?  l   ~  l     l     l   ;  l   z  l     l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_15.txt
****************************************

﻿   P                    +Charo learned a new English phrase!+
+It sounds smooth.+ +Charo learned a new English phrase!+
+I'll get it.+ +Charo learned a new English phrase!+
+If I were you+ +Charo learned a new English phrase!+
+You can do it.+ 

****************************************
_out_EN_150.txt
****************************************

﻿l   P   l      l      l   
  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_151.txt
****************************************

﻿   7Q  @m	f  @     8Q  m	a  !A  t   8Q  Kn	B  LA     ?Q  n	@  aA     ?Q  n	v  A     ?Q  mEo	l  A  #   8Q  ro	  A     ?Q  o	x  A     8Q  ?p	L  +B  d   ?Q  4p	&  QB     ?Q  Qq	4^  dB  B   8Q  qq	  B     8Q  |q	S  B     ?Q  dq	  B     8Q  q	G{  B     ?Q  +gr	
  B     8Q  8~r	>k  B     8Q  vr	x7  &C  2   ?Q   s	1  DC     7Q  Rs	#  OC     8Q  s	c  C     8Q  n7t	v  C  X   ?Q  t	#  C  e   8Q  t	M=  D     ?Q  u	
  D  1   GQ  u	p   D  A   8Q  1u	   +D     GQ  Qu	>  9D     GQ  Tu	5  dD     8Q  u	`  D     GQ  Ru	A  D     GQ  v	3  D     GQ  Lv	a  D  l   GQ  Xv	   E     GQ  v	GI  /E  A   8Q  !w	  gE     GQ  1w	u  sE     GQ  ɦw	R  E     GQ  w	N  E  k   8Q  Hx	<5  F     ?Q  }x	N  3F     GQ  }x	E  XF     GQ  !y	4  ~F     GQ  8Fy	?  F     GQ  y	7  F     ?Q  ]M
  F  M   8Q  y	z/  G     8Q  
y	L  /G  &   ?Q  )9z	2  QG     ?Q  [Tz	|I  ZG     ?Q  םz	a  yG  '   GQ  z	&
  G     GQ  {	O^  G     ?Q  k{	K  G     8Q  Sw{	J  G     ?Q  6{	Rq  H     GQ  3|	wM  VH     GQ  |	E  H     GQ  |	6?  H     7Q  }	{Y  H  L   7Q  M_}	J  I     7Q  u}	a  +I  t   ?Q  H}	W$  ]I  2   8Q  }	p  sI     7Q  ~	HO  ~I     7Q  Wf~	A  I     7Q  3~	  I     7Q  1	Fa  J     7Q  8	H  @J     7Q  rM
wG  oJ  s   ?Q  &N
/5  J     8Q  	jU  J  a   ?Q  E1	;(  J     ?Q  Y	wK  J  z   8Q  	h(  K     ?Q  _̀	bV  1K     8Q  #	B  _K  a   ?Q  9	"  dK     ?Q  [	JX  wK  z   8Q  
	h(  K     ?Q  r܁	lW  K     8Q  3	tV  K     ?Q  \N
U  L     ?Q  R	.Z  9L  $   8Q  	  nL     ?Q  N
X  vL     ?Q  V	.Z  L     8Q  R	6V  L  B   ?Q  	E  L     8Q  Ń	{x  
M  u   8Q  z>	<  EM     ?Q  C{	Pu  ZM     ?Q  	9  M     ?Q  r*	}a  M     ?Q  	f  M     ?Q  	b:  )N     ?Q  1-	c`  EN     8Q  	5  N     ?Q  Æ	,  N     ?Q  	9]  N     ?Q  M	U(  N     ?Q  cu	`  O     ?Q  Vև	r+  AO     7Q  	Y  ]O     7Q  [	}  O     7Q  tو	&X  O     7Q  1	  O     7Q  	R  :P  f   7Q  
O
+  iP     ?Q  6O
E  |P     7Q  =
	E  P     7Q  n|O
SE  P  H   ?Q  O
4  P     7Q  O	Q4  P     7Q  O
p  Q     8Q  /	NT  aQ     ?Q  }؊	MS  Q     ?Q  +	\K  Q  w   8Q  &w	d  Q     ?Q  
܋	A  Q     8Q  	K  R  8   ?Q  h	  2R     8Q  t	%  =R  5   ?Q  	  DR  -   8Q  QČ	  OR  ;   ?Q  aԌ	}  XR     8Q  	  dR     ?Q  	.i  hR     8Q  _	  R     ?Q  o	D4  R     8Q  	y  R     ?Q  	kL  R  @   ?Q  rj	B  S     ?Q  	  +S     ?Q  	B  jS  $   8Q  <H	!  S     ?Q  ]c	=  S     ?Q  砏	,  S  `   8Q  ̏	P  S     GQ  	L  S     ?Q  hj	9  &T  s   8Q  a	U,  ET     7Q  А	N  [T  @   7Q  	#  T     7Q  "yP
O  T     7Q  HC	z  T     7Q  I	w  U     7Q  ?5	<5  ]U     EQ  {j	X  zU     EQ  	J  U     EQ  qQ
6  U     7Q  i
	U  V     7Q  c	IA  )V     7Q  \	VF  SV     7Q  	4  V     7Q  DFQ
>  V  z   EQ  Q
   V  r   GQ  Q
  W     7Q  r	P  W     7Q  Q
R  ZW  ^   GQ  R
1  W     7Q  6	g  W     7Q  E\	qF  W     8Q  	<e  W  1   EQ  	  X  m   GQ  	q  'X     EQ  Y:	R  <X  U   8Q  ⌖	7(  tX     EQ  	j  X     EQ  	w  X  n   EQ  ՗	-  X     EQ  ė	o  Y  U   8Q  4	7(  TY     EQ  \	'Z  eY  U   GQ  	%  Y     8Q  ܘ	]  Y     EQ  w:	  Y     8Q  	Q  Z     EQ  
	c  >Z     EQ  +w	z  tZ     8Q  	[_  Z     8Q  mQ	=  Z     EQ  	d  Z  t   8Q  	>  5[  a   8Q  1	#M  V[  y   EQ  ~	,  u[  E   8Q  	.$  [  a   8Q  Ϝ	#M  [     EQ  	`  [  E   8Q  }	.$  [  t   8Q  
	>  [     7Q  	=C   \     7Q  X#	|E  G\     GQ  h	U  g\     GQ  	1  \     Q  	M  \     Q  3R
gO  ]     Q  ^R
Pd  0]     PQ  R
D  \]  q   Q  y	`.  y]     Q  P	^  ]     Q  1	bU  ]     7Q  	r  ]  l   -^     7Q  	?  l^     7Q  9	w  ^     7Q  u	(H  ^     7Q  	H  ^     7Q  =B	2  _     7Q  u	j  4_     7Q  ߢ	Mz  j_     7Q  	Z	D  _     7Q  #	Q]  _     7Q  t	a  `     7Q  ]	Q  9`     7Q  خ	?  k`     8Q  	2V  `     8Q  D	3  `  C   GQ  x	  `     GQ  捥	<  `  v   8Q  ʥ	1  a     8Q  j	&R  a     GQ  I,S
=  Ba     GQ  N	Q  oa     8Q  B	  a     GQ  C		=  a  #   8Q  L	n  a     GQ  	r  a     GQ  Ԁ	FF  b     8Q  ǧ	:  Ab  {   GQ  	#  [b  v   8Q  %	_2  sb     GQ  wW	'  b     GQ  F	=T  b  \   8Q  Ө	9  b     GQ  *
	P8  b     GQ  zE	S  c     7Q  V	M  Oc     7Q  6	K  vc     7Q  	jS
g  c     7Q  2	3  c     7Q  f	j  c     7Q  Ъ	H  $d     7Q  	Y  Hd     7Q  r	my  td     7Q  	m5  d     7Q  S
Pj  d     7Q  !	@  e  3   Q  .b	1  1e     Q  _u	y(  <e  r   Q  ؝	$  Xe     Q  ¬	0Y  ne  _   Q  	M)  e     OQ  SE	~G  e  .   Q  ь	-  e     Q  	=  e     7Q  /	
Z  e     7Q  9R	,j  #f     7Q  e	_`  Yf     7Q  	ϋ  f     7Q  	C=  f  G   8Q  	/3  f     Q  	v   g  -   Q  	U   4g     OQ  	a  >g     OQ  iȰ	ă  Dg  d   8Q  -L	)  yg  n   OQ  v	  g  ]   OQ  	2  g  ;   8Q  '	i1  g     8Q  ,Y	{  g     Q  ղ	5m  g  w   8Q  9B	.K  2h  `   OQ  g	Q  Wh  m   Q  ߳	:  th     Q  	65  h     Q  N	B  h  K   Q  ڑ	7<  h     8Q  δ	od  h     8Q  2	S  h     Q  <T
  &i  =   Q  	"  qi     OQ  :	HB  ~i  P   8Q  ߵ	L$  i     Q  	R  i  T   Q  U	-  i     Q  	]  i     Q  	C  j  $   8Q  $	w  3j     Q  
<	uK  ;j     Q  	ok  dj  z   Q  	B  j     Q  5	b  j     Q  	R  j     Q  	#<  j  s   8Q  &	1  k  G   Q  X	  3k  s   8Q  o	1  Bk     Q  	]  Wk     Q  I	5  k  r   Q  4	#(  k     Q  \	P  k     7Q  	>  k     7Q  U	?  l     7Q  +	h  +l     Q  	Z  el     Q  b	J  l     Q  	=  l  U   Q  ,	'  l     Q  	9K  l     Q  1	}  m  K   Q  	w!  :m  f   Q  vн	7  Km     Q  	  _m  c   Q  4	BF  m  I   Q  v	X  m     7Q  	Wi  m     7Q  %}	h  m     Q  	X  /n     Q  m	?f  `n     Q  	m  n     Q  3S	]  n     7Q  	V  n     7Q  	
A  o     7Q  H	T  0o     7Q  p	q:  fo     7Q  	C  o     7Q  	C  o     7Q  ^	L  o     7Q  8	4  p     7Q  	E  &p     7Q  a	hL  Ip     7Q  	@g  lp     7Q  ?	_  p     7Q  =u	D  p  G   8Q  )	/3  p     7Q  X	r  	q  @   Q  8`	z3  Jq     Q  	<  Xq  t   Q  	j;  q     Q  	}J  q     Q  lV	M@  q  B   8Q  	x9  q     Q  1	F  q     8Q  	;l  q     8Q  	>  *r     Q  	j  Er     8Q  ,	{  `r  ;   Q  Ũ	I  r  T   Q  	P  r     Q  #C	/  r  d   Q  	s	33  r     Q  <	|E  r     8Q  	9  	s     Q  	1  s     Q  .	  *s     Q  	>K  Qs     Q  	Z  ks  u   Q  *	EC  s     Q  o	1}  s     Q  Q	C~  s     Q  	{~  2t  -   Q  ^N	'  ht     8Q  zu	V  qt     Q  	Z  t  S   Q  %	#(  t  #   8Q  M	#  t     8Q  Iq	a  t     8Q  9	A6  t  }   Q  z		O  u     Q  )Y	
H  4u  g   7Q  6	/  Wu     8Q  	/3  ku     Q  +	Nn  u     8Q  yr	OY  u     Q  T
^  u  O   8Q  	>   v     Q  
	U  v     Q  }`	vM  Av  ~   Q  	ZR  hv     Q  M 	8=  v     Q  =	
L  v     Q  	c  v     Q  Q	V  w     Q  ,D	iZ  >w     Q  	4Y  lw     8Q  	gW  w     Q  0O	  w     Q  	8  w     Q  	o  x     7Q  ~	d  Zx  Z   8Q  	  x  x   7Q   	J  x     7Q  J	PH  x  e   Q  =	n  x     Q  	I  x     Q  I	+e  #y     Q  t`	M  ey     Q  	W~  y     8Q  +	Q  y     8Q  |}	`  z  p   Q  7	T  +z     7Q  <2	g  Oz  *   Q  
	  z     Q  	7P  z     ^Q  	P  z  v   ^Q  }R	e/  z     Q  	r_  z     ^Q  T	L  ){     Q  .	f  N{     Q  !	FA  {  ^   8Q  g	_  {  <   Q  5	#2  {     Q  :g	~^  {  v   Q  	+  |  _   Q  l	  '|     Q  +	w>  :|     Q  N	o  f|  F   8Q  	?  |     Q  H	!C  |     Q  i@	K  |     Q  k	ul  }     8Q  	Q  U}  8   8Q  sI	,  |}     7Q  dv	\j  }     8Q  	`  }  T   Q  yA	QX  }     7Q  U
eW  ~     7Q  ʙ	F  H~     7Q  	{  m~     7Q  (\	/`  ~     7Q  W	b  ~     7Q  t	v^       7Q  |	2  E     7Q  ˯	mN  e     7Q  8	|       7Q  {	P]       7Q  n	~2       7Q  
	d  #     7Q  o	p  ^     7Q  	G       7Q  N(	m       7Q  	Y       7Q  	i  '     7Q  StU
܀  ^     Q  Y	CO    [   Q  `	   Ɓ     Q  =	k  ؁     Q  [	;       7Q  b	U  F     Q  	  m     Q  t	;       7Q  	  ۂ     7Q  96	kV       7Q  	u  V     7Q  	?       7Q  eB	r       7Q  	F       7Q  	a1       7Q  o,	_  3     7Q  g	;  d     7Q  F	F       7Q  Z	E    v   7Q  ,T	-  Մ     7Q  	KC       7Q  /U
[       7Q  	I  >     7Q  	i  n  h   7Q  x	L&       8Q  	z       7Q  	!Q       7Q  j	y       Q  %	k  X  W   ^Q  N	{1    !   MQ  A	     q   8Q  	,?       7Q  %	Q       MQ  PV
q$       ^Q  3uV
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  y  At the Spencers',
they're preparing for a big party. Candy, is something going to
happen today? Everyone seems busy. There's a party at the mansion
today. Today is a celebration of the
Spencers coming to Chicago. All of the rich and powerful in
Chicago are invited. I see... The Spencers came to Chicago 150
years ago. (gasps)
150 years... hard to imagine. By the way, Charo. Why did you suddenly decide to
come to Chicago? Well, Candy... Chicago is to the west of
New York. ? And if I go further west,
there is Japan. What? I want to think of a way to go
further west. That's why I came to Chicago. Oh, I see. Candy seems to be a bit angry.
But Charo doesn't realize it. Margherita's friend is in
Chicago, too. She has mysterious powers and
she may be able to help me. Well, that's nice. Is something wrong,
Candy? No. Hi, Charo. Hello, Frank. You've probably already heard this,
but... we're having an important party
tonight. Yes. There'll be many important guests. I expect to have a full house. This place is new to you, so I think
you should avoid the mansion. So... I'm sorry, but... I want you to stay in the garden
with the guests' pets. The garden? You may roam anywhere as long as
you remain on the premises. I think you'll be especially
comfortable in the courtyard. It's being prepared to entertain
the guests' pets. I understand, Frank. Frank, does this include Ike and
me? No, you and Ike have your own
duties. You have to be with Aunt
Charlotte... and keep the guests company for a
while. Only Charo stays outside. No! Why does Charo have to be
outside? That's not fair! It's OK, Candy. I'll be more comfortable outside. Charo... Frank, I'm going outside, too! If Ike is with Aunt Charlotte,
then that should be enough. Candy... These are the rules for welcoming
guests in this mansion. But... Candy, don't worry about me. So, Frank. When I'm through
greeting the guests, I'm free? ... Well, if you've finished your
duties, then you're free. In my opinion, you should
remain in the mansion... and I hope that you will tend to our
guests. The Chicago sunset glows on the
mansion. That evening... Candy runs to Charo who
is walking in the garden. There you are, Charo! Hi, Candy. This is the garden in front of the
mansion. The party preparations are finished. The hustle and bustle has died down
and the mansion is calm again. Candy's silhouette shines in the
setting sun. It is the gate that connects to
the courtyard. Candy seems to enjoy the sunset. +What a beautiful view!+ By the way, when is the party
going to start? It should be soon. I think it'll start when the guests
arrive. Don't you need to go? It's OK. Frank will call me before
it begins. Hmm. It should be soon. I think it'll start when the guests
arrive. Don't you need to go? It's OK. Frank will call me before
it begins. What sort of guests will be
coming? They're all important people
to the Spencers. I hear that some people will
be bringing their pets. Really? They're all people important
to the Spencers. I hear that some people will
be bringing their pets. Frank mentioned the courtyard
before. That's right. He said that the guests' pets
will be in the courtyard. What does that mean? Only pets owned by important
guests are allowed in the mansion. Other pets stay in the courtyard. That's why the courtyard was
being prepared for the pets. Pets other than those owned
by important guests... are to go to the courtyard. That's why the courtyard was
being prepared for the pets. Where is the courtyard? You haven't been there yet? You can get there by going through
that gate over there. Would you like to go there? You can get there by going through
that gate over there. Would you like to go there? Charo and Candy arrive at the
big courtyard. There is a beautiful fountain and
carefully tended flower beds. Round cushions are placed around
the fountain. This is a very big courtyard.
The area is surrounded by a grove. Round cushions are placed around
the fountain. Candy looks happy. +You can get perfect service+ here. Many seasonal flowers are
blooming. Candy is moved by the flowers. +How beautiful!+ The cushions look comfortable. There is a notice board.
It says "+First come, first served.+" Are those cushions around the
fountain? I think the cushions are for the pets. They probably put them out for
tonight. I see...
The pets gather here. I hear there'll be food, too. Do you think I can eat, too? Of course. Great! Oh, Charo. Hee hee. Say, Charo. Hm? About Margherita's friend you
mentioned this afternoon. Yes? How are you going to find her? Mmmm... I was told that she's in
Chinatown, but... Chinatown?
That doesn't help much.... But, Charo... tonight, there'll be many guests
coming from all over Chicago. There'll be many cats and dogs. Really? Someone might know of this
friend. Why don't you ask around? Yes! Good idea.
Thank you, Candy. There you are, Candy.
It's time to greet our guests. OK.
I'll see you later, Charo. See you later, Candy. The party preparations went
smoothly. Night falls... Chicago's elite start to arrive in
succession at the Spencer mansion. Noise from the entry hall can be
heard all the way to the courtyard. Sir Joseph and Frank stand in the
garden in front of the mansion. They greet the guests' pets. It is an honor to meet you all
again this year. We have prepared Ĺ+refreshments+
in the courtyard. Please make yourselves at home. Sir Joseph waits for the guests'
pets. This is the yard in front of
the mansion. There is a gate that leads to the
courtyard. He is a white shepherd with
a dignified manner and gentle eyes. Sir Joseph is speaking to Frank. +Is everything all right?+ Just fine, thank you. He is a collie with a beautiful fur
coat and impressive blue eyes. Frank is speaking to one of the
guests' pets. +Long time no see.+ All of the cats and dogs have
beautiful fur. One can see the fine grooming. Good evening, Sir Joseph.
Good evening, Frank. Hi, Charo. Good evening, Charo. Frank has told me that you will
be in the garden today. Yes, Sir Joseph. The scale of the party this year
has grown quite large. The mansion is full of guests and
there just isn't enough space. I'm very sorry, but... I need you to be in the courtyard
along with the guests' pets. Yes, Sir Joseph. Now then, Frank. Please show our
guests to the courtyard. Yes, Sir Joseph. Sir Joseph.
Do you know Louisa, the cat? Louisa? Ah, the pet that belongs to
a guest invited this year. Really!?
She's coming to this party!? I can't be sure if she will
be with the guest, but... If I may ask, Charo, why is it that
you know a cat from Chicago? My friend in New York told me
about Louisa. I've never met her before... I see. In that case, I hope that
you meet her tonight. Thank you very much,
Sir Joseph. Sir Joseph.
Has Keith arrived? No, I haven't seen him. I understand. Sir Joseph.
Has Keith arrived? Yes, just a moment ago,
I guided him to the courtyard. I understand. Thank you very much,
Sir Joseph. When Charo returns to the
courtyard... he sees Frank guiding the pets. Please find a place to relax and
make yourselves comfortable. Dinner will be served shortly. Beautiful! Just the courtyard you'd
expect the Spencers to have! Hey! There's a cushion near that
fountain. Wow! That cushion looks really
comfortable! I'm sitting on that cushion! I'm sitting there, too. Mmmm... smells good.
This flower bed is in full bloom. I'll choose a spot near that
flower bed. The pets begin to move toward
the spots that interest them. +このメッセージには
英語訳がありません+ This is a very big courtyard. There is a fountain and flower beds.
Trees are growing thick. There is also a shed at the other
end. This is the courtyard behind the
mansion. From inside the mansion... elegant music and cheerful
conversation can be heard. There is a fountain and flower beds.
Trees are growing thick. There is also a shed at the other
end. Cushions for pets are placed around
the fountain. There are already several pets
sitting on the cushions. Seasonal flowers ĺ+bloom+ in the
flower bed. Someone is near the flower bed. Frank, you mentioned Louisa
yesterday. Will she be coming today? I'm not sure. But why are you concerned about
Louisa? I want to meet Louisa. She's a friend of my friend in
New York. I see....
Well, that's your business, but... I suggest that you don't get too
involved. Why? Dogs and cats are different.
That's all. I see... I had heard that there was a cat
with that name in Chinatown, but... I suggest that you don't get too
involved. Frank. Has Keith arrived? I haven't seen him yet. Frank. Where is Keith? He just entered the courtyard. I don't see him now, but he's
probably around somewhere. I see. Thank you. Keith just entered the courtyard. I don't see him now, but he's
probably around somewhere. Charo arrives near the mansion
window. It is just outside the reception
hall. This area is close to the window of
the mansion hall. From inside the mansion... elegant music and cheerful
conversation can be heard. A large tree grows near the
window. It is a big tree.
It grows near the window. The mood is merry, but Charo can't
make out what they're saying. Charo approaches the fountain. There are already a number of
pets sitting on the cushions. Charo can hear the cats talking. Hey, Paul. It's good to have you back. You must be relieved. Last year you were inside with the
top ones... but not any more! Are you trying to be nasty? Meow! No! Ranks? Give it to the dogs! Cushions for pets are placed around
the fountain. There are already three cats sitting
on the cushions. All of the cats have carefully
groomed fur. The biggest cat is Paul. Nancy is
the female cat with the long fur. Sitting next to them is Tony. Good evening.
I'm Charo. Oh, what a cute puppy.
I'm Nancy. Nice to meet you. I'm Tony. Paul. I've never seen you before.
Where did you come from? I came from Japan. Japan, huh?
Well, isn't that nice? Nice to meet you. ... You too. Ummm...
Do you know a cat called Louisa? Louisa? You mean the cat that
recently made it to the top? You know her!?
Where can I meet her? Who knows?
She's a newcomer. Louisa is mysterious. I've never met her either. Top rank and mysterious... She's so cool! Louisa's here. She went into
the mansion. Will she come out to the courtyard
later on? Well, she probably won't come into
the garden since she's in the top rank. Right, Paul? Hmph! How should I know? What's a rank? You're at the Spencers' and you
don't even know? Then don't ask. A rank is decided by the owner's
achievements. That's how it is in Chicago. Really? The Spencers have this party
every year. And only the dogs and cats of
the highest rank... can enter the mansion. If you ask me, this party's an
insult. I wouldn't choose that cramped
mansion. It's a lot more comfortable here. Have you seen Keith? No, I haven't. Have you seen Keith? You mean Keith the mischief?
Come to think of it... I think he went to the shed. He hasn't come back. He's probably causing trouble
somewhere. Charo approaches the flower bed. Many seasonal flowers are
blooming. Charo hears voices from the
other side of the flower bed. ... Oh, so you're really after
Keith then? (giggles) He's good-looking but so
immature. He buries things he likes. Things he likes? He's really into shiny things. I gave him a lot of gifts and
he buried them all. That's... odd... Oh, don't say that! He's very generous and he even
gives things away to strangers. Anyway, he's cute. ... Ļ+Good grief.+ A tall Afghan hound stands
near the flower bed. He is having a friendly talk with
two miniature dogs. Hello, princesses.
You are sparkling, as always. Hi Keith.
We were waiting for you. What took you so long!?
Were you up to no good? Nonsense! My first destination
was here. This is the area near the courtyard
flower bed. Many seasonal flowers are
blooming. There is someone at the other
side of the flower bed. They are both miniature dogs. The one with the long hair is Joy. The other is Rum, who likes Keith. The tall Afghan hound is Keith,
the one everyone talks about. There are two miniature dogs. The one with the long hair is Joy. The other is Rum, who likes Keith. His fur is beautiful and
carefully groomed, but... for some reason, his nose is
covered in dirt. Charo talks across the flower bed. Good evening.
I'm Charo. Two miniature dogs appear from
the other side of the flower bed. Oh, it's you! You were with Sir Joseph,
weren't you? Good evening. I'm Joy. I'm Rum. Nice to meet you. You're with the Spencers, right? Uhh... ummm... Say, did Keith arrive yet? I'm sorry. I just came to Chicago
recently... I'm not with the Spencers. Oh, is that so? I'm sorry. Um...
Do you know a cat called Louisa? Louisa?
No, I don't. Louisa the cat?
I may... or may not have heard of her... Maybe Keith knows. He's popular with the cats, too. Keith? You don't know who he is? Keith is a slim and tall Afghan
hound. He's like a young prince. Oh... and he buries almost anything,
just like a little kid. He loves shiny things. Don't be ļ+nasty+. That's another one
of his good traits. OK OK! You really are attracted
to him, aren't you? That's right. Don't forget to
mention his generosity. Tee-hee. So... has Keith met Louisa? Well, that's something you need
to ask Keith. I wouldn't know. I see... Um...
It seems that Keith has arrived. Do you know where he is? Really?
Oh, where could he be? He promised to meet me here
today. Charo greets Keith. Good evening. I'm Charo. Hey, good evening.
I'm Keith. Nice to meet you. Keith, do you know a cat
called Louisa? Louisa?
You mean, Chinatown Louisa? Yes!
You know her!? No, I haven't met her, but
isn't she famous? She belongs to the writer,
Aimee Chan. That's right.
She's Aimee Chan's cat. I knew I'd heard that name before. My owner is a big fan of
Aimee Chan's. Aimee Chan is the most popular
author out there right now. I'm sure she's invited to
tonight's party. I also hear that the two are
always together. I'm sure Louisa will also appear
tonight. Then do you think I'll be able to
meet them? I'm sure Louisa will show up.
That's great isn't it Charo! Well, there you have it, Charo. If you need to know something,
you can ask Louisa directly. Keith cheerfully assures Charo
and winks. Thank you, Keith! Charo is happy.
He looks up at Keith... There is something on Keith's
nose. Starting tomorrow... Aimee Chan will be going on a
lecture tour. I'm sure Louisa will be with her.
They won't be back for a while. Why don't you at least get a look
at their faces? It'll be a shame if you make a
mistake. Tonight's your only chance. Yes! I will check who Louisa is
first. Uh, Keith.
Why's there mud on your nose? Hm? Oh, this?
Don't worry about it. Just then, a human voice is
heard from the entry hall. Welcome, Ms. Aimee Chan.
We've been waiting for you. Thank you for inviting us tonight.
Um... may she come in, too? Of course, ma'am.
Your cat is just as welcome. Did you hear that, Louisa?
Let's go. Ľ+Speak of the devil+...
Looks like Louisa showed up. But she already went into the
mansion. What should I do?
I can't go in... Is that so? Then, you should probably wait
until she leaves. Oh, I just remembered. Starting tomorrow, Aimee Chan will be going on a
lecture tour. I'm sure Louisa will be with her.
They won't be back for a while. What!? Then... That's right.
Tonight's your only chance. Why don't you at least see what
she looks like? It'll be a shame if you make a
mistake. Tonight's your only chance. Yes! I will check who Louisa is first. Thank you!
I will go. Charo decides to find a way to
peek into the mansion. Uh, Keith.
Why's there mud on your nose? Hm? Oh, this?
Ah, it's nothing. This is the shed that is on the edge
of the courtyard. The van from before is parked there. An advertisement is on the side of
the van. It is written in Kanji. It looks like a van from a shop
in Chinatown. Two men are carrying a load
at the back of the van. It is a shed for storing garden
tools and things. There is a bench near the shed. Unloaded cargo is placed near the
entrance. An advertisement is on the side of
the van. It is written in Kanji. It looks like a van from a shop
in Chinatown. The two men talk to each other. They take things from the
shed and load them into the van. A water bottle and other items
are placed on top of the bench. There is also a shiny key chain. A water bottle and other items
are placed on top of the bench. It is a shiny key chain with a
gold coin. A key is attached to it.
It may be the key to the van. The golden coin is inscribed with some
words: "+Safety First.+" Are you saying there's more stuff? Yeah, a lot more. Let's hurry and finish it up.
Our next job is waiting for us. Yeah, let's hurry up and get back
to Chinatown. It seems that they are from
Chinatown. Let's hurry and finish it up.
Our next job is waiting for us. Yeah, let's hurry up and get back
to Chinatown. Sir Joseph is not around. It looks
like he went inside the mansion. There is no one in the garden in
front of the mansion. Frank is not around. It looks like
he went inside the mansion. This is a very big courtyard. There is a fountain and flower beds.
Trees are growing thick. There is also a shed at the other
end. From inside the mansion... Charo can hear people talking
and elegant music. The people are gathered in the
hall. Charo approaches the mansion
window. It is just outside the reception
hall. There is a large tree. Charo has no time for that! This area is close to the window of
the mansion hall. He can hear the people near the
window talking. Charo tries to peek inside from
the hall window, but... he cannot reach it. What should I do?
Isn't there anything I can do? It is a big tree that grows near
the window. If Charo can climb this tree...
he can peek through the window. ... So, Ms. Chan.
When is the new book due? Well...
... Right, Louisa? Meow... That might be Louisa. Louisa seems to be near this
window. Meow. Thank you, Louisa.
+Your smile is my good luck charm.+ OK!
Huhhh... Nnngg... Charo tries to climb up the
big tree, but... of course, it's impossible. Charo! What are you trying to do!? Charo hears Candy's voice from
the courtyard entrance. Candy runs closer, but... uh-oh!
She steps on somebody's tail! It's... Paul. MEEOwworrghh! Oh! I'm sorry! You just ľ+stepped on+ my tail! I... I'm really sorry. Candy is in trouble! This is the shed that is on the edge
of the courtyard. Two men are talking in front of
a van. We'd better hurry and get back to
Chinatown. Our next job is waiting for us. Is this all of the stuff we need
to load? OK. We're done loading.
Hmm... huh? Two men are talking in front of
a van. What?
What is it? We'd better get back to Chinatown.
Our next job is waiting, you know? Yeah, but... hold on. The car key...
I can't find it. What do you mean,
you lost the car key? You don't have the key chain with
the gold coin? The shiny one that you bragged
about? Yeah, I don't see it anywhere...
Where did it go? The two men start to look around. What are they looking for?
A key chain? Will the van move if they find the
key chain? This is the shed that is on the edge
of the courtyard. It is a shed for storing garden
tools and things. An advertisement is on the side of
the van. It is written in Kanji. It looks like a van from a shop
in Chinatown. These two men came from
Chinatown. The two are looking for something. A water bottle and other items
are placed on top of the bench. What's wrong? We're done loading
so let's go. Uh... huh? What's wrong? It's just... something's... Something, what? Our next job is waiting so let's
hurry and get back to Chinatown. Yeah, but... the car key...
I don't see it anywhere. What do you mean,
you lost the car key? You don't have the key chain with
the gold coin? The shiny one that you bragged
about? Yeah, I don't see it anywhere...
Where did it go? The two men start to look around. What are they Ŀ+looking for+?
A key chain? Will the van move if they find the
key chain? You lost that shiny key chain? Yeah, I don't see it anywhere...
Where did it go? Our next job is waiting so let's
hurry and get back to Chinatown. The two men look for the
key chain. So... ŀ+all they need is+ the key chain... +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ Charo dashes to her. Candy Ł+is frightened by+ Paul who
glares at her!! Mrrrroowwr! Charo runs over and protects Candy. He stands in front of Paul. She says she's sorry. Hey, you're that kid from Japan! Look, everyone! This guy came all the way from
Japan just to be a hero! Paul's voice is loud enough to... attract the attention of other
cats and dogs. Frank comes running. What's going on? My tail! It's broken! I'm injured! Stop ł+faking+ it. What? Are you saying that I'm
a liar? I'm just saying that we should
act respectfully, that's all. ! Hmph. You dogs... You just serve humans, the way
they want you to. We always try to be responsible.
We're not like cats. This obviously provokes them. Ow, what do you mean? We're independent.
We're not like dogs. You're all so selfish! Say that again, you dog! The dogs and cats are ready to
pounce on each other. But then... Enough! Sir Joseph has come out. Frank looks back.
Paul catches the moment. Mrrowwwrrr! And jumps on Frank with his claws
out. Look out! Mrrrroowwr! Ah! Now, everyone!
Let's get those dogs! Say that again!
Grrrrrrrrr! A fight breaks out in the
courtyard... Paul loses his balance and falls
to the ground. He rolls over to the fountain. Thank you, Charo. Because of you, the dogs and
cats were not hurt. Now, everyone, let's Ń+pull ourselves
together+. Dinner will be served very shortly. If you could all please wait near the
fountain. Thank you, Charo!
Are you hurt? No, I'm fine. Th... thank you, Charo.
You saved me. You're welcome! By the way, Candy.
Aunt Charlotte is looking for you. Let's return to the mansion. Already? I was finally free. Today is an important day.
You need to fulfill your duties. Oh well... Bye, Charo.
I'll see you later! See you later,
Candy. Oh my. Is it ń+over+ now? Dogs... cats... all males are
savages. I can't stand it. Say, weren't you looking for
Louisa? She just went home. What!? I just met her for the first
time. We talked for a bit. This is the courtyard behind the
mansion. From inside the mansion... elegant music and cheerful
conversation can be heard. There is a fountain and flower beds.
Trees are growing thick. There is also a shed at the other
end. Invited guests can be heard
talking inside. +You look great+ tonight. Thank you. Cushions for pets are placed
around the fountain. Seasonal flowers bloom in the
flower bed. It's a female Pomeranian. What was Louisa like? She was a somewhat mysterious
and wonderful cat. Really? Oh, and we talked about you. I told her that a puppy from
New York wanted to see her. Thanks! But she didn't know who you
were. I haven't met her yet.
She's a friend of a friend... And she also wanted me to pass
on this message. What? She was a somewhat mysterious
and wonderful cat. And she asked me to pass on
this message. What kind of message? It seemed like Louisa had just
remembered something and said... "When the heartbroken howl fades
away, I shall invite you...." "Heartbroken howl"...?
What does that mean? I have no idea. I want to meet Louisa, but how? Well... she already left. You may just have to go to
Chinatown. Chinatown... How do you Ņ+get to+ Chinatown? I only travel by car so I really
wouldn't know... I don't know the way. But even if you did know,
I mean... with your puppy feet... I think it would be impossible
for you to get there tonight. Tonight... impossible... Also, they're leaving early
tomorrow. They're going on a lecture tour. If someone could drive you there,
then maybe... You should probably give up for now. I can get to Chinatown tonight
if I go by car? You could probably get there if
someone drove you. Do you have an idea? ... Oh, it looks like I ņ+spent too much
time+ talking. I must be going. Well, I'll be at the fountain. Joy runs off. There is no one around. This area is closest to the window
of the mansion hall. Light pours from the window. It is a big, magnificent tree. The pets are gathered near the
fountain. I don't care where I am.
I just told you that. Hurry up and decide, everyone. Yes. As long as I'm next to Keith,
I don't care. It seems like they are arguing... Keith speaks out. All right! I'll think of something. Please wait a moment. Keith is fantastic! Nancy approaches Charo. The pets are gathered near the
cushions. There are a total of eight cushions. The pets are arguing over the
seating order. Paul, Tony, Nancy... and Mimi. There are a total of four cats. Paul is sleeping peacefully.
He may be faking it... Keith, Rum, Joy... and Steven. There are a total of four dogs. Keith scrapes the ground with his
forelegs and mumbles to himself. He seems to be thinking seriously. Nancy is a little annoyed. What's wrong, Keith? Hmm? Charo, it's you. We're in a bit of a mess. Everyone wants to sit on the
cushions, but... each one wants to sit in a certain
order. We can't figure it out. There's no problem with the
number of cushions, though. I see... What's wrong, Joy? Oh, Charo. Hello. Everyone wants to sit on the cushions,
but we can't decide on the order. Keith is going to figure something
out, but... he hasn't come up with an answer. The seating order hasn't been
decided? Yeah. I told them I don't care where
I sit. Everyone has their demands. Keith, have you seen a key chain? A shiny one. What? I've been chosen to decide on
the seating order. Sorry, but I can't think about other
stuff at the moment. Rum, could you tell me about
Keith? (giggles) I couldn't possibly say
anything in front of Keith. ... Rum, could you tell me about
Keith? Well, since Keith is busy thinking,
I guess it's OK... Keith is kind and really generous. I see. Whenever someone impresses him,
he gives that person a present. Rum, have you seen a key chain? What kind of key chain? It has a gold coin on it and it's
shiny. Oooh, shiny...
Keith would like that. Could you tell me again about what
happened when you met Louisa? Well, she was a somewhat mysterious
and wonderful cat. Oh, and there was something
for you... "When the heartbroken howl fades
away, I shall invite you...." It was a message from her. How do I get to Chinatown? You could probably get there if
someone drove you. By car... Joy, have you seen a key chain? No, I haven't. Tony, what's wrong with Paul? Paul's Ň+a bit depressed+ from that
commotion before. He's being quiet right now so you
should probably ň+leave him alone+. By the way, aren't you thirsty?
We can get the drinks ourselves. Yes, +it's self-service.+ What's wrong, Nancy? I want to sit down. Charo, could you decide the order
instead of Keith? Hmm? You'll decide for me, Charo? Can I ask you to handle it then? ŉ+To be honest+, I don't know what
to do. I'll be impressed if you can solve
this. OK! I will try! What? You're not going to help
me decide? Well, it is a difficult problem.... But I'm Ŋ+counting on+ you, Charo. There is no one around. This is the area near the courtyard
flower bed. Many seasonal flowers are
blooming. Absolutely amazing, Charo!
I'm impressed! I respect you! You're so smart!
Fantastic, Charo. Now we can finally sit down. Well done, Charo! Thank you.
Now I won't have to ŋ+sneeze+. I'm happy to sit next to the flowers.
Thank you, Charo. Now I can calm down.
Thank you, Charo. Thank you for listening to our
requests, Charo. Hee hee... Charo! I want to give you a present. A present? I'Ō+m impressed by+ your intelligence,
Charo. That's why I really want to give
you a gift. It's true.
Keith is a very generous dog. Charo, you should go ahead and
tell him what you want. Would you drive me to Chinatown? Mmm... Even I don't have a car. I would like to have a good meal. (chuckles)
Yeah, I'm hungry, too. I don't need to ō+treat+ you though.
Dinner's almost served. Do you have a shiny key chain? Wow, what a surprise!
I just found one. It's a shiny one.
A real beauty. I didn't know you like shiny things.... Wait one moment. Keith is sooooo generous. ... Sorry to keep you waiting, Charo!
Here you go! Keith places the key chain on the
ground. Thank you, Keith! This is the area near the fountain. The seating order for the cushions
has been solved. Everyone is relaxing on the
cushions. It is a shiny key chain with a gold coin. The key to the van is on it. Charo is holding it in his mouth. Where did you find this key chain? It was at the shed over there. Joy... Could you tell me again about what
happened when you met Louisa? Well, she was a somewhat mysterious
and wonderful cat. Oh, and there was something
for you... "When the heartbroken howl fades
away, I shall invite you...." It was a message from her. Joy... How do I get to Chinatown? You could probably get there if
someone drove you. Charo holds the key chain in his
mouth. This is the shed that is on the edge
of the courtyard. Male voices can be heard. Hey, the car key isn't here. You think it's in the shed? Maybe... Let's go inside and Ŏ+take a look+. The men enter the shed and
disappear. This is Charo's chance to return
the key chain! This is the shed that is on the edge
of the courtyard. It is a shed for storing garden
tools and things. An advertisement is on the side of
the van. It is written in Kanji. It looks like a van from a shop
in Chinatown. I have to get in the van. I'm going to Chinatown. A water bottle and other items
are placed on top of the bench. There is also a shiny key chain. Male voices can be heard coming
from the shed. Where is it? We won't make it to our
next job if we don't find it soon. Yeah...
We need to get to Chinatown soon... Where is it? Male voices can be heard coming
from the shed. Where is it? We won't make it to our
next job if we don't find it soon. How should I return this to them? Charo gently places the key chain
on top of the bench. There...
Now then... ŏ+There is no sense in+ putting it
in the fountain. There is no sense in burying it
in the flower bed. Where should I jump to? The shed roof...
That would be impossible for Charo. The driver's seat...
Charo would be caught. Arf! Charo jumps onto the back of the van. Just then, the men come out from
the shed. It's not there... Hey, what's that on the bench? Hmm? Ah, that's it!
Why's it there!? The men have found the key chain
that Charo returned. Anyway, that's great! Let's head for
Chinatown. I hope we're not late! Yeah!
Let's get in the van. Thus, Charo... is able to safely get in the
van Ő+bound for+ Chinatown. Now Charo will be able to get
to Chinatown before the night is up. His destination is Louisa's house. However, he does not know where
in Chinatown it is. 

****************************************
_out_EN_152.txt
****************************************

﻿l   h  l     l        %  b   T       l             %     X  l     }             #  l   i  l     l     l   &  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ There is a list of gardening tools
on the box. They are listed +in
alphabetical order+. Charo learned a new English phrase!
+in alphabetical order+. +このメッセージには
英語訳がありません+ There is something written on it. Do not +touch+ the blade with
your bare hand. Charo learned a new English phrase!
+touch+ +このメッセージには
英語訳がありません+ There is a note on the
flower pots. Set the flower pots +firstly in
order of height+. Charo learned a new English phrase!
+firstly in order of height+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_153.txt
****************************************

﻿l      l   /  l   n            l        J     m       l     l   @  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ The board says, "Come +to see me+!" Charo learned a new English phrase!
+to see me+ +このメッセージには
英語訳がありません+ There is a label on the empty can. Recycling instructions:
First rinse the empty cans,
+and secondly+ crush them lightly. Charo learned a new English phrase!
+and secondly+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_154.txt
****************************************

﻿l      l   /  l   n  l                  r               R       l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ "A lovely kitten looking for a
 new parent." +If you want+ to be an owner of a
lovely kitten, please give me a
call at xxx-xxxx. Charo learned a new English phrase!
+if you want+ "Scheduled Collection Day"
Resource (Mon), Burnable (Wed/Sat),
Non-burnable (Fri) Check the color of +the three
garbage cans+ and separate
recyclables from refuse. Resource: Green can /
Burnable refuse: Yellow can /
Non-burnable refuse: Blue can Charo learned a new English phrase!
+the three garbage cans+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_155.txt
****************************************

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6V  j     7Q  ^
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p       R  4
:       R  FQ
f  ե     8Q  
Bf  	  $   R  (
l  .     R  ,
  7     8Q  
n  x     R  l2
       R  
a>       8Q  W
e       R  1h
  +     8Q  
`  a     R  P
D       8Q  .
=c       8Q  k
.s  ڧ     R  k
U    l   8Q  
?  ;     R  ,
I]  Q     8Q  u^
ɂ       R  >
    p   R  W
i  Ǩ     R  _
M       R  
.    R   8Q  
J:  2     R  
ml  B     R  
-  {     8Q  K
#N       R  n
(_    E   8Q  \
>       R  5
f       R  
F  2     8Q  H
  P  A   8Q  mb
$  W  k   R  
3  d     R  º
d  x     R  W
w    y   R  q
*       R  

m_    i   R  w 
a^  '     R  ~
dM  P     R  <
=  u     R  ?	
d       R  Tm
dX  «  h   8Q  
s       R  9
d       8Q  a
]  S     R  
jn  v     R  dj
M       R  
i  Ѭ      8Q  !
_
  	     R  D,
Pn       R  
!U  B  6   R  
  n  Z   8Q  9
xQ  y     7Q  V
<       7Q  y
y1       R  
k  ӭ     R  0
c    b   8Q  6
%  G  [   R  %
U5  Y     8Q  z
d  l  [   R  _T
U5       8Q  d    x   R  
%       8Q  >
\    u   8Q  
4    	   R  @
[  5     R  SBM  9     7Q  m]
B  Y  z   7Q   
L*       7Q  l
C       7Q   z  ï     Q  ^
"k  
     Q  y
>Z  N     7Q  
-p       7Q  {    X   Q  C
  	  K   Q  b
       7Q  K7  1     7Q  |
b  R     7Q  
jl       7Q  !w  ȱ     Q  ,K
P2       Q  )  6     7Q  j2  P     7Q  |}
d  q     7Q  

s       7Q  T
N       7Q  k
O       7Q  ~
ZQ  I     7Q  C
5  z     7Q  \y
J       7Q  
:~  ³     7Q  MB
oW  	  d   8Q  
-  8  	   8Q         L  8   7Q  
  P     8Q  5
E  [     Q  %)
d  t  Q   Q  э
*       8Q  Ǹ
@       Q  
A  ״     Q  :
A9       Q  s
)  !     8Q  
):  <     Q  
=  Y     Q  
pK    #   8Q  B`
%       Q  M
a       Q  
D@    _   Q  5'
I       8Q  ~D
sF  "     Q  
6.  A  s   8Q  '
GL  ]  ~   Q  n
>  r     Q  (XS       8Q  D
qI  ̶     Q  
#=       Q  
~V  
     Q  !!
K  @     8Q  l
Q  i  v   Q  
X       Q  
V       Q  m
C       Q  #s  	     8Q  h
b  P  k   Q  
P  t     Q  d
nN       Q  C
_  ϸ     Q  
    G   Q  $
"  \     Q  %
B2  k     8Q  g
n       Q  '       Q  k  ڹ  |   8Q  k
       Q  
:  L     Q  4
.  k     7Q  b
o       7Q  g
j       7Q  <
E       7Q  H
G  !     7Q  [
E  E     7Q   [[  j     7Q  :j ~       7Q   g  ۻ     7Q  Py       7Q  9p  P     7Q  :Oy       7Q   }Q  ͼ  '   8Q         7Q  w    	   Q  	  A     7Q  2v  E     7Q  V    \   8Q  _l<    S   8Q  m	1  ǽ  	   Q  v  ۽     8Q  }B=  ߽     Q  ,0    f   Q  e]E    }   8Q  ^R  C  	   Q  "!  \     Q  6  `     8Q  Mt  }     Q  9    v   8Q  =  ʾ     Q  
9 >       8Q  
wd    `   Q  D  "  z   8Q  q C  A  }   Q  cR  Y  K   8Q  4       Q  daB       7Q  -	~       8Q  	
    =   8Q  ʹ	Z"       8Q  $	9       Q  
D  $     Q  PZ
OP  B     8Q  
k  j  q   Q  c\@       Q  V
H       Q  ɞQ       Q  2    c   Q  )w3       Q  t]]B  <     Q  џA  c  v   Q  '    e   8Q  \#S    @   8Q  v)       Q  {b    Q   Q  
&    |   Q  )
a       Q  wa  D  Q   Q  jR#    |   Q  p(M       8Q  
&?       Q  
a    Q   Q  +R#    |   Q  N(M  ,  i   8Q  W  Z     8Q  b;  z  D   Q  [/4       Q  ac:       8Q  `ע       8Q  }       8Q  7A^  G     8Q  qpW  q     8Q  3*s    S   8Q  
u(       Q  G       Q  w    P   Q   >  M  %   Q  7  f     Q  X;  o     Q  ae    s   Q  ^kN    %   Q  H       8Q  c]    P   Q  <:    V   8Q  X<%  &     Q  }bk  7     Q  ]  l  P   Q  [v       Q   zu       Q  o       7Q  p}  "  3   8Q  -$  c     8Q  B  n     Q  T76       Q  d       Q  O=       Q  -g       Q  ܔ&  F     8Q  `Y  a     NQ  I˂       NQ  _E{       NQ  ,^V       NQ  kV       NQ    >  W   8Q  .CU  z     7Q  <       7Q  ?f       7Q  "+B       8Q  |m  6      R  Nt  b     8Q  fK    u    R  s3        R  +=    b   8Q  A#!    [    R  HDO*  
  #   8Q  n        7Q  ;  )     7Q  .p  F     7Q  )7I       7Q  u       8Q  a       zQ  Wz  *     zQ  t  G     zQ  Xx
%  z  w   zQ  A*:       8Q  Hd:    V   zQ  B       zQ  H#y       zQ  kdo  ,     zQ   v  P     zQ  E Í    L   zQ  4!f    j   zQ  !A    *     j   8Q  !/    `   zQ  K"D       zQ  Q"z  0     zQ  "K  [     8Q  J-#F  z  '   Q  ;t#V       7Q  #?    I   8Q  
$B,       zQ  6$    '   Q  I$<\       7Q  $vE       8Q  $2       7Q  U%F       7Q  De%n  5  k   7Q  %	-  {     7Q  '&N    _   7Q  O&        8Q  o&H       7Q  p&9       8Q  \&V       7Q   'K    Z   7Q  ?L'!  :     7Q  m'i  L     7Q  c':p       7Q  G(d    y   7Q  ((       7Q  (b       7Q  U7)(  7  e   7Q  `)-  P  e   7Q  -)L*  f  y   7Q  y)('  |  e   7Q  )+       7Q  D
*m)       7Q  3*c       7Q  M[:       7Q  j*^    y   7Q  *[)  R     7Q  +D\  j     7Q  '{+(       8Q  +n       8Q  ,:    L   zQ  M,4       zQ  ,,]y    >   zQ  W=  )  P   zQ  ,  A     8Q  C-a2  b  i   zQ  -|  |     zQ  R.3c       zQ  ۵.    E   zQ  F/!       zQ  gV        7Q  h/O  &  S   7Q  U/"  f  @   8Q  0&  w     zQ  40Vs       zQ  30xl    	   8Q  1    R   8Q  ,1:       zQ  K    	   8Q  g1'       8Q  z1e    s   zQ  !27  S     zQ  2  w     zQ  K3.       zQ  3>       zQ  c.    	   8Q  *v4u  (     8Q  4\u  ,     zQ  5qo  Z     zQ  lt5    	   8Q  6'       8Q  :6֑    ;   8Q  6        8Q  96U    d   zQ  B7       8Q  q#K  :  v   zQ  7IJ  [  D   8Q  8  q  q   zQ  68W       zQ  8j       zQ  8fU       zQ  tN9O>    	   8Q  d
       8Q  r9NN       zQ  9̐  &  	   8Q  }:,  [     8Q  :^  _     zQ  :L    	   8Q  <;v       7Q  K;m       7Q  ;q    ~   7Q  R  0     7Q  )<P  `     7Q  Hg>       7Q  եZ       7Q  z<u    x   7Q  |< 6       7Q  &=-  4     7Q  S=[  Q     7Q  (i       7Q  L       7Q  }=e       7Q  G>Q    ]   7Q  (g>'  A     8Q  9>K  U  M   zQ  8>_  }     zQ  :?    	   8Q  ?    l   8Q  ?\5       zQ  .@G       zQ  ^@    y   zQ  HuA&X  :     zQ  nAL  [     zQ  aBY    	   8Q         8Q  83C'G    r   zQ  _zC E       zQ  _C       zQ  SD  >  #   8Q  D   j  T   zQ  E=  s     zQ   UD    u   zQ  }EK    	   8Q  E7    z   8Q  UE4       zQ  F4    /   8Q  1F|-       zQ  F       zQ  \GL  B     zQ  GY  i     zQ  bH}       8Q  He       zQ  ^I       zQ  YI       zQ  /Jed  >     zQ  NJ~q  a     7Q  K]       7Q  bK4       7Q  nKZ       7Q  bK4D  
     7Q  6L.G  .     7Q  }LyK  N     7Q  =Lh  w     7Q  S1MX       7Q  [MP       7Q  BMBG       7Q  !NIX       7Q  yN  C     7Q  =z       7Q  O%P       7Q  <Zx    ^   8Q  :O2k  *     8Q  ljP  @     7Q  RP[  G  }   8Q  ^PR  t     7Q  /Q:N       7Q  ~QzE       8Q  Q    N   8Q  V\RF    	   Q  lR)  
     8Q  |RD[    S   8Q  &SNn  ;     7Q  SO  ^  [   8Q  S9    F   Q  B9    B   8Q  Qa\       Q  Ms    \   Q  zTD       Q  vcTm       8Q  KTg  0  ,   Q  \8U'  [     7Q  `U  g  X   7Q  U(    W   8Q  DVVP       Q  `V       Q  wV`       7Q  VO    '   Q  'W<\       7Q  WR    '   Q  W<\  =  5   8Q  2X2  E     7Q  eX{E  O     7Q  XX  k     7Q  YoY       7Q  
]YR       7Q  Yr;       7Q  fx  
     7Q  YR  @     7Q  <Zx  d  v   8Q  Z/       zQ  9    S   8Q   [h.       zQ  .[}k  
     8Q  [>  6     zQ   [p  R     8Q  H\S  u     zQ  R\U    w   zQ  0]l    n   8Q  R]T    @   8Q  
]1"     m   zQ  >^Q  
  V   8Q  
f^'  #     zQ  +^U  4     7Q  NZ  O  	   Q  )^O
  }     7Q  x^[    F   zQ  VI_L    M   8Q  k5G'       zQ  T_^       7Q  \ Z    	   Q  d_  !     7Q  3`R  %  C   8Q  W`!  N  8   zQ  x`6  \     7Q  `_  i  	   Q  Ma       7Q  aQ       Q  qae       8Q  a       7Q  apJ    w   8Q  &bFH    m   zQ  AobA  5  W   8Q  Ybt$  K     zQ  bF  \     7Q  ]co  w  *        7Q  c I       8Q  cI    P   zQ  dg       7Q  d3F    p   7Q  dS9  <     7Q  el  S     zQ  Ҷ
  }  	   Q  qe
       zQ  ^~    ,   Q  {eX       7Q  AeL    '   Q  =!f<\  
     zQ  y}fl       7Q  go  =     7Q  svgO  w  i   7Q  Eg4    X   7Q  ^g-       7Q  x'hJ    '   Q  qh<\    5   8Q  3h~2    5   zQ   i#       7Q  \$i`       7Q  ieP  2  ,   Q  aiX  U     7Q  -jM<  ^  5   8Q  /jju2    5   zQ  jh       7Q  j`       7Q  k    W   7Q  k%       7Q  Ck.        7Q  qFlgj  d  ~   7Q  ?O       7Q  ذlW       7Q  ,sL       7Q  {L[  *     7Q  wm;/  Y  k   8Q  7m_  v  j   8Q  3mB    Q   zQ  'm    j   8Q  pnC    Q   zQ  n8       8Q  Uys       zQ  Io  1     7Q  ~oU  ^     7Q  2pH    k   7Q  K{p/       7Q  5pN[       7Q  q@       7Q  Èq  ?     8Q  sR       R  $rtb       R  Qr[    v   8Q  r`       R  Csm  C     R  s^<  ~     8Q  sH!       8Q  7t@    j   R  Ot6    E   8Q  t81    U   zQ  ܷt4i    Y   8Q  !u*    O   zQ  Kut  $     7Q  1ujl  D     7Q  ,vV@  s     7Q  lv@    ^   8Q  vo     q   zQ  ?    	   8Q  0vZ    ^   8Q  vR       zQ  @w  	     8Q  +w  ?     zQ  w]  E  ^   8Q  cxT  y     zQ  3x       8Q  ɇyV       zQ  y]       8Q  EDG  
  D   zQ  |4z  3     zQ  ]zq  N     zQ    s     7Q  Fq       7Q  R{a       7Q  {d    a   7Q  H=wK  @  a   7Q  |37  d  a   7Q  P|;  ~     7Q  _    }   7Q  |O       7Q  o|S       7Q  SX    w   7Q  c0}6G  J     7Q  w}&N  o     7Q  }f       7Q  },~A       7Q  ?n~0f       8Q  o~E       8Q  _#t  '  \   Q  R  S     Q  )D4  s     Q  m	l    |   8Q  v~P       Q  р3G    m   8Q  'G       Q  @j  '     8Q  `f3  Y     Q  M6  s     8Q  Sʁ^       8Q  ԫT_    s   Q  <)R    G   Q  {       Q  9  "  z   8Q  т2  ;     Q  q^  R     Q  McU    Z   Q  *       7Q  S       zQ  7x       7Q  G"-       Q  i݄3  '     7Q  hxf  f     7Q  υA       7Q  (       7Q  ED       7Q  TB       7Q  uF  ;     7Q  ݆"2  ^     7Q  r9  z     7Q  (I?       8Q  ꈇg       Q  `       Q  c    A   Q  F)  ^     Q  _}}  m  f   8Q  *2    #   Q  k]    >   Q  r5J       Q  8R    W   Q  T  
     8Q  cH7  .  ;   Q  :  H     Q  Պ>  ]  	   8Q  '  w  R   Q  .  {  f   Q  M=0       8Q  ~d    b   Q  J    9   Q  -    $   8Q  K/       Q  bZ       Q  d  (  j   Q  	@x/  l     Q  oS       Q  iÍNL    k   8Q  [-    C   Q  =%    F   8Q  b$       Q  ܆T       Q  ێD  )     Q  W UH  M     Q  hxb  q     8Q  $ˏ       Q  WQ       Q  "Q       Q    $    Q  BB0  o    8Q  ÑXt   m   Q  7k2      8Q  Gj      8Q  }L   e   Q  ɒ%      8Q  d   9   Q    L    8Q     W u   Q  *UI      8Q  s'      8Q   s   M   Q  犕H      8Q  ҕk  :    Q  >eg  o x   8Q  ?A   i   8Q  01      Q  b   #   8Q  |{#      Q     	   8Q  #
  H w   Q  c.+  L #   8Q  Z=  c    Q  w  p    7Q  L   _   Q  \2      Q  zv6      8Q  D,      8Q  pf]   m   8Q  $  9    Q  BN  N    Q  GW  u    7Q  e']      7Q  EvD      7Q  `  
    Q  G_  5    Q  "JD  d B   8Q  !3      Q  	Ü&[   	   zQ  /w,      7Q  J{Z      7Q  !)w      7Q  JS  3    7Q  p'K  `    7Q  +V      7Q  h      7Q  zj      7Q  |l      8Q  VQTn  P #   Q        8Q  a٠z      Q  TbN      Q  }?      Q  /  	    8Q  (  	    8Q  (E  #	    zQ  }n#  G	    zQ    t	 	   Q         	 /   Q  _<\  	 	   Q         	 B   Q      	 e   8Q  55  	 z   zQ  jS  	    zQ  ]  	 	   Q  Rd  $
    8Q  yd>s  (
 }   zQ  ץϋ  T
    Q  c  {
    zQ  Hvu  
 v   zQ  W  
    8Q  Cb  
 q   zQ  X  
 ~   zQ  Yz  
    zQ  Ө  
 t   zQ  rJ  )    7Q  NT  E    7Q  )$_  k Y   8Q  Mq      7Q  7k      7Q  $2   h   8Q  +S      7Q  L/h      7Q  {  M h   8Q  -,      Q  ߭K   ~   Q  *SJ   ^   8Q  }	+      Q  T56   J   8Q  	l.  
    7Q  t  
 '   Q  <\  B
 y   7Q  kF  J
    7Q  ӲO  s
    7Q  ~U  
    7Q  X:  
    7Q  JR      7Q  p  /    7Q  ]3S  e    7Q  6t      7Q  d   [   7Q  `}L+       7Q  *M   -   8Q  |5  3    Q  Ms  H \   Q  zTD  z    Q  vcTm   ~   8Q  R+N      Q  yN      Q  1t   ~   8Q  
K   0   Q  Y      7Q  o;   X   8Q  %6  9    Q  e  L K   8Q  aT  R    Q    n >   Q  96o  t '   Q  P<\   A   Q  䬴H   9   Q  dE   ~   Q  v:=   z   7Q  Jx<   ;   8Q  XD      Q  
R   ~   Q  AC  	 ,   Q  S<*  # ^   Q  .g`  /    7Q  Ƕ|_  O D   Q  -''P  w    Q  Tw      Q     i   Q  Z=      Q  :]X      Q  ;J   |   Q  -b  8    Q  wN  O    Q  <}  o    Q  ޹w   ;   8Q  UF      Q     ~   Q  "B   |   Q  b      Q  jON      Q  }  6    Q  rw  d ;   8Q  sF      Q  Z   ~   Q  lL   ,   Q  ⹼*      7Q  \      Q  kA      Q  R%D   |   Q  Ab      Q  N  1    Q  6=}  Q    7Q  F]      7Q  `T      7Q  p,j      7Q  bZ      7Q  V  Q ,   Q  /X  |    7Q  lZ      Q  UR{      Q  p|      Q  BL  7    Q  pH  _ d   Q  0K      Q  #I   y   Q  rS   	   Q  "k*      Q  *JU   E   Q  VM&5  3 {   Q  |R  B u   Q  O  g I   Q  <$3      Q  `^      Q  \G   V   Q  2gN      7Q  Lo      7Q  D
P  E '   Q  Ȕ<\  h 5   8Q  2  p    7Q  #5O  z    7Q  r3      7Q  #F      7Q  Co   s   7Q  5  5    7Q  d  L    8Q  PR  z R   Q  :W   5   8Q  U      8Q  D   	   Q  zH   j   Q  }   e   Q  ?   `   8Q  P1=  4    8Q  pF  M    Q  Bb  k    Q  
   b   7Q  "5      7Q  ?J      Q  YCQ   0   8Q    
    8Q  ޳:t      8Q  ('C  A e   Q  ?k2  _    8Q  mn  q    8Q  oV      Q  cP   M   8Q  B   !   Q        Q  [      Q  ^n      Q  n  W L   Q  F  s    7Q  t      7Q  Cek   6   Q  y    #   Q  q  
 l   Q  PX      Q  U)'  B )   Q  gPI'  \    Q  wdc  l !   Q     t   Q  ?      Q  2      Q  ;   v   Q  *  7 2   Q  8  O    Q  QRv`  d ~   Q  ǲP*   H   Q  h      7Q  E
J      7Q  ՏAU      Q  E   |   Q  *(  > W   Q  SM  X    7Q  Kp  t G   Q  :9   V   Q  NK,   e   Q  w
      7Q  C      7Q  d       7Q  SXm  I     7Q  @9  s     7Q  3 ]       7Q  Z    f   8Q  ]Q       Q    !    8Q  5  !    Q   5M  4! y   8Q  5H6  Q!    Q  ~  j! ;   Q  &  q!    8Q  L  ~! e   Q   #  ! P   8Q    !    7Q  $9  !    7Q  @H  !    7Q  i  !    7Q  v<  "    7Q  K0@  7"    8Q  Np^	  S"    NQ  yWa  U"    NQ  R  "    NQ  -T  "    NQ  Q  "    8Q  z5H  " p   8Q  pF  # W   NQ  c%  +# F   MQ  ('  =# d   8Q  .u2  M#    MQ  5`  b# 2   8Q  B'  #    MQ  j}u  #    7Q  R  #    7Q  2O  #    7Q  DB  $ It is the day of the party at the
Spencer estate. It is getting late at night. The van
that has been carrying Charo... finally arrives in Chinatown. The men get out of the van
and open the back door. They take out a load and carry
it into the building. Now would be the perfect time
for Charo to jump off the van. Without thinking, Charo jumps out
of the van. Arf! This is the large entrance gate
to Chinatown. Chicago's Chinatown is smaller than
the other ones in the U.S., but... it's still very big for a puppy like
Charo to be looking for someone. On top of that, Chinatown is
covered in a thick mist tonight. The blurred light from the red
and green signs sways. This is near the large entrance gate
to Chinatown. The blurred light from the red
and green signs sways in this area. It is a big oriental gate at the
Chinatown entrance. A main street passes under the
big gate. Along the main street, a central
business district stretches. However, Charo cannot see beyond
it because of the thick mist. The mist gradually becomes thick. ...
Where should I go? The mist gradually becomes thick. Charo remembers Joy the dog
at the party... and thinks back to what she said. "When the heartbroken howl fades
away, I shall invite you..." What did she mean? I guess I just have to ask someone.... +このメッセージには
英語訳がありません+ A narrow path connects to the
main Chinatown street. A narrow path connects to the
main Chinatown street. The light from the signs is
blurred in the mist. It is almost closing hours. The store lights are on, but there
doesn't seem to be anyone inside. Charo can't see far into the main
street because of the thick mist. He will ő+get lost+ if he moves forward. The narrow path is gloomy and
there aren't many shops. There is a faint mist, but Charo may
be able to go down this path. Charo enters the path extending
from the side of the main street. By Œ+taking one step forward+, he can
see the residential buildings. It is different from the main street
with the lined up shops. It is a narrow path that extends
from the side of the main street. Residential buildings are lined up
on both sides of the path. Someone approaches from the far
side of the path. It is a familiar-looking...
big dog. Hi! Good evening! It is a narrow path that extends
from the side of the main street. Residential buildings are lined up on
both sides of the path. It is a familiar-looking...
big... and strange dog. He is smiling happily. Old residential buildings, made of
brick, and newer buildings... are lined up side-by-side. Charo cannot see since the dog
is in the way. Charo cannot see far because of
the mist. A cat crosses the path and enters
a nearby alley. ! Charo cannot see far because of
the mist. It is a narrow path between
buildings. Charo cannot see inside the
alley. Oh... um... good evening... Oh! Nice to meet you! Nice to meet you? Really? What is your name? I'm Charo... Oh, Charo-san!
Good evening. So, are you a traveler?
I'm traveling, too. How is Chicago? Um... Chicago is... I see, I see!
I know! Chicago is a mystery,
don't you think? I'm a fan of mysteries. Especially Chinatown! Doesn't it stimulate your
curiosity with mystery? Right? Really? I hid a mystery around here. You, Charo-san, are the detective.
Try to find me. This is an important hint, yes!
Check the coins you've found! The usual English, OK? Are you ready? Then, let's start.
Please search! The strange dog suddenly runs
away somewhere. ! ... But I... I need to find Louisa by dawn. So... I'm sorry. Charo decides to go look for Louisa. This alley is a dead end. There is a cat on top of the garbage
can next to the wall. This alley is a dead end. It is a dead end beyond this point. The way back is...
blocked off by cats. They told him to leave, but they've
blocked the way. The mist in the street is thick. The mist has reached Charo. The cat looks down at Charo
from the top of the garbage can. The œ+atmosphere+ does not seem
friendly... The cats' behavior changes. They seem tense as they carefully
look around the area. It is a tall garbage can. Charo cannot climb on top of it. The mist in the street is thick. The mist has even reached Charo. ... It might just be his imagination... but something seems to be
approaching from afar.... The mist in the street is thick. The mist has even reached Charo. Good evening.
I'm Charo. Hey? You're not from around here,
are you? You've got some nerve coming to
Chinatown. This is cat territory. Hey, everyone!
We've got a stranger here! The cat shouts toward the
street. Suddenly, several cats appear
in the street. They slowly approach Charo. What is it?
Hey, who's that? Meow! Hey, little pup, where
did you come from? Are you lost?
Oh, no, poor thing. This is cat town. You hear that? You're not supposed to be here. Hurry up and go home.
That's if you can. Meow. I'm here to see a cat named Louisa. Ooooh! Did you hear that?
Louisa! Do you know her? Even if I did, I wouldn't tell you. Please! I have to meet her by
dawn! Oh? And why's that? For personal reasons, right?
(laughs) ... Ŕ+Clear+ the path. Where do you think you're going?
Looking for Louisa? Come on, little pup.
Stick around for just a bit more. Charo looks behind the cats
teasing him.... The thick mist makes it difficult to
see the narrow path. What's wrong? The remaining cats are consulting
with one another. Places with thick mist are
dangerous... You think so? The cats ŕ+whisper+ to each other. Um.... About Louisa... What? What are you still doing here? The remaining cats are nervous. Hey! Wha-what!? What's wrong? Don't scare me like that.
I thought it showed up.... What do you mean by "it"? "It" is "it." It? A ghost appears on misty nights
like this. A ghost!? Shhh!
Be quiet! You don't want it to show up now,
do you? N... no. If you encounter that thing,
it chases you all night. It's horrifying and tiring...
I hear it's a lot of trouble. The black spots on this one cat
had turned white in one night. The mist is thickening here, too.
This doesn't look good.... Hey, do you hear that!? Wha-what? Charo closes his eyes and listens
carefully... ... Hmm? Even the cats sense something. The mist is coming here too. Hmm... I didn't notice it.
This is not good. Yeah, not good at all...
So what're we gonna do? I'm... going home. Me too. After that, two cats run off. Hey!
Ahh, they're gone... You've Ŗ+come across+ it before? No, I haven't.
Have you ever seen it? I've only... heard its voice.
What about you? I haven't either. So we're the only
ones who haven't seen it yet... Isn't that... bad? You think so? Well, I'm heading off. Hey, wait! Charo closes his eyes again
and listens carefully... ... (howls) He slightly hears a ŗ+howl+ from afar. ... D... did you hear that, too? ... Yes. Ack! Then it wasn't my imagination! Well, we're going home! Ř+You better+ skip town now! I'm saying this ř+for your sake+!
See ya! All of the cats leave. Hey, where do you think
you're going? The cats block the way.
Charo can't move. Charo tries to leave the dead end,
but... a cat appears from nowhere. The mysterious cat wears a hat
with a feather on it. Are you the puppy looking for
Louisa? What? You know something? I was told to come to Chinatown
and look for her. My friend from New York,
Margherita, told me to. From New York? I see....
What is your name? I'm Charo! Charo... But Charo... Before I let you see Louisa,
Ś+will you do me a favor?+ What? I want you to save a sad soul
lost in this mist. The wandering soul in the misty
night has lost a word.... Trust... What do you mean? TRUST...
confidence, hope, faith, reliance.... When someone dies with a damaged
trust or misunderstanding... they won't believe anyone, but
themselves. They only see what they want to
believe and nothing else... Dies with a misunderstanding?
What do you mean? Please... Charo. I want you to ease the two
wandering souls. Wandering souls? After that, the cat disappears into
the mist. W-wait! Charo chases after the cat and
runs into the narrow path. (screams) Charo frantically runs there. It's not following me, is it...? Whew... This is a yard in front of a
small house. The cat seemed to have run here,
but... Charo doesn't see it. Where is he? This is a yard in front of a small
house. It faces a narrow path. The yard hasn't been trimmed and
weeds are growing everywhere. The cat is sticking its head
into a fallen flowerpot. It seems to be very nervous. Um... excuse me. (screams) Good evening. I'm Charo. Oh, it's you... the puppy...
don't scare me like that! What's wrong? It showed up... Eh? What? The ghost! ... The ghost?
So there really is one.... What...
kind of ghost? It was... ohhh.... Just thinking about
it gives me the creeps. It has to be a ghost dog. A ghost... dog? Anyway, I don't know why it's
got a grudge, but... it chased me with a terrifying look
on its face! I was lucky enough to escape
all the way here, but... what would it have done to me if I
had been caught!? Just terrifying! I... I see...
I hope I don't see it. Then hurry up and go home. Yes... but...
I need to see Louisa... You still want to see her?
Oh well, I can't help you. We strays don't really ś+hang out with+
cats that belong to good homes. I see... What do you think a wandering
soul is? Huh? What is wrong with you? It's got to be the ghost! Oh... I thought so... I'm scared.... What should I do...? Is something wrong? I... have to help the...
ghost.... Help the ghost?
What's that supposed to mean? What should I do? How should I know? Why don't you just go away? If you keep on blabbering like that
here... he'll find us. Hurry up and go someplace else. I... have to help the...
ghost.... What should I do? How should I know? Why don't you just go away? What's that....
The ghost dog? So... you saw it, too? Yes... ... Scary-looking, huh? Yes...
I was scared... See? Didn't I tell you to go home
right away? Yes... but...
I need to see Louisa... You still want to see her?
Sorry, but I can't help you. We strays don't really hang out with
cats that belong to good homes. I see... About wandering spirits... You mean... what I think... right? Yeah, that's the one.
The ghost dog! I... thought so. I'm scared.... What should I do...? Is something wrong? About wandering spirits... You mean... what I think... right? Yeah, that's the one.
The ghost dog! I... thought so. A cat is hiding here... The mist in the street is thick. The mist has reached here, too. The mysterious cat disappears
into the mist. The mist in the street is thick. The mist has reached here, too. It is a tall garbage can. Charo cannot climb on top of it. He enters a narrow alley. He cannot see because of the
thick mist. This is a narrow alley.
He's inside the thick mist. A black object sways in the mist. What is it? In the dark shadow... something blue shines faintly. Charo watches it, but... (howls) (screams) Charo runs at full speed! This is a yard in front of a
small house. This is a yard in front of a small
house. It faces a narrow path. The yard hasn't been trimmed and
weeds are growing everywhere. He seems to be very nervous. Why is that ghost dog angry? Maybe it's got a grudge. What kind of grudge? How should I know!? That ghost dog was a pet that used
to live around here. Huh? What're you talking about? I've never seen such a scary dog
before. There aren't even many big dogs
around here. Gaultier was probably the only dog
that was the same size. What kind of dog was Gaultier? Well, he's been gone for a while... but he never looked that scary... Oh, I see... He enters a narrow alley. This is a narrow alley. Charo arrives in front of an old
brick house. There is a cat at the stairway
entrance to the house. This is the front of the old brick
house. These are the steps to the house
entrance. There is a cat at the top of the
steps. It is the female cat that was picking
on Charo earlier. The cat looks around uneasily as
if she is on a lookout. Good evening. I'm Charo. You're that puppy, aren't you?
You didn't go home? No, I didn't. Why are you looking around? I'm... nervous. This is my favorite spot... but for some reason,
it's making me nervous tonight.... Did you... see the... ghost? No, I haven't!
It's just superstition! He exists! I saw him! Oh? Well, good for you.
But I want no part of it! I...
have to help the ghost. Is that so? And how do you
suppose you'll do that? I... don't know... You can't help something that
doesn't exist! ... This is a vacant lot inside the
residential district. Weeds and short trees grow. Well, I'll be going now. Farewell, little puppy. Yes! Thank you! The owl flies away. This is a vacant lot inside the
residential district. Weeds and short trees grow. The mist has even reached here. There are two small things lit up
at the top of the tree. Though scared, Charo approaches
the small lights. (hoots) Wah! The lights are the eyes of an owl.
The owl was examining Charo. Whew.... That was scary... The owl perches quietly on top
of the tree. Good evening. I'm Charo. (hoots) A puppy?
Very rare in Chinatown.... What is the matter? Mm...
the mist is thick tonight.... You hang around here too long and
that ghost dog might show up. Is that so... That dog always wanders around here. Do you know anything about that
ghost dog? I don't know the details, but... before he turned into that, he was
a pet who lived around here. R... really!? That scary dog was a pet? (chuckles) From the front,
you might see him that way. But from up here, he's just
a poor lost and wandering dog. He walks around the same area
in circles. Such a sad dog... So, he was a pet....
Who was his owner? I don't know the name. And it seems that the owner has
moved. Say, how do you help a ghost? Mmm... well... There may be something he regrets
or grudges in this world.... The only way would be to grant
the ghost's wish. His wish...
I wonder what he wishes for? You won't know unless you ask. OK... Residential buildings are lined up on
both sides of the path. It is a residential area with trees
lining the roads. Several cars are lined up on the
path. It seemed that the cat from earlier
had run here, but... the cat is nowhere to be found. Where is it? This is the path inside the
residential area. Several cars are parked along the
path. Trees line the road. Several leaves Ŝ+are scattered+
on the hood of a car. The roadside trees have stored the
mist's humidity and appear wet. The cat is holding on to a tree branch
and shaking. It has an abnormally large tail.
Its hairs are standing up. A cat is hiding here... What's wrong? Charo talks to the cat in
the roadside tree. I... I... I... I saw it... Saw what?
The ghost dog? No! Human!
I saw a human ghost. A different ghost?
Why are there so many? How should I know!? I'm sorry... Um... what kind of ghost was it? Well... it was quiet. No sound. It was just sitting on the
steps behind me... I sensed it and turned around... and it was stroking my back! Eek! Just thinking about it ŝ+gives
me the shivers+! So... there are ghosts... Yeah... I didn't want to believe it, but... I was thinking to myself how thick
the mist was... and he was sitting behind me. Thinking about it makes the hairs on
my tail stand. It appeared when the mist got thick? Yeah.... Just like everyone said.
Places with thick mist are dangerous... Do they come out in areas with thick
mist? Maybe.... Everyone says that they've
seen ghosts in thick mist... I should've left town tonight, too... I saw it, too! The ghost human. You went to see it yourself?
Curious dog, aren't you? Do you know anything about that
ghost human? Why should I know anything about
a ghost!? Yes, but... doesn't anyone know? I want to help that ghost...
and the ghost dog... If you help the ghost, it
won't show up again? No, I don't think so. Well, it would be better for me if
it didn't show up. Yes. So do you know anyone who
might know about ghosts? Well... you see that house?
For a long time... a family of mice have been living
there. They might know something. Aha! Thank you! A family of mice have been living
there for a long time. They might know something. Did something happen one year
ago? Does it have something to do
with helping the ghost? I... think so... I don't think it has anything to do
with ghosts... Misty came here one year ago. Misty? Who's Misty? A young female cat. Yeah, that must have been about
one year ago.... She suddenly arrived in our
territory on a misty night. She was just a kitten. For some reason, she didn't remember
her name. Since it was misty,
we called her Misty. Isn't it a nice and mysterious name? But she didn't like mist... and she would always leave town
on misty nights. I should have left town with Misty
tonight, too. So, where is Misty...
I mean, Nina? She's at the junkyard on the
other side of the main street. Junk yard?
That's a strange place. Yeah, it doesn't quite fit for a
young female cat. But she said that she feels calm
there. It's right near the crossing where
the fire hydrant is. Got it! Oh and she's quite sensitive
on misty nights.... So you might have a tough time
meeting her. Good luck. OK, I understand.
Thank you! Charo sets off to look for Nina... and goes to the junkyard. She's at the junkyard on the
other side of the main street. It's right near the crossing where
the fire hydrant is. Do you know Nina? Nina? No, I don't. Do you know a female cat Ş+by the
name of+ Nina? Nina? No, I don't. Oh....
But I heard that she's around here... Can you describe her? She was a kitten one year ago.
And... she lost her memory... ... Are you talking about... Misty? This is the front of an old brick
house. There is no one inside. This is the front of an old brick
house. There are two mouse brothers on the
stairs leading to the entrance porch. What have we here? Could this
cheese be a gift from the heavens? (squeaks) We should thank God
while we eat this. This is the front of an old brick
house. There is a light mist. There are two mouse brothers on the
stairs leading to the entrance porch. The cat is gone. ş+Good riddance!+ After the mouse brothers talk... they quickly sink underneath the
steps and disappear. This is the front of an old brick
house. There is a light mist. There are two mouse brothers on the
stairs leading to the entrance porch. The mist is a little thick tonight. Yeah, it's kind of moist. After the mouse brothers talk... they quickly sink underneath the
steps and disappear. This is the front of an old brick
house. There is a light mist. These are the porch steps to
the house entrance. These are the porch steps to
the house entrance. These are the porch steps to
the house entrance. There are slices of cheese. The mice have disappeared behind
the steps. The mice are on top of the steps.
They nibble on the slices of cheese. Charo talks to the lower portion
of the steps. Good evening, mice. ... No answer. Good evening. I'm Charo. Good evening. This puppy greeted
us. What manners! Yes, very rare. Aren't you afraid of the ghost? Ghost? Oh, you mean, the human
ghost? We have no problem with that ghost. That person's called Jake. Do you know this house well? Yeah, we've lived here for
generations. Many humans move in and out
of here. I see... Jake used to live in this house
before he became a ghost. Yeah, Gaultier and Nina were
with him. Yeah, a year ago. Do you know Gaultier and Nina? Yeah, I remember them well. Why is Jake a ghost? Well, that, I don't know. Just when I thought he had moved
away, he came back as a ghost! What kind of dog was Gaultier? Well, Gaultier was kind to us. He wouldn't get upset at us for
eating his leftovers. He was also really, really kind
to Nina. Nina? Is Nina a dog, too? Oh, no! Nina's a cat!
She was a tiny kitten. She was still small so they wouldn't
let her outside. Nina and Gaultier were very close. They were like brother and sister
even though they were a dog and cat. Did Nina... turn into a ghost, too? No, Nina's fine.
I see her sometimes. But she's an adult now so we
can't get close to her. That's right. And it looks like
Nina's forgotten about Jake. It looks like she forgot about Gaultier,
too, even though they were real close. Poor Gaultier. Gaultier is a sad ghost. Do you think that Gaultier would
listen to Nina? Well... that's if she remembers him. If she's anything like she used to be,
they'll get along great. I see.... So, Nina, right?
I'll go look for Nina. Yeah, you should go find Nina. Yeah. Have her meet Gaultier. Charo places the slices of cheese on
top of the steps. A thick mist surrounds the front of
an old brick house. This is the front of an old brick
house. A thick mist envelops the house.... The outline of the house is blurred. The mist is especially thick around
the steps. At the steps, the silhouette of a
person can be seen in the mist. There appears to be a man...
sitting on the steps. Charo approaches the steps....
He notices the shadow in the mist. There appears to be a shadow of
a man sitting on the steps. The man is sadly watching the
street with his back to the steps. The steps are visible through
the man's body. (yelps) The man's shadow faces Charo,
who had yelped unintentionally. ... The man is sadly watching the
street with his back to the steps. The steps are visible through
the man's body. G... good evening. I'm... I'm Charo... ... Wha... what are you doing here? ... How long has it been? Before I knew it...
I was sitting here... Um... what is your wish? ... I hope he comes back soon... Comes back?
Is this person waiting for someone? I hope he comes back soon... Who is he waiting for? I hope he comes back soon... Maybe he's waiting for...
Gaultier? Gaultier....
Please come back. Is he Gaultier's owner? My Gaultier...
I'll be waiting for you... I thought so... I hope Gaultier comes back soon... The mist clears up. Could it be that
the wind changed direction? Ah! He's gone... Is he waiting for Gaultier? Gaultier... Oh... Gaultier... Gaultier....
I hope you come home soon. Is this the person who...
abandoned Gaultier? Gaultier....
Can you not see me? Gaultier....
Are you lost in the mist? I always hear your sad howling... I haven't abandoned you... Gaultier....
Can't you see me? Gaultier....
Are you lost in the mist? I always hear your sad howling... I didn't abandon you... Lost? Can't see?
What do you mean? Who is Nina? The world that she lives in is
different from mine.... ... Nina is cute. She's doing alright.
I'm so happy for her.... The world that she lives in is
different from mine now.... ... Nina is cute. She's doing alright.
I'm so happy for her.... Tell me something about Nina... The world that she lives in is
different from mine now.... ... Nina is cute. She's doing alright.
I'm so happy for her.... I met Nina.
Her memory is gone. Tell me something about her! ... Nina....
Pretty Nina... She would always play with the
ball... Listen... I heard that wandering
souls have lost "that" word. TRUST...
confidence, hope, faith, reliance.... When someone dies with a
damaged trust... they won't believe Š+anyone but+
themselves. They only see what they want to
believe and nothing else.... A cat said this. It was because of that misty night.... Poor Gaultier....
He misunderstood this and died.... Did I...
lose his trust? Trust... It was because of that misty night... Poor Gaultier....
He misunderstood this and died.... Did I...
lose Gaultier's trust? Trust... What happened on that misty night? One year ago... One year ago...? That day.... Thick mist....
Watch out! Where's Nina? Nina's safe...
Gaultier... I'm sorry, Gaultier... One year ago... That day.... Thick mist....
Waa... watch out! Where's Nina? Oh, Nina's safe...
Gaultier... Gaultier... I'm sorry... The mist clears up. Could it be that
the wind changed direction? Huh? Wait! What kind of ball does Nina like? Nina used to like the ball... the ball from the World Series
that I kept in my house... it was a valuable treasure, but... she liked it so much...
She played with it all the time... Where did that ball go...? The ball from the World Series...? The wandering soul in the misty
night has lost a word. TRUST...
confidence, hope, faith, reliance.... When someone dies with a
damaged trust... they won't believe anyone but
themselves. They only see what they want to
believe and nothing else... That dog...
had a baseball... This is a yard in front of a small
house. It faces a narrow path. The yard hasn't been trimmed and
weeds are growing everywhere. He seems to be very nervous. It looks like...
Gaultier is the ghost dog. Hmph. Dogs... who knows what
goes on in their minds... Did something happen a year ago? A year ago...
did something happen? Don't ask me about the past. Do you know Nina? Nina? No, I don't. I see... Charo enters a narrow alley. There are three garbage cans. Their
heights and colors are different. This is a narrow alley between
buildings. There are three garbage cans. Their
heights and colors are different. That reminds me...
did the dog say something? I hid a mystery around here. You, Charo-san, are the detective.
Try to find me. This is an important hint, yes!
Check the coins you've found! The usual English, OK? I wonder what it's about. Oh! Great!
I've been found! You've done it, Charo-san!
Good work!! I have been waiting here excitedly. It was really fun. I now have
something to remember this trip by. Now it's my turn.
Is there any way I can help you? Oh, Charo-san!
Please wait. I want to talk more. (beeps) Something's š+beeping+. Ah, you're right.... Did you turn on the ghost detector
switch? The detector has been set off. The mist has become thick... (howls) Howling can be heard from afar. It's... coming... What? (howls) The source of the howling approaches. Waaa! This is a narrow alley between
buildings. There are three garbage cans. Their
heights and colors are different. He is smiling happily. It is a machine the size of a
cell phone. There is a switch. What is this? Should I press it? Charo turns the switch on. .... It is a machine the size of a
cell phone. The switch is on. It is oddly decorated with
bird feathers and wire. A brand name is attached.
It appears to be mass-produced. It is oddly decorated with
bird feathers and wire. He has it in his mouth. It is oddly decorated with
bird feathers and wire. It is set on the ground. It is regular garlic. It is regular garlic. He has it in his mouth. It is regular garlic. It is set on the ground. There are many autographs signed
by major leaguers. They appear to be printed on the ball. There are many autographs signed
by major leaguers. He has it in his mouth. There are many autographs signed
by major leaguers. It is set on the ground. I... um... have to help a ghost. Do you know what I should do? Oh, Charo-san! You are caught in a web of
mystery. Am I wrong?
Aren't you? I will help you.
Leave it to me! What are you going to do? I know. Don't worry.
I get it! Exactly!
The mystery of ghosts, yes? I'm very familiar with that kind of
mystery, too. Look at this. All of these are my good luck charms. There is a peculiar-looking
accessory, garlic, baseball, and... a small machine. What's this? Ah, this is an amulet to ward off
spirits. It is a gift from a museum in
Chicago. ... Is this... garlic? Oh, yes. Garlic works very well
on vampires. ... This is a baseball, right?
Does it ward off spirits? Ah, Charo-san.
You have good taste. This is a major league World Series
baseball. It has autographs from many
major leaguers. My father gave this to me when
I was a kid. This is my most important
good luck charm. ... This baseball...
Gaultier reacted, didn't he? I've forgotten entirely about the
ghost. Calm your mind.
That is the key to longevity. ... This baseball...
it's a ball from the World Series, right? Jake said... Nina played with this same ball. Really!?
That's news to me! Yeah.... Maybe I can use this... How would you use it? What is this? Ah, this, here? This... is a brand new type of ghost
detector! No doubt about it, it's the real
thing. The guy who sold me this said so. ... A ghost detector? Really? Charo-san, you must believe in
the power of science! ... Hm? Where did the ghost detector
go? Oh, that? It was too loud so I
threw it away. ... Charo is near the main street
crossing. There is a fire hydrant. Someone is near the fire hydrant.
It is the strange dog. This is an area farther
toward the main street. He cannot see ahead because of
the thick mist. The lights of the signs are blurry. The fire hydrant is bent
and leaking slightly. The strange dog is near the fire
hydrant. He seems alright. The strange dog eats. He is near the fire hydrant. It is a baguette sandwich with
cheese and ham. The sandwich disappears quickly
as he wolfs it down. The bread and ham are almost gone,
but... the cheese still remains.
He leaves it on the side. There are slices of Swiss cheese
on the road. It is in his mouth. What are you doing here?
What happened? (munches)
Oh, Charo-san. (munches) How are you?
I hope you are well... ... What are you doing? Oh, excuse me... (munches)
I'm eating lunch... After running... (munches)
I became hungry.... When you are hungry...
(munches) it would be bad if you don't eat...
(munches) I'm glad that I brought my lunch
with me... (munches) ... What do you think Gaultier wants? Gaultier!? The ghost!? (trembles) Please... please...
I don't want to see him anymore... I won't go there until the ghost
goes away. I see... But, no problem! I will be waiting here for you. Yes. Just ask me anything. ... You don't like cheese? Oh, Charo-san... (munches)
You knew? Wh-what? It's been said that dairy products
are not good for dogs. It has something to do with
enzymes... I don't know the truth though... To be healthy, I don't eat cheese. I see...
Then, you don't want that cheese? No. You shouldn't eat it either,
Charo-san. It's been said that dairy products
are not good for dogs. To be healthy, I don't eat cheese. You shouldn't eat it either,
Charo-san. Charo resists his desire to eat
the cheese... but picks it up in his mouth. This is the vacant lot inside the
residential district. Weeds and short trees grow here. The mist has even reached here. This area is surrounded by a thick
mist. There is a ghost dog at the far side
of the mist!! Gaultier is at the far side
of the mist!! The area is surrounded by a thick
mist. The ghost dog looks at Charo. The ghost dog slightly approaches
Charo. The ghost dog growls deeply and bares
his fangs right in front of Charo. Gaultier is glowing with
a light-blue flame of anger. Gaultier slightly approaches
Charo. Gaultier growls deeply and bares
his fangs right in front of Charo. I... um... I'm Charo. Uhh... Charo cannot think of a topic
to talk about. Um... what is your wish? The black ghost dog examines
Charo... Gaultier examines Charo... Um... you're a pet, right?
Who is your owner? Umm... Gaultier? ... Your owner is waiting for you over
there. You... you are...
Gaultier, right? The black ghost dog examines
Charo... Um... who is Nina? Nina....
Cute... Nina.... I see....
Nina is cute. He took only Nina with him
and went somewhere.... He abandoned me! He had me locked up and abandoned!! Say... Gaultier.
Do you want to meet Nina? ... Nina... Gaultier mumbles to himself and
disappears far into the mist. The mist fades... Um... Jake... uh... Jake! Why did you abandon me!? The ghost dog suddenly becomes
enraged! (howls) Gaultier suddenly becomes
enraged! (howls) (screams) Charo panics and runs away! The area becomes covered with a
thick mist.... Gaultier is at the far side
of the mist!! The area is surrounded by a thick
mist. He nervously shakes his body. Gaultier is glowing with
a light-blue flame of anger. Gaultier slightly approaches
Charo. Gaultier growls deeply and bares
his fangs right in front of Charo. Wha-what should I do? No problem, Charo-san! I have
many charms we can use! It Ţ+doesn't work+! Ohhhh noooo!
There must be some mistake! It definitely doesn't work! Uh-oh...
It's becoming hopeless... He responded to the baseball.
Why? Ah-ha! That ghost must be a fan
of the major leagues! I think we'll get along! I... I don't think so... Who is Nina? Maybe his girlfriend? Use that amulet! You're right! Roger! Copy! The strange dog points the charm
at Gaultier! ... Gaultier curiously looks at the
good luck charm. Well?
Is it working? Use the garlic! You're right! Roger! Copy! The strange dog points the garlic
at Gaultier! ... Gaultier curiously sniffs at the
garlic. Use the ball! I... should? The strange dog points the baseball
at Gaultier! ... Gaultier curiously looks at the
baseball. Where... did... Nina... go...? What? Gaultier is responding to something. You just said, "Nina"?
Who is she? Maybe his girlfriend? Use the machine! You're right! Roger! Copy! The strange dog points the ghost
detector at Gaultier! (beeps) The machine gives off a piercing
sound. Then talk about the major leagues. OK!
Leave it to me! The strange dog takes a deep
breath... He smiles at Gaultier. And bravely whispers into
Gaultier's ear. Uhhh... Well...
May I ask you a question? ... I'll tell you what... You must be
a fan of this team! (growls) Gaultier suddenly becomes
enraged! (howls) (screams)
I'm sorry! It was a mistake!! The strange dog blindly runs into
the mist and runs away. Gaultier chases after the strange
dog! Charo is left alone. The mist fades... Gaultier suddenly becomes
enraged! (howls) (screams) (screams) Charo and the strange dog panic
and run away! Gaultier suddenly becomes
enraged! (growls) They seem to have angered him
more. (screams) (screams) Charo and the strange dog panic
and run away! He ţ+is cornered by+ Gaultier and
the strange dog and he cannot move. No one is there. This is a yard in front of a small
house. It faces the narrow path. The yard hasn't been trimmed and
weeds are growing everywhere. This is an area farther
toward the main street. He cannot see ahead because of
the thick mist. The light from the signs blurs
faintly. The fire hydrant is bent
and leaking slightly. He is near the fire hydrant. Um... Mister...
I need to see Misty. I think Misty is Nina! Ah, Charo-san!
Good reasoning! I think Misty is Nina! Ah, Charo-san!
Good reasoning! Why does Misty... I mean, Nina,
run away? The female heart will always
be a mystery... This is the path inside the
residential area. Several cars are parked along the
path. Trees line the road. Several leaves are scattered
on the hood of a car. The roadside trees have stored the
mist's humidity and appear wet. It has an abnormally fat tail. It's as
if all of its hairs are standing up. Where is Misty, I mean, Nina? She's at the junkyard on the
other side of the main street. It's right near the crossing where
the fire hydrant is. I can't talk to Misty...
Why is that? Well, she mentioned that misty
nights give her a headache. She gets really irritated. Oh... Do you know what Misty likes? No, Ť+not particularly+. Please!
Come with me! Oh, OK. Sure.
I will follow you. Please wait here! Oh, OK. Sure.
I will wait here. Old cars...
and cars destroyed in accidents... are piled up here and there. It is a familiar-looking dog... What should I do? You're the detective.
Think of something! ... Umm...
What should I do? Isn't there anything that the
cat likes to play with? What? Oh, I'm sorry!
I've said too much to the detective! Umm...
What should I do? Isn't there anyone who knows what
the cat likes to play with? What? Oh, I'm sorry!
I've said too much to the detective! Could you lend me your good luck
charms? No! Only one.
Let's trade. OK! Sure.
Please select one of them. OK! Then, let's exchange.
Please pick one. Charo takes the suspicious
charm and holds it in his mouth. Charo takes the garlic
and holds it in his mouth. Charo takes the baseball
and holds it in his mouth. Charo returns the
suspicious charm. Charo returns the
garlic. Charo returns the
baseball. Charo places the suspicious
charm on the ground. Charo places the garlic
on the ground. Charo places the baseball
on the ground. Charo holds the suspicious
charm in his mouth. Charo holds the garlic
in his mouth. Charo holds the baseball
in his mouth. Old cars...
and cars destroyed in accidents... are piled up here and there. It is a blue-eyed and beautiful
female cat. Good evening. I'm Charo. Umm... Nina...
I mean, you're Misty, right? Yes, that's right.
Who are you? I don't know what you want... But could you not ask me tonight
and wait until tomorrow? Umm...
Do you remember Jake? Jake?
I don't know. Who is he? Your owner.
You don't remember? No, I don't....
Save your questions for tomorrow. Do you remember Gaultier? G... Gaultier? Who is that? You ť+were raised+ with him like
brother and sister. I heard that you loved Gaultier
a lot. A big brother?
I have a big brother? Who are you? Why do you know so much? You really don't know? So what if I don't!
It's Ŧ+none of your business+! These misty nights give me a
headache... Leave me alone... The female cat runs off to the
far side. Ah, you've failed, Charo-san! She looks at the baseball. This ball... I've seen it before...
It brings back memories... Old cars...
and cars destroyed in accidents... are piled up here and there. Her beautiful blue eyes flicker
about, as if in hesitation. She tries hard to remember
something. Nina sticks her head out from
the car. She pulls out an old red collar... and drops it on the ground. Nina looks at the red collar. It is an old and red collar. Did you remember something
while looking at the ball? I know this ball....
It's an autographed ball.... It was dirtier.... Yes...
I used it as a toy and I got it dirty. But... Jake... Jake never got angry....
Even though it was his treasure... Then, you are Nina! Nina...? Nina... yes...
Jake... ŧ+It was Jake...
who+ gave me that name... Jake... Gaultier...
My family... Do you remember Jake now? Jake...
Jake died... died in a car accident... ... I was in it, too. Jake protected me. What about Gaultier?
Do you now remember him, too? Gaultier...
My older brother... We moved... Moved? Yes...
On that day... we moved... Gaultier was taken away first
with the load in a separate truck.... I was in Jake's car. We were supposed to catch up
soon, but... He noticed that he had forgotten
something. What did he forget? A red collar. A red collar? Yes...
Gaultier's new red collar. He went to go get it at a
pet shop. That made him run a little late.... The mist grew thick at night...
like tonight... The night of the mist...
The accident happened that night? Yes...
It was a horrible accident. I wasn't hurt thanks to Jake, but... I forgot everything.... As soon as I
realized it, I was back in this town. What has Gaultier been doing? Gaultier turned into a ghost and
he's wandering. What!? He died, too!? Yes... And he has misunderstood Jake... What do you mean? If you misunderstand and
die, there are things you can't see. Can't see? Gaultier can't see Jake waiting
for him at his house. Jake?
Jake is a ghost, too? Yes... Jake's ghost is waiting for
Gaultier in front of his house. But Gaultier can't see Jake and he's
wandering. Poor Jake...
Poor Gaultier... I want to Ũ+clear Gaultier's
misunderstanding+. If you clear it...
then, Gaultier won't wander? That's right... I think... What? A red collar? I remember this...
And I remember its meaning... I see... I would sleep in that car when
I became lonely on misty nights. ... That was Jake's car... ...
I see... Charo, could you please take this
red collar and come with me? Charo holds the red collar in
his mouth. Thank you, Charo. Please guide me to Gaultier. Yes! Maybe you would be able to talk
to Gaultier. Please come with me. Yes.
I would like to go with you, too. But before that, could you please
wait a moment? She goes into the ũ+nearby+ car
that has been piled up. They return to the Chinatown
entrance. A thick mist still whirls inside
the town. The mist....
My older brother wanders in it... I didn't know for a long time... Nina...
Shall we go? Yes. I want to help him as soon
as I can. ... The mist in the area is thicker
than before. They can sometimes hear a faint
howling deep within the mist. The mist in the area is thicker
than before. Most of the store signs are turned
off. Her blue eyes still show confusion. She cannot hide the shock she
felt from seeing Gaultier. He is looking at the misty town
with strong feelings. It is an old, red collar.
Charo has it in his mouth. We don't know where we'll meet
Gaultier from here on. I see... Gaultier is always angry.
He won't listen. I never thought he'd become that
way... I was Ū+at a loss for words+. Charo, will you help me? Yes! Thank you for the baseball,
Mister! I'm glad I could be of some help,
Charo-san! But... it is a sad story.
I think I'm going to cry... ... (howling) ... My brother... Such a sad voice... The ghost seems sad... Is there no place for the ghost to
go home to? ... Of course there is.
He can go home to Jake. Ah, so sorry.
You're absolutely right. Yes... I want to go back to my
home sweet home too. I'm leaving, Charo-san. What? The ghost... so sad... I think I'm going to cry. I hope you are able to solve
this mystery. Good luck, Charo-san,
Nina! The strange dog bids them farewell... and disappears into the misty
night. Th... thank you... Charo and Nina are suddenly
surrounded by a thick mist. They lose sight of the path. It's mist!
I can't see a thing! They are surrounded by mist
and cannot see anything. Nina, who is right next to Charo,
is enveloped by a thin veil of mist. What should we do? Well... Say, Charo.
Do you hear something? Gaultier is coming. Will he notice me right away? I don't know... Just then, the mist whirls.
Gaultier appears! (howls) The howling in the mist
approaches them. Gaultier is at the far side
of the mist!! Nina is shocked by Gaultier's
appearance. She is shocked again by Gaultier's
appearance and stands still. The area is surrounded by a thick
mist. Gaultier is glowing with
a light-blue flame of anger. Gaultier slightly approaches
Charo. Gaultier growls deeply and bares
his fangs right in front of Charo. She is shocked by Gaultier's
drastic appearance... and is in a daze. Strength returns to Nina's eyes. Gaultier!
It's Nina! He took only Nina with him
and went somewhere.... He abandoned me! He had me locked up and abandoned!! Gaultier!
Jake is waiting for you! Jake! Why did you abandon me!? Nina!
Get a hold of yourself! Y... yes... Nina has returned to herself. Nina! Talk to him! Okay! Hurry, Nina!
Say something! Okay! G... Gaultier! (howls) Gaultier!
It's me! Nina! Nnngghhh... Gaultier! My big brother! Gaultier ū+glares at+ Nina! Hurry, Nina!
Talk more! Okay! Gaultier! My big brother! Ni... na... Y-you're...
Nina... the kitten? Gaultier's expression starts to
change. Yes, I'm Nina.
I've grown. Nina... Why are you here?
Did Jake abandon you, too? No.
Jake Ŭ+passed away+... Jake... died?
Good for him. When did he die? Why are you being so cruel?
Jake... He abandoned meeeeee!! I was taken to some facility... they locked me up...
and then they killed me! Can you imagine that feeling?
The horror!? Hurry, Nina!
Talk more! Yes! Gaultier! My big brother! He abandoned meeeeee!! I was taken to some facility... they locked me up...
and then they killed me! Can you imagine that feeling?
The horror!? Hurry, Nina!
Talk more! Yes! Gaultier! My big brother! Ni... na... Gaultier's expression starts to
change. Nina... What happened to Jake!? He abandoned meeeeee!! I was taken to some facility... they locked me up...
and then they killed me! Charo takes the red collar that
was in his mouth... and raises it up ŭ+so that+ Gaultier
sees it. However, Gaultier doesn't even
look at the red collar! Charo takes the red collar that
was in his mouth... and raises it up so that Gaultier
sees it. (growls) Gaultier seems to have noticed
the red collar. It's your new red collar!
An order was placed at the pet shop! Jake was to give the red collar to
you as a present after the move. You and Jake had made a promise,
right? Don't you remember that I was
jealous? New... red collar...? Yes. He went back to get that.
Night fell and it got misty.... That was when he died
in a car accident. ... Jake passed away on the night
of the move. That night...? That's right.
The night of the move. He went back to town
to get your present. My present...? Yes. He went back to get this
red collar. That's when he got in the accident. Jake...
on that night...? The light-blue flame of fury
enveloping Gaultier disappears. Gaultier suddenly becomes
enraged! (howls) (screams) Charo and Nina panic and run
away! Charo and Nina are covered by a
thick mist and have lost their way! The area is still covered in mist. The blue-white light surrounding
Gaultier fades. Nina watches Gaultier. On the red collar is written:
"For Gaultier." Jake is still waiting in front of
the house. That's a lie.
I can't see him. Jake said, "Did I lose Gaultier's trust...?" ... Jake...
He died before me... Gaultier...
Let's go to Jake... Yes.
Let's go, Gaultier. Jake will be waiting forever. I want to meet Jake, too.
Let's go, Gaultier. Yes... Nina and Gaultier... walk to the house where Jake
is waiting. Please, Charo.
Could you come with us, too? Y... yes... Mmm...
If you've misunderstood and died... I heard that you won't see... What do you mean? You won't see anything other than
what you believe in. You're unable to see Jake. I'm unable to see Jake...? It says,
"For Gaultier." Jake... I was waiting for you, Jake... I waited at the facility...
But you never came for me... But you had already died... I didn't know... In the thick mist, they arrive in
front of a house made of brick. The human shadow sitting on the
porch steps notices them. Gaultier...? Nina...? You've come back....
My precious family.... Are you hungry, Gaultier? (barks)
Jake... You've grown, Nina...
Thank you... for being alive. Jake... Gaultier...
I heard your howling... I waited for you on misty nights.
Sometimes, I could even smell you... I knew that you had run past me.... But you finally came... (barks)
Jake... I... It's alright.... I'm sorry...
for making you feel alone.... Welcome back, Gaultier... Jake... Jake...
(barks) Gaultier nestles close to Jake. A pale light grows around the two. Nina...
I will always be watching you... together with Gaultier... (meows)
Jake... Gaultier... The two start to fade in the pale
light and mist. Please, Nina...
Don't cry... Good bye, Nina... Thank you, Charo... The mist begins to fade. This is Chinatown's residential area,
at the front of the brick house. Some time ago,
Jake, Gaultier and Nina... lived happily in this house. She is a blue-eyed, young
and beautiful cat. She stares at the porch steps
Ů+in a daze+. Jake and Gaultier...
are gone... Yes... What are you going to do now? I'll... stay here for a bit. Then... I'm going to go. Yes... Oh, Charo... Yes? Thank you, Charo... You're welcome! Charo leaves the brick house. The mist that had covered
Chinatown... disappears as if it had not even
existed. Charo turns at the narrow alley. The mysterious cat appears. ! Your pure heart helped open up
their feelings. They were able to do it because
of you... Thank you, Charo.
I've put you through a lot. Now, the sad howling has faded. The sad howling fades... Ah! Louisa's message! I'm sorry, Charo. I am... Louisa. Y... you're Louisa!? It seems that you want me to tell
your fortune. Y... yes...! Then, come this way.
I will guide you to my house. The mysterious cat was Louisa! Charo accepts Louisa's invitation... and goes to Louisa's house. 

****************************************
_out_EN_156.txt
****************************************

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?  -     7Q  R{>Y:  .     7Q  >wr  8.     NQ  "(?lL  u.     8Q  t?K1  .     8Q  ٥?k  .     8Q  @iz  .  {   NQ  @Ck  /  1   8Q  -@  C/  &   NQ  AA  N/     NQ  /A'p  W/     8Q  A  /     NQ  AM  /  0   8Q  oBpF  /     NQ  GB U  /     NQ  BR  /  p   8Q  BpF  0  d   8Q  6Cu2  "0     MQ  hC[  70  =   MQ  {C.  <0     MQ  |C+X  I0  2   8Q  DN&  y0     MQ  (Dh  0     7Q  DTZ  0     7Q  DC  0  This is Louisa's place. This is a room in Louisa's place.
She told him to wait here. Many pretty ů+pieces of+ furniture
decorate the room. There is a cushion near Charo. It is a warm, soft cushion. This looks like a nice place
to sleep. There is a card ŵ+lying+ near the
cushion. What is the card used for? There is a letter Ű+on the front of+
the card... and on the back, a ű+complex+
pattern. "C"....
Why is there a "C"? Ų+Just as+ Charo's attention is
focused on the card, a mysterious voice calls from
behind him. So, are you interested in
cards? Charo turns around... and finds Louisa sitting there,
silently. Louisa is in front of Charo. Her golden eyes shine gently. Louisa looks gently around the room
with her golden eyes. She looks at a picture on the wall
and murmurs casually. +You have good taste+ in art,
Aimee.... It is a warm, soft cushion. This looks like a nice place
to sleep. There is a card ŵ+lying+ near the
cushion. On the card is the letter "C." She smiles elegantly and looks
at Charo. Louisa! I'm sorry to keep you waiting,
Charo. I have looked into you,
Charo. You are very brave ų+for someone
so small+. You have done well, Charo. (chuckles) Why don't you sit down
and make yourself comfortable? Charo sits close to Louisa. So, tell me. How is Margherita?
I'm sure she hasn't changed a bit. Huh...? Was that really a
serious answer? She is Ŵ+full of energy+! Sometimes she sings for us.
We go shopping together, too. Ah, that's her! No doubt about it! Louisa... why did you and Aimee
come to Chicago? Louisa silently takes out some cards
from under the sofa. She casually spreads them out.
They form the word "CHICAGO." Cards....
Is that why you came here? Uh-huh. These cards told us to.
So we did. And right after we settled in, Aimee's novel suddenly became
a bestseller. Wow....
Cards can see the future... Cards are spread out on the floor. It is a warm, soft cushion. This looks like a nice place
to sleep. There is a card ŵ+lying+ near the
cushion. The letters on the cards spell
"CHICAGO." That's strange....
How did "CHICAGO" appear? She is smiling, but her eyes are
serious. Suddenly Louisa speaks to Charo. Margherita and I live far away from
each other. But +we'll always be close.+ Still, Ŷ+while+ she is speaking, she does
not turn her eyes away from the cards. How did you get your powers? Louisa takes a deep breath
and starts her story. Well, we ŷ+used to+ be very poor. We didn't even have enough money
to buy food. Still, Aimee kept me and never gave up
on me, even though I was very weak. One day, there was only one dollar
left in Aimee's pocket. She must have been very hungry,
too. But instead of her own food,
she bought me some milk. She's kind. I'll never forget... the silky white milk being poured
into my dish. I licked it... and that was when
something came over me. Since then, I see things. I can also Ÿ+tell the future+ through
my cards. Aimee loves me and saved me. I don't know what my powers are,
but I do know where they came from. They came... from her. I can't Ź+quite+ explain it, Louisa...
but I think I know what you mean. Louisa nods gently. +We are in the same boat.+ Louisa's story has made the
atmosphere a little lighter. A music CD on the sofa ź+catches
Charo's attention+. That's Aimee's favorite CD. +It's a must+ when she writes. Louisa seems to Ż+break the ice+ and
make Charo feel comfortable. It is a warm, soft cushion. This looks like a nice place
to sleep. There is a card ŵ+lying+ near the
cushion. They are ordinary cards,
not the type for magic. It's a gift from Aimee. She said,
"+It's a token of my appreciation.+" She seems ż+relieved+ after finishing
her story. Louisa! There is something I want
to ask you! Charo begins to tell his story. He explains everything that has
happened and what he needs to do.... Louisa looks directly at Charo
and says, So... you have a dream... Do you want me to see how it
will Ž+turn out+? Really?
Thank you, Louisa! You're welcome.
Now let me look into your eyes. It is an intense moment. Will
Charo be able to go back to Japan? Charo is a bit scared...
but ž+is also eager to+ know. The ſ+gifted+ cat looks into Charo's
eyes. Then she reshuffles the cards
and spreads them out once again. Before we go on,
I need you to understand. Fortune-telling doesn't really
tell the future. What do you mean? Even if the cards say something,
it doesn't always happen that way. ƀ+What really counts is
to believe in yourself.+ Believe in yourself,
and your dreams will come true. Charo Ɓ+is reminded of+ Tomoko,
who said the same thing to him. I'm happy that I'll be able to see
Dread and everyone again, but... I have to go back to New York? Louisa sees that Charo is troubled,
and makes a suggestion. Charo, would you like to continue
with your fortune-telling? I'll prepare the cards. You draw
them according to the rules. +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ OK! I'll try! Oh, no. I failed.... What's wrong, Charo?
You need to relax. The card results are in. C... A... S... T. CAST.
The word has many meanings. You can cast dice... cast a spell... actors in a play are the cast.... In any case, these four letters will Ƃ+have much to do with+
your future. In New York? Probably. Charo is a bit disappointed. You were expecting
something more definite, right? But, as I've said,
ƃ+this is simply+ advice. What really counts is you. I just want to go home! Louisa nods. Okay, Charo. Let me ask you. What was the best thing
that happened to you in Chicago? I can't understand what you're
trying to say.... I talked with many other dogs...
and cats. How were they? They were all different...
and interesting. Very good. Stay Ƅ+open to+
others and listen to them, but always look into yourself. Find out who you are. That should
ƅ+lead you to+ your dream. Tears start to Ɔ+roll down+ Charo's
cheeks. Louisa softly kisses him. ... Do you feel better? Yes. Thank you. It is time for Charo to leave. He says goodbye and Louisa Ƈ+sees
him off+. Charo, when you go outside,
hop into a yellow truck. That should take you back to
the Spencer estate. Thank you, Louisa! Right after that, Aimee enters the
room, looks at the floor, and finds the
word CAST. Louisa! Did you do this? I've been thinking all day about
how to cast my new drama! "CAST," right? Oh, Louisa, you're such a miracle. Meow! Aimee smiles at Louisa
and strokes her again. Charo remembers Louisa's
words... as he leaves Aimee's house. A yellow truck!
It stops ƈ+right+ in front of Charo. Louisa sure is mysterious.... Charo jumps into the truck. The mist that had covered
Chinatown... disappears as if it had not even
existed. Charo turns at the narrow alley. The mysterious cat appears. ! Your pure heart helped open up
their feelings. They were able to do it because
of you... Thank you, Charo.
I've Ɖ+put you through+ a lot. Now, the sad howling has faded. The sad howling fades... Ah! Louisa's message! I'm sorry, Charo. I am Louisa. Y... you're Louisa!? It seems that you want me to tell
your fortune. Y... yes...! Then, come this way.
I will guide you to my house. The mysterious cat was Louisa! Charo accepts Louisa's invitation... and goes to Louisa's house. Late at night in Chinatown... Charo is Ɗ+wandering around+,
looking for Louisa. Charo turns at the narrow alley. A cat appears from nowhere. The mysterious cat Ƌ+wears+ a hat
with a feather on it. Are you the puppy looking for
Louisa? What? You know something? I was told to come to Chinatown
and look for her. My friend from New York,
Margherita, told me to. From New York? I see...
What is your name? I'm Charo! Charo... I heard that you ƌ+stopped the
quarrel+ at tonight's party. What? You are very brave, Charo. Uh... Um... Such a pleasant moonlit night... I don't hear the sad howling
tonight. Ah! Louisa's message! Y... you're Louisa!? Yes. I am Louisa. It seems that you want me to tell
your fortune. Y... yes...! Then, come this way.
I will guide you to my house. Charo accepts Louisa's invitation... and goes to Louisa's house. 

****************************************
_out_EN_157.txt
****************************************

﻿P   7Q  5Kp!       7Q  (Kd^       7Q  	KR]       HQ  [Kz5  
	     FQ  L?]  '	     FQ  wLu+  a	  y   FQ  LGc  	  !   7Q  M$  	     7Q  Mkj  	  9   8Q  _M*  	  U   7Q  MZ5  
  j   7Q  bM+  
     7Q  0Nk>  )
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  V   8Q  jh  
     EQ  6NZ  
     7Q  NZp       7Q  mO5  ?     EQ  O*b  Z     EQ  Pe       EQ  jPY    ;   EQ  JPZ       EQ  P`H  
  !   8Q  &Q(  0     8Q  NQi  8     8Q  Qn  l     8Q  &R       8Q  )Rk    	   EQ  ?!S       7Q  (8St    0   8Q  S  
     7Q  SN  %
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     EQ  -Tɍ  S
     EQ  `T4>  
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     EQ  _U@2    u   8Q  őUA       7Q  kl  7  8   7Q  U  f     7Q  UX  s     7Q  )BV6F       GQ  _Vj    w   ?Q  ]Vc_       GQ  RW<c  *     GQ  WA  u     ?Q  2l;8       ?Q  WH       ?Q  Q@XFg       7Q  XQ       7Q  0Xj  (  H   7Q  dY&  \  @   7Q  DYJ$  k  m   CQ  Y @  x     7Q  Yw       7Q  x]Z2    Z   7Q  QZr'       7Q  ÷ZiQ       7Q  klL|    k   8Q  ,	[sI  \     CQ  R[l  s  ~   CQ  2[e    =   8Q  @$\*)       CQ  jM\#F       CQ  \    [   8Q  m]5  >     CQ  blJ  Q     CQ  }mq       CQ  N]-       CQ  .]D       CQ  rv^|a  S  M   8Q  ^0  |     CQ  _24    :   CQ  <_"    y   CQ  __\    @   8Q  X_3       CQ  "_Qh       CQ  sX`4    w   8Q  `:B  4     CQ  `ō  L     CQ  \a
       CQ  a:    {   CQ  )b!L    ,   8Q  ub       CQ  b0G        CQ  bO       CQ  co  A     CQ  QcT[  o     CQ  c_       CQ  YJd=:    Q   CQ  d(    q   CQ  ]dm    i   CQ  e=  -     8Q  Xe  @     CQ  ~nec  G     8Q  f&  |     CQ  8f_       CQ  f
       CQ   2g{    n   CQ  g8       8Q  gϞ  )     CQ  ch7l  b     7Q  hk       ?Q  ]i{4       8Q  iE       ?Q  i_    s   7Q  6j5  5     7Q  ljd  S  Late at night... the humans at the Spencer estate
have ƍ+gone to sleep+. However, there is a Ǝ+commotion
among+ the dogs... He was not in the courtyard! I'm sorry, but I need you to check
the mansion once more. If something happens to him... No! I won't allow it.
Please be Ə+safe+, Charo! Then... After midnight, Charo returns
to the Spencer estate. Oh!
Sir Joseph! It is Sir Joseph. The estate is quiet. Sir Joseph waits for Charo. Sir Joseph looks Ɛ+sternly+ at
Charo. Sir Joseph does not say anything.
+There is an uneasy silence.+ Um... um...
I just got back. Charo... come over here.
It seems we need to talk. His calm, powerful voice echoes
through the midnight air. Charo walks closer to him. I hope you Ƒ+are aware of+
what you have done to us. Now, was there any reason for
going out like this? An impossible reason?
I don't quite ƒ+follow you+. No reason? You acted on your own,
for no reason? Ummm... I want to go home to Japan.
I was lost in New York. I came to Chicago because it is
closer to Japan. I was told that... maybe I could get
help, so I went out. I'm sorry. ... Sir Joseph stares at Charo
and doesn't say a word. Uh... um... Sir Joseph looks at Charo
carefully. He says, But still, Ɠ+it was not wise of you to
go out secretly as you did tonight.+ You shouldn't do that again,
all right? As long as you do not disturb
the order of this place, we will trust and help you. Trust and help.... Yes! +He gives a warm smile+ to Charo at last. Meanwhile... In another area of the big
Spencer estate... Frank and Candy are having an
argument. What a nuisance.
Ɣ+Once a stray, always a stray.+ Don't say that, Frank!
Charo is my friend. Then you should ƕ+be more careful
in+ choosing your friends, my dear. You could be taken as the same kind. You don't even know him! His heart is as pure as gold. I'm honored to Ɩ+be taken as+ his
same kind! Candy is surprised at her
own words. Sir Joseph finishes his talk
with Charo and leaves. After a while, Ike appears. Welcome back, Charo! The sun begins to rise, lighting
up the area around them. Ike is in front of Charo. Like Sir Joseph... Ike has been waiting for Charo
all night. +There are dark rings around his eyes.+
He looks sleepy. Ike... I'm very sorry. Oh, you don't have to apologize
to me. Sir Joseph was the one
who was really worried. Sir Joseph? He may not have shown it to
you, but... he spent the whole night looking
for you because he was worried. The whole night... I know there is a saying that
Sir Joseph always tries to live by. "+Actions speak louder than words.+"
Remember that, Charo. He's a very kind dog with a
strong sense of responsibility. He may have said some things to
you that were Ɨ+harsh+, but... that's because he was worried
about you. He really was? That's why we call him... Sir Joseph. Not just because he's
the top dog here. Sir Joseph... Well, he hasn't always been called
Sir Joseph... You want to hear his story? Yes, I want to hear it! Then listen just a little while
to this old dog's tale. You see, Sir Joseph lost his father
when he was still young. He was pushed up to the top. But then came... Frank. Frank...? Frank was strong and smart. Everyone started to compare the two. But then one day...
a small puppy like you... fell into a river, right in front of
them. Frank knew right away
that the currents were quick... and that he would never make it. But Sir Joseph, he just jumped in...
without even thinking! The pup was saved. Great! Yes! And at the moment he jumped,
he said, "I will." I will! That's how he is, always willing. He has such a deep sense of love,
as well as responsibility. Since then, Frank has called him
"Sir Joseph"... to show his respect. So... Sir Joseph thinks my safety is
his responsibility. Now do you understand what kind
of dog he is? Just then, Candy finds Charo
and runs up to him. Charo! Where have you been!? I'm sorry. I made you worry. Well... um... I wasn't that worried,
if you want to know. A new day is Ƙ+dawning+. Candy's pink ears ƙ+are lit by+ the
morning light. 

****************************************
_out_EN_158.txt
****************************************

﻿   7Q  n@H       7Q  ]Wnya       7Q  ָnI  K  n   7Q  o3  r     7Q  6o8M       7Q  o74    p   7Q  (o,7       7Q  To9       7Q  	8  	
  n   8Q  <)pi0  3
  m   ?Q  Yp$  H
     8Q  <~pQR  ]
     ?Q  pY  
  a   ?Q  )q&  
     ?Q  ZPq:  
  	   8Q  q  
  &   8Q  	q0  
  &   ?Q  9q/  
     ?Q  hq0       8Q  mq~    	   8Q  r  !     8Q  rp  %  	   ?Q  `r
  _  i   ?Q   r|(  c     ?Q  rd  y  &   8Q  {s       8Q  :stP    ]   8Q  os8    &   ?Q  #s    k   ?Q  s	6    U   ?Q  
t/    5   ?Q  :tQ  (     7Q  hNtm5  3     7Q  Ճt7  O  '   8Q  tJ  l     7Q  "  u     7Q         7Q  :tc    Z   7Q  :u%  =     7Q  _u5  O     7Q  vu_  h  6   7Q  -uW       7Q  vB    Z   7Q  OOv.       7Q  }vx    ?   7Q  v%       7Q  {w__       7Q  zwi  B     7Q  R@]  z     8Q  Ք[       7Q  3157       7Q  hhe  
     VQ  wA  C     8Q  +mx	I  q     VQ  ͕X       VQ  RMd       VQ  4xZ    6   8Q  yO  
  \   VQ  k0y?4       VQ  dym  )  J   8Q  /y8  R     VQ  
z2Z  b  d   8Q  dz,    q   VQ  z8       VQ  zÃ    8   8Q  L{3    ^   VQ  h{U       7Q  {(;       7Q  {$@  &     7Q  89|P  D     8Q  +|  g     VQ  !||  n  o   8Q  }:       VQ  4S}U       VQ  ¨}t       8Q  v~       7Q  
0~A       7Q  q~C  /     7Q  ~ރ  R     7Q  d91|       7Q  2       7Q  KK1       7Q  ~8    &   :Q  Rm  #     :Q  c%  ,  R   :Q  CwV  E     :Q  ߀8  W  J   8Q  W  y  r   8Q  o)    4   :Q  >       :Q  @    P   8Q  y&    >   8Q  -       7Q  I49       7Q  -nUH    d   8Q  5  <     VQ  xSq  Q  e   VQ  ]/9  y  N   8Q  WA       7Q  Q؃Ib    {   7Q  :&;       7Q  uW    V   7Q  ä́(    g   8Q  2  $     VQ  (T}  9     VQ  i  p     VQ  L'uZ       VQ  X       8Q  Oچ8    x   VQ  >P    n   7Q  c2       7Q  gD  3     7Q  ڇ;p  O     7Q  Ji    E   7Q         7Q  ӈ    Q   ]Q  [[5    :   Q  v  +     7Q  6  7     7Q  5  `  ~   7Q  f       8Q      |   8Q  	J       7Q  S}W       7Q  M  ,  6   7Q  6  l  :   EQ  K  x  P   7Q  __*    e   EQ  #       7Q  ܭT       7Q  )p    `   EQ  -  	     7Q  0oA  &  	   EQ  r
  A     EQ  N  E     7Q  y΍[4       7Q  ?y    d   ]Q  |,    |   EQ  mK       EQ  e%=       8Q  1c  H     7Q  cC  p     7Q  =ُD=    v   7Q  g    2   8Q  x~r*       8Q  ꨐV       7Q  G    R   ?Q  G%  ,     ?Q  l#'  =  f   ?Q  o+  U     7Q  +|  k     7Q  ;d3       7Q  Ioz    The party at the Spencers' is over. Several nights have passed since
Charo met Louisa. Charo is about to sleep in his room... when Candy appears. This is the guest room inside the
mansion. Candy is in front of Charo. She seems a bit sad. She can't seem to ƚ+settle down+. +There is something wrong+
with her. Good evening, Candy. Good evening, Charo. It's the middle of the night.
What's wrong? Well, Charo...
I know this is sudden, but... tomorrow morning... we'll be going back to New York. ... I see.... Charo... what are you going to do? I... ... I will ƛ+find a way to+ get back to
Japan from here. ... Yeah... you're right. We're leaving early tomorrow.
So this is goodbye. I see.... Candy, thank you for everything. I'm very Ɯ+grateful+. Charo... Hey...
why don't we both... um... never mind. Bye, then. Candy does not turn around. She quickly leaves the room. Candy... Feeling Ɲ+somewhat uneasy+, Charo watches
Candy leaving the room. Charo doesn't know why, but he feels
+something is lacking+ in his heart. After that, Charo climbs on top
of the cushion... and falls asleep. Charo is having a dream. Charo falls into a deep,
deep sleep... Suddenly... Purple smoke begins to rise... Andorra appears. It is the mysterious old woman
whom Charo met in a dream.... All is silent. Only Andorra can be seen
standing quietly. As usual, she ƞ+is dressed in+
mysterious clothes. She looks as if she were a melon,
a cabbage, or +something like that.+ Ah... it's the old woman from before! Charo met this woman earlier. It's the mysterious old woman
who appeared in his dream. My name is Andorra.
How have you been, Charo? Why are you here, Andorra? I'm a traveler who Ɵ+comes and goes+ in
dreams. I visited you in one of your dreams. I have come here today to
help you. Help... me? Yes, that's right. I want to show you something.
Come here. Andorra! Hello! Hello, Charo. How have you been? Why are you here? You called me, Charo. You're troubled about what the
cat fortune-teller told you. You know!? Of course, Charo.
Also... Charo approaches Andorra. Andorra strokes Charo's head. The next moment, he sees... Dread! Dread! He's been dreaming of you
almost every night. He doesn't look well. He is Ơ+getting weaker+, it seems. He's been ill for quite a while,
actually. No...! Dread keeps mumbling in his sleep. Charo can't take his eyes off him. Light gathers in front of Charo,
and Dread is in the center of it. Dread is inside the light.
He seems to be in great pain... Dread is breathing hard. He is mumbling in his sleep. Charo can hear Dread mumble. Charo... Have you been eating...? Charo... Charo... Did you make it back to Japan...? Dread! It's me!
It's Charo! What's wrong, Dread!? No, Charo! You're going the ơ+wrong way+!
Watch out! Dread! I'm here! I'm all right! Charo shouts many times. His cries do not reach Dread. Andorra! Dread is... You are seeing him from your own
dream. He can't hear you. Dread is sick... Andorra gently strokes Charo
on the head again. Then Dread disappears. The light that was showing Dread
disappears. It's silent again. What should I do...? You don't know whether you
should go back to New York. Well, there's only one thing
I can say to you. Look into yourself, Charo. Ƣ+Figure out+ what you think is the
best. What I think is the best... Yes. You'll find a way. Andorra disappears... and Charo quietly wakes up. It is the guest room inside the
mansion. No one is around. Charo can vaguely hear voices
coming from outside. From outside, he can hear the voices of Candy,
Aunt Charlotte, and everyone else. Well, then.
Shall we leave? Yes, ma'am. They are ƣ+getting ready+ to leave! Charo hurries to the entrance... but just as he arrives,
the limo Ƥ+starts off+. Wait! Candy!
I want to go back to New York! Wait, Candy!
I want to go back, too! Charo runs as fast as he can, but... of course, it is impossible
for a puppy to catch up with a car. Suddenly... Woof woof!! It's Sir Joseph! Now Charo, jump in! Charo wants to jump out
of the car, but... He is not even in the car yet,
so he can't jump out. No, Charo!
You have to jump! Charo jumps at Sir Joseph. ... What are you doing, Charo!?
There's no time to ƥ+fool around+! Charo jumps into the car. Charo makes it. He lands right
on Aunt Charlotte's lap. Huh! Ʀ+Good heavens!+ Well done, Charo!
Take care of yourself. And never Ƨ+give up on+ your dream! Thank you so much, Sir Joseph!
Goodbye! The limo starts off once again. This is inside of the limousine. Candy looks at Charo.
She seems surprised. Candy, I... I have decided to return to
New York. Candy's face shines brightly. Of... of course! You need me, don't you? You're still a child. Candy is a bit angry, but she also
seems to be happy. The limo picks up speed. Charo keeps hoping that
the dream he had is not true. 

****************************************
_out_EN_159.txt
****************************************

﻿   7Q  (#B       7Q  e4;  /     7Q   Z7  Q     7Q  Zؗ:  w  j   7Q  '    x   8Q  :b5    J   8Q  p*       7Q  l       7Q  W=B    &   8Q  I  *  %   8Q  \  3  T   8Q  o  ;     :Q  
  K  !   8Q  %_  R     :Q  /  Z     7Q  Dl  s  p   7Q  Q1       7Q  lq       7Q  p       :Q  [u.  =     7Q  9^  ]     7Q  !X       7Q  o2       7Q  ϡI       7Q  ̘I       :Q  Y  +     7Q  }V|  h     8Q  M       :Q  w9v       :Q  G^A       8Q  K       :Q  H_  9  v   8Q  |G  j     8Q  ÝzQ    I   8Q  w'       :Q  8=^    }   7Q  ؛0       :Q  ˞    J   :Q  K-  F  Z   8Q  y/  T     8Q  ʨF  g  x   8Q  '9       8Q  (H4       7Q  ]Pv    h   :Q  XӠ{1       :Q  D       7Q  nI<D  *  {   7Q  ?  O     8Q  ͡f9  h  >   :Q         8Q  o    {   8Q  X0E       8Q  uIP    H   :Q  ;Ƣ"       :Q  >    Y   8Q  '7    h   8Q  8_/  *  a   :Q  E\  A     7Q  T ]  d     8Q  tHO       7Q  l|=       7Q  դl{       7Q  TQ    g   7Q  ӥc'  i     7Q  {/Y  }  *   8Q  r\    X   8Q  
H    >   8Q  V    8   8Q  rO$    =   8Q  +       7Q  ¦j    >   8Q  X-J  %   f   8Q  [%g(  ;      8Q  gwv  N   z   7Q  2  k   F   8Q  M5     Y   7Q   :        7Q  C9v        8Q  OV        7Q  ?f  !  	   8Q    /!  x   8Q  si  3!     7Q   X  X!     7Q  |pnh  !     7Q  S  !     7Q  a  !     =Q  `g\  ("  7   8Q  鼩(*  I"  y   =Q  yE  U"     =Q  ,{a  k"     8Q  L  "     =Q  :  "     7Q   Ȫ[  "     8Q  kSJ  #     7Q  ,rK  *#     nQ  swQ\  T#     7Q  2#\  #     7Q  3  #     7Q  7P  #     8Q  o  $  [   8Q  
I  D$     8Q  WUJ  W$  !   8Q  7  t$     7Q  Ы  |$  B   8Q  :aD&  $     8Q  ~N  $     8Q  *֬  $     =Q  V  6%     8Q  ݭ^d  r%  _   =Q  .BO  %     8Q  }\`  %     =Q  o	u  %     =Q  :a  &     =Q  G  Y&     =Q  GeT  |&     =Q  CK  &     8Q  cB  &     =Q  h  &  Q   8Q  Vn;  2'     8Q    B'     8Q  UJ  s'  S   8Q  -i  '  t   =Q  4M)  '     =Q  vu  '  H   8Q  T+  '  '   =Q     (     7Q  *5R[  
(  z   7Q  |K?  B(  t   7Q   m  [(     =Q  s_  (  M   8Q  ϲ,  (  o   =Q  s  (  ;   8Q  xpz$  (     =Q  H  )  #   8Q  ݳ"%  )     =Q  _  %)     =Q  ad  P)     =Q  Ŵ  )     =Q  d[I  )     8Q    )     7Q  2  )     =Q  
-r  )     =Q  5  ,*     =Q  /i  t*     =Q  b  *  e   8Q  qU)  *     =Q  ^k  *  y   8Q  !+m  -+     8Q  LXFI  M+     8Q  dE  q+     8Q    +     =Q  wxz  +     7Q  TE  ,     =Q  77>  2,  B   8Q  v-  J,     =Q  `  Y,     =Q  3  ,  Y   7Q  6z,  ,     7Q  ,cT  ,     =Q  A  ,  R   8Q  0 5  -     7Q  0.5  -  h   7Q  dJ0  /-     QQ  Z(t  D-  *   8Q  &2  o-  X   QQ  :2  -     8Q  Um  -  f   QQ  0SK_  -     QQ  x^  -     QQ  ׼5  -  M   7Q  
!  .     7Q  /X  #.     QQ  47  M.     QQ  ;}5  e.     QQ  J`  .     7Q  FUh  .     7Q  d  .  u   =Q  ^  
/  s   =Q  1I  A/     7Q  |>M  m/     7Q  :r  /     7Q  =Q  /  x   7Q  j.  /     7Q  {i  0     7Q  SR  Q0     7Q  PU>O  0     7Q  I  0     7Q  lHK  0     7Q  9@   1     7Q  zm  1     8Q  <ԡ  O1     :Q  9  1     8Q    1  i   8Q  >  1  m   7Q  2n  1     :Q  9  1     :Q  ń  2  5   8Q  cCt0  E2  q   :Q  s+  Q2  5   8Q  x!  g2     :Q  .J  s2     :Q  S  2     8Q  _  2  	   8Q   z  2     8Q  z
  2     :Q  +  2  {   8Q  ;6  2  n   8Q  %S  2     :Q  0R  3     8Q  {zf  G3     7Q  j  w3     :Q  Tz  3     :Q  :  3  ,   :Q  6a!  -4     8Q  
K  64  n   :Q  YA  W4     7Q  Me.  n4     7Q  >v  4     7Q  hU  4     7Q  
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  y<     :Q  f  ~<     :Q  
|Sh  <     7Q  `W  <  b   7Q  5<C  =     7Q  S1m  =     7Q  8  Z=     7Q  "^l  r=     7Q  f  =  As soon as Charo gets to
New York, he runs straight to Dread's nest. Charo ƨ+is worried about+ Dread. He arrives at the familiar spot. Charo looks around. Dread, where are you? It's me! Charo! It has been a while since Charo
has seen the nest. Dread is Ʃ+nowhere to be seen+. Dread... Dread!? Where are you!? Charo! Dread!! What are you doing here? It has been a while since Charo
has seen the nest. Nothing has changed. ƪ+With a grumpy expression+,
Dread looks at Charo warily. As usual, Dread is harsh, but
he ƫ+somehow+ also seems happy. +What are you looking at?+ Dread sounds just the same as
he always does. Dread is lying on the ground
with his eye closed. Dread has Ƭ+fallen asleep+. It might be best to let Dread sleep. Dread is saying something
in his sleep. Hmm... Are you okay, Charo?
+What are you looking for?+ Dread seems to care about Charo
even in his dreams. Are you okay?
You're sick, aren't you? Huh? What are you talking about ƭ+all of a
sudden+? But... I saw it... in Chicago.
The mysterious woman said so. Charo. I have no idea what
you're talking about. A woman in my dream...
she showed me. You were sick and weak and... that's why I... And that's why you came back.
Hmph... Dread gives out a sigh. Even if I were sick, there would
be Ʈ+no point in+ your coming back. Go back west. I don't want to... Dread, you taught me many things. I owe you many things. Now, I want to help you. His words sink deeply into
Dread's heart, but... Hmph! Ư+Suit yourself.+ But I'm not sick, I'm telling you. With that, Dread lies on the
ground. Charo is a bit relieved. Hey, Dread. How is everyone? Everyone...? Yes! Is everyone doing well?
Nothing new? Is Margherita ư+the same as always+? ... Who knows. Why don't you go ask her yourself? Ask her myself... You're right. I'll go! Yeah, do that.
I'm going to sleep. After that, Dread falls asleep
right away. Well, I'm going to see Margherita. With that, Charo leaves the
Ʊ+nest+. This is Rosa's restaurant.
It is the back entrance to Amici. Ʋ+The hustle and bustle+ of the main
street can be heard all the way here. The door is closed. Rosa and Margherita are nowhere
to be seen. Arf arf! Hello, Margherita!
Are you home? Margherita... Margherita. Margherita!? Charo calls and calls, but no one
answers. Margherita...
Rosa... Where did they go? Margherita! Hey, Margherita! The door Ƴ+remains+ shut. Is she... out? At that moment... Charo thinks he hears the faint
voice of a familiar dog. ...
Was it just my imagination? Charo calls and calls, but no one
answers. ... It's not my imagination.
I hear her! Charo stands still and listens
carefully. The voice is coming from the
restaurant door on the main street. Charo runs toward the voice
on the main street. He walks around the corner
to the front door, and... Charo!? Charo! Is it really you? Margherita! Oh my! What happened? I thought you went to Chicago.
Weren't you able to go? Yes, I did go to Chicago. Then, why did you come back? The main street is full of people
and cars. Where's everyone ƴ+rushing to+? A man is speaking loudly on
a cell phone. +I'm on the way.+ Please wait for
me for a few minutes. Charo can see inside the
restaurant through the window. It looks the same as usual. But Charo senses something
is different. I'm usually more excited whenever
I come here, but... I know! The smell. There is no delicious smell. Why...? Margherita looks at Charo happily,
but she is also a bit surprised. I met Louisa, and she said I had a better
chance here. That's why I came back. She sends
her best to you, Margherita. Really! So you did meet her after
all. Good for you, Charo. Margherita, Ƶ+what's happened to+
the restaurant? The restaurant...? Amici. Something seems strange. Something seems to be wrong
with Amici? What is it exactly? What do you mean, Charo? I don't
know what you're trying to say. Tell me again, properly this time. What do you mean, Charo? I don't
know what you're trying to say. Tell me again, properly this time. There is no delicious smell. You mean there's no delicious
ƶ+aroma+ of food? Yes, the aroma! Usually, the place is full of
a delicious aroma. But today, I can't smell it. What happened? Well, you see, Charo... Rosa's closing down this restaurant
and opening a new one. What!? Where? In Miami. Charo can see inside the
restaurant through the window. Amici is already closed. Margherita says sadly
in a small voice. +It's a shame+ that we have to
leave this town. Where is Miami? It's a city in Florida.
It's way down south. Is it... far? Well, closer than Japan. I see... They're going to build a new
resort hotel, and Rosa was asked to open a
restaurant there. Running a restaurant in a hotel
was her lifetime dream! And it's finally coming true! Great! Charo is happy for her. It'll be quite a while until we
actually move to Miami. We've got a lot of preparing to do,
so we'll be closed at times, but... don't you worry.
Amici will be here for a while. By the way, Charo, you still
haven't answered my question. What do you mean? The reason for coming back here.
Didn't you go to Chicago? Oh, I'm sorry. I forgot.
Umm... I went to Chicago and I met
Louisa. She said I had a better chance
here. That's why I came back. She sends
her best to you, Margherita. Really! So you did meet her after
all. Good for you, Charo. Charo's stomach begins to growl. Oh, you must be hungry. Yes. A little. We were down in Florida
and just came back today. That's why there's no food out. The word "food" makes Charo's stomach growl
even more. I suppose Dread is hungry, too. I'm sure he is... Just then, Rosa comes out. Charo wags his tail. Charo! It's been a while!
How've you been? Arf arf!
I'm fine! Charo! Good boy. ...? Oh, what's wrong?
Did you forget me? Gosh, I really Ʒ+hate to+ leave you
guys, but... Wait, let me get you something. Rosa goes in... and comes back with a string of
sausages. A goodbye gift for you. You're gonna be on your own now. But remember, stay strong, okay? The string of sausages is laid out
in front of Charo. One, two, three...
There are too many to count! Have some water, too.
+It's last call,+ Charo. Oh, I'm just kidding.
We'll come back soon. The sausages are already in his
mouth. Rosa looks down at Charo.
Her smiling face seems a bit sad. Margherita looks at Charo
and the sausages... Then she winks at him. Charo picks up the heavy string
of sausages with his mouth. He can't wait to eat them together
with Dread. Charo has forgotten something
important. Thanking Rosa Ƹ+from the bottom
of his heart+, Charo starts to drag the sausages. He looks back again and again, as Rosa and Margherita
continue to see him off. Dread, I'm back! Look. All these
sausages. I got them from Rosa. She gave all of these to you? Yes! So Dread, let's eat! Dread remains silent.
Then, with a frown... Charo... don't you remember? I told you. Eat whenever you can,
whatever you can. Yes, but... You're hungry, right? Yes, but... Then, eat. These are yours. Don't even think of ƹ+sharing them
with+ others. But... ... No! What? I want to eat with you. If you're not eating,
I'm not eating. Being stubborn ƺ+won't get you
anywhere+. Let's split half and half.
That's the only way. Dread is moved by
how much the pup thinks of him. Listen, Charo. If you ƻ+get hold of+
food, keep it to yourself. Otherwise, you'll be a dead dog,
long before you get to Japan. Now eat. Then... I'm not eating anything. Hmph! Stubborn kid.... For the rest of the day, neither of the two dogs dare to
even go close to the sausages. Night comes with their stomachs
growling. Morning arrives with their stomachs
still growling. But then... Mamma mia! Delicious! Oh, no! Sally again!
His friends are there, too. What are you doing?
Those sausages are ours! Charo dashes into the birds! Give me back the sausages! Do you know what he's talking
about? Sausages? Nope, no idea. I don't know either. The birds Ƽ+play dumb+. Hey! Wha-wha-what? I didn't drop a sausage! That's not true! I saw it! You hid it under your
wing. I didn't hide it.
Right, guys? The birds cry out,
"Yeah, yeah!" Then spread your wings. If you have ƽ+nothing to+ hide,
you can do that, right? Oh, shut up! So what if I do have some? Do you have any proof that they're
yours? N-no, but... Wh-whoa, there! Don't cry! I may not look like it, but
I'm a nice guy. Mmmm, okay.
How about this? Why don't we play a game? If you win, we'll give you the
sausage! What!? Hey! You're right!
I've got a sausage. But I can't just give it to you
just yet. We're going to move around now, so watch us reeaaaal carefully... When we're done, figure out
where I am. If you get it right, the sausage
is yours. OK? OK! I'll do my best! Noooo!
We lost. As we agreed, the sausage is
yours. Well, bye-bye! The birds fly away. Yeah!
You lose! Well, as we agreed, the sausage
is ours... Ah... aww... If... let's say, you were up to it... and we gave you one more chance
to play... Would you do it? Charo takes back the sausage. But there is only one left.... Well, they were starting to ƾ+go bad+.
I saved them from being wasted. How could you, Sally?
Those were... those were for Dread... and me...
to eat later... together. Heh, heh...
Uhhh, my bad.... Sally seems sorry and his head
sinks into his shoulders. He flies away. Now you understand, don't you? Charo picks up the sausage
and brings it to Dread. What are you...? Let's each eat half. Charo... I want you to eat with me.
I want you to... I want you to be ƿ+in good health+. What? Huh? Say that again.
I have no idea what you're saying. Say that again.
I have no idea what you're saying. Charo bites into his share of
sausage. It tastes so good. Charo had ǀ+endured+ his hunger,
worrying about Dread. As Dread watches Charo, he wants very much to help
him get back to Japan. A warm breeze surrounds the
two dogs. 

****************************************
_out_EN_16.txt
****************************************

﻿   <               +Charo learned a new English phrase!+
+He sighs deeply.+ +Charo learned a new English phrase!+
+It sounds like a ringtone.+ +Charo learned a new English phrase!+
+My lips are sealed.+ 

****************************************
_out_EN_160.txt
****************************************

﻿l   ,  l   k  l     l     l   (  l   g  l     l     l   $  l   c  l     l     l      l   _  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_161.txt
****************************************

﻿l      l      l     l   ]  l     l     l     l   Y  +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_162.txt
****************************************

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e  I\  One day, ǁ+some time after+ returning
to New York from Chicago... This is the hospital... where Candy's owner Chris
is a patient. Charo is passing near it
when... he sees Candy. This is the path near Chris's hospital. Candy is in the courtyard ǂ+on the
other side of+ the fence. She has placed flowers under ǃ+a
tree standing in the hospital yard+. Her eyes are closed, and her
head is down. She looks like she is praying
very hard. Candy mumbles to herself. Ǆ+There are many flowers below+ the tree. Did Candy ǅ+put all of them there+? Candy's voice is very soft. Charo ǆ+cannot hear+ her from here. Charo Ǉ+crawls underneath+ the
space in the fence and... enters the hospital grounds. This is the hospital courtyard. One large tree is standing there,
and Candy is underneath it. Her eyes are closed, and she mutters
softly while her head hangs low. She hasn't noticed that Charo is
nearby. She looks at Charo and smiles,
but there is still sadness. He can hear Candy muttering. Please... please ǈ+make my wish
come true+. ... Can... Charo begins to call her, but stops. Charo ǉ+finds it very hard
to+ talk to Candy. He doesn't speak out until... ...? Oh, Charo! You're here? H... hello, Candy. Hello. What are you doing? I'm collecting flowers for Chris. He's going through surgery tomorrow. I didn't know....
You Ǌ+must+ be worried. Surgery.... You must be worried. You see, Chris always rests under
this tree during his daily walks. ǋ+This is where I wait for him
every day.+ That's why you are offering flowers
here. Yes... I know it's not much, but still... You really ǌ+care for+ him, don't you? Of course! I'll do anything for Chris. Charo thinks about Shota. Ǎ+If Shota were sick,
Charo would feel the same way.+ Um, Charo. Yes? Wha... what is it, Candy? Would you stay with me tomorrow
during Chris's surgery? Does that mean you're busy
tomorrow? Of course!
I will be with you. Charo says it firmly.
There is no hesitation. +A friend in need is a friend indeed.+ Great... thank you! Candy smiles happily. OK, I'm going to get some more
flowers now. See you tomorrow! Next morning... Charo walks to the hospital
courtyard as promised. Candy is below the tree in the
yard, but... ǎ+something is wrong.+ Tears roll down her face as she
cries. This is the courtyard of the
hospital where Chris is staying. Candy is below the tree. She is crying. What happened? The expression that had Ǐ+been
full of+ sadness... brightens a little. Good morning, Candy....
What's wrong? (cries) Cha... Charo... What happened? It's... it's Chris... What happened to Chris?
Calm down and tell me. (sniffles) O... OK... Last night, I had a dream.... A dream? In the dream, Chris seemed to
be suffering really badly. He was holding his chest...
He was very... I know.
It's just a dream. But Chris ǐ+is going to+ have surgery
today! I'm worried... Chris... I want to see Chris... Then, let's go and see Chris. We can't.... Why? I tried to sneak into the hospital
just now, but... those men won't move away from
the entrance.... Two guards stand at the hospital
entrance. Mmmm... ... Then, let's find a different
entrance. Charo...? This is a big hospital.
I'm sure there's another entrance. We have to hurry and find it
before Chris's surgery starts. ... Yes. You're right. Yes! Then, let's go. Let's Ǒ+go see+ Chris. Yes! This is the west side of the
hospital grounds. Charo has been thrown outside
a roll-up door. That was scary.... Who was that man? ... I ǒ+have to+ open the roll-up door
before that man sees me. They are on the west side of the
hospital grounds. A roll-up door can be seen at
the bottom of a slope. It is the west side of the hospital. There is no one around. The roll-up door is in an area
below the hospital's first floor. There are faint tire tracks on
the slope in front of the roll-up door. Could it be the lower-level
parking lot? Can we get inside the hospital
through that roll-up door? The roll-up door is shut. We can't open it. Really...? Charo searches, but the switch to open
the door is nowhere to be found. It's not here.... Let's search someplace else. The switch... Charo!! What are you doing here!? Candy is surprised to see Charo, who
should be in the basement. A hospital employee found me and
kicked me out. It's OK. I'll go in again. Be careful, Charo.... They arrive at the north side of
the hospital grounds. There is a flower bed Ǔ+with+ flowers
planted in front of them. It is the north side of the hospital. There is no one around. There is a flower bed in front of
them. Flowers of various colors are
planted in it. There is a small, window-like object
behind the flower bed. It is a window that is close to
the ground. It seems to be a window used to
light the basement. It might be big ǔ+enough+ for
Charo and Candy to pass through. What is that window, Candy? It's the first time I've seen it, too. Do you think we can enter the
hospital from there? It's really small.
I need to Ǖ+take a closer look+. Charo peeks into the window. On the other side of the window
seems to be a basement. Can we get inside the hospital
from here? There doesn't seem to be any
other place to get in.... Many things are visible from this
position. Charo decides to see what's on
the other side of the window. Inside is a gloomy basement. Warm air comes from the dark
basement room. It seems that +it is humid+ inside. Candy! Look! Charo points to the stairs that
can be seen through the window. Those stairs must be connected
to the inside of the hospital. Let's drop down from here and climb
the stairs. I can see some bags right below. I think we'll be OK if we jump down
on them. Candy ǖ+looks+ very worried. No, Charo...
I'm scared. I want to see Chris, but... I could never jump from such a
high place. Mmm... what should we do? I'll go, Candy. Charo!? You wait here, Candy. I've seen that kind of roll-up door
before. I think I can open it. I'll open the roll-up door, so let's
go up the stairs together. Charo... Thank you. Be careful. It's OK. I'll go again, Candy. I'm going. Be careful, Charo. They arrive at the hospital hall. They arrive at the familiar-
looking hospital hallway. Chris's room should be somewhere
up ahead. Charo, I sense people nearby. We better move forward and make
sure we're not caught. Let's go, Candy! +このメッセージには
英語訳がありません+ Ǘ+I won't give up yet.+ They arrive in front of Chris's room. Chris! Arf arf! Candy!? Look, Charo! Chris seems OK. You're right! It's nothing like the dream
I had of Chris suffering! I'm so glad that it was just my
imagination... You brought your friend to see me. I'm so happy, Candy. Chris seems to be ǘ+feeling much
better than expected+. Candy is very happy after
seeing this. I'm happy for you... Candy. Charo quietly leaves the room. Charo returns to the back of the
hospital. His eyes stop at the flower bed. That reminds me... Candy placed
flowers at the bottom of the tree. The only thing I could do for
Candy now is... Charo picks up a flower and moves
toward the big tree in the courtyard. Charo arrives at the base of the
tree in the courtyard. Charo places the flower there
quietly, like Candy did. May Chris's surgery go well and Candy be happy with him again. Time passes by quietly.... Charo! Candy... Are you done with Chris? What are you... are you crying? I am? Charo doesn't realize it, but... tears are rolling down his
cheeks. I was... I was just wishing the best
for Chris and... Look! I brought a flower! Thank you... for the flower,
and for crying for Chris! It's nothing... Ǚ+Not just for Chris, but+ for you,
too. Me? Yes. I wanted to do something
for you. Charo... With that, Candy becomes silent. She seems to be searching for words. Charo, ǚ+I have something to tell you.+ If Chris's surgery goes well,
we might be moving to Chicago. What!? There's a good doctor over there
who's also a family friend, so... To... Chicago? Just then, they see Chris's
wheelchair in the hall. It's Chris! The surgery...
It's going to start! It's OK, Candy.
Everything will be just fine. Yes. I know. There's no need to worry.
Chris told me so. Candy Ǜ+is already about to+ cry. Charo is sitting right beside her,
under the tree. It was a very, very long day for
them. They arrive at the front of the
hospital entrance. There are two guards. Charo and Candy take cover
and scan the area. It is the front of the hospital
entrance. They keep a close eye out
for suspicious people... and talk quietly. The head chief's orders are to
not move an inch from this spot. Why? Something about guards playing
with a bird in the courtyard. Seems like someone complained
to the hospital. Wait a minute! Playing!?
After all we've been through!? It probably looked that way
from a distance. Anyway, the head chief wants us
to remain at our post! That bird! If I see it again,
I'll catch it for sure! The chief ordered us not to
leave this spot today. Why? I don't know the details,
but... a problem with security. What happens if there's a problem
in another area? "Whatever happens,
you guys stay put." I guess he doesn't like our
attitude toward work. What? That sounds like we've been
slacking off. Well, let's stay calm.
I hope today's a quiet day. What're you gonna do when that
noisy bird shows up again? How should I know!? We're
to stand guard here as ordered. Now I'm definitely gonna stay
here! Anyway, today we're just supposed
to stand here, right? That's right. Oh, well. Let's keep calm until
our replacements arrive. He's saying that they're going to
stay. See? It looks like it will be hard to enter
the hospital from here. Isn't there another place? ǜ+I don't know if there's an entrance
over there, but...+ I haven't been to the west side
of the hospital yet. Then, let's look for an entrance
over there. Let's go to the west side and
look for a different entrance. You're right, Charo.
Let's go look. It is a gloomy hospital basement. There are the bags that Charo used
as a cushion.... The window that Charo jumped down
from is above the bags. On the far side of the garage
is the roll-up door. It is the window Charo jumped from. Charo cannot reach it even if
he jumps. It's so high.... Candy peeks in with a worried
look on her face. Wanting to help Candy,
Charo overcomes his nervousness. Candy must see Chris.
+Failure is not an option.+ The bags are full of soft items. A plastic plate is at the base of
the bags. There is a cardboard box to the
side of the bags. Another bag has been added. If only this bag was below the
switch... I could climb on top and press it. The plate reads, "Laundry." ... What is this? That reminds me...
This plate... That man mentioned ǝ+something
about+ this. The plate is already in his mouth. Charo puts the plate in his mouth. The smell of laundry detergent from
the cardboard box fills the air. There is something written on it.
+Made in Japan.+ The cardboard box is empty. It's big enough for Charo to fit
into. Charo cannot reach the window
at all! The bags are shut!
He cannot go in them! He cannot hide using a plate! Charo jumps into the cardboard
box. (sighs) He should be OK for the moment. (footsteps) The footsteps come closer. Whoa... A man carries a big bag. Ah, there's the plate.
Whew, that was heavy. The man places the big bag on the
floor next to Charo. Laundry can sure get heavy when
you've got this much of it. I better carry just a few more before
the cleaners' van shows up. The man climbs up the stairs again. (sighs)
That was close. Since the man is gone, Charo
comes out of the cardboard box. (sighs) (footsteps) The footsteps come closer. Whoa... A man carries a big bag. Huh? The plate...
It's moved? The man places the bag in front of
the switch, near the roll-up door. I guess I'll bring the next bag. The man climbs up the stairs again. OK.... This should do it! Since the man is gone, Charo
comes out of the cardboard box. Charo arrives at the front of the
roll-up door. This is the other side of the roll-up
door at the west side of the hospital. This is also the basement entrance. It is the stairs that lead to the
inside of the hospital. Charo Ǟ+may be able to+ go inside the
hospital by climbing up the stairs. I have to open the roll-up door
and bring Candy here. It is a big roll-up door that covers
the entire wall. There is a switch right next to
the roll-up door. It is a familiar-looking switch. The roll-up door might open if
this is pressed, but... It's too high... Charo is too short to reach it. Mmm... what should I do? Just then... Oh no! I have to hide somewhere! It is a familiar-looking switch. Charo is too short to reach it. A big bag is placed in front of the
switch. He may be able to press the
switch by climbing on the bag. +このメッセージには
英語訳がありません+ The roll-up door begins to open. The light from outside pours in. There is a rising slope on the
other side of the roll-up door. Charo! Wow! You did it! Candy cheers from the other side of
the window. Candy! Hurry up and come around
to the roll-up door. You can get in now! Candy enters from the roll-up
door entrance. Thanks for waiting. Let's go up the stairs before that
man returns. Yes! The two climb up the stairs. There is no place to hide around
the stairs! There is no place to hide around
the roll-up door! He cannot hide by a switch! Another bag that the man brought
is placed in front of the switch. Huh? What's this? (screams) Charo screams ǟ+without thinking+! He shuts his eyes in fear and... is picked up by someone. What's a puppy doing here...? Does it belong to one of the
patients? What a hassle.... When the man presses the
roll-up door switch... the roll-up door opens slowly. All right. Don't come back,
you hear? Charo has been thrown outside
the roll-up door. Huh? What's this? He found me! Charo is picked up by the man. You again... Really, how did you get in here? When the man presses the switch... the roll-up door opens slowly. All right. Don't come back,
you hear? Charo has been thrown outside
the roll-up door. I know! I'll move this plate here... Charo places the plate in front of
the switch. Now! I better hide again! (footsteps) A faint sound is heard from the
stairs. Someone is coming down! (footsteps) (groans) Someone's voice can be heard. (footsteps) Oh, man... A man's voice can be clearly
heard. (footsteps) I won't forgive them! The footsteps sound really close! (footsteps) The footsteps stop in front of
him! At the same time, something
heavy is placed nearby. I should get this over with right
away and go on to my next job. (footsteps) A faint sound is heard from the
stairs. Someone is coming down! (footsteps) (moans)
This is heavy. A man's voice can be heard. (footsteps) Give me a break! A man's voice can be clearly
heard. (footsteps) What is this? They don't need to
stuff them so full! The footsteps sound really close! Flump! The footsteps stop in front of
him! At the same time, something
heavy is placed nearby. How many bags are left?
I'm getting tired of this. 

****************************************
_out_EN_163.txt
****************************************

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,    Several days pass... One day, after a long, heavy rain... Hm? Charo thinks he heard
the cry of a dog... and stops in his tracks. The puddles reflect the sunlight,
sparkling brightly all around. There is a couple talking nearby,
looking up at the clear sky. I Ǡ+shouldn't have brought+ this
umbrella. Well, +better safe than sorry.+ The area is full of people, but
he does not see any dogs. ... Ah! It is faint, but he hears it. A high-pitched and delicate sound.
It sounds like a dog crying. Ahh... That must be... ... No, that's not possible.
Mmm... Candy's cries...? That's it...
It must be Candy! ... No, that's not possible.
Mmm... Charo runs ǡ+toward+ the sound. As he enters a big street, he
finds the source of the sound. Candy! (cries) Charo sees Candy covered with
mud and crying! Charo... um... hi. How are you? Many cars drive up and down this
big street in New York. Charo hears loud voices coming from
a car stopped at a red light. I told you!
You should have taken the highway! +Stop being a back-seat driver!+ She Ǣ+is covered in+ mud and
crying. What's wrong, Candy? (cries) I told you we were leaving for
Chicago after Chris's surgery, right? But before that, I wanted to get
something for you, and... Something... for me? Yes, I heard about this
triple-heart pendant. ǣ+They say it'll make your wish
come true.+ It's on display now,
so I went to see it, but... I got caught in a puddle of mud,
and this is what happened! (cries) Candy Ǥ+keeps crying+ while she
shakes the mud off herself. You've always helped me during
the most difficult times of my life. Now it's my turn. I wanted to help you get back to
Japan, but... Thank you, Candy.
But... I don't need another pendant. You don't... need it?
Why? I don't need another one. Your words are enough. ǥ+That's none of your...+
uhhhh... Charo suddenly shakes his body
to change the subject. ......? ......? I'm sorry. I didn't hear you.
Could you say that again? Charo... Don't say that!
It makes me want to cry again! (cries) After a week or so... Charo is walking along the big street. It is the same street where
Charo had found Candy crying. Suddenly... A white limousine stops in
front of him. Out comes Candy! Candy! Hi, Charo... We're leaving for Chicago today. You're leaving... today? Yes, Charo... Candy sees the red star shining
on Charo's collar. Her heart aches. Charo, I have to tell you something.
About that red star pendant... It's... well, I... It's all right, Candy. What? I've learned that what really counts
is to believe in yourself. Believe in yourself,
and your dreams will come true. This red star will remind me of
that, and so, this will always be a
magic red star for me. Charo... At that moment, Chris calls
Candy. Candy. Arf arf!
Just one more minute! Charo, I really learned a lot from
you. You are so special. I know you can get back to
Japan. I believe in you. Thank you, Charo. And goodbye. Charo frantically runs after the car. But it disappears. Goodbye... Candy. 

****************************************
_out_EN_164.txt
****************************************

﻿l   |  l     l     l   9  l   x  l     l     l   5  l   t  l     l     l   1  l   p  l     l     l   -  l   l  l     l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_165.txt
****************************************

﻿l      l      l   
  l   I  l     l     l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_166.txt
****************************************

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Mn  W  Early one morning, several days
after Candy left for Chicago... ... Mmm... A loud noise Ǧ+pierces+ the area. Wh-what is this noise!? Charo wakes up, unable to bear
the sound. Charo is at Dread's nest. The noise echoes between the
buildings. Red lights flash quickly across
each building. The sound and light seem to
be coming from the main street. It is a big street at the end of the
alley straight out from the nest. He ǧ+sees many cars with red lights
on them driving+ by. Dread appears to have been
awake for some time. He is sitting up straight with
his back facing Charo. He listens carefully. What's happening...? Maybe a fire. That sound is a siren.
It Ǩ+goes off+ when there's a fire. Dread stands up and stares at
the sky. He seems to be checking the
direction of the wind. (sniffs)
Hmm... Stay here. I'll go see. I'm going, too! No. It might be dangerous.
Don't move. Dread quietly looks at Charo. Charo sees that he is strongly
determined. ... I understand. ǩ+There is nothing else+ that
Charo can say. Charo hears the sounds of
fire truck and police car sirens. A sound approaches and then
grows distant. As one sound moves away,
others draw closer. It seems that, because of the sirens,
+dogs are howling+ in the distance. It is a big street at the end of the
alley straight out from the nest. Dread went in this direction. A plume of black smoke can clearly
be seen in the dawn sky. A plume of black smoke is
rising. There must be a fire beneath it. Dread told me not to go, but... ... Charo thinks about Dread, who
has been ill lately. If something happens to him
in his current condition... Charo cannot just stand around
thinking about it. I'm sorry, Dread.
But I... Charo runs toward the smoke. Waa! Charo is startled and
stops. A horde of people and cars
block the street. At the other end there are people who
seem to be police. Can I get past? It is a big street that stretches
straight toward the smoke. Trees line the sidewalk to the right. The street is blocked by many
people and cars. These police officers seem to be
at the center of the commotion. Police officers wearing helmets stand
on the other side of the people. Some people are pushing ahead
and arguing with the police. The rising smoke is on the
far side of the people. The sounds of sirens
and car horns mix together. Fragments of angry conversations
can be heard. I told you, that won't do! Please calm down! When can we leave!? We're making progress with the
fire, so please calm down! My house is this way! Reports from the scene... I'm trying to call, but I can't
get through! Mommy! Ah! Everything is in chaos. Is Dread... OK? The chaos in front of Charo
makes him more worried. Anyway, I have to move forward. Charo tries to Ǫ+move forward+
through the crowd of people. OK! Charo forces his way through
the crowd of people. However... Ow! Just ǫ+what do you think
you're doing!?+ Wah! Stop it! Don't push! Wah! Owww... The crowd of people fills the
road... and Charo is pushed out. Mmm.... No good. Charo shakes his head and
gets up. Just then... Woof! It is a voice that Charo has
heard before. He turns around. Ah! One of the policemen standing
in front of the people... tries to approach Sirius and
Catherine. However, there are too many people.
It's hard to move forward. After some time, he gives up
and starts yelling from where he is. The conflict between the people and
policemen begins to increase. The policeman is shouting at
the crowd. +This is an emergency!
Get out of the way!+ The two seem to be the same as
always, despite the commotion. Catherine looks all around,
calmly checking the area. Sirius just waits for Catherine's
next command. Sirius and Catherine are going
to leave. Sirius! It's me, Charo! Charo's voice is pitifully drowned
out by the surrounding noise. It does not reach Sirius. If only I could get a bit
closer to him. The people are in his way and
he cannot get closer. Catherine! Can you hear me!? Wait, Sirius. Woof! Sirius obeys Catherine's orders. Hi, Catherine! What a mess!
I need to get to the scene! Is there a way to get there!? Go right and enter the back
alley! There are too many people this
way. It's impossible!!! But over there! It should be better!! Got it! Sirius! Woof! Uh.... Wait! Hey! Wait for me! The crowd slows Charo down, and... he is no longer able to see
Sirius and Catherine. A narrow alley stretches out from
where Sirius and Catherine went. It does not lead to the smoke.... But the policeman from before... What a mess!
I need to get to the scene! Is there a way to get there!? Go right and enter the back
alley! Turning right off the main street,
a narrow alley stretches out. Just ahead of the alley,
there is a road that turns left. Ǭ+There are hardly any people
or cars.+ Charo may be able to get to the fire
using that road. ... Uh. The crowd of people blocks the
way, and... Charo stops in his tracks again. Can't get through here, either...? The narrow alley is full of people. The scene is not much different
from the main street just before. The only difference is that there
are fewer cars... Oh, a horse! It is a horse. The horse sticks his long neck out
from the other side of the crowd. A star-shaped badge shines brightly
from the band on its forehead. Unlike Charo's red star, it is
golden. It looks the same as the
police badge Charo saw before. It's a police horse! I might be able to pass if I ask him! Arf arf!
Hello! Charo's voice blends in with the
noise and doesn't reach the horse. ǭ+It's no good.+
I need to get closer. But... His plan of trying to push
through the crowd has failed. Maybe I need to think more about
what to do. Charo decides to get a good
look at the area one more time. ... Uh. Charo finds something wonderful. The landing at the stairs is perfect
for him to speak to the horse. I may be able to talk to the
horse if I can make it up there! Charo walks carefully near the
building wall. And then... I did it! Charo is somehow able to make
it to the landing on the stairs. Slipping through the space under
the handrail, he looks down. There is a big face right in front
of Charo. Wow...
So big...! Arf arf!
Hello! Hm? There's... something.... so small.... Is it a dog? Nice to meet you!
My name is Charo! Hmm, Charo, huh?
Nice to meet you, too. I'm Aldo, a police horse. Nice to meet you,
Aldo. He can see not just Aldo the horse,
but the whole area from here. The police block the crowd's
way. The policeman now yells even louder. +Step back!+ Yellow tape stretches along the
path behind the police. It seems to be tape to Ǯ+prevent
people from+ passing through. He stands right next to the
police. Charo sees Aldo up close.
He is huge. His face is much bigger than
Charo's body. But Charo is not scared. Enzo the elephant was big, too.
Also... His long eyelashes give him a
friendly appearance. Jumping onto his back would
take some courage. You're a police horse!? That's right. Then, maybe... Maybe Aldo the police horse
can help Charo. How can I... scratch your back? Get on my back and scratch it. ... (laughs)
Don't worry. You're small. You're not heavy, so it's OK
to jump on me. ... Please, Aldo! What? I need to get past here. Could you let me go through
that tape? Charo says this excitedly with
high expectations. But Aldo simply says... That's impossible. He says it just like Sirius. Wh...
Why not? Because I'm a police horse. The job of a police horse is to
patrol the city. And to get its picture taken
by tourists. That's why I've never done the
task of letting people through. I can't. Then... Then... why are you here? You are here because you're
a police horse, right? Well, I'm actually not sure. Cindy... The person standing over
there is my partner. She's the one who brought me
here. She told me they needed assistance. Though I don't know what she
means by assistance. ... Huh?
Are you already done talking? Y... yes... Hmm.... Then... Then maybe I could ask you a favor? What? Will you scratch me? Hm? The back of my neck. Huh? You see... The back of my neck has been
really itchy. I was afraid I'd lose control and
start running all over the place. ... It does not seem that way. And so, could you... get on my back and scratch
me? You have a nice-looking pair of
front legs. They're the perfect shape for
scratching. Don't say that.
Please? Aldo seems to get an idea. OK, ǯ+how about this?+ +Scratch my back and
I'll scratch yours.+ ǰ+Is that a deal?+ ... Wow, that's great! All right then!
Here... Aldo heavily turns
his back toward Charo. Charo positions his body between
the bars. He takes a deep breath... and jumps! Charo successfully jumps onto
Aldo's back. Aldo's chestnut-colored mane is
glossy. The air is cool, but he is sweaty. He might be the type who
sweats a lot. What should I do now? Scratch. Charo Ǳ+scratches the back of
Aldo's neck with+ his front legs. Go up a little. Just a little bit higher... Charo scratches just a bit
higher. Charo scratches just a bit
lower. No, not there. What's wrong?
Hurry up and scratch. Right, right.
Just a little bit to the right. Charo scratches just a bit
to the left. No, not there. Charo scratches just a bit
to the right. What's wrong?
Hurry up and scratch. Ah, there, Charo. Just a little harder. A bit harder! Charo scratches a bit harder. Charo scratches a bit softer. No, not like that. What's wrong?
Hurry up and scratch. Ah! ? It's gone... Yes! The itch is gone! Thank you, Charo! Aldo quickly turns around. Huh?
Where are you, Charo? Where did you go?? Ah! Aldo turns around and around. I'm here, Aldo!
O-o-on top of your back! Top! Hm? !? He suddenly stops turning. Charo drops to the ground. (moans) Ohhh, I'm sorry.
I had totally forgotten. That's right. You were on top of
my back. Are you OK? ... Let's go, Aldo! Hm? A woman appears out of nowhere
and stands next to Aldo. She rubs his back while saying
something. It is a narrow alley.
As usual... Hmm? There is no one around. Hard to believe that there was
a crowd here before. Only a few police officers remain. The tape is gone, too. Aldo is bowing his head and
looking up at the woman. It is a policewoman wearing a
helmet. Oh, Aldo. Why're you making
so much noise all by yourself? (neighs)
No, Cindy. I'm not by myself. Oh, well...
Let's go! The policewoman called Cindy
sticks her foot into the stirrup. She climbs gracefully onto Aldo's
back. Let's hurry. The blockade area has been extended.
We're drawing back for now. W-wait, Cindy.
I'm still... Aldo cannot resist Cindy as she
pulls the reins. Giddy-up! I'm sorry, Charo.
How can I... Aldo goes away. The police have finished cleaning
up and hurriedly leave. The direction they head toward
is where Charo came from. He watches the police leave. There are no other people left
in the area. ... Hm? Before he knows it, he is able
to go forward. There is no one around the area. Because of the silence, the
sirens sound loud. It has been a while since Charo
looked up at the smoke, but... it is surprisingly near. The fire is very close. The smoke is surprisingly near
and makes a big stain in the sky. The fire is very close. Ah... Around the corner,
the building wall suddenly ends. The scene of the fire is suddenly
visible. It is a corner where old brick
buildings are lined up. The fire seems to have started
in one of them. The residents are nowhere to be
found. It seems they have evacuated. The building with the smoke
coming out of it is surrounded... by many fire trucks and
firefighters. The firefighters aim a hose toward
a window of the building. From a window on the
fifth floor... the black smoke that Charo
had followed pours out. Sparks fly through the air. The more the smoke rises,
the more it spreads. The morning sky becomes
painted in black. Charo! What are you doing here? Sirius! The chaos around Sirius does
not distract him at all. He looks down at Charo as
usual. Sirius! How is the fire?
Do you know? It started in one of those old
buildings. You'd better stay away. Have you seen Dread? No. I'm sure he came here.
I'm worried. As long as he keeps his distance,
he should be safe. At that moment, the two dogs see
Catherine. Sirius! Did you make sure nobody is
around? Woof! OK, stay right there
and I'll be with you in a minute. Woof! Sirius watches Catherine steadily. She turns her back and runs
to the firefighter. Catherine looks serious as
she speaks to him. What's the situation? When the man fell, he spilled
the oil all over the floor. We're in a mess. Should we spread out the
blockade? ǲ+I'm for it.+ There's a wind, so I can't say
that the fire won't spread. It could spread, then... After the firefighter leaves,
Catherine thinks to herself. Something scatters and falls
around her shoulder. ...? Charo looks up the building wall,
above Catherine's head. Ah! Just then, a big chunk of bricks
comes loose and is about to fall. It's right above Catherine, but she doesn't notice. Oh no! Sirius!
Catherine is... Catherine, watch out! Sirius has already disappeared. Sirius frantically runs toward
her, but he won't make it! Suddenly! A big, heavy shadow knocks
her out of the way! The big chunk of bricks barely
misses them. Catherine! Sirius dashes over.
So does a firefighter. Relax, Sirius. No damage done.
I'm fine. (whimpers) Are you hurt? I don't think so, but...
ugh! I might have sprained my ankle. OK, we'd better get you to the
hospital. Here, can you stand up? Thank you.
Sirius, come with me. Woof! The cloud of dust clears up. The mountain of fallen bricks
faintly reveals a figure. Then... Dread... you're bleeding.
Are you all right? Yeah, don't worry. Now let's get out of here, fast. Yes. The two turn their backs toward
the blaring sirens... they leave the scene of the fire
and head for the nest. Meanwhile, Catherine is stroking Sirius gently
in the ambulance. Thank you, Sirius, for saving my
life. You are so brave. Woof... But of course, Sirius is not really
happy. It's Dread who has saved Catherine's
life, not he... a fact that Sirius cannot easily
admit. 

****************************************
_out_EN_167.txt
****************************************

﻿   7Q  d,
wO  #     7Q  {
F  $     7Q  
o  A$     =Q  1
:`  w$     =Q  ב
s  $     8Q  
W?  $     7Q  E
}  $  V   =Q  
)  %     =Q  }Ea  )%  j   7Q  S
/.  f%     7Q  
  |%     7Q  
p  %     7Q  %
>a  %     7Q  
BU  $&     7Q  8
  O&     7Q  N`
I  &  h   7Q  ^AO  &  V   7Q  
+<  &     7Q  7
_^  &     7Q  D
mX  '     7Q  
x  -'     8Q  
<F  a'     =Q  [
b  '     8Q  l
  '     8Q  D
y[  '     =Q  %
o  '     8Q  C
  (     =Q  .
  M(     8Q   
F  (  f   =Q  
I  (     =Q  J
O  (     =Q  ڙ
R  (  e   8Q  
(  )     7Q   Y  1)  V   7Q  m 1  W)     =Q  \ f  h)     =Q  ty  )     =Q  Wu  )  %   8Q  ^,  *     =Q  Bb   *     7Q  gYo  I*  }   =Q  %)  z*     =Q   b  *     =Q  c@  *     =Q  Z0  *     =Q  2Z  +  _   8Q  /:  2+     =Q  iN  E+     =Q  ӸL  i+     =Q  E  +     =Q  yKZL  +  -   8Q  ӗ#"  +     =Q  j  +     8Q  $  +,     =Q  6N  /,  k   =Q  ?N  Z,     =Q  ɤ  o,  L   AQ  x)  ,     7Q  ]|oZ  ,  <   8Q  j1[  ,     7Q  I  -     7Q  F  6-     AQ  UL  s-     7Q  X	h  -     =Q  	F  -     =Q  	&k  -     =Q  7
I_  .     =Q  
-`  M.  	   AQ  m  u.     8Q  K  y.  3   =Q  X%&  .     =Q  ~M/  .     7Q  Mh  .  i   =Q  ^5  .     =Q  K.  .     7Q  
l  6/     7Q  
8
~N  g/     7Q  
9I  /  $   =Q  
  /     =Q  
G  /     =Q  [-@  /  	   AQ  m  0     7Q  vI  0     7Q  &a  (0     =Q  /+<  V0     AQ  lXa  x0     AQ  iq  0     =Q  *?8  0  S   AQ  w,  1  i   AQ  11  !1  {   7Q  2K  61     7Q  !K  P1     XQ  l+  u1     8Q  k  1     AQ  1i  1  	   8Q  'ny	  1  J   8Q  wB  1     =Q  `  1     8Q   m  +2     8Q  3  22  B   =Q  7  k2     8Q  	U  2  c   =Q  -  2     8Q  MA  2     8Q  h  2  ^   =Q  L  	3     8Q  Di@  .3  T   =Q  F  O3     7Q  R  l3     7Q  E^  3     7Q  W|@d  3     7Q    3     7Q  KjsY  84  q   8Q  <  e4     7Q  #gh  y4     7Q   /~  4     7Q  ~{  4     7Q  '  ,5     7Q  UF  w5     7Q  Ma  5     7Q  
Y  5     7Q  B   6     7Q  R/X  .6     7Q  >  y6     7Q  (|  6     7Q  qh  6     7Q  8Z  7     7Q  _:L  L7     7Q  aM  n7     7Q  [W  7     7Q  Fn^  7     7Q  	6_  7     7Q  h.  (8     7Q  8  k8     7Q  -h  8     7Q  Y|FT  8     Q  ϕd  8     Q  uT  29     Q  NIe  m9  9   Q  C&  9     Q  iU  9     Q  l**  9  S   XQ  C1  	:     7Q  uC  ":     7Q  '$}  E:     XQ  K6 ;  :     7Q  Lq g  :     XQ  % 9  :     XQ  !V   ;     XQ  i!e  7;  T   XQ  !s  t;  ?   AQ  k!@%  ;     7Q  "^  ;     7Q  /q"m1  ;     7Q  "]  ;  u   8Q   #a[  <     7Q  [#]  2<     7Q  #ڈ  [<     AQ  }y  <     8Q  sB$F  <  r   AQ  B$  <     AQ  '$U  =  k   8Q  "$AH  I=     AQ  cD%  n=     AQ  \%M  u=     AQ  %8q  =     7Q  &^  =     7Q  y&O7  >  _   8Q  ܰ&j7  '>     7Q  F&U  :>     7Q  !>'K  \>  _   8Q  '/  >  g   AQ  'Y  >  f   8Q  }C  >     7Q  8(>_  >     7Q  vr(QV  ?     7Q  (]  /?     7Q  %)LB  ^?     7Q  h)n  ~?     AQ  )H  ?     AQ  *j8  ?     7Q  7X*9  ?  )   8Q  F*  @     7Q  W*e  @  a   AQ  O+)  R@  #   8Q  ?+'  e@     AQ  "R+mN  l@  .   8Q  5}-  @     7Q  +w  @     7Q  H,f  @     7Q  ~,1  
A  ~   8Q  ݯ,
n  (A     8Q  -  YA     8Q  l-*p  A     7Q  .a  A     7Q  x.F  A     7Q  D.A  B     7Q  ^/a  2B     7Q  /i/B`  WB     Q  	,P  B     Q  q/S  B     Q  H0j  B     8Q  "0	  C  `   Q  0 9  C     7Q  0_m  )C     7Q  c81ć  YC     8Q  '1j  C     7Q  5LD  C     7Q  G=r  C  q   7Q  *2G  D     7Q  r2c]  )D     7Q  2c  SD     7Q  33c  D  r   7Q  3`  D     7Q  3A  D     7Q  s:4HQ  #E     7Q  4_  IE     8Q  ^49  wE     7Q  Z%5P  E     7Q  tu5d>  E     7Q  س5M  E  r   7Q  W6&N  
F     7Q  }O6Y  5F     7Q  6F  }F     7Q  7r  F     7Q  M  F     Q  L\  G     7Q  L76Z  8G     7Q  7v  hG     7Q  $^8~V  G     7Q  8K  G     7Q  ) 9`m  G  `   7Q  m9X0  /H     8Q  9g2  CH     8Q  }K  ]H  p   8Q  H9i_  ~H     7Q  /:T  H     7Q  :6t  H  g   8Q  :ej  I     7Q  0c;Z  <I     7Q  ;h^  gI  r   7Q  ~<`  I     7Q  ;}<!E  I     7Q  N  I     7Q  \<uy  J     7Q  ;=u6  BJ  -   8Q  B~4  \J     8Q  Fr=z  pJ  w   Q  =L  J     Q  9>3  J     Q  m>J  J  W   8Q  t>C  K     Q  />jJ  -K     Q  F?-E  VK     Q  Ƌ?\  K     Q  ?I2  K  k   Q  @!  K  S   8Q  <@F  K     8Q  @}u  L     Q  @k  9L     Q  {ASB  L     Q  սA`  L     Q  BP  L  q   8Q  |oBd  M     Q  ?Bw  ;M     Q  LCH  [M  B   Q  ϔC  M     Q  _C@  M  _   8Q  ECE  M     7Q  2DR  M  d   8Q  qD6  M  U   8Q  ,D@   N     8Q  D0~  N     7Q  ${E2V  PN     7Q  VE]J  uN  b   8Q  F,  N  /   Q  <HFI/  N     7Q  wF  N  "   Q  5F  N  P   Q  "G+  O  \   7Q  EG7  O     7Q  |G{  &O     7Q  wGTN  `O     7Q  FHA  O  7   7Q  H  O     7Q  Hc  O  r   7Q  I)Y  O  ;   AQ  ^Iu!  P  e   :Q  <I72   P     AQ  sI.  7P     :Q  YIw  TP  t   AQ  I(  XP     AQ  pJL  pP  7   AQ  hJ6  P     :Q  IJ  P     AQ  J  P     AQ  JF  P     AQ  JL`  P     AQ  PKL  P     7Q  KCa  Q     :Q  KV  GQ     AQ  _UL  lQ     :Q  dLn  sQ  8   AQ  L  Q     :Q  dLJ  Q  F   AQ  1M'  Q     :Q  !XM*  Q  G   :Q  KM]  +R  Q   :Q  NJ+  9R     AQ  3N,,  IR  _   :Q  `N6  eR     :Q  )N1o  zR     AQ  ZOK  R  B   :Q  QO,  R     :Q  }Oqo  R  7   AQ  O  S  _   :Q  1P,  S     :Q  8PaY  .S     AQ  xPnE  \S  b   :Q  P9  S     7Q  QX  S     7Q  hQ{g  S     7Q  qQI  S     AQ  Rg  T     7Q  s.Rue  T     7Q  REw  CT     XQ  -S]  T  8   AQ  iS  T     XQ  S0  T     XQ  TF  U     XQ  kJTEx  'U     AQ  TX  iU  e   XQ  YU2   U  4   7Q  ;U  U     7Q  aXUޯ  U  L   7Q  ?V  U     7Q  !V6  V  #   8Q  5WV  *V  6   :Q  gV]  1V     8Q  tV@  @V     7Q  W<  \V  z   7Q  DBW24  {V  ]   :Q  vvW9   V     8Q  W|  V  x   7Q  +W`  V     7Q  $X7  V  0   7Q  [X#  W     7Q  XD  W     7Q  X@  ?W     7Q  :Y<G  _W     7Q  Yw8  W     7Q  3YT  W     7Q  EZf  W     7Q  uZqS  X  _   7Q  Z&  2X     7Q  HZw  DX     7Q  f[
C  X     7Q  [4  X     8Q  [6  X     7Q  [~M  X  l   X  l   /Y  l   nY     8Q  \F\6  Y     7Q  `\~M  Y     7Q  \Q  Y     7Q  \0  Z     7Q  0]h   Z     7Q  9]H  YZ     7Q  *]e  }Z     7Q  G^(U  Z     8Q  ^k  Z     8Q  $_(z  [     7Q  L_r  9[     7Q  _~n  p[     8Q  c`  [     7Q  K`o  [     7Q  B[aD  \     7Q  al  @\     7Q  b_G  y\     7Q  cSbo  \     7Q  ~b+  \     7Q  2V  ]  f   Q  Jc*y  K]  o   Q  cQ8  p]     8Q  $cׄ  ]     7Q  d]  ]     7Q  
d_  ]     7Q  iae?  %^     7Q  'eH  I^  y   7Q  e[  l^     8Q  Ef4]  ^     7Q  f5  ^     7Q  fQ  ^     7Q  *gh  	_     7Q  g4  B_     7Q  gJ  [_     7Q  \hs<  |_     7Q  Oh|  _     7Q  ]h<J  _     7Q  iU  `     7Q  (li+3  2`     7Q  Sig  M`     7Q  js<  `     7Q  ZCjqq  `     8Q  ˴j)  `     7Q  Cks<  a     7Q  gkG  6a     7Q  leN  ~a     Q  hln  a     Q  lnT  a     Q  #+m8  a     Q  cmk>   b     Q  mbP  Fb     Q  m%  ob     Q  nIO  b  o   Q  fnL;  b     Q  n  b  	   Q  
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  i     7Q  {&u  i  A few days ǳ+have passed since+
the fire. It is the back entrance to Amici. Charo visits Margherita, who
has returned from Miami. Charo! I was so worried about you. Sirius told me about the fire.
Are you OK? Yes. Margherita, thank you. Margherita sees Charo's face
and is finally relieved. Oh! That's right. You must be hungry.
I'll Ǵ+bring+ you something to eat. Margherita goes in... and comes back pulling a toy cart
full of delicious-looking food. It is the back entrance to Amici.
It has been a while. It is Margherita, who has returned
from Miami. The top of her nose is slightly
sunburned. Bagels and French bread.
Also, ham and sausage... There is a pile of food on the
cart. +What a feast!+
Charo gets excited. Sirius is amazed. He seems to be shocked by
Margherita's story. Sirius is even more confused. Sirius doesn't even seem to hear
Catherine's voice. ǵ+Are you giving+ me all this? For you and Dread.
It should Ƕ+last+ for a while. Yes! Margherita! Thank you very much! By the way, how's Dread doing?
I heard he got hurt. Yes, but he says he's OK now and he
can walk normally. Really? Knowing him, he's
probably being stubborn as always. Yes... but he's gotten better! Is that so?
Well, in that case... But really... Dread saving
Catherine.... Things Ƿ+work+ in a very strange way. What do you mean? Margherita fixes her glance on
Charo. Then she smiles. Dread has really changed
since he met you, you know.... Or maybe it's more like he's...
"returning" to what he used to be. He used to be such a bright,
outgoing, friendly guy. Dread!? (chuckles)
Sure! Hard to believe, right? Then, slightly hesitating,
she begins her story. A couple of years ago, a little girl ran out from our place
into the street... and almost got hit by a car. It was Dread who jumped in, pushed her over to the sidewalk,
and saved her! Wow, that's great! Well, the tragedy starts from here. Catherine saw the two on the
sidewalk and... thought that Dread was attacking
the girl. It was a complete misunderstanding. Oh, no.... She ran over and started to hit
Dread with her nightstick. No! She was trying to protect the girl,
but... she hit him so hard. That was when Dread lost the sight
in his eye covered with the patch. Ǹ+That can't be!+ Sirius, who has suddenly showed
up, shouts. Um... hello...
Sirius... It is hard for Charo to talk to
him. Sirius pays no attention to Charo
and appeals to Margherita. Margherita, tell me that it's not
true. Margherita looks at Sirius and
begins to speak. I'm sorry, Sirius, but it is. Since then, Dread never trusted
humans any more... and just cut himself off from all
relationships. He became cynical, scornful,
difficult. ... But still he saved Catherine. Yes. See? That's what I'm talking about. Margherita stops talking and
faces Charo. He's changed again. He's returning to the real Dread
ever since he met you. Charo doesn't quite understand her
sudden story. However, he feels somewhat
happy. Margherita speaks to Sirius again. Sirius... There's always a reason for
everything. Dread wasn't born that way,
you know. ... Sirius thinks to himself again. Margherita sees this and changes
the subject. Oh, and ǹ+how is Catherine?+ Yes, Catherine's all right.
It was only a scratch. She's Ǻ+on duty+ today and she's
having lunch at Amici right now. I see. Glad to hear that. Hm?
Oh, thank you... But why did Dread... Sirius is still confused. Just then, Catherine's voice
echoes. Sirius! Let's go to work! Um, Sirius!
Catherine is calling you. What...? Oh! Tha-that's right!
I have to go! ... Is Sirius OK...? He seemed pretty shocked
about Dread and Catherine. Yes... There is lots of food.
I'm sure Dread will be surprised! (chuckles)
That's right. I want to hurry up and show it to
him! Sure, you do that. Then, I'll be going home! I'm going to hurry back home
and eat with Dread! (chuckles)
ǻ+Take it easy+, OK? Thank you very much, Margherita! That's all right.
Take care! Charo pulls the cart full of food... and heads toward the nest in
high spirits. This is the intersection between
Amici and the nest. It is the road that Charo just took,
but it is blocked by police cars. Police officers gather near the
police cars. Hmm? What happened? Just then, Catherine receives an
order on the radio! This is the familiar intersection
that Charo always passes. The other side of the intersection
is blocked off by police cars. Several police officers are gathered
on the other side of the police cars. They seem to be talking to Ǽ+one
another+. They all move to their posts
and scout the area. A policeman standing nearby looks calm. But +he has butterflies in his stomach.+ It's the old apartment building on a
street corner that Charo always sees. Did something happen in this
area? Sirius stands up straight and focuses
his attention on Catherine. He focuses his attention on
Catherine across the street. Her attention is directed toward
the building and... she places her hand over her ear. She is holding the earpiece
of the radio... and waiting for the next order
to come in. Catherine watches the area from
across the street. Just as Charo looks for Catherine
and Sirius... the two appear from among the
police officers and walk toward him. Their meeting seems to ǽ+be over+. The two walk near the alley where
Charo is and... they take shelter under the
building's shadow. Suspects on the run appear
to be hiding in a nearby building. We don't have enough information
to identify the suspects. Stand by until reinforcements arrive.
No need to interfere. Catherine... I want you to move back to the
intersection with Sirius... and wait for my orders. Roger!
Sirius! Let's go. It's hard to see from here, but... it seems that Catherine and
Sirius are within the group of police. Roger! Sirius will stand by here. Catherine ends her transmission
and orders Sirius. Sirius! I want you to wait here... while I change location.
I'll instruct you from there. Anyway, be careful until we
understand the situation better. All right, Sirius? Woof! Roger! The situation makes it difficult
to talk to them. Charo becomes nervous. The situation makes it difficult
to talk to them. Say, Sirius.
Did something happen? Sirius notices Charo for the
first time. He looks at Charo for a brief moment
and then turns back to Catherine. Charo? It's not safe here.
You better go somewhere else. What? I can't go past here? Where are you going? What are you trying to say?
Ǿ+Keep it short+, will you? I'm on the way back
to Dread's nest. I see. However, this road is blocked
right now. Use a different route to go back,
even if it takes longer. While Sirius focuses his attention
on Catherine... he talks to Charo quickly. Yes, I understand! Charo can sense Sirius's
tension. It seems like a very important
case. Be careful, Sirius. Hm? Of course.
I'm always cautious. Yeah... that's true. At that moment, the sharp sound
of a whistle is heard. Catherine uses a dog whistle as
a signal. Sirius pays attention to Catherine's
gestures. It is a signal for him to move. Sirius gets ready to move, but
stops to talk to Charo. Anyway, Charo, it's dangerous
here. Hurry and go back another way. Charo replies nervously. Y... yes! Sirius gets ready to move forward,
but stops again.... And about Dread... Dread? Tell Dread that I want to ask him
something. OK, I will. After saying that, Sirius dashes
away at lightning speed. Charo chooses a different, longer
way home... and heads toward the nest. I'm taking a longer way,
but please wait, Dread. We have a feast today!
I want to show it to him soon. Um... I'm starting to get hungry,
too.... Charo pulls on the toy cart
carrying food. He walks behind the scene of
the crime. Suddenly, from within the building... A man wearing a ski mask dashes
out. The man blocks Charo's way
and says to him... You have some delicious-looking
food there. Did you just go grocery shopping
for someone? Unfortunately, today's shopping will
end in failure. ? That food is mine. The man approaches Charo and
picks up the cart. Charo swings in the air with the
cart rope in his mouth! Arf arf! What are you doing!?
Waaa!! When Charo barks in protest... he lets go of the rope and falls
onto the ground. While Charo recovers,
the man... uses his chance to run into
the building. This is the back of the building
that the police are scouting. This is the back of the building
that the police are scouting. It is an old and small
indoor parking lot. It is the entrance to the parking
lot. There is no roll-up door. It is open. The man from before went in and out
this way. I need to get my food back!! Charo decides to go into the
building. It is the entrance to the parking lot. There doesn't seem to be
anyone around. Charo returns to the
blocked intersection. The other side of the intersection
is still blocked off by police cars. The number of onlookers has
increased... And because of this, Charo cannot
get close to the police. An old lady returns from her shopping. Robbery in my neighborhood?
+It can't be!+ Groups of police officers are
scattered around. However, Catherine and Sirius are
nowhere to be seen. The suspects hide in the back
of that building. But the police are not aware of
this yet. Charo looks around carefully, but
does not see Sirius. Sirius is not here. Where could Sirius be...? Has the food already been eaten? I can't help worrying!
I'll go back! When Charo returns to the
front of the building... two police officers show up on the
other side of the alley. Ah! Police officers!
I have to tell them! The area is peaceful as it is
not blocked. However, the suspects hide in
this building. It is an old and small
indoor parking lot. The suspects are hiding in here! They are about to walk away from
Charo. One of the police officers seems to
be a dog lover and... wants to play with Charo. Arf arf!!
Officers! The people you're looking for are
in here! Arf arf! Hm? What's wrong?
I have no food on me. Don't dogs like you, Johnny? What are you talking about?
I love dogs. Arf arf! In here!
Arf arf! Hey, hey. I might be a dog lover,
but... I can't play with you while I'm on
duty. Also, there are very bad people
hiding around here. You'd better hurry and go home. I have to get going. Arf arf! Please!
Don't go! There are suspicious-looking people
in this building! Hey, Johnny, stop playing with the
dog and let's get back to our post. Our replacements are waiting for
us. Yeah, I know. But is this puppy
trying to tell us something? Maybe the suspects are around
here somewhere... Arf arf! That's right!
In here! Arf arf! (laughs) You watch too much TV. This is the first place we checked. That's right. See you later. You go home now,
OK? Ohh... They left.... The police officers walk away
swiftly. Oh yeah! The food! Is it OK?
Did they eat it? I have to hurry and get it back!
Please wait, Dread! A success!
Charo retrieved the cart. He hurries and returns to the nest. Please wait, Dread! Hey! Wait! The two suspects run out of the
building and chase Charo, but... Ah! No! Hey! You there! Meanwhile, Sirius... is standing by about two blocks
away from where Charo is. Catherine is slightly apart from
Sirius... keeping an eye on a different
direction. Just then, Sirius sees Dread walk into a
back alley. Without even thinking,
he runs after him. Wait, Dread! Sirius.... What is it? I need to ask you something. Me? Margherita said that... your eye...
it's because of Catherine. Is it true? So? So? You have every right to hate her. Still... still you saved her the
other day. Why...?
Why did you do that, Dread? Dread gives out a short sigh,
and then... Sirius... I need to ask you a favor. What!? You're a very capable dog.
That's why I'm asking you. What is it? I want you to look after Charo. Cha... Charo!? Yes. In case anything happens
to me - ǿ+just in case, you know+ - check on him. See if he's OK. What are you trying to say? Nothing. I'm just... I'm only wishing for his safe
return to Japan. That's impossible, Dread.
Get real. Real.... Hmph. Did you know that
reality can be made of miracles? Miracles...? Yeah. Look at me. Who could have imagined me
caring for others? You haven't answered my question
yet! Yes, Sirius. I have. Dread says this much and leaves. Sirius stands there for a while,
speechless. The sound of a siren brings him
back. Shoot! Sirius runs back to his post,
but it's too late. Catherine and her colleagues have
already captured the suspects. Sirius! Are you out of your mind?
Where were you? Woof woof! I can't believe this. You, of all
dogs... abandoning your post! We can't afford you to act
like this. I'm sending you back to the K9
Academy for a re-training program. Wait, Catherine. Listen to me.
Woof woof... Shhh! Stop barking. And this... was the first time Sirius experienced
the bitter taste of humiliation. That evening... They eat the food gratefully. Dread? (munches)
Huh? Why did you save Catherine? He looks at Charo for a while, looks away, and then... Because of you... What? Charo can't hear him,
but doesn't ask twice. Dread eats up his share, lies down,
and starts to snore, as usual. As Charo rushes over to
the cart... Charo rushes close to the cart. Now is his chance to get it back! Charo's cart is close by. Two pickup trucks are parked
in the parking lot. The men are at the entrance.
He cannot see them from here. It is the cart given to him by
Margherita. The food is safe. The rope that Charo used to pull it
is still attached to it. He grabs hold of the rope on the
cart. Now he can pull the cart. OK! Charo grabs hold of the rope on
the cart. +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ OK! Charo grabs hold of the rope on
the cart. Charo rushes under the car
in front of him. He hears people talking. Charo slightly sticks his head out
from under the car... and peeks far into the parking
lot. There is the cart just up ahead.
The food is safe! However... the two men stand
nearby. Mmm... I wish those two were
farther away... If they were far away, I could
Ȁ+get it back+.... There is the stack of food given
to him by Margherita. It is the food that will last Charo
and Dread a while. I have to bring it back with me
soon. Please wait, Dread.... They wear masks that reveal
only their eyes and mouths. They are suspicious-looking people. Charo slightly sticks his head out
from under the car... and peeks far into the parking
lot. There is the cart just up ahead.
The food is safe! There is no one around the cart.
Now is Charo's chance to retrieve it! They are near the window that is
on the other side. Hey, I'm hungry.
Let's eat this now. Just wait a bit more. I have to hurry and get it back,
or they'll eat it! Charo runs to the far side of
the parking lot. Charo enters the building.
It is an old indoor parking lot. Two pickup trucks are parked there. He hears voices from the far side. Charo doesn't give up.
He enters the building. Mmm... How can I get it back? When Charo enters the building... the men move to the window
near the entrance. They are right near Charo, but
they haven't noticed him. They seem to be arguing. It is an old indoor parking lot. Two pickup trucks are parked there. He cannot see into the parking
lot because of the pickup trucks. He can't see well from here, but... the men appear to be inside the
parking lot. Both of them are close by. They look out the window, but
do not notice Charo. Two pickup trucks are parked there. Charo can easily crawl under it
since it is a tall car. Ah... maybe they won't find me if I
hide under there! Two pickup trucks are parked there. There is a lot of space under the car.
Charo can easily crawl under it. The man from before seems to
be talking. What did you just say?
You stole food from a dog!? Yeah, and there's a lot of it!
Look. Do you understand our situation? I finally found us an escape route... and you're causing an uproar
about food. What if they had found you? Was it such a risk?
No one was in the back. Idiot!
You were just lucky. (laughs)
Luck is the only thing I've got. ... It seems that there are two men. That man is over there!
I have to get it back! Hey, why was that puppy making
all of that noise outside? The cops will come here.
Does he have something against us? Well, grudges about food can be
serious. What are you going on and on about!?
Watch outside, will you!? The men look out the window
near the entrance. There don't seem to be any
people around the cart. Now is his chance to get the
cart back! The man notices Charo and
rushes over to him! It is the man who stole the
cart! Hey! What are you doing!?
Go away! Ar... arf! Charo panics and runs out of the
building. Charo rushes under the car
on the far side. Charo slightly sticks his face out
from under the car and looks around. The men are by the wall that is
on the other side. Charo's cart is by the men's
feet. It's a bit far to see, but there is
no mistake about it. It is Charo's cart. It is Charo's important cart, full
of delicious food. I have to get it back fast. The men talk with their backs
facing Charo. Charo slightly sticks his face out
from under the car and looks around. The men are at the window near
the entrance. There is no one around the cart. Now is his chance to get the
cart back. Charo can hear the men talking. You're sure you didn't see any
cops? Hm? You mean when I stole the
food? No, there weren't any cops around. I see.... So they haven't surrounded
the building yet... What? These people are running
from the police? Maybe Sirius and the police are
looking for these people.... Then, I have to tell them! But will they eat up the food
while I'm gone? What should I do? (laughs)
Did you think you could run away!? They take the cart away from
Charo. Arf! For the moment, Charo runs
out of the building and escapes. 

****************************************
_out_EN_168.txt
****************************************

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     8Q  ?;  $     8Q  =Ɍ6  @  #   :Q   L  \  o   8Q  Tl5  e     8Q  S[  z  &   :Q  ߮       8Q  kǍg=       8Q  ib       8Q  ;gmr    	   :Q  َ  8     7Q  ^  <  f   :Q  PIg0  c     :Q  yZ  w     :Q  ?ԏ;>       8Q  z$    b   8Q  /-7       :Q  f)       :Q  ^       8Q  dZJ  
     :Q  ngO  <
     8Q  >  `
     8Q  SDl  e
  I   8Q  ޿S&  
     8Q  1@  
     8Q  
%  
     8Q  Mq  
     :Q  A  
     :Q  ^  
  B   8Q  l,N  !  &   :Q  6  8     :Q  `=W  A     8Q  = =  f     :Q         8Q  Tf       8Q  ser       :Q  T    /   :Q  D4       :Q  ykT        8Q  Ε  3  r   8Q  5~1  ;     8Q  h  S     8Q  3V       8Q  o^       :Q  z$b       8Q  ݗAr  !     8Q  ]O/F  J     8Q   M  e     8Q  f    *   :Q  I       7Q  dMw    U   7Q  ۙ'    U   7Q  '       7Q  +,[    3   8Q  ʆ(  B     7Q  QM  O     7Q  
;Y  p     8Q  HV2    &   :Q  JW       :Q  \    	   :Q  6#    >   8Q  #    	   :Q  O@    `   :Q  ^1       7Q  }C       7Q  Ԝ9  /     7Q  
 7  S  *   8Q  DBS  m     7Q  .K  u     7Q  yK    One night... Hmm? Charo ȁ+feels somewhat uneasy+
and wakes up. This is Dread's nest. It is dark all around. The sun Ȃ+won't come up for a while+. (moans) Dread is stretched out in the dark.
He moans ȃ+in pain+. +Watch out....+ Charo. Dread...? His painful moans don't seem
likely to stop. Charo jumps off the sofa and looks
into Dread's face. Dread's nose is dry and his body
is hot. He stares at Charo. His eye has a kind Ȅ+look+. ȅ+Not knowing what to do,+ Charo starts to lick him. (moans) Gradually, Dread seems to be
feeling better. So, Charo... Yes? Tell me about Chicago. What? Dread slowly lifts his head and
looks at Charo. We never had the chance to really
talk Ȇ+since+ you came back. ... Dread! (moans) Dread, you're hot!
You ȇ+have a fever+. No... it's nothing. Well... in Chicago, I met many dogs. They all were kind to me... they taught me many things. I see... And I met many cats. I also met Margherita's friend,
Louisa. Louisa? She is able to see the future. She said that if I wanted to go
back to Japan, I Ȉ+had a better chance+ here
in New York than in Chicago. ... A faint smile appears on Dread's
face. Hmph... Japan, huh? I wouldn't even have thought about
it, ȉ+if not for you+. I wonder... what it's like. Hmm. Japan is a place... What? Ȋ+Explain it a little more simply+, OK? full of buildings and people. Hmph...
Sounds a lot like New York. Yes. There are many buildings...
and houses. It's crowded... Itȋ+'s about the same as+ this city... Hmm... And yes! In Japan, when spring
comes, What? Explain it a little more simply, OK? I... I'm sorry.
Umm... Charo... explain it a little more simply, OK? the whole town becomes pink. Pink? Yes, flowers! Pink flowers on trees. They bloom everywhere...
The whole town becomes pink! The whole town? That can't be. ... Charo. Explain it a little more simply, OK? Really! I was born in winter... and never knew that the world
could be so beautiful. When Shota first Ȍ+showed me+ the
pink flowers, I was so surprised. It was... almost like a dream! If that's true, ȍ+it must be worth a
look.+ It is true!
The flower's name is sakura. Shota's mother loved them. I wish... I could show them to you. I want to see the cherry blossoms
with you, Dread. (moans) Dread closes his eye again
and gives out a moan. Dread is asleep. Dread is asleep. Dread's painful breathing has
calmed down. I'm glad.... His relief and Dread's warmth... cause Charo to become sleepy
again. Dread? Are you all right? Charo... when you get back to Japan,
will you... ... Yes... what? ... Nothing. Forget it. Ȏ+With that,+ Dread falls asleep. Charo moves ȏ+close to+ Dread. He lies down next to him. (yawns) The two don't look alike at all,
but they really seem close, almost like father and son. 

****************************************
_out_EN_169.txt
****************************************

﻿   7Q  ğ^N  H
  c   7Q  fA  e
     7Q  S`[  
     7Q  ⮠R@  
  &   8Q  4  
     7Q  n  
     7Q  qJ  !  	   8Q    P     7Q  XܡE  T     7Q  !E       7Q  gO       7Q  7G       7Q  PX       7Q  `V8  $     7Q     G     7Q  E       7Q  ԣ$k       7Q  @iO       7Q  z>1  
  ,   8Q    #     7Q  ?ӤtR  -     8Q  %  U  	   :Q  714  \  k   8Q  k2  `     7Q  ˞B  v  P   8Q  n6.    |   8Q  x       7Q  MlA    {   8Q  ɦK       8Q  H  %     7Q  -F  `  2   7Q  ۧB    c   :Q  n.    ~   7Q  2       8Q  8QC    	   :Q  H       :Q  yD       7Q  wp    &   8Q  ^  *     8Q  n-q  3     7Q  ߩ2  l     8Q  bkE       7Q  p~    h   7Q  ?&z-  
     7Q  SH        7Q  F)F  I  U   8Q  of  e     7Q  H8  ~     7Q  @       7Q  `       7Q  #!V    a   7Q  w+  7     7Q  b_D  L     7Q  }  n     7Q  keJ       7Q  o<       7Q  [    w   7Q  ?  U     7Q  @  k  d   7Q  X0@    g   8Q  p7    z   8Q  J?       7Q  M       7Q  5X  	     7Q  I=  <  *   8Q  =  ]  X   8Q  BK  f  r   8Q  `i    9   8Q  Rn.       7Q  l?t    L   8Q  W    =   8Q  M!    f   8Q  ao7       8Q  v%Q  /  /   8Q    T  ~   7Q  &hE  _     7Q  [UL  ~  O   8Q  㧳U    A   7Q  e2    L   8Q  m    >   7Q  /       7Q  ͤL       7Q   ]  )     8Q  Nބ  X  i   8Q  ӵ(       7Q  T       7Q  PЀ    U   8Q  Ѷg       7Q  B  3     7Q  N",G  V     7Q  G9e  }     8Q  .e       7Q  ';    }   7Q  @2  
     8Q  zi  #     7Q  sU  ^     7Q  gɸz       7Q  lCY       7Q  a    y   7Q  ;H  &     Q  4I  M     Q  \,7  k     7Q  qN       7Q  L>o       7Q  ͻe    ,   R  !Z  ,  0   R  1
  5     R  >*  ?  0   R  D  D  i   R  _!  O     R  [:S  c  *   R  Ի       7Q  a!:    6   7Q  5       ;Q  0)       8Q  Z`       8Q  o       8Q  s]    {   7Q  wc       7Q  	G]  >  2   7Q  [  s     7Q  r  ~     7Q  +^       7Q  ]       7Q  eo4       7Q  &P  8     8Q  k  _  z   8Q  ~S:  f     7Q  ?M  }  v   7Q  89    &   8Q  A    Y   7Q  TO       7Q  VqH       7Q  3    *   8Q  r       7Q  `a    ~   7Q  sY.  O  *   8Q  r  g  T   7Q  c[(  o     7Q  ӓ    #   8Q  &       7Q  1k4    .   7Q  [f    #   >Q  <     `   7Q  \}0        7Q  M        7Q  o_X  8      8Q  lJ  d   &   =Q  ˷        8Q  @?        7Q  5        7Q  AG     h   8Q  Wn9     \   =Q  0        =Q  _D  
!  e   8Q  8*  :!  v   =Q  ,b*  L!  :   8Q  "  b!     8Q  үh  p!     =Q  ^
q  !     =Q  hoL  !  	   8Q    !     7Q  np  !     =Q  /Rk   "  	   8Q    R"     8Q  x  V"     7Q  ZT\  ["  |   7Q  <`7  "     7Q  t@  "     7Q  9n  "  One day... the sky is clear. The air in the city
is refreshing. The sounds of laughter are carried
by the wind. Charo and Dread are at the nest. Dread... Dread Ȑ+has not been able to+ get up
these past few days. His health has continued to
ȑ+get worse+. ... Charo Ȓ+can't help worrying+ about
him. The nest looks the same as always. Dread lies on the ground.
He doesn't move. A bagel is on the ground next to
him. Dread lies on the ground.
He breathes heavily. He is having difficulty breathing. Dread is getting weaker day by day.
+He is not what he used to be+. But Charo does not want to give up. It is an old, hard bagel.
Someone's leftovers. Lately, when Charo brings food over... Dread barely touches it. Dread...? He breathes heavily and doesn't
answer. Dread! ... Please... get better. Charo looks at the leftover bagel... This won't do... ȓ+In order to+ get better,
he needs better food. Charo speaks to Dread once more. Dread...
I will go look for food. If you eat something delicious,
you'll feel better, right? Charo's words are like a prayer. However... (breathes heavily) Dread does not answer. Dread? Are you all right? ... I'm all right. Don't worry. Dread replies Ȕ+as if+ he's squeezing
the words out. Dread... I really do have to find food that
will make him better. Charo speaks in a strong tone of
voice, so that Dread can hear him. I'll come back soon. For sure. Charo has more to say, but he
swallows the rest of his words. Charo dashes away. A gentle breeze blows around
the nest... Dread's face relaxes a bit. (gasps)
I have to hurry! Charo runs to find food. He arrives at the restaurant Amici. The back entrance to Amici ȕ+looks the
same as always+. However, there is Ȗ+something
different about+ the place. It is awfully quiet. It is the back entrance to Amici. The noise from the main street can
be heard all the way here, but... the restaurant is awfully quiet. +It is hard to believe+ such a busy
restaurant being this quiet. The back door ȗ+is firmly shut+.
On the front door... a sign says "CLOSED." A note is posted below the sign. "Closed for today.
 -Rosa" It's closed today.... Is Margherita out, too? Ș+No matter how+ hard Charo tries
to listen... he does not hear a single sound
in the restaurant. +Not a soul is to be seen.+ Arf arf! Hello, Margherita!
Arf arf! Please say something!
Margherita... Margherita!! He calls out her name many times,
but no one answers. Margherita!
Please answer! It's Dread... Dread ș+is in trouble!+ I want to give him something to eat! Or else... Charo swallows his next
words. His eyes begin to Ț+fill with+ tears. Margherita...
are you out...? No answer.... Margherita!
Please answer! No answer... Margherita and Rosa seem to
ț+be out+. Charo decides to look for food
someplace else. I think I'll go to the park.
There might be something there... Please wait, Dread... Charo runs and arrives near the
park. The park is a bit far from the nest,
but he has been there many times. (gasps)
I have to hurry! This is a promenade near the park. Many people stroll the beautiful
park. It is a garbage can Ȝ+where+ Charo
always looks for food. Maybe there are some delicious
leftovers... Charo looks into the garbage can. There isn't much inside. Nothing here either...
I can't ȝ+keep Dread waiting+. Just as Charo looks around for
another place... Charo sees two unfamiliar dogs.
They are father and son. He looks again, but does not find
any food. Many people walk around as their
fancy takes them. Charo can hear people
talking happily. It is a lovely day, isn't it? Yeah. +Couldn't be better.+ There are dogs in the middle
of their daily walk. It's as if the blue sky has drawn
everyone to the park. Charo approaches the two dogs
who are father and son. Bow-wow! Hurry up! Arf! Wait, Dad! You guys be good... and we'll get you your favorite
sausage later on! Arf arf! Charo gazes at the dogs. Suddenly... What are you looking at? Dread! Wha... Wha... what did you say?
Please say it again! Dread does not answer
and walks away. Charo runs with all his might,
trying to follow him. However... He cannot Ȟ+catch up with+ Dread,
who is walking slowly. On the contrary, Dread moves
farther away. He turns the corner...
but Dread is no longer there. Charo looks hard for Dread. However, he does not see
him anywhere. Dread! Dread, where are you!? Charo repeatedly calls Dread's
name... but there is no reply. Dread... At that moment... Charo suddenly senses something. He hurries back to the nest. (gasps) Charo doesn't stop to rest.
He keeps on running... He arrives at the nest. (gasps) It is very quiet. Charo hears faintly the noise of the
street far away, carried by the wind. Dread? There is no answer from Dread. Instead... Charo? Margherita replies. Unlike her usual cheerful self, she looks at Charo with a stiff
expression. Margherita! Why are you here? Charo... Where's Dread!? Where did he go!? Charo looks around quickly. He has a very bad feeling.... Dread! Where is he? Calm down, Charo. They carried him away, a few
minutes ago.... What do you mean? You know what I mean. But... but... He was right here with me.
I just talked to him! His soul must have gone to
see you one last time. Oh, it's just like him, isn't it? ... Charo is so shocked he can't
even cry. Dread will always be with us.
Here in our hearts. ... Yes. Charo realizes that
there's something on the sofa. It's Dread's eye patch. Charo walks to it unsteadily. He looks at the eye patch
that was left behind. 

****************************************
_out_EN_17.txt
****************************************

﻿   <      [         It is written a "STREET FAIR". Something is written. It is
not possible to read by tearing. It is a photograph of the old
woman Charo met in the dream. 

****************************************
_out_EN_170.txt
****************************************

﻿l     l   W  l     l     l     l   S  l     l     l     l   O  l     l     l     l   K  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_171.txt
****************************************

﻿l        C     p       l     l   M  l          h        !  l   ]  l     l     +このメッセージには
英語訳がありません+ There is a message written on
the paper bag. "Each day +we make everything
 from scratch+ using the
 finest ingredients." Charo learned a new English phrase!
+We make everything from scratch.+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ There is a man jogging, who glances
at his watch and says. "+10 minutes to go+." Charo learned a new English phrase!
+10 minutes to go+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_172.txt
****************************************

﻿l      l   /  l   n            l     l   ^  l     c          l   /  l   n  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +Thank you for your cooperation.+ Charo learned a new English phrase!
+Thank you for your cooperation.+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ "+LEFT TURN ONLY+." Charo learned a new English phrase!
+Left Turn Only+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_173.txt
****************************************

﻿   7Q  >Aw    d   7Q  
6-       =Q  7r    7   8Q  '2*  6  ?   =Q  b9  B     =Q  xW  V     =Q  i;\1  w     =Q  lEZ       =Q  
B    p   8Q  	1       =Q  ;  	  $   8Q  VH  Z     =Q  :  a  8   8Q         7Q  /<|    7   QQ  .       7Q  ce    *   =Q  W?6    m   =Q  Ob       =Q  n[  "     =Q  2  S     =Q  )w  v     7Q  tu       7Q  I       7Q  32       7Q  fK6  1     7Q  t  L  }   8Q  w$F  |  8   8Q  W'    &   =Q  na    A   =Q  ?#~#       7Q  b##m       QQ  #XN       QQ  {Vy    r   =Q  r^-  X  R   =Q  Jf"  o  M   =Q  7m    k   8Q  s3       7Q  +D    n   7Q  -    	   8Q  +6+    !   8Q  WW       7Q  ]^    |   8Q  !oQ       7Q  
F  !     7Q  TS  ?     7Q  ԧ>  f     7Q  sL       7Q  u2       7Q  V:    {   7Q  KS8  	     7Q  ,JW        7Q  X  S     7Q  V       7Q  2V       7Q  B       7Q  \&7       7Q  c    l   8Q  `g#9  D     7Q  9H  Y     8Q  6  v     7Q  aE       7Q  dv       7Q  a5       8Q  `E        7Q  gV  7      7Q  i  x   !   8Q  Z     E         7Q  C]     +   
R  ˠ3     K   8Q  M  !     7Q  	L  !     7Q  #SU  5!     7Q  K2U  h!     7Q  Bh  !     7Q  ]	cJ  !     7Q  %$
u  "     7Q  $	T  >"     7Q  SI  h"     7Q  q^  "     7Q  G  "     8Q  C  "  ;   7Q  wLv  "  	   8Q  h>
  "     7Q  +sC  "  ~   	R  
L(  #  3   8Q  V96  1#     7Q  J  <#     7Q  `  ]#     7Q  TK  #     7Q  7U  #  Q   8Q  MI  #     7Q  :;7  $  ?   	R  u7  $     7Q  xE8d  ;$  1   8Q  9  r$     7Q  ZV  $     7Q  #$K  $     :Q  19%[  $     7Q  s  %     	R  O:  G%  x   	R  F2  M%     7Q  xp  d%     	R  HB  %  g   	R  ^*+  %  	   8Q  <V  %     	R  sM  %     8Q    
&     7Q  _QL  &     7Q  8  ?&  c   7Q   %(  Z&  X   8Q  StJ  u&  7   	R    &     	R  >M  &     	R  i  &     	R  nUa  &     	R  p  %'     8Q  @  Y'  j   8Q  H/T  ]'     	R  $
o  '     	R  [Yv  '  v   	R  1xf  
(  l   7Q  r/  +(     7Q  }fa  ?(     7Q  R  s(  y   7Q  VS4  (  v   7Q  2  (  V   8Q  qb  (     8Q  b U  (     7Q  Kvf  
)  	   8Q    N)     8Q  LT  R)  q   8Q  3L
*  w)  b   8Q  @vIa  )     7Q  V  )  o   7Q  ,.Q:  )     7Q  }h>T  )     7Q   Z  *     7Q  ea  K*     7Q  *Ry  *  M   7Q   x%  *  U   7Q  R$  *  t   7Q  X  *     7Q  $BG  +     7Q   x  >+     7Q  kr  +     7Q  :P  +     7Q  +f  +     8Q  Z  ,  c   8Q  K  9,     8Q  )y  N,  s   8Q  ͢x  ,  l   ,  ,   7Q      -  ,   8Q  ^K;  	-     8Q  T  -     7Q  NS  -     7Q  M
T  ?-     7Q  Z?C  i-     7Q  X  -     7Q   (]y  -  A   8Q  U"ǋ  -  U   7Q  f%  .     7Q   _  .     8Q  [  E.     8Q  "Y  k.     7Q  brA  .     8Q  +TM  .     7Q  :wf  .     8Q  o*a  /  l   8Q  D  K/     7Q   6a<  a/     8Q  arh  /     7Q  %<  /     Q  
  /     7Q  ";f  /  U   7Q  Ԉ%  
0     7Q  r8}  0     7Q  +S  Y0     7Q  ?\  0     7Q  *  0     7Q  bL  0     7Q  (SlQ  1     Q  Ah  61     Q  o  m1     7Q  |_  1  G   Q  u/  1  r   Q  "Q`  1  ;   Q  sl#  1     7Q  \  2     Q  v  J2     Q  C֤  2  s   Q  *9  2     Q  cm  2     Q  A{Y  23     Q  *!  b3     Q  ݯ=  3  B   Q  2  3     Q  o  3     Q  e$G  3  ]   Q  NlK(  3     7Q  J  4     8Q    64  N   8Q  plK*  j4     8Q  }  |4     7Q  8o  4     7Q  J T  4     7Q  Qj |K  4     7Q  %K4  5     7Q  ͵ B  (5     7Q  1%,-  O5     R  jD'  i5  u   7Q  } yD  5     7Q  <u  5  B   8Q  $  5     7Q  
l  5     7Q  Bi  16     7Q  w  k6     7Q  AsV  6     7Q  E  6     7Q   e  6     7Q  }u  '7  O   R  B-&  `7     8Q  il  o7     7Q  pwI  t7     7Q  =@  7     7Q  U`k  7     7Q  }u  7  *   8Q  @&  "8     7Q   ]e  28  :   R  keo=  ]8     7Q  ڢ%d  i8  0   8Q  N  8     7Q  Uo  8     R  ck  8     8Q  Q1  9     7Q  Y?jY  9     7Q  Ø=  H9     R  ^p  g9     7Q  1G	8  9  	   8Q  	r'  9     7Q  A	Ms  9     8Q  
  9     7Q  y*
H8  9     7Q  b
@  9     7Q  
Ve  #:     7Q  ]&\  e:     8Q  	-
  :  _   8Q  CB9  :  k   8Q  LF2  :     7Q  s  :  m   8Q  vve  :     7Q  ~M  ;     7Q  Q  0;     7Q  j  ];     7Q  i  ;     
R  yO  ;     R  F h  ;     
R  Q RP  ;  g   R  ء  K  <  h   
R  Ȧ8  &<  z   R   p  E<     
R  ]!S  n<     R  !	  <     7Q  SK  <     7Q  8*
B  <  &   8Q  l
B  <     7Q  ;
  <  ~   7Q  x{&B;  <=     7Q  ?  U=  9   8Q  S@  w=  k   8Q  Xn  =     7Q  ZL  =     7Q  AO8  =  v   8Q  1  =     8Q  n=  >     8Q  %  ,>     7Q  6
t  2>     8Q  
HI  l>     7Q  UMe  >     7Q  &  >     7Q  t~  >  z   7Q  09  2?  	   8Q  cje)  H?     7Q  ȓE  L?     7Q  Q  i?     7Q  E+M  ?     7Q  y:  ?     7Q    ?     7Q  4q  @     7Q  Ҧi  N@     7Q  `  {@     7Q  qX  @     7Q  Z  @  S   7Q  Ym*  A  b   7Q  |=  +A     7Q  A@  ?A     7Q  MCM  ^A  E   8Q  NP  }A     7Q  <  A  7   8Q  }/  A     7Q  ُ  A  At last, the day has come for
Rosa and Margherita... to leave New York. What's taking Charo so long?
Weȟ+'re running out of+ time... Margherita! Charo!
You made it! Oh, Charo, I sure will miss you! Candy has gone to Chicago, Dread is not around to look after
you any more... Ƞ+Are you really going to be all right?+ Please... don't worry. Charo, you are definitely ȡ+one of the
toughest dogs that I have ever met+. Tough? It means that you never give up. Thank you! Margherita smiles and
kisses Charo again and again. Margherita! Rosa is ready to leave
and is calling for Margherita. Arf arf! I'd better get going. Oh, I never imagined that
such a day would come. Ȣ+Take care of yourself+, OK? ȣ+I'm sure you'll get back to Japan
somehow.+ I know you will. It is the big street near Amici.
There is a taxi waiting. It is a very ordinary yellow taxi. Rosa should be inside it. Margherita looks at Charo. Her smile is complicated.
It is sad but tender. Ȥ+Thank you so much for
everything!+ Take care. Charo... +Stay strong!+ Those are the same words Rosa said
to Charo earlier. Margherita, where are you? ȥ+It's time to go now+, Margherita.
Can you hear me? I've really got to go. Goodbye, Charo! And good luck! Goodbye, Margherita. Charo is on his own again. Several days pass.... ... Mmmm... Charo absent-mindedly opens
his eyes. (sighs) ... I'm... hungry. He mumbles to himself weakly. The air is chilly around Dread's nest. An empty can lies Ȧ+in a corner+. It is an empty corned-beef can. The inside of the can is sparkling
clean. There is no meat left. It was Charo's last feast. But this was days ago. The sofa is cold, ȧ+like+ the air
around him. There is just a bit of warmth
where Charo had slept. Next to the warm spot is an
eye patch. The sofa is cold, like the air
around him. In the center is an eye patch. It is Dread's eye patch. It is still in Ȩ+the same spot as+
that day. I have to find food. Charo starts walking slowly. I'll be back later, Dread. Charo arrives at the end of the
alley. It is the end of the alley
right where Charo exits the nest. There is a garbage can nearby. There has to be something
today... Charo sets his paws on the garbage
can rim and tries to look in. The garbage can is too big for
Charo to look in. Mmmm... CRASH!
Clang clang... The garbage can makes a loud
noise when it falls. Shut up! I... I'm sorry.... Charo apologizes automatically. He slowly looks toward the
direction of the voice. ȩ+There is a dog beyond the
fallen garbage can.+ The garbage can is full of paper
scraps and plastic. There is Ȫ+nothing in it that+ Charo
can eat. There is a leaflet about a DVD sale
at a discount shop. It reads, "+Buy One, Get One Free!+" It is an unfamiliar-looking dog. The dog doesn't look at Charo.
It faces the ground. The dog appears to be eating
something. Oh! It is bread. ... Without thinking, Charo gulps. What're you looking at? Hmm? Oh... It is an unfamiliar-looking dog. He places his paw on the half-eaten
bread. He looks at Charo cautiously. It is a delicious-looking sweet roll. A sweet aroma drifts over
to Charo. Uh... um... hello. The dog glares at Charo. ȫ+This is mine.+
Go away. After saying this, the dog bites
into the bread again. I...
I'm sorry. Charo still Ȭ+can't take his eyes off+
the bread. Dread's words come to Charo's mind. "Eat +whenever you can+,
 whatever you can." There's nothing else he can
do because he is so hungry. What? I told you to go away. The dog looks at Charo again.
He looks very annoyed. ȭ+It's no use looking at+ me like that. I already ate it up. ... If you want one that much, find one
yourself. What? Maybe it's because the dog ate
the bread... He seems a bit friendlier. +He looks satisfied.+ I can find food?
Where!? That park. Stupid humans scattered them. They quickly picked them up, but
there were some left behind. Me and the other dogs quickly ate
most of them. But you might find some left over
if you look hard. Wh- Where is that park?
What's it called? I don't know Ȯ+what it's called+.
It's that big one down this road. You might see leftovers in the
open area near the park entrance. Ahhhh, that was good.
See ya. The dog walks away. Charo arrives at the park
and quickly looks around. It is the open area near the
park entrance. Joggers and tourists... come and go leisurely. The open area...
This must be it. Bread... Where is the bread? Charo looks around, but does not
see ȯ+anything like that+. ... I think I'll look around a bit more. I looked and looked... But no luck...
There's none left. Charo looks down at a flyer on
the ground... and gives a big sigh. It is the open area near the
park entrance. Tourists and joggers come and go
leisurely. Ȱ+It seems like the bread was dropped
around here, but...+ now there are only bread bags.
ȱ+There is nothing inside them.+ A flyer reads: "Parade Today!" "Try the puzzle!
Win a fabulous prize!" "Solve the puzzle to get
the keyword." "Write the answer on this flyer
and bring it to the information booth." "Exchange your flyer for a prize
that matches the keyword!" The flyer shows toys and
accessories. There's a photo of delicious-looking
food, too. Maybe food is one of the prizes. OK! I'll do my best! I don't think I'll do it now....
I'll try it Ȳ+later+. Oh, no. I was wrong....
ȳ+Should I try it again?+ +このメッセージには
英語訳がありません+ Sausage! Yay!
Sausage! Ah... Charo's happiness suddenly fades. He has the answer, but how can
he say it? He ȴ+is unable to+ get the sausage. His stomach begins to growl even more. Is it in protest against Charo's
premature celebration? Ah...
I'm hungry.... "Parade Today!" Charo looks at the picture of food
and thinks. I can't get the sausage prize, but... A parade is sort of like a festival,
right? Then maybe... Charo thinks back to the street
fair. Dread was eating ice cream. Charo remembers the lively
festivals in Japan. ȵ+There were many food shops
at the festivals.+ Maybe if I go here... Charo looks carefully at the flyer. I don't know the names of these
places... He does not know ȶ+where to go+. Hmm? Charo hears a voice nearby
and he turns around. "Parade Today!" The parade is taking place south of
the park, rather far away. He may find something to eat
if he goes there. Two young women look down at Charo
and smile. They are holding a pamphlet. ȷ+By their looks+, they seem to be
tourists. They talk to one another while
looking at Charo. Hey, look at him. It's like he's
focused on the flyer! (giggles) Aw, isn't that cute!
Let's see... One of the women bends over
and looks at the flyer. Ah, a parade. Ooh, I want to see it!
Where is it? It's... umm... They ȸ+compare the flyer with+ the
pamphlet they have. I see... the park we're at is here....
The street with the parade is... We exit the park and walk straight
south. It's the big street at the end. Gosh. That looks far. I don't think we'll be able to walk
that far. Shall we skip it? But it's only today, right?
I'd like to see it. I mean, we're here, so... Let's look
around and then take the subway... the timing might be just right. Shall we go? Yay! So, where do you want to go first? Well, we planned... The two continue to talk and walk. The parade is south of the park,
rather far away... Maybe... I'll go. Oh! Without thinking, Charo barks
and stops in his tracks. A wonderful smell drifts in the air. It is the crossing down the street
from the park. A man walks toward Charo. The nice smell is coming from the
man. He is talking to himself. Umm...
This taste.... +It is irresistible!+ He is a very fat man. He is holding a big drink in one hand
and in the other... A hamburger! The man is now very close to Charo.
He looks down at him. Charo was focused on the hamburger
and didn't notice him. It seems the man, the hamburger, and
the good smell are drifting away. It is a wonderfully big hamburger. The bread is toasted and golden. Steam rises from the thick and
juicy beef patty. The fragrant smell drifting in the air
is mind-boggling. Hey, what the- Hmm? It is a wonderfully big hamburger. The bread is toasted and golden. Steam rises from the thick and
juicy beef patty. The fragrant smell drifting in the air
is mind-boggling. Arf arf!
Hello! The man munches away and irritatedly
says: Shoo! Shoo! After saying just that, he is about
to walk off again. Arf arf!
Wait! Um... Charo doesn't give up. He
draws closer to the man's feet. Hey, don't come near me!
Shoo! Shoo! Ah! The man pulls his leg back as if to
kick Charo. Without thinking, Charo jumps. I hate dogs.
Don't follow me, you hear? The hamburger goes away. ... Charo shakes free of the faint smell
and walks on. Oh! Again, Charo stops walking. He spots something on the
roadside. It is at the corner of the alley
straight down from the crossing. A blue cardboard box is on the
roadside. Ah... A bag of cookies. Are there any left? Full of hope, Charo sticks his
front paw into the bag. Ohhh...
it's full of garbage. Charo sighs and droops his head. He hears happy voices coming
from somewhere. This is a cookie wrapper.
There is garbage inside of it. A dog and its owner are playing at
the corner of the sidewalk. Sit! Arf! Attaboy!
You're such a good boy, Cookie! Arf arf!
This is easy, Peter! Here's your reward!
A hot dog! Oh... a sausage!
I can eat this? Really? Eat, Cookie. When you're done,
let's play with the ball! Arf! The dog eats the hot dog with gusto. His owner watches him with a smile. Shota... Charo turns his back on the happy
boy and dog and walks away. Charo's legs feel tired. He finally reaches a wide street. ȹ+I made it....+ The parade street...
This must be it. Many cars drive down the wide
roadway. It doesn't seem like a festival. Is it really happening? Maybe it's already over. Or... Charo stops worrying and decides to
look around the area. Thirty minutes... by car... Charo is dazed and he cannot
move for a while. He is already as hungry as can be
and completely tired out. If it takes 30 minutes by car,
how long would it take walking? He cannot even guess. ... Still, Charo starts to walk. He can't think of Ⱥ+anything else
but+ to walk. Many cars and people pass him, but... Charo continues to walk. The sun slowly tilts to the
west, and the sky turns red. The wind becomes colder and
weakens the people's steps. However, Charo still walks forward
silently. Charo can no longer feel the
cold and fatigue. Before long, he forgets that he is
hungry. There is only one thing continuing to
float about his empty heart... only a memory... only Shota's smile. Finally, he forgets to walk... and Charo is unable to move... Am I...
going to die? Charo mumbles to his memory
of Shota, so vivid in his heart. Shota...
I'm sorry... Charo hears the happy sound of a
marching band from far away. 

****************************************
_out_EN_174.txt
****************************************

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M  )     [Q  +b[Gs  )     [Q  r[_W  "*     [Q  ,\P  Q*     [Q  }\]  }*  F   [Q  R\a&  *  J   8Q  ]   *  Z   [Q  "]OJ  *     [Q  l]  *  K   8Q  ]$@  -+  *   8Q  ?^D  E+     8Q  CU^l  N+  _   [Q  8^eP  +  	   8Q  _D)  +     7Q  ;_g  +  >   [Q  _=  +     [Q  _a  +     [Q  B`]  ,     [Q  `!  J,  z   [Q  Kacn  ,     [Q  /a;  ,     7Q  au  ,  v   7Q  kbxp  	-     7Q  $bum  5-     7Q  Ic!f  [-     8Q  cBV  -  Hm? Hmm? Where... am I? Someone is right in front of Charo.
The person is sitting still. Tomo... ko...? Tomoko's eyes meet Charo's, and
her face gleams. You're awake!? Thank goodness! It is Tomoko's room. Tomoko Ȼ+brought Charo to+ her
apartment. After that, Charo rested for
quite some time. He now feels much better. You know, I really couldn't believe
it when I found you. You're Charo, right? Arf! You don't remember me, do you?
We met at an Italian restaurant. I noticed the red star on your
collar... Arf arf!
I remember! Charo is excited.
Tomoko smiles at him. Hey, ȼ+seems like+ you understand me.
I'm Tomoko. I'm Japanese.
I came from Japan years ago. Arf arf!
I'm from Japan, too! I really wonder what you're trying
to say. Oh... Charo has totally forgotten. Humans can't understand me.... But Charo... you've really
gotten better. Good for you! With that, Tomoko looks at Charo and
smiles. This is Tomoko's room.
It has a simple, yet calm feeling. +The room is neat and tidy.+ It is a fluffy and cozy bed that
Tomoko made for him. How's your bed? +I hope you like it+, Charo. She looks at Charo with a smile
on her face. Hm? Uh-oh! Time to go to work. Listen, Charo. I Ƚ+share+ this
apartment with my friend, Jane. I've left her a note so that she won't
be surprised when she sees you. Tomoko dashes out of her room
toward the apartment doorway. And you've got Ⱦ+company+ here. Louis, be good to Charo, OK? I'll see you guys later. Tomoko leaves. Company? Charo hops from the bed and
walks over to the room's entrance. He looks into the living room
through the door that just opened. Charo sees a sofa in the dark
room. Without Tomoko, the apartment feels
empty. There is a sofa on the far side
of the living room. The darkness makes it hard to
see from where Charo is standing. Dread... Looking at the sofa brings back
memories of Dread. Charo becomes slightly sad. ... Someone is on the sofa! +He is at a loss+, and the only
thing he can do is... Uh... um. I'm... He is very curious about Charo.
His sparkling eyes are fixed on him. His bow tie and hat are very
stylish. It is a yellow bow tie with white
polka dots. Ah, this here?
Cool, huh? It was a present from Jane!
I got it for my birthday. It appears to be tied with a string. This keeps it from coming off. Nice to meet you!
I'm Charo. Tomoko brought me here. Is that so! What a surprise! Well then, I shall invite you to my
next show. Show? Of course! What else? I'm a famous Broadway star,
if you want to know... and seriously, where did she get you? At the pet shop down the avenue? No. She picked me up and brought
me here. Wow! How dramatic! I mean, you were on the verge
of death, when a pretty young girl comes up
and takes you in. Oh... a moving story! Hm, you're amazing, kid.
Your life is just like... Wait... what was it? You know, what that second-class
angel Clarence said! "You see, George. You really..." No, no, that's not it. There's a line that's more up
your alley! How does it go? Wow! That's it! That famous line
from "It's a Wonderful Life"! "You see, Charo, you've really had
a wonderful life"! Your life... your dog life.
No doubt about it, it's a wonderful life. Just wonderful! ...
Actually, it's my second time... Wha-what? To be taken in? Miraculous! The first time, I was in Japan.
Shota took me home. So... Are you saying that you came from
Japan? Yes. Oh-ho! My! A pup from the other side of the
world... has just landed right here in the
middle of my apartment! Truly amazing!
This is... a miracle! A miracle? Yes! At the end of your miraculous journey,
you've come to my apartment. It's definitely the miraculous
goal... the miraculous ending. Goal...
The ending... Right! No, no, that's not it. There's a line that's more up
your alley! How does it go? Let's see... If this isn't miraculous,
then what would you call it? No!! What? My goal is not here. My goal is Japan.... It is Shota's place! I'm not at the end....
Not at all! Whoa...
What a pup. You came to this apartment
with this big dream? Whew...
OK, OK. I won't say another word. Except for... this line! "Louis, I think this is the beginning
of a beautiful friendship." Heh-heh-heh-heh. This is another
famous line from a movie. Can you guess which movie? Oh, you came up with that one.
That's a great movie, too. But too bad.
You're wrong. The answer's "Casablanca"!
It's my favorite movie. How could you have missed that! I'm sorry. Ha ha ha! Don't worry.
I don't ȿ+mind it one bit+. There's nothing wrong with not
knowing it now! Because... Oh, you came up with that one.
That's a great movie, too. Sorry.
You're wrong. The answer's "Casablanca"!
It's my favorite movie. How could you have missed that! I'm sorry. Ha ha ha! Don't worry.
I don't mind it one bit. There's nothing wrong with not
knowing it now! Because... That's right! "Casablanca" is my favorite movie. I know everything about that
movie. What about you, kid? I'm sorry. I don't know much
about it... Ha ha ha! Don't worry.
I don't mind it one bit. There's nothing wrong with not
knowing it. Because... One weekend, as Charo gets used
to his life in the apartment, a party is thrown at Tomoko's
place. It is a party to celebrate Tomoko's
19th birthday. Tomoko looks very happy as Jane and
her friends celebrate her birthday. This makes Charo and Louis
happy, too. Late at night, the last guests
leave. Tomoko is now back in her room. Birthdays are really strange. My parents... they were divorced exactly
10 years ago, on my ninth birthday. So it's a happy occasion, sure...
but a sad one, too... This is Tomoko's room.
It is completely quiet. Jane and Louis are already
asleep. Tomoko seems a little tired. +She is yawning.+ Tomoko is smiling. But tears are ready to spill from
her eyes. Tomoko looks up at the ceiling
and gives out a small sigh. Arf!
I understand. I still remember that day so
clearly.... When my dad had to leave,
he smiled and said, "We'll see each other again,
Tomoko. I'll always be with you." But... of course...
we've never met since then.... Barely holding her tears,
Tomoko whispers in Japanese. I'm sorry, Charo.
This is just between you and me. Arf arf!
I understand, Tomoko! Tee hee. Want to know another secret, Charo?
It's about my dream. Someday, I want to write a
Broadway script for my dad. ... Do you know an actor called
Ken Matsumoto? Arf...
I'm sorry. I don't know... What?
You... know him, Charo? Arf arf!
No! That's not what I meant! (chuckles)
Actually, Charo... Ken Matsumoto is my father's
name. He's a famous Hollywood actor. One day, I'll write a script, and
he'll be the star... I know I can write it better than
anyone else, because I know him better than
anyone else. The way he smiles, the way he
talks... Oh, forget it! What's wrong? It's impossible!
This is New York. This is where all the talented people
gather from all over the world.... Arf arf!
You can do it! Arf arf! Just ɀ+believe in yourself+.
You told me that! Arf arf. Oh, what's wrong?
Are you hungry? ... Charo looks at Tomoko's eyes
and wags his tail. You're not?
Hmm... Or maybe...
you're trying to cheer me up? Well... (chuckles) I'm just kidding. But... I don't know why, but...
somehow you make me feel so... calm. You make me want to...
believe in myself again! Really! Thank you, Charo! Tomoko looks at Charo as if he
were a reliable friend. Charo loves her deep,
hazel-colored eyes... that show how pure and honest
she is. From the bottom of his heart,
Charo thinks to himself... If only I could speak to Tomoko... 

****************************************
_out_EN_175.txt
****************************************

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_out_EN_176.txt
****************************************

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  0  R   [Q  ϛ"  0  u   8Q  V5I  0     [Q  h  0     [Q  )p  0     [Q  /V  '1  ]   8Q  O5  G1     [Q  $q]  Z1  t   8Q  ZM  1  q   8Q  .  1  *   [Q  /+  1     7Q  ۠R  1     7Q  .c   2  7   8Q  }	!  52     [Q  2G  I2  ]   8Q  /  f2     [Q  T*a  {2     8Q  ms  2     8Q  fA  2     7Q  
&J  2  l   8Q  OA`  3     [Q  39  :3  4   8Q  ۣ  V3     7Q  R  b3     [Q  C?k  3     [Q  |  3  |   8Q  +a;   4     [Q  fd_  4  t   8Q  bƥZM  D4     8Q  Ј  \4  Y   7Q  .  4     [Q  e˦T  4     [Q  E   4     [Q  ȧ?n  5  -   8Q  <74  F5  x   [Q  pM1  P5     [Q  ~Æ  g5     [Q  H  5     7Q  ؅  5  This is the place where the
"Memory Piece" appeared. Purple smoke flickers like an
actual flame. There is a beautiful ball of light
at the center of the smoke. This is... the "Memory Piece".... This is the place where the
"Memory Piece" had been set. Now, its duty has been fulfilled,
and only the purple smoke remains. It is an empty space Ɂ+except for+
one thing... purple smoke rises in front
of Charo. The smoke sways like a flame,
and its irregular movement repeats. The beautifully shining "Memory
Piece" is at the center of the smoke. The memory that was shown by the
"Memory Piece" has disappeared. Only the purple smoke remains. The "Memory Piece" shines softly
and hovers quietly. It appears to be waiting for Charo. The "Memory Piece" is already
in Charo's mouth. Should I just take this to Andorra? Just as Charo tries to take the
"Memory Piece" in his mouth... Charo is enveloped in a mysterious
light! Charo's memories appear vividly
before him. That day, I was so hungry.
I thought I was going to die. Oh, no.
He'll die if I don't do something... The sausage that Shota gave me
was good.... The trip to America with Shota
was fun, but... I wandered through the city,
hungry and alone. And then I met Dread. Eat whenever you can,
whatever you can. That's rule number one in this city. He taught me how to live in
New York. Also, I met many dogs. Margherita was very nice.
We had fun, and I was happy. Candy!
My dear friend... I even tried to go back to Japan
by boat, but I couldn't.... And yet, in order to find a clue to
get back to Japan... I went to Chicago with Candy. "I will."
Anything can be done if you believe it. Sir Joseph taught me something
very important. Louisa of Chinatown... her fortune-telling told me to
return east.... So I returned to New York.
After that... Dread's health got worse every day. I looked for food every day,
hoping that he would get better. But… You just worry about yourself.
Get back to Japan. Promise me that
you'll never give up your dream. OK? I can't see Dread anymore.... Charo wakes up from the memories
he saw with the "Memory Piece"... and stands in a daze. This is... me.
It's about me. Many, many things... Charo's eyes fill with tears. It was kind of nice to see Dread. But what is this? ... Andorra might know something. I'll ask her. (ticking) (ticking) The sound of the wall clock's second
hand is oddly loud in the silence. It is ɂ+late at night+.
This is Tomoko's room. Days have passed since waking up
in this room. He has gotten used to life with
Tomoko, Louis, and Jane. One night... Charo is on top of his small bed
as always... and he is supposed to be in a deep
sleep, but... he is in a mysterious place that he
remembers seeing somewhere before. Purple smoke drifts in the area. Hmm? This is...
the place where I met Andorra. I was sleeping in Tomoko's room....
Mmm...? It is a mysterious place that he has
seen somewhere before. Charo looks up and sees a vast black
darkness. The floor feels soft and fluffy. It is a place with no sense of reality. He Ƀ+feels like+ he is floating in
a dream. There, in this mysterious place,
is Andorra. +This is a place that you will never
find in the guidebook.+ As Charo watches the purple
smoke... Andorra appears. Purple smoke floats in the area. It is the mysterious woman that
he met before. For some reason, she Ʉ+is always
concerned about+ Charo. +She has a warm heart.+ There is an air of mystery about her. Good evening, Andorra! Good evening, Charo.
We meet again. Where is this place? We are in your dream. In my dream...? That's right. I have a favor to ask
you today and that's why I'm here. What is the favor, Andorra? There should be a "Memory Piece"
somewhere around here. I want you to find it. What is a "Memory Piece"? A "Memory Piece"... is a collection
of important memories. This is your dream.
That's why here there are... your important memories, Charo. I need it right now. Why do you need the "Memory
Piece"? I'm sorry, Charo.
I can't say right now. But I will say this. I believe that someday it will
Ʌ+result in+ something good. ... Then, someday,
please tell me. What should I do, Andorra? You'll see the "Memory Locks" lined
up nearby. They protect your memory. If you release the "Memory Locks,"
the "Memory Piece" should appear. It sounds difficult, but...
I'll do my best. All I need to do is get the
"Memory Piece," right? That's right, Charo.
I'm counting on you. I'll be waiting here. Andorra! All of the "Memory Locks"
have been opened! Thank you, Charo. Now just bring the "Memory
Piece." I want to ask you something,
Andorra. The "Memory Locks" have gotten
mixed up.... Can I start from the beginning? That will be OK, Charo. Relax and close your eyes.... Charo closes his eyes Ɇ+as he is
told+. OK, Charo. Now go look at the "Memory Locks." They should be back to the way
they were. Thank you, Andorra! I'll try hard. Wa... wait... Andorra!
I brought the "Memory Piece." You know... when I touched this... everything that has happened came
into my head at once. What is this, Andorra? (chuckles)
Charo, the "Memory Piece" is... a collection of memories that a
person cherishes, including everything,
both good and bad. This is your dream.
In other words... this is also your heart, Charo. My heart? Yes, the important memories that
were deep in your heart... I needed the "Memory Piece"
in order to help you. Will you give it to me? Andorra receives the "Memory
Piece" from Charo. She holds it and closes her eyes
for a moment. I see....
Many things have happened. The last memory is...
of Dread. ... Dread. Charo's eyes fill with tears again. He was a very nice dog. Charo remains quiet and doesn't
answer. After a while... Dread saved me many times. Countless times.
So many... But I will never be able to see him
again. I can't do anything for him. That's why I must... keep my promise to Dread... and not give up my dream. ... Yes.
I will go back to Japan for sure. That's why... I will try my best,
Dread. His last words weren't meant for
anyone to hear, but... they naturally came out from
Charo's mouth. ... Thank you, Charo. Thanks to you, things will turn out
just fine. What?
What is going to turn out fine? Oh, I'm sorry.
Time's up. Let's meet again soon. Oh, wait!
I have more to ask! However, Charo's voice
did not reach her. Then... when Charo wakes up... Tomoko looks at Charo.
Her face is unusually serious. His head is still hazy and he is
confused, but... this seems to be Tomoko's
room. Hmm? This is...
Tomoko's room? I was talking to Andorra just now. Charo is suddenly on top of his
own bed. Tomoko stares at Charo. She looks at Charo.
Her face is very serious. Although, Tomoko had been
staring at Charo... she suddenly lifts Charo and
brings him to her bed. Wa-wah! Tomoko speaks to Charo. Charo, are you from Japan? What...? Your Japanese owner...
is his name... Shota? Yes! How come you know? Arf! Oh, this is insane. Tomoko chuckles to herself. You see,
I had this weird dream last night. There was an old woman
who called herself... Andorra! She said you were from Japan. She gave me a strange rock, and... Tomoko shakes her head. Oh, forget it. It's just a dream. Andorra!? She appeared in your
dream? Arf arf, arf! Charo barks hard. Charo? ... It's sort of like... you really know
what I'm saying. This can't be true. OK, Charo.
If you understand me, bark twice. Half jokingly, Tomoko is trying to see if Charo is
really able to communicate with her. Arf! Once.... I wonder if it was my
imagination. Oh, no! I got it wrong! Arf arf! You're kidding... Arf arf!
I understand. Arf arf! Charo, you need to slow down.
Once again.... Your owner is an eight-year-old
boy named Shota. If this is true, bark... twice. Arf! I understand! Once.... I wonder if it was my
imagination. Oh, no! I got it wrong! Arf arf! That's right!
Shota is my owner! Oh, my... Tomoko grabs a piece of paper
and a pencil... and starts to draw a picture.
She shows it to Charo. (whimpers)
Dread... Charo, this is Dread, right? Arf... It's Dread... Once.... I wonder if it was my
imagination. I made a mistake at such an
important moment... Arf... arf.... It's Dread... Tears roll down Charo's cheeks. I miss him....
I miss him so much.... He passed away recently.... Arf, arf... Tomoko gently hugs him and
strokes him. It's OK, Charo. I understand what
you've been through. Dread's gone, and you're trying to
get back to Japan... right? Arf! I want to go home. Once.... I wonder if it was my
imagination. Oh, no! I got it wrong! Arf arf! I want to go home.
I want to go back to Shota! Tomoko is moved. Gosh. You're really something. A small pup like you, trying to get
back to a faraway country like Japan. And I'm just whining over my dream
without even trying! Tomoko... I'm ashamed of myself. OK, Charo, we both have our dreams,
we both try hard. Let's see who gets to the goal faster.
Like a race. What do you say? It was a wonderful morning, one that
neither of them would ever forget. 

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_out_EN_177.txt
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_out_EN_178.txt
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_179.txt
****************************************

﻿l     l   W  l     l     l     l   S  l     l     l     l   O  l     l     l     l   K  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_18.txt
****************************************

﻿l   T  l                  @  l   {  l     l        8     _       l     l   V  l                  ;  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ It's a coupon ticket of a restaurant. "$5 OFF Dinner. Not valid on
 Holidays. +Expiration Date+: 02/01." Charo learned a new English phrase!
+Expiration Date+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ Looks like a flier of a travel agency. "+Reserve your hotel room here and
enjoy a complimentary breakfast.+" Charo learned a new English phrase!
+Reserve your hotel room here and
enjoy a complimentary breakfast.+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ A woman is speaking to a sales clerk. "I am afraid I am out of cash.
 +Can I use a credit card?+" Charo learned a new English phrase!
+Can I use a credit card?+ 

****************************************
_out_EN_180.txt
****************************************

﻿l   h  l     l     l   %  l   d  l     l     l   !  l   `  l     l     l     l   \  l     l     l     l   X  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_181.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_182.txt
****************************************

﻿U   7Q   $  |     7Q  D)o  |     8Q  (  |     AQ  @Ѹ;  |     7Q  ~M   }     7Q  ]Z<  V}     7Q  S]  {}     7Q  X:^  }     7Q  Rf  }  V   7Q  ?=  ~     7Q  Y  =~  F   8Q  P  v~  B   AQ  n  ~     AQ  -  ~  Y   AQ  %,  ~  >   8Q  ܻ:!  ~     8Q  JP  ~     AQ  IN  ~     8Q  \Z  ~  -   AQ    $  E   AQ  м0  -     7Q  <"$Z  D  u   AQ   9$  u     8Q  (%e       7Q  ܊Yu    9   AQ  5 N       AQ  V       AQ  fs{  #     AQ  usO  _     AQ  =X       AQ  H  Ā  &   8Q  N߿#       7Q  'a       R  dH  *  .   XQ  b  Q     7Q  X  [  }   8Q  !4       AQ  TV#    v   AQ  wL    #   8Q  +4       7Q  _  &     AQ  D  d     AQ  _4Xi       AQ  _  ʂ     AQ  >c  
     AQ  `\1  N  @   AQ  Vn  j     AQ  ĭX  w  }   AQ  Y.    b   AQ  e4#  ȃ  O   8Q  ;XJ-  ܃     AQ  "    {   7Q  N       AQ  A+M  (     AQ  lDK  `  I   AQ  85       AQ  m8       AQ  @       7Q  fH       AQ  ѯE  (  T   AQ    D     8Q    V     AQ  W!M4  [     AQ  UP       AQ  t?  Å  &   8Q  z       AQ  |$Hj    3   AQ  y  *     7Q  %$)h  5     7Q  R  j  0   8Q  Z$       7Q   h       7Q  B  ͆     8Q  3h       7Q  s5       7Q  3  5     7Q  eV  U     7Q  3B       7Q  +u|j       8Q  iU    0   8Q  5$       7Q  NO%p  '     7Q  Y,u  c     7Q  9       7Q  8       7Q  q@b  ވ     8Q  
       7Q  =       AQ  G  1     8Q  a6  X     7Q  ~UY  `     7Q  "fS       8Q  k       AQ  n=?  ҉  	   8Q  	       AQ  #=G    2   AQ  `  .     7Q  $[  :     7Q  xt  `     8Q  aT       AQ  |@	0       8Q  p=  ֊     AQ  C+       AQ  6I    G   AQ  )$  8  S   AQ  ,:  G     AQ  JE  W     AQ  ۿ%S       AQ  >       AQ  lA  ˋ     8Q  Z       AQ  T.       8Q  K:_G       AQ  	       AQ  !D  "     AQ  ;  H     7Q  BY  t     7Q  f&:    \   8Q  j-       AQ  ˘>  Ȍ     8Q  cH       7Q  X    J   8Q  <?       AQ  ^P  *     AQ  	H  ]  ;   8Q  0    y   8Q  '=    	   AQ  e    3   AQ  n{C       7Q  )N&F    \   8Q  3       7Q  &v       AQ  k  4     7Q  'W  :     7Q  A  g     7Q  c'       7Q  t  ׎  f   7Q  -+       7Q  "'M  (     7Q  I^6  L     7Q  =k  h          ݏ          >     r     8Q  k    E   AQ    א     8Q  \.       8Q  9Y       AQ  Kx     K   8Q  $  %  d   AQ    4     8Q  {
  F     7Q  Kqn  L     7Q  =>  {  b   AQ  /    E   AQ  1       AQ  #j  ȑ     7Q  UXC       7Q  *(|    V   8Q  *  ]     8Q  h  o     8Q  en       8Q  [??  ޒ     AQ  2       AQ  yFZ.  &     AQ  tN  B     AQ  U~  q     AQ  =BQ       AQ  דI    >   7Q  h,    	   8Q  	  "  g   8Q   3C  &  i   8Q  S_4  <     8Q  ғ6n  Q     8Q  K1    "   8Q  S3M    ^   8Q  "KC       8Q  "~       8Q  L	l  ߔ  7   8Q  bZ##    	   8Q  
  	  h   8Q    
  	   8Q  gH'
  2  h   8Q  UP}  6     8Q  %~#  [     8Q  M       8Q   |       8Q      ,   AQ  K    	   8Q  I    Q   8Q  S    	   8Q  ,U    Q   8Q  S        8Q  )9@  5  ,   AQ  zK  S     8Q  W8w  ]     8Q   "N       8Q  Nu    	   AQ  }~       8Q  -G       AQ  (#B       AQ  eH  <     AQ  v+  q  	   AQ  h       AQ   
       7Q  m    u   7Q  ng.  ė     AQ  'J  ܗ     AQ  a&    7   8Q  B  2     8Q  &)J  =     8Q  p(A  ^     AQ  %    b   AQ       p   AQ  ;$       AQ  0	X       AQ  
b"2    ^   AQ  ,%    K   8Q  ׹Z@    	   8Q  1  )     8Q  
  -  i   8Q  N  i  /   8Q         7Q  T!B       7Q  d`       8Q         7Q  1       7Q  	Z       8Q  d  A     7Q  ,|\4  G     7Q  U  g     7Q  0       7Q  6f       7Q  D(j       7Q  EO  /     7Q  `R  a     8Q  <?       8Q  .3  ̛     8Q  tJ    V   8Q  oSOF       AQ       N   SQ  )("  '     SQ  _  7     SQ  +9<  z  m   XQ  dJP       SQ  &H  ǜ     SQ  .f       XQ  J       SQ  ŏ  W     XQ  ]5&    O   SQ  p=       SQ  mgH       SQ  	
  ם     XQ    ݝ  {   SQ   H       SQ  ilK       XQ  l  0  b   SQ  !a  k     XQ  wW       XQ  $  Ǟ  8   SQ  &    Q   XQ  &W    p   7Q  =T    	   8Q    4  L   AQ  7  8  *   8Q    T     XQ  c  ^     7Q  "	3  e     7Q  <GP  ~     7Q  b    T   8Q  P1  ֟  }   XQ  I!E       XQ  
)>  
     8Q  f  (     XQ  mMq  -     XQ  T  k     XQ  3\       XQ  ۏ2  à  ~   8Q  J  ߠ     7Q  
    F   XQ  '  C  x   XQ  Y  R     8Q         XQ  R[       XQ  pM       XQ  |[  ա     XQ  
-       XQ  GD     y   XQ   /  B  ~   8Q  J  Y     7Q  $  {  i   8Q  	@    ]   7Q  z)  Ӣ  Y   7Q  1Q       AQ  Jd       XQ  r!  /     7Q  ѓQ  7  M   AQ  d!  ]     XQ  /w  n     AQ  0~[       XQ  K)uQ  ܣ     7Q  ])?     &   XQ  -  '  Z   XQ  [+  5  z   XQ  Z30  I     XQ  $d0  e  X   XQ  b       AQ  L	    G   XQ  MR"    8   AQ  d    0   XQ      5   8Q  	    D   8Q   /    s   XQ  OO  פ     7Q  ϟy     t   XQ   h  ?     XQ  Ł 99  f  T   8Q   .    	   AQ   1    p   8Q   d    2   AQ  _	  ĥ     AQ  td>  ϥ     AQ  Ih       7Q  <MM  (  ~   AQ  h1  P     8Q  g  h  q   7Q  1  m  i   8Q  5       8Q  }       7Q  .HXx.       7Q  jN       7Q  i{\    l   8Q  q`<  !     SQ  T  ?  A   SQ  %&  E  g   XQ  =)  S  3   SQ  g  f  R   SQ  /#  q     SQ  $4    E   SQ         7Q  E    Y   XQ  :1  ֧  E   SQ  ^l(    w   SQ  A    	   8Q  7  +     XQ  J  /     SQ  7D  R  C   XQ  F1  V  0   SQ  O],  e  '   SQ  I#  q     7Q  4O  y     7Q  MG       7Q  DE  ̨  J   8Q  !    I   SQ  h (    f   SQ  4A    /   XQ    <  )   SQ  X.  F     7Q  M\w  Q     SQ  X       SQ  ?    @   XQ  	       7Q  .	s  ͩ  C   SQ  	    a   XQ  S	"       SQ  q	
T  0  p   XQ  {-
2  f     XQ  :`
av  ~  T   SQ  
K       SQ  e"4z  ܪ     XQ  fe  !  /   SQ  $  R     XQ  &{  ]     XQ  )Fg       XQ  jp  ݫ  r   SQ  b
.    9   XQ  3B
&  0     XQ  i
$q  ;     XQ  =
Z<  p  $   SQ  `    i   XQ  *@       7Q  ks  Ŭ     SQ         SQ  2B       SQ  1U  5  g   XQ  D  c  c   SQ  BbB    8   XQ  Y*       XQ  8`       XQ  ϙF       SQ  m       SQ  N$U  <  w   XQ  .  i  V   SQ  @d+       XQ  @    ,   SQ  =$       SQ  mbd  ɮ     7Q   |{       8Q  Bl  :     8Q  ^nw  B  	   AQ  m  {  !   8Q  f       AQ  #>       AQ  4       AQ         8Q   &p<    =   AQ  bp(       AQ     ̯     AQ  l       AQ  w}  E     AQ      u   7Q  ?rA  հ  _   AQ         AQ  _D       7Q  >D*  +     8Q  :,Y  m     AQ  N       AQ  f5    t   AQ  RH;       7Q  %8  Ա     7Q  Ql<       7Q  +D       7Q  Tf  ?  2   7Q  09b  w     8Q  M5       8Q  ۗ    	   8Q  {X       7Q  0y       7Q  *2~  &     8Q  \Pq  d     8Q  s       7Q  Yf>  ɳ     AQ  H       8Q  X4X  :     8Q  _d  V  Q   AQ  **       8Q  D       AQ  [S+    $   8Q  ~Q  ڴ     AQ  EnD       AQ  X    Z   8Q  ~-'P  -     AQ  }fU  B     AQ  J  p  M   AQ   O%       8Q  B        7Q  a M       AQ  ֯ T  ҵ     AQ  !h    '   8Q  l!d  2     AQ  vXr  ;     8Q  "~!  }  R   AQ  >!       AQ  ,!S       7Q  !Z       8Q  T"
Z       8Q  Ю"pG       AQ  @"(  /     8Q  4#  O     8Q  >#  T     8Q  _P#Cn  [     AQ  #[    0   8Q  $`  Ʒ     AQ   8$l  Ϸ     8Q  $o       AQ  *L  @     AQ  %kc  b  n   8Q  Fx%f       7Q  %b       AQ  A&I       AQ  ׊&o       8Q  &  ^     AQ  o	'f  e     AQ  	p'p       8Q  '  ׹     AQ  'xt  ۹  n   8Q  Fx%f       7Q  n(]g  <     AQ  |(9  w  ?   8Q  )(%       AQ  3)>       8Q  Pr)s  ݺ     8Q  ^)p  
  W   8Q  U*\  >     AQ  *^  _     AQ  +A    	   AQ  S+       AQ  gf+c
       AQ  p++       AQ  +    }   8Q  47    /   AQ  +s  ٻ     AQ  ;+*K       AQ  Ն+!z  	     AQ   ,.V  B     AQ  $W,9  k     AQ  ,ق       AQ  -L  Ѽ     7Q  `-!       7Q  ,0  N     AQ  31,jz  m  	   AQ  ,       AQ  v,\       AQ  ,7       AQ  	,    }   8Q  47    D   AQ  ,  н     AQ  -^R  ޽     AQ  C.2       AQ  A.c  L     AQ  (/f       7Q  /*       7Q  :-2    u   7Q  &E-=5  %  _   AQ  cz-  =     AQ  a-C  O  q   AQ  -,  {     7Q  B.sI       AQ  L.    A   8Q  Bb./    Y   AQ  D.g   ȿ     7Q  .`b  ڿ     7Q  /f       AQ  z/h2  S     7Q  */
  n     AQ  760    A   8Q  A0/    Y   AQ  p0"       8Q  0k    	   AQ  0    1   AQ  G0    i   8Q  0W0    R   AQ  h0}       7Q  0@       7Q  =1P  0  l   8Q  21Z9  ^     7Q  J70)R  s     7Q  s0QP       7Q  1r       7Q  :2/X       7Q  0M  R     7Q  =2q       7Q  '1l=       7Q  d1j       7Q  S33       8Q  63  8     8Q  S3O  @  W   AQ  Ϣ3#  b     7Q  3M4  u     AQ  :3ے    	   AQ  4       AQ  4       AQ  4w!       AQ  ,4    }   8Q  47    B   AQ  +5z#       AQ  1CQ       AQ  0O53Y  =     AQ  c5Ne  t     AQ  
6e       AQ  Ks6 g       AQ  k6rS  (     AQ  -7uu  U  u   7Q  R76    _   AQ  T7       AQ  7F       7Q   2|       AQ  88>  /     AQ  Zw8I  P  *   8Q  8  |  k   Q  8Y4       7Q  ͜2M       Q  92    o   Q  39	]    T   Q  9(       Q  r9Ս       Q  GG:  T     7Q  [: W  [  5   Q  :5    z   7Q  +:&       Q  ?:F       Q  ;;+\    I   Q  ;#    G   Q  ;6    	   Q  ;"  4     Q  <?  8     Q  E<  W  	   Q  }N<  \     Q  /k<!  `     8Q  <  g  $   AQ  <l  q     8Q  !<f>  ~     AQ  <b       Q  4^=       7Q  p= w       Q  =H    ;   Q  />  F     Q  zK>XC  S  ]   Q  Ҏ>H  q     Q  r>p    e   Q  >J       7Q  n6?W       7Q  s2-    r   Q  ?%/    f   Q  ;?F  (     Q  @t  H     Q  f3xv    i   Q  ގ3y4       Q  x@A\    b   Q  W3C       Q  @>]  $  }   Q  2A4?  L  9   Q  :qA
-  k     Q  GAl_  }     Q  Ad    j   Q  aBRf       Q  $By    d   Q  ACP  #     Q  CM  C     Q  =CF  m     Q  !4d       Q  ''D0V    w   Q  W}D]    ~   Q  $DKJ       Q  o%E  8  {   Q  l4"S  ~  ?   Q  'E       7Q  E=    	   AQ  4    5   8Q  F:       AQ  4F    !   8Q  =F}       AQ  YFt       8Q  nF\    =   AQ  74$       AQ  G4~       AQ  Ra5  J  {   AQ  ^5Q       AQ  j26u       AQ  6_    u   7Q  uF?;  1  _   AQ  -F  I     AQ  Fz@  [     7Q   7M       Q  aGP       Q  SYG3T    $   Q  G7       Q  G?  '     Q  tHf  G     Q  MhHS]  v  |   Q  HM<       Q  I	       7Q  IvU    p   Q  `IJ(       Q  CI9    p   Q  I#  -     Q  I5  D  {   7Q  JJx+  b     7Q  GJ@e  y  /   AQ  J    \   AQ  J+    }   AQ  ;J*    	   AQ  ,       8Q  -K1,       7Q  ZKL]       7Q  [KH<  %     AQ  K<  A  #   8Q  0L$  `  	   AQ  fUL  i  U   AQ  TfL+$  m     8Q  L  ~     AQ  Mr    -   8Q  M&    0   8Q  &M(&    i   8Q  NMn    !   AQ  7  #     AQ  7hL  +  -   8Q  EN'  Z     8Q  lN
  f     8Q  zNm  l  	   AQ  N       AQ  hNZ>       AQ  <O/o       8Q  O
    a   8Q  Og    	   AQ   P  -     AQ  3Pn;  1     AQ  3oP':  R     AQ  ZPC  y     8Q  lPM~    v   AQ  jQ>       AQ  sQFR       7Q  QD  '  A   AQ  q@R%  M     AQ  PR:  [     AQ  FR;       AQ  R!       8Q  R    	   AQ  LRB       8Q  SB       8Q  S       8Q  ʨS6v  
     8Q   T"  >  *   AQ  "T-  u  {   8Q  TG}    O   8Q  3dU+       8Q  ߏU>u    m   AQ  V\4       AQ  y9V7    2   AQ  )qV       AQ  V;       AQ  V"  E  	   8Q  V!  ]  l   a  j   8Q  mWk       AQ  <sWj       AQ  W_  	  _   AQ  =X  B     8Q  v\Xu  T  &   AQ  rXY    S   8Q  X)    ,   AQ  Y       8Q  p#Yop       AQ  ߓYC       AQ  YUf       AQ  $>Z2  /  m   AQ  qZ#;  I  $   8Q  (Z   q     7Q  Z`  {  t   7Q  7-[YC       7Q  p[7F       8Q  Ƕ[ 
       8Q  [e    0   8Q  )\+  .     AQ  PU\iT  7     7Q  i
8d  l     7Q  
r8Je       7Q  \`       7Q  
]u4       7Q  ?]/B  .     7Q  E]lo  N     8Q  ]Ym       AQ  
^^?    	   8Q  ^'       AQ  5^LK       8Q  _/       7Q  ,@_       7Q  4_z  Z     AQ  P`p       8Q  `       AQ  `>       8Q  a=    >   AQ  9a       8Q  Ma  !     7Q  aa^  '  	   8Q  Oa  R     8Q  aes  V     AQ  VEb-c       AQ  b>O       AQ  b?    	   8Q  7c    z   8Q  ~Ocf       AQ  cl  /  ,   AQ  "d  p     AQ  9dn5  z     AQ  odw       8Q  "       AQ  d:r    z   8Q  o\h  4     AQ  Ye  X  #   AQ  *e       7Q   f    X   AQ  fYq    	   AQ  Vf       AQ  0gx-       AQ  ;g!"       AQ  ]g    }   8Q  47    4   AQ  qg&  7     AQ  W8Y  C     AQ  K19f  o     AQ  59s    ^   AQ  :/       AQ  ;:       AQ  goe  3  u   7Q  Vg7  m  _   AQ  4h       AQ  PhwF       7Q  :    6   AQ  h  
     AQ  hF    D   8Q  h.  A     AQ  *ih  O  u   AQ  4i        8Q  iq    S   AQ  %j=       AQ  cj|Y    c   8Q  jS    3   AQ  k  4  P   AQ  -kG$  ?     7Q  /Rk6  N  2   7Q  ܈k  l     AQ  kMB  w     7Q  k;E       AQ  *$l=x    D   AQ  glw  	     8Q  ޺l
A       AQ  lm  4     AQ  im">  w     AQ  mIG    ?   8Q  4m.    3   AQ   n       AQ  J;<       7Q  :nmN    u   8Q  KnrF     w   AQ  nC4  7  \   AQ   o?  V  b   7Q  CoG+  v     8Q  oo&d       8Q  <oM    m   8Q  !p5    Z   8Q  VpT:       8Q  mpN    i   8Q  #qM  5  	   8Q  Uqq  T  p   8Q  !q_^  X     8Q  qEw  w  W   8Q  dr1       8Q  Wr    $   8Q  Yr       8Q  r\       8Q  ys        AQ  N?su       8Q  MsL    ,   AQ  ϙsF       7Q  s_  !     AQ  	tM  N  	   AQ  !tO
  U     7Q  =,tn  Y  u   7Q  Yt.       AQ  9ti       8Q  N2u    4   AQ  Qu    {   8Q  mu*~    H   8Q  u$    2   AQ  Ov        7Q  %vxK  +  {   AQ  rqvb  Q  *   8Q  v  }     AQ  vg       8Q  XwE       AQ  w*       AQ  :#xhG       8Q  jx
  (  l   Q  ,  l   Q  k  l   Q    l   Q    (   8Q  fxxL:  (     AQ  xwZ  ;  [   8Q  )
y0  k     AQ  =yQ       AQ  y_       AQ  y_       8Q  Nz]    9   8Q  _z1       AQ  zU
  *  '   8Q  z*  0  _   AQ  z.  9  B   8Q  z@  L     7Q  &{.P  [     7Q  :v{C    9   AQ  O{"       7Q  b{[    	   AQ  6|       AQ  I|       AQ  ;f|
       AQ  E|
    }   8Q  +E    9   AQ  _|Z       AQ  ˇ;b  '     AQ  ;Z  W     AQ  :E<pe       AQ  |rR       AQ  <l       AQ  Xd       AQ  MY_  `  {   AQ  MY5    	   AQ  +|,       8Q  W}       AQ  b}       AQ  B};N       AQ  }}@    	   8Q  7;~  9  `   AQ  Q~/  =  W   AQ  ~*  Q     7Q  ֪~=  b  	   AQ  ~h       AQ  $%       AQ  :-G
       AQ  7    }   8Q  +E    A   AQ  "Te&    [   AQ  j=y(       AQ  ?=lU       AQ  O=c       AQ  J=eH  V  p   AQ  A>R       AQ  Ɠ>e       AQ  >YY       AQ  R?K|  
     AQ  z]  K     AQ  @?n  x  u   7Q  w'9    _   AQ         AQ  *Q?       7Q  )>@p    i   8Q  i@  >  C   7Q    T  !   7Q  pɀ  b     8Q  
ـ  j  ^   8Q    m     7Q  @T       7Q  Aa    [   7Q  Ll       7Q  .eA;Y       7Q  bG  9  H   AQ  #Ӂ  c     AQ  
^  q     8Q  Ha       AQ  Wck       7Q  rJX  
     7Q  D  @     AQ  Fj  f     AQ  gG    S   AQ          7Q  _A       7Q  iAcd    [   7Q  AW!  F     7Q  "B&[  X     7Q  bvAB       7Q  }B?    ]   8Q  6    q   SQ  Vu@    q   SQ  /0    	   SQ  `#  &     SQ  {a  *  S   SQ  ~݅/  W     SQ  нBs  j  ;   8Q  o
bL    '   8Q  Y    '   8Q  v       7Q  <T       7Q  t:       8Q  /"R  #     7Q  +u/;  E  D   8Q  Z&  h     AQ  ևȄ  v  Y   8Q  [7       8Q  s	       7Q  
\a    J   8Q  i!  	  m   SQ  9 kA    b   8Q  aI  3     8Q  5k  L  g   SQ  D  }     7Q  [E       7Q  1C\       7Q  ǠA       7Q  PK       7Q  -mE  ?     AQ  Iso  b     AQ  r_    2   AQ  ABF       7Q  YF       AQ  B    w   AQ  sK  *     8Q  K.  U     7Q  eE  \     7Q  ̍>t       7Q  ]@I    q   SQ  4C}A    q   SQ  C<.  (  	   SQ  <  =     SQ  ޜV  A  V   SQ  C)  n     SQ  'Dno    	   8Q  uG#    ;   8Q  bL       8Q  c}    ;   8Q  bL    o   8Q  Z-a  *  ;   8Q  Y0  L     SQ  62
  b  s   SQ  h͐Jd  g  E   SQ  11    ~   8Q  acQ       SQ  W        SQ         SQ  $>       SQ  cm    a   SQ  ВyF  D     SQ  %>c  j     8Q  cz       SQ  4"    *   8Q  .    -   SQ  "ϓ=       SQ  
oK    '   8Q  X       SQ  _m       SQ  PDBG  C     8Q  H
  d     SQ  T@d  i  r   SQ  c$       SQ         SQ  \y    n   SQ  O'  5     SQ  `/  L     SQ  Ds    !   8Q  1       SQ  AKP       SQ  Zc4        7Q  ϗ`  $     8Q  0H  a     AQ  @y9  {  3   8Q  GL       7Q  Ș"N       8Q  w       8Q  d    u   AQ   g        8Q  ̟!  !     8Q  ˙X  (     AQ  A$\  O     AQ  ^REL       AQ  쀚Bl       AQ  .D       8Q  1      7Q  IO1      SQ  a  7 <   SQ    g    SQ    t    SQ  
C  x b   SQ  V"   0   SQ  yy)   w   7Q  j$5   *   8Q  ؜   9   SQ  6      SQ  FT      SQ  NV[[      SQ  Y  L m   SQ  2  v 	   8Q  >U      8Q  V[   S   AQ  u   w   8Q  ˞]D      7Q  uEj   k   SQ  Y,      SQ  Q=P  5 r   SQ  @   k    SQ  ڮ9   l   8Q  AD      8Q  ,R   F   AQ  Rf      8Q  b      AQ  'I      AQ  A      8Q  @}O  R    AQ  Fi]  W    7Q  B      7Q  ͡a      7Q  H{F^=      AQ  FZ      AQ  Gc  5    7Q  X/am  m    7Q  6wGEw      7Q  R      7Q  []  ( D   8Q  M48  _ u   8Q  :ܑ  o    AQ  U      AQ  )l]   #   8Q  #ʤ3"      AQ  V7      AQ  ze  5 <   8Q  >#  p S   8Q  'y-  |    AQ  13   l   8Q  eO   z   AQ  '      8Q  _ܦ      7Q  %2      8Q  6w      7Q  =g  %    8Q  u  ^    AQ  sB      AQ  ]/      8Q  
C      AQ  M ]      8Q  
^o  	    7Q  yz0_  		 [   8Q  ٩P  B	    8Q  d*~  X	    8Q  rG  	 	   AQ  u2  	    AQ    	    8Q    	    7Q  P*f~  	 9   8Q    	    AQ  [ =   
 G   8Q  [  
    AQ  %Y  ,
    8Q  r|  ^
    8Q  @  
 r   AQ  j/ ?  
 0   8Q  jn  
 (   AQ  T  
 ,   8Q  R  
    AQ  3k  
    AQ  5)@  "    8Q  ,j  J    AQ  |4   `   8Q  :%8      8Q  ruh   	   AQ  $ۯ      AQ  A-7      8Q  n&a      8Q  =&  )    7Q  @Kl  0    7Q  Lo  k '   8Q  ׉   m   AQ  q)   t   8Q  bñ89      AQ  r      AQ  oV  #
    AQ  Ų87  V
 D   8Q  G  w
 *   AQ  DO  
    AQ  VB  
 |   AQ  hR  
    8Q  [ 2  
    8Q  ["  
 !   AQ  }<      8Q  K  	    AQ  ]X   G   8Q    A y   AQ  QδqB  N    AQ  GV  j S   AQ  	g=      AQ  Z      8Q  >      AQ  ,=T(      8Q  e  - `   AQ  &~4%  2    8Q  ZӘ  E    7Q  -<l   8   8Q  H   _   AQ  :Ƿ      8Q  8      7Q  
ox      AQ  ypY  4 Q   8Q  Tʸ$  b    7Q  u  q    7Q  d<<      7Q  p   m   8Q  K       AQ  ]x|  6 6   8Q  ںx  w    7Q  ;u      8Q  jw   w   7Q  {G5   E   AQ  Bz$      AQ  N]      8Q  O      8Q  5
v  " B   AQ    I    AQ  ($HL  W .   8Q  ͜*      AQ  Ǽj      AQ  qHSY      AQ  WH@      AQ  
IGo  ) h   8Q  n28  d    AQ  WO  z    AQ  oj=      AQ  NZ      AQ  b      AQ  CzI  6 Z   8Q  eKj   |   8Q  <оys   {   AQ  JO   	   8Q  C   `   8Q  iaZ      AQ  D   +   AQ   1  * J   8Q  (C  5    8Q  ^H  K c   8Q  ,  h    8Q  ~   { 	   AQ  m%      AQ  
      AQ  _$4)      AQ  M   }   8Q  +E   M   AQ  kJ1      8Q  k      AQ  ˜Jgs      AQ  2KY      AQ  K^I  E    AQ  KO  f    AQ  Jptu      AQ  o      AQ  U3      AQ  y4L  &    AQ  )LJ  m u   7Q  -<   _   AQ  8      AQ  MI      7Q  JMh   >   8Q  %rT  -    8Q  6t  H    AQ  LDB  l    AQ  :)      8Q  C      AQ  
1`      8Q  o      7Q  {^   [   8Q  @
FM  2    8Q  Z~  H    8Q  %rG  u 	   AQ   4      AQ  1F      8Q  I      AQ  ~=      AQ  7M]      AQ  (;  ! +   8Q  T*  L    AQ  b  W +   8Q        7Q  )Nw      7Q  V>      7Q  k6YY      7Q  ďS  ,    7Q  E  `    7Q  z(	W      7Q  zT      R     Y   R  _X      R   ?-$  	    R  Mc]  #    7Q  "7  U    7Q  ;  r    7Q  c4r      7Q  }      7Q  $Y   u   7Q  o~V  B    7Q  OT  p    7Q  *j   w   7Q  ,      7Q  Q      7Q  CDN      7Q  	Nʅ  J    7Q  aB      7Q  bY   w   7Q  r'      7Q  X%N  	    7Q  th  5    7Q  m:  p    7Q  G
W      8Q  Qnt{      8Q  @h        AQ  R3  0     8Q  ԅ@h  L     AQ  2  |     8Q   x    7   AQ  yS       8Q  ̮       AQ  b       AQ  y(\  !    AQ  h,i  N!    8Q  %  !    8Q    ! 6   AQ  |  ! ^   8Q  %y>  !    AQ  6  !    AQ  `Ldh  "    AQ  ĴKO  >"    8Q  (  t"    7Q  ,W  {"    7Q  X8  "    R  &Oj  "    R  E  # -   R  

   #    R  #^[  &# u   R  u~G  W# 	   8Q  ,  z#    7Q  ){  ~# ~   AQ  P&  # *   8Q  vu  #    7Q  Q[K  # t   Q  
@  
$    8Q  !  #$    AQ  P*F3  &$ '   8Q  ]  @$ s   8Q  w6  I$ O   AQ  t,  _$    7Q  Td  n$    7Q  P@m  $ c   7Q  dOH  $    7Q  8^  % z   Q  =  4% ]   8Q  I!.  L%    7Q  wk  a%    7Q   Q  %    7Q  5JB  %    7Q  OwV  % k   Q  [T  & ;   Q  r"\(  C& -   R  J
  P&    Q  W_D  Y&    Q  _OG?  v& {   R  LE^  &    Q  2  &    R  m  & &   Q  ~   '    R  \1  ' G   Q  ?   &'    Q  Db  4' ]   R  HR&  f' }   Q  oX  y'    Q  ;  '    Q  _g  ' `   R  &k>  '    Q  ɩk  (    R  hG  Y(    Q  !].  (    R  W8  ( i   Q  4  ( ;   AQ  I  ( 0   R  L  (    Q  >,F4  (    Q  `  )    AQ  Pv  
)    8Q  b  )    7Q  PbW  ) q   AQ  B  E)    8Q  /t  k) G   AQ  '|4  ) f   AQ  D  )    8Q  f,c  )    8Q  j  ) R   8Q  3  .* z   8Q  7p3  ?*    7Q  kGb  V*    Q  \:  * b   Q   [  * k   Q  cK  * 2   Q  f  * u   7Q  9'  +    AQ  @9i  +    7Q  y_[  S+    Q   3<  +    Q  S9f  + U   Q  P&  +    Q  ]\  + 0   Q    ,    Q   r  ,    Q  KG  T, M   7Q  _\  Y,    AQ  |8g  h,    8Q  OI  ,    7Q  i  ,    7Q  T@P n  ,    8Q  !/}  -    8Q  PUS  D-    8Q  %L  b- &   AQ  hd  - Y   8Q  zZ  -    8Q    -    8Q  A  -    AQ  s^B  .    8Q  K  $.    8Q  8  F.    8Q  $]  .    8Q  m!@  . 	   AQ    .    8Q  o  .    8Q  q  .    8Q  7  T  4/ ^   AQ  TP,8  [/    8Q  t yc  v/    8Q  [ ow  / D   AQ  v  /    AQ  qE  / ;   8Q  C]V  0    8Q  |`\  0    AQ  PT  >0    8Q  +  p0    8Q  6!U  0    8Q  K"L  0 	   AQ  $dW  0    8Q  {|x;  0    AQ  ?  
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a  4    7Q  s[  5    7Q  v!Td  15    8Q  ʅ
  e5    7Q  )Y  k5 M   8Q  XG  5    8Q  d3hj  5 $   AQ  ̝  5    7Q  Y;  5    7Q  [k  5    7Q  [SS  86    7Q  Y=C  d6    7Q   4  6    8Q    6    7Q  F'  6 :   8Q  ;
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  ;    AQ   4  ; r   7Q   6  ;    8Q  0m  ;    7Q  rk  ,< M   AQ  V	  h<    7Q  $R  x<    AQ  w7Y  < T   AQ    < \   8Q  ed  < S   AQ  =S%  	= 	   8Q  x   =    7Q  (K  =    8Q  Y  C=    8Q   0\  c= R   8Q  =5  =    AQ    =    8Q  q  = 	   AQ  %  =    AQ  4k  =    7Q  `uU!S  =    AQ  Uv  >    AQ  ep  H>    AQ  W~Q[  O>    AQ  a  z> G   8Q  ;$  > 	   8Q  !`2  >    7Q  SuBp  > Q   8Q  Lo  >    8Q  TÈ  ?    8Q    Q? g   8Q  4H  W? h   8Q  7?_  j?    8Q  4WI  ? 	   8Q  O!
  ?    AQ  '=  ?    8Q  8K  ? V   AQ  '	;F  ? o   8Q  n	M]  
@    8Q  Z!/E  .@ a   AQ  P	@  H@ ,   8Q  
  \@    8Q  
QU  f@    AQ  =t
v=  @    AQ  
ib  @ u   7Q  :  @ _   AQ  N  A    AQ  G?VP  A    7Q  ӏV3q  ;A    8Q  n  A    8Q  A  A    8Q  ǃ  A 	   8Q    A    8Q  
  A    8Q  99   B    8Q  
NA  
B    7Q  _E
`  $B !   7Q  
  TB    8Q  
  \B i   8Q  M
H4  aB    8Q  
%  uB    8Q  #g  |B K   8Q  |@  B    AQ  [.  B #   8Q  z%  B    7Q  {vo  B    7Q  zY  C    7Q  kU  MC    7Q  _>U  ~C    7Q  .  C    7Q  }  C    7Q  @sR  	D    7Q  Jc  8D 7   8Q  ^/  wD    7Q  u&C  D 	   8Q  ia  D    AQ  ;  D D   8Q  .  D !   AQ  )  D `   8Q  "6  D 8   AQ  
;J  D    AQ  WVb  E    AQ  6>  BE    AQ  'm  aE    AQ  ?eh  E    AQ  S`d  E    7Q  1l  F    7Q  -Q  aF    7Q  Lp  F    8Q  I:P  F    AQ  3  F 	   8Q  'D  G    AQ  k!
W  G    AQ  xxB  KG    AQ  ?U  {G    AQ  P@A  G    AQ  QV  G    AQ  ^L  !H }   8Q  g[  QH    8Q  SPuM  tH c   8Q  ȝT  H    8Q    H e   8Q  vt  H W   8Q  RF  H S   AQ  23  I &   8Q  e  !I    8Q  xs  )I    AQ  ~W}  ZI 4   AQ  T3  _I    AQ  Am  uI ^   AQ  W3  I    AQ  #_  I One afternoon... Charo is taking a walk.
He turns a corner and sees... Sirius! Charo! ɐ+Long time no see!+ They ɑ+are excited+ by their
unexpected reunion. It is an alley corner near
Broadway. It is different from the busy main
street. It is calmer. Sirius gets up from his nap
and looks at Charo. He turns around in front of the
door, and waits for Charo. The glass reads
"BOOK STORE." Many books are lined up on the
other side of the window. A bookstore? That's right. I work at this bookstore. As a... watchdog. Watchdog...? It really has been a while,
Sirius! Yes. What are you doing today?
Are you on a stakeout? (laughs) No, no.
I work here... Sirius indicates the window
display next to him. I'm working here now... Watchdog... A bookstore watchdog?
You? Sirius ignores Charo's surprise
and continues. (chuckles) You know how I was sent away
for re-training, right? Since then, I worked so hard
to win back Catherine's trust. But sometimes,
things just don't work out right. ɒ+Every time+ I was given a chance,
I blew it. So here I am, nice and retired. Retired! At that moment, a customer comes
out, together with a woman. So thanks again, Catherine.
Take care! You, too! Saying so,
Catherine goes back into the shop. Did Catherine quit, too? Yes. Her parents decided to retire, so
Catherine ɓ+took over+ their bookstore. She always wanted to.
She loves books. I see... Not having met for a while,
all Sirius says is news to Charo. I thought I would never see her
again. But she took me in, the moment
my retirement was announced.... You know... Catherine and I,
we've been through a lot together. And I always thought that she loved
me as a competent police dog... nothing more, nothing less. I was wrong. I now know that she loves me
ɔ+just the way I am+. I am her true partner... and always will be. That's... great. There's even more to it. Sirius seems happy and
continues. The other day I was walking in
the park with Catherine. I stopped by a small but
beautiful flower... and realized... how much I had missed out on. Now with Catherine, I can appreciate
even the smallest things in life. Sirius and Charo smile at each other. I, uh... heard about Dread. I'm really sorry. Yes. He once asked me to ɕ+look after+ you, help you with your dream
in case something happened to him. That dog... he cared about you. Dread... And in order to keep my promise
to him, I have been studying. Follow me. Sirius gets up. In front of the door,
he looks back. Sirius guides Charo through
the glass door. (amazed) Charo looks around and sees books
everywhere. Bookshelves line the walls and are
filled from floor to ceiling. Ah... He sees Catherine near the door. This is the bookstore entrance. Catherine sits at the register
counter near the door. She reads a book at the register
counter. Catherine is ɖ+busy reading+ the book
and does not notice Charo. I think I'll... greet her later... (amazed) Books fill the store for ɗ+as far
as the eye can see+. Bookshelves line the walls and are
filled from floor to ceiling. Sirius was waiting for Charo. The store is full of books. Charo has never seen so many
books in one place. Ah! Charo speaks unintentionally. All of the books here are about
Japan. Wow...! Many books on Japan sit
on a large stand. Sirius turns around and looks at Charo. Wow. There are many books here! Well, it is a bookstore, you know. ... Anyway, ɘ+there's something+ I
want you to see. This is it. Sirius shows Charo a low, wide stand. On top of the stand, there is
also a long row of books. They are all books ə+on+ Japan! It's a section on Japan. You have read these books? Some, but not all of them. I understand a little more about
Japan now. For example... (clears throat) Japan ɚ+is located in+ the Pacific
Ocean, some 6,000 miles west of California. Recent popular dog types are... dachshunds, chihuahuas, poodles... Sirius! What? You've studied all this for me? Sure! I mean, if I am to help you get back, I need to know about your country,
don't I? Sirius says this as if it were
obvious. Charo feels warm inside. Thank you, Sirius! ...
I'm happy to hear you say that. ...? However, Sirius doesn't seem happy
at all. What's wrong? Actually, I've ɛ+kind of+ lost my
confidence. Learning about Japan is rather
difficult... What? Why? But you know so much! ... Follow me. This is the section of books
on Japan. What is it, Sirius? Sirius speaks while looking up
at the big poster on the pillar. This. This large pillar is near the
Japan section. A large poster hangs from the
pillar. It has pictures of Mt. Fuji, a ninja,
a katana, sushi, and other imagery. The images on the poster are very
Japanese in their style. It's a lively design. Large text at the top left
reads... "Do you really know Japan?" Right below that, a supplemental
caption is written. Do you think you know Japan just
by seeing geisha and Mt. Fuji? Test your knowledge of Japan by
answering the quiz. Select the red arrow if you
know the answer. Select the blue arrow if you
don't know the answer. By the end you will know your
level of Japanese knowledge. It's a poster about Japan.
What about it? Look closely. ...? It's a test about Japan!
Have you tried this, Sirius? Yes. How did it go? You want to know? Ah... Charo now understands why Sirius
is depressed. But Sirius looks up at the poster.... It's like this. See? ...
As you see... I can't even get one right...
Talk about pathetic.... He lowers his head and sighs. Sirius's lack of confidence makes
him seem like a different dog. Cheer up, Sirius. Right now, you know ɜ+more about
Japan than I do+. I was born in Japan, but I don't
know a single answer. You don't need to be depressed! Thank you for worrying about me,
but... it's not a laughing matter. I wanted to learn about Japan
and I studied... and yet, I was told that my level of
knowledge was that of a child. It's sad when your results don't
match your efforts. It's the same feeling as that
one time... Sirius sighs. ... Sirius is really sad. He studied for me... I want to ɝ+do something for+ him.
Mmm... Umm... I know! To cheer him up... ... he should do well on the test
and regain his confidence! In order to do that... Hmm... Ah, I know! ... No, that's no good.
Not that. Umm... ... No, that's no good.
Not that. Umm... For Sirius to do well on the test
and regain his confidence... we should study about Japan
together! Yes... that's it!
I mean... this is a bookstore. Sirius! ... What? ... No!
Not that. Umm... ... No!
Not that. Umm... Let's study together, Sirius! ... What? ɞ+Let's read the books and look for
the answers to the test!+ There are so many books here. I'm sure we'll find the answers
if we look. ... Let's look through the books
together! ...
I appreciate your proposal, but... I've looked through basically all
of the books here. Even if we look further... ... No. But Charo's determination stirs
Sirius's heart. Sirius raises his head. Well, I haven't actually looked through
all of them. ɟ+Will you help me, Charo?+ Of course! I want to know about Japan, too. Let's learn about Japan together! OK. So, I'll guide you... ... but, wait a minute. If I guide you, I'll only look in the
same places. It might be better if you looked. Will you guide me? What? I guide? ... Japan... then, it would have to
be the Japan section first. Yes!
I understand, Sirius. Let's go! This is the bookstore's register
counter. Catherine sits as if buried in a
mountain of books. Hm? Catherine talks to a ɠ+customer+. Charo sees the customer and
is surprised. John! This is the bookstore entrance. Catherine sits at the register
counter near the door. John stands in front of it. A book she is reading is on her lap.
She listens to John. She has a book on her lap and is
quietly turning the pages. He scratches his head while
talking to Catherine. It seems like he is explaining
something to her. It's John. He's Margherita's
friend, and he owns a store. I've been there to shop. I never thought I would see him
here.... So I'm surprised! I see. So, you know... A book that ɡ+cheers you up+ and
makes you smile naturally... That's the kind of book I'm looking
for. Humor? Comedy?
Then why not over... No, no, it's not like that. I don't need to laugh.
As long as it makes me feel good... Makes you feel good...
Maybe a book on self-development? Self-development? I don't know.
Sounds a bit too serious... ...? Ummm....
Let me explain. Actually, I already know the
title... Th... Th? Uh... nothing. Forget it. It... sort of has something to
do with counseling... Books on counseling would be...
in the psychology section. Ah, psychology.
That sounds right. Then, it would be at the end of
the aisle on your right. You'll know it right away. Th...
thank you. ɢ+Take your time.+ John walks away with
unsteady footsteps. ... Who was that?
You know him? Y... yes. Oh...? Catherine notices Charo. She smiles at Charo and then
Sirius. She lowers her eyes to her book
and reads quietly. Arf arf!
Hello, Catherine. I've... seen you before. Are you a friend of Sirius's? Arf! Standing next to each other like
that, you look like friends. You can stay in the store if
you behave. However, this is a bookstore,
so be quiet, OK? Don't bother the customers. Arf arf!
I understand, Catherine. Catherine smiles and lowers her
eyes back to the book on her lap. You're that... You're still with him.
... Do you know Sirius? Arf! (chuckles) You must really get
along. You can stay in the store if
you behave. However, this is a bookstore,
so be quiet, OK? Don't bother the customers. If you do the same thing again... You understand, right? Arf arf!
I understand, Catherine. Catherine smiles and lowers her
eyes back to the book on her lap. That's great, Sirius! Charo smiles, too. At that moment... You don't need to apologize.
Luckily, it didn't rip... Sirius! Scared, Sirius and Charo turn
around. Ca... Catherine! So it was you two!
You dropped the books everywhere! Arf! It's a misunderstanding!
There's an explanation...! Oh, no.
What a mess you've made...! Catherine quickly puts back
the books. (sighs)
Done. Now listen, Sirius! I'll let it go this time... But if you do it again... You understand? Wo- "Yes," right!? Woof woof! And you? What? Me? Arf arf!
I understand! Oh... you understand?
That surprises me. Catherine finally smiles and wipes
the sweat off her forehead. It sure is hot.
I'm drenched in sweat! I'd better lower the temperature... That scared me! ... But it was OK.
Catherine was smiling. However... we can't touch the books anymore. Catherine won't change her mind.
If we did it again... Sirius trembles just thinking
about it. Be very careful, Charo. I... Charo trembles, too... I understand, Sirius. Hmm? She approaches the register. The book that John brought is
on the counter. He stands in front of the counter
scratching his head. Arf arf!
We meet again, John! Whoa! Oh, it's you. You know this dog? Huh? Um... Yes, I know him. He's shopped at my store before... Right, Charo? Charo answers by wagging his tail. Oh?
You ɣ+run+ a shop? Yes...
a small shop. It's nearby.
Just down that road... ... "The Mechanism of a Broken
Heart"? No. ... I'm sorry? Ye... um... Ye-yes. Catherine smiles while listening to John. He talks while gesturing with his
hands. It looks like he's forgotten about
Charo. Arf arf! John! What? Really!? ɤ+What a coincidence.+
Since when? Recently. Really...! John is deep into the conversation
and doesn't hear Charo. Oh! I'm sorry.
ɥ+I'm interrupting your work.+ I don't mind. Catherine pulls out a sheet of
paper and starts covering the book. What's that? It's a book cover. Why are you putting that on?
So it doesn't get dirty? I don't really know.... I was told that it's normal to do
this in Japanese bookstores. In Japan, huh?
Strange custom. But I like that pattern. It's unique.
Is it a painting of some sort? It's called an ukiyo-e.
An old Japanese picture. Ukiyo-e... I have a special section dedicated
to Japan in my store now. This service is only ɦ+available+ while
that section is here. I don't know if it's necessary, but
it is pretty, isn't it? It's a wonderful idea. (chuckles) I did some research for
my special section on Japan. And that's when I came up with
this. Really? Regarding ukiyo-e,
did you know that... It seems like their conversation
is going to continue for a while. Ah... I'm sorry.
I'm interrupting your work. Oh, I've already said that,
haven't I? Sorry. I don't mind.
I'm enjoying myself. Enjoying yourself?
Talking to me? Yes. A lot. I enjoy taking my time talking
with customers. Before, I wasn't able to... A pleasure, huh? That makes me
happy. It makes me feel good. Hmm? Before?
ɧ+What did you do before?+ I was a police officer. A police officer! With my partner over there...
Right, Sirius? Huh? Oh! Wait a minute! I remember!
You're the dog...! It seems like their conversation
is going to continue for a while. Sirius. John and Catherine seem to
be having a really good time. ... Sirius? ...... ......... Hmm... Did...
did you hear something? Ukiyo-e is... a genre of pictorial art that was
established during the Edo period. Ukiyo-e greatly influenced
European artists, but... in Japan, the public treated it as
an amusement, rather than an art. Surprisingly, many Ukiyo-e were used
as wrapping paper for exported goods. Sirius smiles at Charo. Thank you, Charo. I've learned another thing about
Japan now. +Ukiyo-e went overseas as wrapping
paper for shipped goods.+ They look like they're having a
good time. Yes. Looking at her smile like that... makes me very happy. This is the section on Japan. Many books are on top of the stand. Some of the books on the stand
are open. Even little Charo can look at the
three books in front. However... Japan... Is called... became
popular as... Not... thinking of nothing...
focused only on sitting.. ... The books are full of English
that Charo doesn't understand. A variety of books are lined up,
some opened and some closed. Sirius said that he read all of
the open books. I have to look for closed books
that I can reach.... A variety of books are lined up,
some opened and some closed. Let me know if there's a book
you want to look at. The books here... are hard. Even though they're books on
Japan, I can't read them. Oh, is that so? Do you understand them, Sirius? Shall I explain them to you? Really? This book is about Japanese
ninja. A female ninja was called a
"Kunoichi." Kunoichi... I see... This is a book on sightseeing
areas in Japan. Japan has many places for
recreation. Just like Miami. Miami... Charo doesn't know what Miami is. Oh, that's a book on the new
culture of Japan. It also has information on words....
Like "moe". "moe"... It says this is Japanese to express
affection. You don't know it? No... That's strange. It says here that this word
represents Japan. It is the first time for Charo to hear
the word. Sirius.
Did you by any chance... read all of the books here? All of the books that are open. Wow! But... you haven't read the books that
aren't open, right? What? You're going to read the
closed books? That's... No good? If you try to pull out a book and
open it, you might scratch it. If we are careful, then it should
be OK, right? Well... if it's just a little.... But there are many books.
Which book are you going to look at? Umm... Wait a minute...
Mmm... Charo decides to look carefully
at the books on the stand. Uhh... if you are too forceful... I'm afraid you'll hurt both the book
and Catherine's feelings... But... I know. We won't get the knowledge
if we don't try. If we're very careful, it'll be OK.
That's what I'm thinking. OK! Still, there are many books.
Which book are you going to look at? Umm... Wait a minute...
Mmm... Charo decides to look carefully
at the books on the stand. Have you found a book you're
interested in? Hey, Sirius... Did you find a book you are
interested in? Hey, Sirius...
The book I'm interested in is... ... I'm sorry.
I ɨ+guess+ we can't find it. ... I'm sorry.
We can't find it. I see. Well then,
let's go someplace else. This is a book on... sumo. ... ...... ......... Hmm... Did you learn anything? Sumo is... a type of wrestling native to
Japan. Referees called "Gyoji" wear
traditional clothes, and... the highest ranking Gyoji carry
daggers. This is to show their readiness... to commit seppuku on the spot in
the event of a bad judgment call. It shows the seriousness of their
commitment. +Some Gyoji carry daggers to commit
seppuku if they make the wrong call.+ He has already read this book. Is this a... sword?
A book on Japanese swords? ... ...... ......... Hmm... Did you learn anything? The katana... is a sword that the Japanese
samurai use. It's ɩ+made from+ specially processed
steel called Tamahagane. The katana's appeal is not
only its power as a weapon... but also its artistic value as a
beautiful ornament. +The katana is made from specially
processed steel called Tamahagane.+ He has already read this book. Sirius smiles at Charo. Thank you, Charo. I've learned another thing about
Japan now. That one, huh? Good. Sirius stretches out his front legs. Hmm... Are you OK? Yes, of course... Sirius carefully pulls the book to
the front of the stand. After that, he carefully places his
paws on the book cover... That's the next one? OK... Sirius stretches out his front legs
and pulls the book toward himself. Ah... Are you OK? Yes, of course... Ah... ... I'm sorry. Why are you sorry? It's just that... He shrugs as if embarrassed. Sirius's eyes fall on the book
on the ground. Hmm? Those people... It is the woman who was in
the travel guide section. It is the man who was in the
travel guide section. He takes a book that was on the
stand and looks at the open page. He looks at the book and eagerly
talks to the woman. It is the man who was in the
travel guide section. He takes a book that was on the
stand and looks at the open page. The book on ninjas is gone. It is replaced with a book left by
the man with glasses. It has a photo of an Akita. Sirius! Those people left this book here! I noticed it, too. Sirius looks through the book. This... is a book on Japanese dogs.
This page shows an Akita. ... ...... ......... Hmm. Did you learn anything? An Akita is... one of the larger breeds of
Japanese dog, which has also been known in
the U.S. for a long time. The Akita was ɪ+introduced in+ the
U.S. by Helen Keller. She was presented with an Akita
during her visit to Japan... This was the first Akita
to arrive in the United States. It is said that she loved her dog
very much. Word spread, and the Akita
became well-known in the U.S. Sirius smiles at Charo. Thank you, Charo. I've learned another thing about
Japan now. +Helen Keller helped the Akita to
become known in the United States.+ This is a book on Japanese
dogs. This book has helped me learn
about Akitas. Arf arf! He's... still a puppy. The woman looks at Charo and
laughs a bit. Does he look like my dog? No, not at all.
Why did I think that? You own a dog? Yes. At home in Japan.  It's a
type of dog called an Akita... Akita! The man with the glasses hurriedly
looks at the bookshelf.... I found it! He pulls out one book. Are Akitas popular in the U.S.? Well, I've heard of them so
they probably are. I wonder why? Wait a minute.
I think.... ... Here. It's written right here. Hmm? ... ...... ......... ............ We can't hear them anymore.... Yeah... And I was interested, too.
It's a shame. Ah! Suddenly, the man with the glasses
speaks in a high-pitched voice. What time was the lecture
of Professor Simmons!? What? Oh.... Oh no! Let's get out of here! Y... yeah.
Oh, wait a minute!! What? I almost forgot.
I have to buy this. The man with the glasses throws
the book on the stand... and picks up a different book. That book on ninjas? Don't you...
already have that? Only the photos are the same.
The words are completely different! Oh... really.
It looks exactly the same to me. Ouch. That's cold.... You've been bad-tempered lately.
Are you too busy? Rest sometimes.
You need a break. Go to a beach and relax...
go to Miami! Mind your own business!
And... Miami?
(chuckles) Sorry, but I'm from Miami Beach. ... What!? You are?
But you were born in Japan... Of course, Japan.
Japan's Miami Beach! Well, the right pronunciation
is "Maihama." "Maihama"?
"Mai," maybe, but... what's "Hama"?
It doesn't sound the same. "Hama" ɫ+means "beach" in
Japanese.+ Put them together, and you get
"Maihama"! So... they named "Maihama" after
Miami? I don't understand.
Why did they do that? If you come to Maihama,
you'll know. ... What? Does that mean... you're
inviting me to your parents' home? Whoa! Look at the time!
Let's go! Wait for me. The two go to the register
counter. ... They left. ...... Sirius? ......... ...? Maihama is... the actual name of an area in
Urayasu City, Chiba Prefecture. The name of the area includes "Hama,"
but not because it's near the sea. The name comes from
Florida's "Miami Beach." "Miami" became the Japanese "Mai,"
and "Beach" became "Hama." Put together, the words became
the name "Maihama." Sirius smiles at Charo. Thank you, Charo. I've learned another thing about Japan. +The place in Japan called "Maihama"
got its name from Miami Beach.+ I wish I could go to Japan someday. It's not the kind of country you
think it is. Really? You'd probably be disappointed. There are no geisha or samurai
walking around. But there are French maids walking
around, right? ...
Only in certain areas.... Huh? The woman lays her eyes on
Charo and Sirius. They're here again.... Do they belong to this store? They're here again.... Do they belong to this store? The two look at Charo. The two stop talking. Their
eyes follow the print in the book. Let's go! Yes. Let's try it. Let's do what we can... ... ...... Charo and Sirius look at each
other and nod. Sirius becomes emotional... It's all thanks to you, Charo. ... Wow! ... Just a bit more! What? You're not satisfied?
But you did so well! No. I've come this far.
I'm aiming for a perfect score. ... Sirius. (amazed) Wonderful score!
That's great, Sirius! Yeah... but we need to focus on what is
still ahead... ... Sirius. Ah... You got two of them right!
Good job, Sirius! ... I've still got a long way to go. But the effort is starting to pay off.
If I keep going like this... Ah... You got one right!
Good job, Sirius! ... I've still got a long way to go. But now I know there's still a
chance. I might be able to do it if I keep
this up... Yes! You will be able to master it
for sure! Thank you, Charo.
I've learned from you. I've learned that "I can do it if
I try." The two look at each other
and smile. ... Now then. I've taken up too much of your time. I shouldn't pull you into this forever. Are you going to leave? Ah... ... Tha... That's right. You still haven't
looked for anything yet. Let's go, Sirius!
Let's look around and learn more. Let's try again after that!
I'm sure you'll master it! O... OK... Yes, let's do our best!
Let's go, Sirius! This is enough. You are already an expert on
Japan! No, that's not good. I want to get a perfect score. However... I shouldn't pull you into this forever. Are you going to leave? ... +このメッセージには
英語訳がありません+ Yes. I'm sorry.
I have to go home... There's no need to be sorry. I
ɬ+appreciate+ what you've done. It's because of you that I was able
to make it this far. Thank you, Charo. No...
I will stay with you and do my best! Charo... Let's go, Sirius! All right! That's not true.
It's because you tried hard. Now, I have to return the favor. I will use this knowledge so
that you can return to Japan. I won't spare any effort. Talk to me whenever
you have a problem! Sirius... Sirius's help may not be... well...
"practical." But his intentions are
certainly good. And that was enough to make
Charo happy. But... Wha...
What kind of help should I ask for? (amazed) This area is a section that covers
books on cooking. There is a bookshelf and a stand
used for displays. It is a section that has many rows
of books on cooking. It is a tall bookshelf that almost
reaches the ceiling. There are many rows of books. It is a low stand made of wood. Several books stand so that their
covers can be seen easily. There are many tasty-looking
pictures! Well, this is a section on cooking. ... But are there any books on Japan
in this section? Mmm... The colorful pictures of food stir
both Charo's interest and appetite. Charo decides to look carefully
at the bookshelf and display stand. Did you find a book you're
interested in? If so, let me know. Sirius. Have you found a book you're
interested in? Yes. Which book? Um... Sirius already knows that book's
contents. ... I'm sorry. I guess we really
can't find it. No need to apologize.
Let's go to a different area. And..
I think it worked out best anyway. We can't make Catherine angry
anymore... ... I'm sorry.
I haven't found it yet. Well, don't worry about it.
Let's take our time and look around. Bento...? I've never heard the word before... What is the connection between
Bento and Japan? A Japanese public bath is
called a Bento. I think that's called a Sento...
I'll ask you again. Ready? A Japanese goddess is
called Bento. Well, I've heard of Benten, but...
I'll ask you again. Ready? I see... Sirius stretches out his front legs
and opens the book on the stand. "Bento." I see....
A lunch box. ... ...... ......... Hm... Did you learn anything? Bento is... a type of portable meal developed
in Japan. Dishes of many colors are packed
into a small container. There is also a special type of
Bento called a "Charaben." A "Charaben" is... a Bento with food decorated
like anime and manga characters. Anyone would be surprised to see
such an elaborate Bento. Sirius smiles at Charo. Thank you, Charo. I've learned another thing about Japan. +A Bento that makes food look like
anime characters is called Charaben.+ Sausages? Does that have anything to do
with Japan? What? Ummm... Whether it's related or not,
it's impossible anyway... ... not at that height. I'm sorry. It looks like it's not
related. I see...
Then, forget it. I want to avoid dropping any
unnecessary books. Mm... That's right...
I'm sorry. Washoku... Japanese food! Sirius leans toward the book. However... There's no way I can reach up
there. With that, Sirius lets out a sigh. I would've really wanted to see the
book if it's on Japanese food, but... it's a shame. Would it work if you jumped? I think I could reach it, but getting
it while jumping is a bit... We're not as skillful as humans. We would be rough and damage
the book. Then, umm.... Washoku... There's no way I can reach up
there. With that, Sirius lets out a sigh. Mmm... is there a way? I want to read it, too,
Charo. Let's try it.
Climb on my head. Charo thinks hard. Even Sirius cannot reach the
book... Of course I can't reach it. Climb the bookshelf? That's impossible! Only the squirrel or the little
bird could do something like this. I can't.
Not at this height... ... (sighs)
If only I were bigger. If only I were as big as both of us
combined. Then, we would... Ah! I know!! I'll climb on Sirius's head and... Sirius! Hmm? Let me climb on your head,
Sirius! ... What? Charo explains his wonderful idea
to Sirius. Mmm... ... Perhaps Charo's passion has touched
Sirius's heart. Sirius raises his head. I understand. Let's try it.
Climb on my head. OK! Impossible. You... you're right.
I made a mistake. Umm... Ready, Sirius? I'm ready. Charo climbs on top of Sirius's
head. Are you on? Then...
I'm going to stand, OK? Y... yes. H... how is it, Charo? Do you think
you can reach the book? Mmm... Balancing in this position is not
as easy as I thought... I can't keep it up long.  ...Hurry! OK! +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ ... Waa.
I failed. Calm down, Charo.
Look carefully and try again. I'm sorry, Sirius... No... I should be the one to
apologize. I'm OK now. I've rested and I'm not
tired anymore. If you want to give it another try,
hop onto my back again. Now! Ah! I did it! ...!? Ohhhh... Are you all right? Yes! I'm fine! Sirius checks to see if Charo is
OK. He draws his face close to the
book. Sausages... Sirius gently turns the pages of the
fallen book. ... ...... ......... Hm. Did...
did you learn anything? Sausages... are meat, seasoned with salt and
spices, and... stuffed into a casing, such as
sheep intestine. Sausages originated among central
Asian nomads... who created them as a way to
preserve food. Incidentally, hot dogs originated
in a New York stadium. It is said that the name comes from
the dachshund, a type of dog. The reason is that its long body
resembles a sausage. However, the truth is... ... I'm sorry....
That had nothing to do with Japan... No... Learning is a wonderful thing.
Even if... it has nothing to do with Japan... ... Let's try it again! Japanese food... Sirius looks at the fallen book. ... ...... ......... Hmm... Did...
did you learn anything? Washoku is... Japanese cuisine. It's known for making the most of its
ingredients, but... lately, it has been getting a lot of
attention for its taste. Normally, there are four types
of taste... "sweet," "salty,"
"bitter," and "sour." But with Washoku,
there is a fifth taste: "Umami." Umami can be found in many types
of fish, but... actually, it's also in familiar
vegetables, such as tomatoes. Umami is a hidden taste found in
all dishes. Now, Umami is common knowledge
for chefs around the world. Sirius smiles at Charo. Thank you, Charo. I've learned another thing about Japan. +The fifth taste that composes
Washoku is "Umami."+ That's great, Sirius! Charo smiles. Then... !? Owww....
Huh? What's this? They are books that were next to
the one he pulled out. Most of them are recipe books,
unrelated to Japan. But among them... is a book called "The Mechanism of
a Broken Heart." The title has nothing to do with
cooking. (thinks hard) You must have pulled out all of these
books at the same time. I'm sorry. I made a mess... There's no need to apologize,
Charo. Luckily, they didn't rip. Sirius carefully picks up the books
with his mouth... and puts them all on the lower
shelf. I feel a bit embarrassed since I'm
sort of hiding them, but... It's better than just leaving them
on the floor. Let's go then... There are several books
on the lower shelf. Most of them are recipe books,
unrelated to Japan. But among them... is a book called "The Mechanism of
a Broken Heart." The title has nothing to do with
cooking. Catherine might have put it there
by mistake. That reminds me... This... isn't it, either. Oh? What about this? ... No. The only thing that fits is
"mechanism". I can't find it... It's a book on counseling, so it
should be in this section. Mechanism?
Counseling? Maybe... Maybe... This might be the book that
John was looking for. The book is already in his mouth. ...
Let me try taking it to John! Charo takes the book in his
mouth. What is this? Linguistics and psychology...
It's the section for academic books. Academic books... Hmm? John stands in the narrow space
between the bookshelves. Arf arf! John! ...
Oh, it's you... Charo. John!
Look at this book! This might be the book you are
looking for! Arf! Hmm? What's this...?
A book? This is the academic book section. It is a crowded corner on the
far side of the store. A tall bookshelf lines the wall. A short bookshelf stands on the
other side. All the shelves are full of books. The bookshelf on the wall is mainly
filled with psychology books... The shelf on the other side has
books on linguistics. However... John blocks the path like
a dam. We can't see the books like this. Do you want to wait
until after he leaves? Yes... He looks at the bookshelf on the
wall with crossed arms and sighs. He occasionally pulls out a book,
opens it, and then puts it back. He looks down at Charo with
a puzzled look. This... isn't it, either. Oh? What about this? ... No. The only thing that fits is
"mechanism". I can't find it.... It's a book on counseling, so it
should be in this section. ... Mechanism?
Counseling? Is that the name of the book that
John is looking for...? Mechanism?
Counseling? I've seen it before...
But where? Arf arf!
Hello, John! Aah! Wha-what...
A dog.... A Doberman!? Hey, you're... I'm Charo.
Long time no see, John! Ah, I remember you. You're... Charo. You came to the shop with
Margherita. It's like you understand what
I'm saying. It's mysterious... It's been a while.
How is Margherita? Oh, that's right.
Rosa is already in Miami. Yes... How have you been doing? Arf arf! (laughs)
I see. I wish you could share that energy
with me. John...? You see, at this age, I realized
something for the first time. Things like this... are painful. ...? I played sports, went to parties,
took counseling. But... it was no good. Nothing I do seems to make me
feel better. I just get depressed. Today, I came to look for a book
recommended by a friend, but... I'm unable to find it. It's been like this lately.
Whatever I do, it turns out bad. I'm no good... Even something like
this makes me feel like that. John... Thanks for listening to me.
I feel refreshed. I'll try to look around a bit
more. John starts to rummage through
the books on the shelf again. John is really depressed. ... But there's nothing we can do
about it. ... Really? John's depressed muttering can
be heard. I want to do something for him.
Umm... Sirius. You want to help him? Yes... John is looking for a book.
Like us... I understand how you feel...
but it's difficult. Books are made for humans in
the first place. They are much better at reading
and finding them than we are. There is nothing that we can do
to help. OK.... Charo gives John the book. You're giving this to me?
(chuckles) Thank you. Let's see... Ah. This is the book I was looking
for.... No doubt about it. Y... you... John stares at Charo. Arf arf! Thank you. You looked for this after listening
to me, right? Ahh... but of course, I know that's
not possible. But I'll think of it that way.
Even if... it was a coincidence! ... He said it was a coincidence! Can't blame him. And it happened twice. John places the book under his arm
and picks up his bag from the floor. Well, it's time to go. Thanks to you, I found the book
I was looking for.... See you later, Charo. Stop by at the shop anytime. Arf arf!
See you later, John! I hope you feel better! Arf arf! Good for him. Yes! Looks like we ended up helping
him after all. You really amaze me... I mean,
I really admire you. ...? Nothing. Now...
let's get back to looking for books. A tall bookshelf lines a wall. On the opposite side, there are
many shorter bookshelves. Every shelf is full of books. The bookshelf on the wall is
mostly psychology... and the shelf on the other side looks
like linguistics. In a row opposite the wall
there is a book with a brown cover. The title of the book is printed in gold
lettering on the brown cover. Most books have white covers with
black lettering... which makes this book stand out
from the rest of them. The title is... America and...
according to... Level... "America and the Meiji Restoration: Effects and Changes according to
Language Level" I see... The Meiji Restoration has something
to do with Japan's history. I think that book has something
written about Japan in it. Is that so? Then let's look! Yes, I would like to, but... We can't look at it?
Why? Because I can't get it. ...? Charo stares at the book. I think even I could get it.
... Strange. Like a police dog on standby,
he looks at the bookshelf. They all look like difficult books. Academic books are used for study. Of course they're difficult. Yes... By the way, do you think there
are books here on Japan? Well... Charo tries to look among the
books on the shelf, but... I... I can't, Sirius. The titles of these books are too
difficult. I don't understand them. ... I see. ...? Charo notices that Sirius is looking
at one of the books on the shelf. What's up? I'm curious about this book. Which book...? This one here....
This book with the brown cover. Sirius.... About this book with the
brown cover... Isn't there a way to get it? There is a way, but... Which is!? We wait. ... What? If someone buys a book on this
shelf, it will make some space. It will be easier to pull the
book out. We should wait until there are
fewer books on the bookshelf? That would be the surest way. That's true, but... someone might buy this book
while we wait. ... That would be a problem. Let's think of a way we
can get it now. Mmm... Luckily, Charo can reach the book.
It is on a lower shelf. Charo sets his front paws on the
book cover and tries to pull it. ... Umm? It won't move, right? ... Yes, you are right. Actually, I've been curious about
this book for some time now. But since this shelf is packed
tight with books... pulling it gently won't move it. I see. Then... ... Whoa. That doesn't mean you should
pull it roughly. Catherine will be sad if
the book is damaged. Yes...
But... Umm... Got it. What? Charo, will you go to the back
of this bookshelf? To the back? Right behind this book.
OK? I'll explain later.
That'll make things go faster. I see...
That's too bad. Let me know if you change your
mind. I've thought of something. About what you thought of... Have you decided to help? Yes! Thank you. Then... To the back of this bookshelf,
right? I understand. Please wait! Charo goes around to the back of the
bookshelf with the brown book. Is it here? Can you hear me? Yes! Sirius's voice can be heard right
behind the bookshelf in front of him. Then, look really carefully at the
bookshelf. The bookshelf? This is in front of the bookshelf
next to the academic book section. This is the reference book section. This is the bookshelf right behind
the bookshelf with the brown book. Books are lined up... Not the books. I want you to look
between the books to the back. The back? Charo looks far into the shelf through
the space above the books. Ah... His eyes meet Sirius's. As you see... the bookshelves have no partition.
And so... Ah... I know! I push and you take it,
right? That's right. Pushing the book a little
shouldn't damage it. Yes! Yes! There should be many books facing
the other way on your side. I don't think you can find the
book we're looking for, but... first, try pushing any book. If you press the wrong one,
I'll block it, so don't worry. I understand, Sirius! First, try pushing any book
on the shelf. What's wrong?
You don't know how to do it? First, press on the book binding.
Anywhere will do. Next, I'll tell you where to press.
For example... if I say a little to the right, then
go a little right. If left, then left. Right, then right.
Left, then left. Is that...
from your perspective? Hm? Yeah...
that's how it would be. ... Yes. I understand.
I will try! OK. That's it. Keep going! This is... Sirius?
What's wrong? What's wrong with Sirius...? I have to go back! Sirius! ... ...... ......... Hmm... Did...
did you learn anything? A Daitoryo is... ...? Daitoryo is a Japanese
translation for "president." "Dai" means "big." In other words,
a big "toryo." However... "toryo" means "chief carpenter." Why would a president be a
chief carpenter? The Japanese learned of presidents
just before the Meiji period. They considered a Japanese
translation for "president." After a long discussion... they decided to use "toryo," which
is a highly respected occupation... and added "dai," which means
"big." Sirius smiles at Charo. Thank you, Charo. I've learned another thing about
Japan. +The Japanese translation for
"president" is "big chief carpenter."+ Say, Sirius.
This place... They all look like difficult books. Academic books are used for study. Of course they're difficult. Yes... By the way, do you think there
are still books here on Japan? Well... Charo tries to look among the
books on the shelf, but... I... I can't, Sirius. The titles of these books are too
difficult. I don't understand them. ... I see. Are there any more books that you're
curious about, Sirius? No, that was the last one. And anyway...
it's impossible to get a book now. We ɭ+can't upset Catherine any
more+. This is... a section that has books on
maps and travel. Travel...! The woman with dark hair and
the man with glasses are talking again. This is a travel-guide section. There are many photos of scenery
from around the world. At the corner of the bookshelf and
the low stand... Charo can see a big air
conditioner. The crowded section is bustling with
many people. Charo approaches to look at the
books, but... Hmm? Hey... it's a dog.
It's a dog. Pets are allowed in here? It's in the way.
I was about to step on its tail. They all look down at Charo. He cannot get close like this. The area in front of the bookshelf
is crowded. He can't get close. The area in front of the stand is
crowded. He can't get close. It is a big air conditioner next
to the stand. It is now set to heat.
It feels a little hot. It is a big air conditioner next
to the stand. He feels cool air coming out of it.
It is set to ventilate. She is a young woman. She speaks in English, but she
looks Asian. The woman speaks to the man
wearing glasses. The person leading the conversation...
seems to be the man with glasses. The man ɮ+has the air of+ a student. He talks excitedly to the woman
standing next to him. She is a young woman. She speaks in English, but she
looks Asian. The man with the glasses continues
talking to her nonstop. The man has the air of a student. He talks excitedly to the woman
standing next to him. They're still talking...
Maybe we can hear something... I'm sure there are books about
travel to Japan. Yes, there should be a few. I'm sure there are books about
travel to Japan. Yes, there should be a few. And we can't go near them...
What a shame! Not really. Why? It's a travel section so there are
many books on Japan... That's what I had thought and
I've looked through many of them. I did this after the store closed
when nobody was around. I see. So there may not be any books
you haven't looked through. I think so. Many... customers. There are many tourists here. Maps and guides to the area are
essential for tourists. That's why this section is always
filled with people. Hmm... Charo and Sirius gaze at the
people's backs. They hear a group of people
talking. No, that's Wall Street.
The place I want to go is... I want to go to Rome next. (laughs) Hmm? This guide here says the
food isn't good... You want to go here?
Then we'll... ... The voices mix, and the dogs can't
understand what is being said. You want to go, Charo? Y... yes. Just as Charo is about to turn
around... Like I said, in Japan... !? Hmm? What's wrong, Charo? Japan... I just heard "Japan"! What? You did? Charo stares at the person who
spoke about Japan. It is the young woman ɯ+with dark hair
who appears to be Asian+. He did indeed hear
"Japan." Charo stares at the person who
spoke about Japan. No. That's not Japan... I heard it again...! It is the young woman with dark hair
who appears to be Asian. Many people's voices can be
heard all around. However, Charo listens carefully... and tries to only listen to the
two talk. You must be kidding!
That's impossible! No, I'm not. (laughs) Japan's rush hour is famous. I've seen videos on the Net, too. I think I remember Andy
mentioning it. But... It says that the pizza at this
restaurant is king-size... Oshiya? The owner is the chef, right? What is that? It's true so there's nothing you
can do about it. That reminds me... They really are there...
at the station. I hear they work part-time. They stand at the railway platform
during rush hour... Only on Christmas,
we specially... They press on the commuters'
backs and push them into the train. stuff the turkey with rice and
vegetables... That's what they call them. We call that roast turkey. That can't be true. Hey, Charo. It's true. I'm telling you the truth. But... Charo! Ah... Charo finally realizes Sirius
is calling him. What's wrong?
You were sitting still. I was listening because I heard
them talk about Japan... Really? I see. What did they say?
I'd like to know. Maybe I will listen to them again... It may be hard since it's a long
conversation... I guess I won't. Can I hear them again? Charo tries to listen and hopes
that they talk again. I'm sorry for not believing you. It's OK.... Anyway...
will you be quiet? Didn't you know?
This is a bookstore. ... I know. The two become quiet. That's too bad. This time I wanted
to listen, too... But the two remain quiet and
look at the books. I'm sorry for not believing you. It's OK.... Anyway...
let's go somewhere else. It's cold here.... What? Oh, yeah.
The staff turned on the... Hey, wait! If we're going to go, that
place with the ninja book... Hey! The two leave. That's too bad. This time I wanted
to listen, too... Um... Charo recalls what the two discussed
among the other voices... and carefully selects his words
when talking to Sirius. The conversation I just heard is
about... happy hours at bars in Japan. lunch hour breaks in Jakarta. What...? Oops! I'm sorry.
I made a mistake! I think I'll start all over again.
Wait a minute, Sirius. commuter rush hour in Japan. Really? That sounds interesting. I didn't know this either, but... On the railway platforms during
commuter rush hour in Japan... there are people who sell
Japanese origami. there are fortune-tellers. ... Wha... what? Was something wrong?
Ummm... I think I'll start all over again.
Wait a minute, Sirius. there are people who work
as "Oshiya." Oshiya...
What do they do? They help carrying commuters'
heavy luggage. They assist pushing wheelchairs
on platforms. I don't know. What does that have to do with
rush hour...? What? Hmm? I'm sorry.
I think I made a mistake... Why don't you listen again,
ɰ+just in case+? I think I'll start all over again.
Wait a minute, Sirius. They push on the commuters' backs so that they fit in the train. ... I'm telling you the truth. ...... ... Oh, but...
I don't know if it's the truth. ......... I'm sure that person said it. An Oshiya... ...What? An Oshiya is a person who pushes
commuters into a train. They are dispatched only
during rush hours... and push people into already
packed trains. By looking at this fact... one can imagine how intense
the Japanese rush hour is. That's what you mean, right? Y... yes. Maybe... Sirius smiles at Charo. Thank you, Charo. I've learned another thing about
Japan. +Oshiya are posted on station
platforms at rush hour in Japan.+ Wha... what should I do? Maybe I should listen again
and then start all over. It's OK.
Next time I won't make a mistake. This is a travel-guide section. There are many photos of scenery
from around the world. There is a bookshelf and a low
stand. As always, the crowded section
is full of people... There is a gap in the crowd
in front of the stand. It is where the two people were. It is where the two people were. A number of books are open and
lying on the low stand. Guidebooks on overseas travel
are on the stand. Books on various countries are
lined up one by one. Ah... One of the open books has
"Tokyo" written in it. Tokyo... Tokyo! Sirius!
This book must be about Japan! ... Yes. Sirius looks into the book, too. The word "Tokyo" leaps out
from the page of the open book. All of the pictures are of cities in
Japan. The edge of a page moves
in the wind. A wind blows from somewhere. Ah! Charo looks at the book. This is it...! On the next page, which is
moving in the wind... "Kinza," which Charo has just
read about, is written. So... is anything written there? Yes. Shinjuku... Ginza...
It's about the cities in Japan. But this is a travel guide.
There's not really anything new... Nothing...? Yes. At least, nothing that I
don't know... Hmm? Sirius leans forward. ... ...... ......... Did you learn anything? Ginza is... a place where silver was once
bought and sold. Ginza has lost this feature, but
its name still exists. Above all, Tokyo's Ginza became a
business area that represents Japan. In contrast with "Ginza," which
dealt with silver and silver coins... there was a "Kinza" in Tokyo,
which dealt with gold and gold coins. Unlike Ginza, the Kinza name
disappeared, but... there are buildings on this site
that are worthy of Kinza. That is... ...? Will we ever see the books on the
shelf where all the people are? It may be difficult until the store
closes. But we can't touch any of the
books that are closed... Also, I don't think it's necessary. I know most of the contents
of the books here. Really? Yes. And... I'm starting to feel confident. I think... it's about time for me
to take the challenge. Sirius's eyes shine. Sirius is... fired up! What's wrong? This is the end. ...? The text breaks off here. Sirius seems irritated. Does that mean it continues on
the next page...? Charo stretches his front legs out
to turn the page, but... Don't touch it! He pulls his legs back after
Sirius warns him. Catherine yelled at us just
a while ago, remember? Did you forget? Oh... that's right.
I'm sorry. Let's forget it. ... This time, Charo has nothing
to say. But...
I want to do it somehow. Is there no way to do it?
Umm... The wind, Sirius! Wind? Here! ... I see.... The wind automatically
changes direction. Sirius looks at the air conditioner
nearby. The wind comes from over there.
Did Catherine change the setting? Hmm... The wind direction changes
systematically. If we wait, the wind should
come this way again. Which means... ... Charo lowers himself and
stares at the book from the side. ... Aah, I failed!
One more time! The only facility that prints
Japanese paper money... is... the Bank of Japan! I did it!
I understand, Sirius! On the site where Kinza used to be... ... ... What?
It doesn't seem to fit... Maybe I made a mistake... I see.
Then, that's OK. I'm sorry.
I'll say it again. Um... the Bank of Japan stands. Yes... it seems so. ... What? Oh...
you were able to read it, too? Yes, thanks to you Charo. I wouldn't have thought of using the
wind from the air conditioner. Sirius smiles at Charo. Thank you, Charo. I've learned another thing about
Japan. +The Bank of Japan stands at
the site where Kinza used to be.+ Umm... If it's impossible to touch the
books anymore, then... we need to see the next page
without touching the book. ... ...... ......... I can't think of a way... Charo looks at the book on the
stand and sighs. Then... Huh? Did something move? Umm... I thought the book moved...
What was it? Umm... this is... It's the children's section. I see... The bookshelf is made so that
children can see the books easily. The front of the shelf is a low
display stand. It is the section with rows of
children's books. He sees titles with large,
colorful letters. Most of them are picture books. It is a low and flat stand which
children can easily look at. Several books are open and
lying on the stand. There don't seem to be any
books that are useful for Sirius... Um... this... There are rows of colorful books. ... Are you interested in that puzzle
book? What? Ummm... Try it. You think it's OK? Of course. You've been listening to my
requests all this time, right? Actually, I feel bad about it. Feel free to look as much as you
want if you're interested. It wouldn't be fair if you only
listened to my requests. ɱ+If there's anything that interests
you, feel free to+ look. It is a really low table that even a
child could see the top of easily. Several books are open and
lying on the table. The book with the puzzle that Charo
just solved is on the stand. They are all easy books. That's because they're for
children. ... But I don't think there are any
books that I need here. There might be some books here
for you, though. I don't think there are any books
here that I want to see. There might be some books here
for you, though. I don't think there are any books
here that I want to see. There might be some books here
for you, though. Thank you.
But I already saw them. Let's go to a different section! OK! I'll do my best! Maybe I won't do it now....
I will try later. Ohhh. No good...
Should I try again? Yay! I cleared it! Congratulations. Thanks! I'm sorry to keep you waiting.
Let's go, Sirius! Hmm? Almost....
Try again. Charo! You're heavier than I
thought.... Hurry! Charo! Not yet...!? I... can't hold on much longer... 

****************************************
_out_EN_183.txt
****************************************

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  U#     [Q  Cf  Y#  j   [Q  A5w  #  U   [Q  vrA  #  7   8Q  /2  #  ^   [Q  6:!  #     [Q  pm  #     [Q   ug  $     [Q  ܃]  O$  l   [Q  99  z$     [Q  sh  $     [Q  ۄZG  $     [Q  "M  $  *   8Q  p  %     [Q  |=n  %  a   [Q  4  I%  G   [Q  D/  [%     [Q  c  j%     [Q  }e  %     [Q  C  %     [Q  o&a  %     8Q  q  &     [Q  ӕ  
&     [Q  xNԓ  H&  z   [Q  Lo  &     [Q  Q  &  ~   [Q  _#/  &     [Q  tRC  &  ~   7Q  FU  '     7Q  /r  <'     [Q  _  {'  v   [Q  c  '     [Q  :Dr  '     8Q  
  (     [Q  Ԋ  (  ;   8Q  7nY#  Z(     [Q  _  h(     [Q  gZ  (     [Q  Kz  (  |   [Q  uӌ2A  )  *   8Q    #)  {   [Q   u  ,)  y   [Q  [Q  Z)     8Q  
  |)  V   8Q  %r,  )  2   [Q    )  C   8Q  z-;  )     8Q  D}d  )     [Q    )  '   [Q  2  *     [Q  EǎH  *  7   8Q  2  2*     [Q  A~  F*     [Q  v  |*  *   8Q  7  *     7Q  aC}  *     7Q  $B  *     7Q  -  !+  Z   7Q  x-  )+  Several days pass... Louis, it's time! Bow-wow! Come on, Louis. Hop into the bag like you always do. Good boy. ... Huh? Sorry, Charo. Today is Louis's audition. I'm sorry, but I need you to stay
home... Bow-wow! What's wrong, Louis? Ahhh, I see.
You ɇ+want me to+ take Charo along? Is that it? Bow-wow! OK, OK.
Let's go, Charo. In you go! What? Me too!?
Are you sure, Louis? Of course!
Now, come on! Let's go downtown together! We're here. Jane Ɉ+stops walking+. Many people! Many signs! Everything is colorful and bright.
It makes Charo dizzy. She stands beside the building
wall and looks around. She seems to be waiting for
someone. Louis is inside the bag with Charo. He calmly watches the scene
around him. ... What is it? Louis notices Charo looking at
him and faces toward him. He looks at Charo ɉ+with a big
smile on his face+. Is there something you want to
know? Just ask me anything. I know everything about this place. Louis, what is this place? Huh? Here?
Are you asking Ɋ+where we are+? Y-yes. Ha-ha-ha. Isn't it obvious? This is... Broadway!! Broad... way... Broadway...
What is that? Broadway, you see... has the world's greatest musicals. It's the name of this street. Musicals? That's right! Musicals! Dialogue and music. Singing! And dancing!! Every kind of excitement in one
whole experience! The world's greatest entertainment. That's what a musical is! Wow... Then Broadway is... I... I'm sorry.
Once more... Then Broadway is... ... the world's No.1 hot spot for
musicals. That's right!
You're ɋ+getting the hang of+ it, kid! (chuckles) Charo hasn't fully understood
Louis's explanation, but... he understands that this is
an amazing place. Huh? What was that? Huh? What was that? By the way, Charo.
What do you think of this scenery? Ɍ+I want to hear your honest
opinion.+ Well... My impression of
standing on Broadway is... What're you talking about?
I don't see any dogs or cats. Charo... you're giving me a review
of last night's meal. I'm asking your opinion on
this city! Ha ha! Right on! There sure are many people and
signs! Broadway ɍ+is well known for its+
huge number of signs. These signs attract all of these
people. Signs... attract... people? That's right. See?
Look at that sign over there. That's a sign for a theater. There's the name of the musical,
the name of the star... and the director and the writer's
names are on it, too. All of the names you see are
of famous people. Their names attract people from
all over the world. Wow... And someday, we'll be seeing
Tomoko's name up there. Tomoko's? Yup! She's got talent. I can tell... And speak of the devil! It's Tomoko. What!? Louis' body sticks out of Jane's
bag as he looks across the street. Across the street... Charo sticks out of the bag and
looks for Tomoko. Where is Tomoko? Over there.
See? Across the street. Ɏ+There she is!+ Tomoko is across the street
talking to somebody. She is gesturing while talking
to the person. She looks very serious. There is a tall man wearing
glasses. He occasionally nods and
spreads his hands out. Their conversation is mixed with
the city noise. I know this is outrageous, but please. If this doesn't work out, I'll never
be bothering you again. Please, sir! All right, all right, you win. Send your script to our agent or
to the theater by Tuesday. Great! Thank you, sir! I really appreciate it! The man grabs a cab and leaves. Tomoko stands in a daze. Jane has also spotted Tomoko. She looks at Tomoko as if she is
ready to scream in delight. Louis stares at Tomoko with
an unusually serious expression. ...? Louis? Is something wrong with
Tomoko? Hmmm... maybe... Just maybe... What do you mean? In other words, Charo,
Tomoko just... Tomoko! Tomoko notices Jane's voice.
She runs toward them. Jane! Tomoko! That was intense!
Who was that? You remember my favorite stage
director, Mr. Gesner Bernhardt, right? He's Bernhardt's manager. His play is starting next month,
and... they've flown in from Germany
to check things out. You know, "The Red Star." Sure! I found out that Mr. Bernhardt... is looking for a new script for
his next play, so... Wow! So this might be the chance of
your life! I don't know, but... Hey, Charo!
What are you doing here? Oh, Louis seemed to want him
around, so... Whoops, we're late! Tomoko, do you mind taking him
with you? Of course not. See you later, Charo!
We're having a party tonight! Handing Charo over to Tomoko, Jane
leaves with Louis for the audition. Gee... my knees are still shaking... But I really feel good about myself. Thank you, Charo. You're the one
who made me step forward. Arf arf! Hm? Oh! You're trying to say,
"Yes," right? "Yes" is "arf arf!!"
"No" is "arf!"... You remembered.
That's great! Arf arf!
Of course! (laughs) Ha ha ha.
That's right. Arf! Hm? Oh! You're trying to say
"No," right? "Yes" is "arf arf!!"
"No" is "arf!"... You remembered.
That's great! Arf arf!
Of course! Thank you, Charo! But in this case, "No" would
be the wrong answer. I said, "You're the one who made
me step forward." I was hoping that you would answer,
"Yes"! No, that's not right! Hey, do you want to see my
favorite theater? It's where "The Red Star" will be
performed. I have a janitor friend who'll let
me in. Arf arf! You want to see!?
Okay, just wait a moment! What? "No" again? Which means... You don't want to see?
Hmmm... I'm sorry, Charo.
Could you still come with me? There's something I want you
to see... I'm sorry!
Come with me for just a bit! Arf! Um... you don't want to see it?
Hey, answer one more time. "Yes" if you want to see it.
"No" if you don't want to see it. Um, so now it's "Yes"?
So... You said, "Yes" to
"You don't want to see?" Umm... So you do want to see! Okay! Just wait a moment! They get to an ɏ+old but
magnificent+ theater. Tomoko talks to an old man,
and enters the theater with Charo. This is where I saw my very first
show with Mom and Dad. It was fabulous!
We laughed, we cried... I never knew there could be
anything so special. I see. But... that was the first and last
show that I ever saw with my dad. Oh, I see.... And that was when I decided
to become a playwright! But lately, I've been losing
confidence. Sometimes I think that maybe it
was impossible from the beginning. Maybe it is... impossible. Arf arf! Yeah, you're right.
I guess it is impossible. I know...
No need to repeat it... Arf! That's not true! ... Charo? Arf arf! Arf! You can do it, Tomoko. Arf!
I know you can. Arf! That wasn't a...
"Yes" or a "No," was it? Maybe... Did you just say that I can do it? Arf arf!
Of course! Thank you, Charo.
I really need that kind of support. And remember. If I can do it,
you can do it. Right? Arf arf! Charo wishes he could do something
to help make her dream come true. For one thing, she saved his life. Also... he loves Tomoko. 

****************************************
_out_EN_184.txt
****************************************

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     7Q  ؤ=  5
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     `Q  ;  
     7Q  Oo       IQ  Hb  :  #   8Q  !M  k     IQ  "3c  t     IQ  @       8Q  ך       7Q  6       7Q  Y       `Q  a        7Q  xC  \     7Q  P  y     8Q  "6R    ?   IQ  X^2A       IQ         8Q  m8]  %
  <   IQ  k)  F
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     7Q  N  [
     7Q  h~8  
     7Q  N  
     7Q  gW  
     `Q  py       7Q  hFu  U  {   `Q  ͟9       `Q  \       `Q  qd,       [Q  =    \   `Q  ( ;  N  W   [Q  '\&  q     `Q  yV       `Q  ١-       [Q  dC    [   `Q  Jm7        `Q  _D       `Q  Ǣe  A     `Q  ,4    ^   `Q  sa    H   [Q  ^{    m   [Q  0       7Q  i    i   7Q  RD  +  A   [Q  ǣ'  I     [Q  HO  W  *   R  >       [Q  Ov<       [Q  ~E    c   [Q  kѤv,       [Q  P       [Q  1       [Q  E  E     [Q  H\oV  j     [Q  `       [Q  $z       [Q         [Q  wF  D     [Q  ]       [Q  x	Y       [Q  qcg>       [Q  ء`       [Q  zWb  3     7Q  d>  h     7Q  ͣ͌       IQ  0\    w   8Q  z)B       IQ  ϫ    t   8Q  ߫x       IQ  X|  J     IQ  ~       IQ   լcn       IQ  Cp_    `   8Q  =  &  c   8Q  o:  9  m   IQ  4.  N     [Q  JG  c     [Q  Ցˆ    	   8Q         8Q  3    M   8Q  98       [Q  ErL    `   [Q  "0       [Q  f  '     [Q  VxF  Z     [Q  fj       [Q  y5       7Q  <V\    &   8Q  ՘W  	     7Q  ,Z    ,   8Q    E     8Q  "  P     7Q  ִ?Z    Days have passed since Tomoko made
the promise with Bernhardt's manager. Tomoko is in her room again,
writing her script. Charo is outside of her room.
He does not want to bother her. It is Tomoko and Jane's apartment. There is a door in front of Charo. It is the door to Tomoko's room. Tomoko is writing her script inside
the room. Tomoko has been pulling all-nighters
for days, but... she ɲ+hasn't been eating+ a lot.
I'm worried... Just then... Charo is lifted up from behind. It is Jane. What's wrong, Charo? Are you worried about Tomoko, too? (whimpers) Don't worry. Tomoko's biggest chance has
arrived. It's her dream. That's why she's working so hard. Jane tells this to Charo as if to
remind herself. I can understand how she's worried
about Tomoko. Louis... Tomoko is trying hard to make her
dream come true. You understand, don't you,
Charo? Yes... It is the apartment living room. Jane is tense.
She seems worried about Tomoko. +I'm worried.+
I wonder if she will meet the deadline. Louis is cheerful as always. ɳ+Looking at Louis,+ Charo feels happy,
too. What do you think Tomoko is
writing about? Mmm.... Well... Maybe a success story about a pug
trying to become a top star. But that's... your story, right? Yeah, well... Mmm... Just then, the door opens.
A tired-looking Tomoko comes out. She ɴ+seems to+ be worn out. Tomoko is holding a large bundle
of paper. She seems happy to see Tomoko
come out of her room. Looks like she's all right.
Great. Now +I'm relieved.+ She is holding a large bundle of paper.
Could it be the completed manuscript? Tomoko! ɵ+How's it going?+ You still have time before you mail
it tomorrow, right? Are you finished already? Um... well... sort of.
But it needs some more polishing. That's great!
Keep it up, girl.... I'm almost there. I was worried because you hadn't
come out of your room, but... you look like you'll be fine. I'm sorry if I had you worried. Oh no!
Look at the time! Listen, I'm heading to Sam's place
now, but I've ɶ+made you some sandwiches+.
Don't forget to eat them, all right? You ɷ+haven't been eating well+,
lately. I'll see you later. Thanks, Jane. Yeah, see you later. Tomoko wants someone to listen to
her script, but... Jane has just left.
And so... Charo! Louis! Why don't you two be my first
audience? Arf arf! I take that as a "yes." Okay, here we go. Ahem! "One Last Ticket." Now, this is about a woman who
meets a man from another country. The two fall madly in love with each
other, get engaged, and are just about to get married... but then, a terrible war breaks out. The man ɸ+is forced to+ return to
his home country. Well, the woman is in despair,
but then one day, she gets a ticket for the last ship
that's headed for her lover's country! But, ɹ+it turns out that a dear friend
of hers needs that ticket, too....+ You see, her friend has a deadly
disease... that can only be cured in
that country. Of course the woman hesitates, but finally gives her ticket to her
friend, knowing that she would
never see her lover again.... Tomoko goes on with her story... an inspiring human drama,
gripping with all its twists and turns. Well, Charo? What did you think
of Tomoko's script? It was very sad, but... But? It wasn't just sad...
How should I put it...? Don't think too hard, and just say
ɺ+what's on your mind+. How did you feel about the story
other than that it was sad? Hey! Weren't you paying attention
to Tomoko's story? Try to remember and tell me how you
felt. Sad but beautiful. I like it very much! Couldn't agree more. So... what would you do, Charo? ɻ+Would you be able to give up your
only ticket to happiness for a friend?+ ... Arf... I... don't know. I know it must be difficult, but... I sure hope I can. Anyway, that's the kind of person
I want to be.... Thank you for listening,
Charo, Louis. Thanks to you both, I know what
I need to fix in my script. I'll start working on it now! Tomoko stands up
and goes back to work again. (sighs) Charo can't help but think about
Tomoko's question. Would I... Would I be able to give up something
important for a friend? Charo thinks...
but does not have the answer. 

****************************************
_out_EN_185.txt
****************************************

﻿   7Q    d     7Q  LF       7Q  Jߵs       7Q  S>       7Q  P  G     7Q  <_<  n     7Q  :    k   7Q  <YU    r   IQ  LG`       7Q  2       7Q  8  +     7Q  l܅  O     7Q  H?,       7Q  ̸G       `Q  ]    ,   [Q  p'       `Q  m\       `Q  dB  =  ;   [Q  V7&  _     `Q  ^  l  !   [Q  
    M   `Q   /    B   [Q  ,>       7Q  kr       `Q  U       `Q  ex  ]     8Q  5o7       IQ  8       IQ  5$>       8Q  s{       IQ  VH  H     IQ  58d  p  #   8Q  ќH)       IQ  ƾGx    {   8Q  `>N       IQ  TQ    f   IQ  V޿&  0     8Q  lW  E     IQ  f\E  l  h   8Q  %       7Q  @H       7Q  ao       7Q  yW  
     7Q  
g  8     7Q  >a  z     7Q  lC    ~   7Q  H2       8Q  O       7Q  !Y0       7Q  LR,3       8Q  xpN  ,  F   IQ    F     8Q  ikI  S     IQ  9\    h   8Q  '       IQ  F       7Q  *BA       7Q  lj       7Q  TY  -     7Q  ,O  X     7Q  )cE    y   7Q  5o*+    V   8Q  _	+    L   [Q  h)       7Q  lZ       7Q  xI.E    5   [Q  3
  C     7Q  ٛ0[  M     7Q  	=    g   8Q  4E6    V   IQ  *k<    M   [Q  |+    t   [Q  8-k       7Q  e>r       7Q  ?S]  <  Y   7Q  "   p     7Q  .sd       7Q  'b       7Q  B6       7Q  +T       Q  À
  X     7Q  ʊ:=  Z  s   Q  X  }     Q   ]       7Q  r<    i   Q  K~J    C   Q  EBK    b   Q  s    E   Q  \  '     7Q  L  A     7Q  1~Y  r     7Q  94       7Q  _       7Q  %6    q   7Q  T:(       7Q  |y\  2     7Q  sa  f  G   IQ  :.'       7Q   bAS       IQ  '|       7Q  a>M  )     7Q  G  U     7Q  sJ*  x  t   7Q  
u1       7Q  ˦<       7Q  Jb       7Q  EF    p   7Q  J*  )     7Q  ˶$X  >     8Q  6  q  F   IQ  Dw$       IQ  hiE       IQ  YIT       IQ  R       8Q  -Vc  #      IQ  ϹU  K   u   IQ  eE  t   B   8Q  J9     P   8Q  #.\     e   8Q  QEd     l      @   8Q  TS3  7!     8Q  M
>  F!     Q  W=  b!     Q  \  !     [Q  u
w  !     7Q  1  "     7Q  P  ("     7Q  T  Y"     8Q  T  "     8Q  f6  "  r   IQ  Xv@  "     IQ  s  "     IQ  QY+  ,#     Q  |F  I#     Q  k  d#     [Q  Vm?  #     Q  =t  #  ]   [Q  "<  #  E   8Q  _   $  u   IQ  7  $     7Q  g%  1$     8Q  Q  K$     7Q  s.g  q$  ,   [Q    $     [Q  `  $  '   8Q    $  	   [Q  (|  $     7Q  6BU  $  	   [Q  ۗ  %     [Q  ôw  %     [Q  +e  O%  e   [Q  A  %     [Q  #/  %  *   8Q  a  %     8Q  O  %  f   8Q  d)  %  _   IQ  Î/  %     7Q  IQ  %  -   8Q    *&     7Q  &.  4&     7Q  /U9  O&     7Q  *%p  j&     7Q  OL  &     7Q  Kb  &  7   IQ    &     IQ  Ⱦx@  '  X   IQ  @e  .'  ,   [Q    @'     7Q  -X  J'     8Q  e  u'  L   8Q  ,  '  n   8Q  >/  '     IQ  G-  '     '     8Q  CP
  '     IQ  5
  '  }   7Q  ,  '     IQ  vP  (     IQ  _B;  3(  U   8Q  F~8  U(     7Q  uQ  h(     7Q  ;  (  !   8Q  +8Y  (  i   IQ  G"  (  a   IQ  V+  (     7Q  N2  (  O   [Q  PQ,  !)     [Q  =i  3)     7Q  m  i)     7Q  ZO  )  x   [Q  /e]B  )     7Q  X  )     7Q  : K  *     7Q  KJ  9*     7Q  Օ*  a*     7Q  \  *  The next morning, after hearing about
"One Last Ticket" from Tomoko... Charo and Louis finish eating their
breakfast... and they relax on the sofa, which
has become their special seat. This is the living room of the apartment. Tomoko and Jane sit on the
other sofa. This is the living room of the
apartment. Jane sits on the other sofa. Louis's belly is full.
He looks satisfied. I can't eat any more.
+I am full.+ He ɼ+is ready to+ go outside. The two look at the thick envelope. Tomoko's finished script, "One Last
Ticket," is inside the envelope. They are talking about something. Jane has a stern look on her face. What do you mean,
you can't send this script? Well... I... Don't worry.
You worked real hard on it. I'm sure they'll give you the OK. I hope so... "One Last Ticket" is a great script.
You need to be more confident! Yeah... Now, go mail it! OK... I'll go... A tired Tomoko trudges out the door
with the envelope in her hand. Why does she have to be so weak
at such an important moment...? Everything is just fine.
+Be confident+ in yourself, Tomoko. Tomoko didn't seem well... Well, she's betting her dream of
becoming a writer on that play. She's scared of sending it. But it won't do any good if she
doesn't send it. Don't you think she already knows
that? She's scared of getting back a
bad reply. I see... She's probably walking to the mailbox
with that in her mind... I will go.
I'm going after Tomoko. That's the spirit!
Your partner needs you! I'll lend you a paw. Tomoko shouldn't be too far from
here. Yeah, she just left a minute ago. Let's go after her! Charo and Louis exit through
the dog door. This is the road right in front of
Tomoko and Jane's apartment. This morning, the sky is completely
clear. This is the front of the apartment
in which Tomoko and Jane live. The apartment faces the street
with a row of trees. There are many other apartments
in a row. Charo scans the road... Ah! Tomoko turns at the corner. Tomoko turns at the corner. Louis! I've found Tomoko! What? Where? She ɽ+turned at the corner+ over
there. Over there, huh?
The closest mailbox is ɾ+that way+. Let's go after her! OK! Charo and Louis go after Tomoko. Charo and Louis go after Tomoko
and turn at the corner... It is a road with a row of old
apartments. There are also many apartments
near this area. It is a quiet road with few people. Tomoko moves forward. Tomoko! Arf arf! Charo? Louis... Tomoko notices Charo and Louis
and stops. As she ɿ+waits for+ the two running
toward her... (screams) Water suddenly splashes ʀ+on top of+
their heads. Everyone is soaking wet. That... scared me.... Oh no!
My precious hat! M-my... script!? It's not wet!
Oh, thank goodness.... Only the area around Charo and his
friends has become wet. It's as if a rain cloud had hung
above their heads. Charo looks up... An old woman sticks her head out
from the second-floor window. She vigorously sprinkles water
with her watering can. There is a planter near the
window. She seems to be ʁ+watering+ her
flowers in the planter. ? Charo's eyes meet the old woman's. Oh dear! I'm so sorry! I didn't think anyone was down
there. The old woman comes out of
the door. Oh, you're soaked... I'm so sorry. I'll dry you off,
so please come in. Come on now.
Come inside. They are invited into the old
woman's apartment. The old woman is drying their bodies
and clothes. This is the old woman's room. The furniture design is unique
and it ʂ+all matches+. Tomoko talks to the old woman. Louis is near a seat. Tomoko nods while listening to the
old woman speak. The script envelope on top of her
lap seems safe. A fine mess... Louis complains while looking at the
newspaper. A gorilla is wandering around the City?
+You must be kidding!+ What gorilla? Louis stops looking at the newspaper
and... watches the old woman dry his
hat. The hat has been dried. He seems very happy. She dries Louis's soaked hat. It looks like it's going to take
some time for her to finish. She talks to Tomoko while she
dries it. She talks to Tomoko. It seems that she is done with
drying Louis's hat. What are you doing, Louis? This is awful. The madam is drying my hat, but... until she's finished, I'll have to
kill time. I'm looking at the newspaper
that was under this seat. You understand what the
newspaper says? Oh, no.
I'm just doing this puzzle here. I've already solved it.
You want to try it? OK! I will try! Maybe I won't...
I will try later. Um... No good...
Should I try again? +このメッセージには
英語訳がありません+ Yes! I did it. I was really focused on it. Why, yes, I've seen Mr. Bernhardt's
play, too. It was fabulous!
I am looking forward to his latest one. Oh, you mean, "The Red Star"?
I'm looking forward to it, too. Despite their age difference... they talk excitedly about their
common interest. They look so happy to share the same
interest. +They really hit it off.+ Tomoko seems cheered up. I'm glad. She fixed your hat, Louis. Yeah, just look at it! It looks brand new!
That madam has some skills! Thank you, madam! Woof woof! I'm glad that you like it. I'll be sure to watch out below
next time I water my flowers. Well, then, we'd better get going. I'm so sorry for the trouble I
caused. No trouble at all.
Bye... Arf! Bye-bye! Arf!
Until next time, madam! They leave the apartment. Let's go to the mailbox, Tomoko!
Arf! Charo takes one step forward,
hoping to guide Tomoko. Charo...? I'm sorry...
I'm not in the mood for a stroll... Arf! No! ... Tomoko stares at the envelope
in her hand. ... Jane had all of those nice things
to say, but... This is nothing compared to
Mr. Bernhardt's works. No... I can't mail it. It's not good enough yet. Arf arf! No, Tomoko. Don't worry! Believe in yourself. It's now or never! Tomoko starts walking back to her
apartment. Tomoko... Charo thinks to himself... Tomoko had saved his life. It's time to take action in order
to help Tomoko's dream. Charo runs at Tomoko at full speed. He jumps and snatches the
envelope from Tomoko. Good work! This way! The mailbox is down this
street. Follow me, Charo! Charo...? Tomoko is stunned by their
sudden actions. We need to put Tomoko's
envelope in the mailbox! Louis, help me! We need to mail this. Oh, got it! Leave it to me! Bump! Ouch! Ow! Charo bumps into Louis. Owww...
Charo! What're you doing!? I told you to climb onto my back! I... I understand! Louis stands in front of the mailbox,
and Charo jumps on his back, but... he is too short to reach it. Mmmm... You can't reach it? Try harder, Charo! Tomoko ʃ+catches up to+ them. Charo... Louis... You really think that I need to
send that manuscript? Tomoko understands Charo and
Louis's behavior. And she realizes her ʄ+lack of+
courage. OK, I get the message. Tomoko gently takes the envelope
from Charo's mouth... and drops it in the mailbox herself. The three look at each other
and smile. Charo and Louis's feelings have
reached Tomoko without words! And ʅ+nothing makes Charo happier
than that+. 

****************************************
_out_EN_186.txt
****************************************

﻿3   7Q  s  (     7Q  E  3     7Q  $0N  U     7Q  T8N       7Q  gmQ       7Q  qm       7Q  EE>       7Q  F,h    g   8Q  rK>  M  l   VQ  )2V  a     8Q  H    !   8Q  ]
       VQ  ic    G   VQ  ,6'       8Q  ]N    !   8Q  ]
       VQ  T    G   VQ  m$       8Q  @0T  -     VQ  фH|  I     8Q  <S  ~     8Q  L       VQ  UTkn       VQ  A    &   8Q  R       VQ  d  (     7Q  vM]  .     7Q  F  [     7Q  YM       bQ  Ғ       bQ  :C[  	     R  ̕=  6	     R  _?  [	     R  ^  v	     R  q:D  	  >   bQ    	     bQ  "O  	     bQ  @  
     7Q  _ۆ  +
  O   8Q  _,  i
  7   VQ  f  x
     8Q  M1~  
     VQ  #1  
  i   8Q  G  
  !   8Q  /)b
  
     VQ  3y  
  G   VQ  +  $     8Q  oT  4  !   8Q  )b
  X     VQ  ]  `  G   VQ  ?5$    v   8Q  *0 HI       VQ  c+=       VQ   s       VQ  v       VQ  w  =     VQ  `  l     VQ  b       8Q  {k       VQ  (fM       VQ  ;SQ  
  N   VQ    ,
     VQ  e!SN  <
     7Q  o  W
     8Q  U  
     7Q  LMA  
  One day... Charo is dozing in Tomoko's room. ʆ+It seems that+ Charo is having a
dream. Suddenly, purple smoke rises. Andorra appears ʇ+in front of+ Charo. This is the dream where Charo
met Andorra before. Andorra is in front of Charo. She is dressed in her usual
mysterious clothes. Andorra? Is it you? Hello, Charo!
How have you been? I really wanted to eat you! ... Hm? Charo, you must be half asleep. I'll ask again. I really wanted to have beans! ... Hm? Charo, you must be half asleep. I'll ask again. I really wanted to see you! How is Tomoko?
She's taking good care of you, right? Yes. She takes good care of me. What is it that you want today,
Andorra? Now today, I have some news for
you... about Shota's father.
He's here in New York now. Really!? Look. Andorra places her hand
on Charo's forehead. Little by little,
he is able to see... Shota's father! He is talking with
someone he is working with. This is where my son and I stayed
the last time we were in the City. And from here,
we went straight to the airport. But he was just a little pup, right? I hate to say this, but... it's really tough for a stray
dog to survive here. I don't think he would have made it. Maybe not... But still, my son begged me to
look for him. This Charo... he's really special. The voice of Shota's father fades
away, as well as the image. When was this? Yesterday. Then, I still might be able to
see him today! Are you going to the hotel? Of course,
I went to the hotel! ... Hm? Charo... I'm not sure if I ʈ+follow+ you. I'll ask again. Of course,
I'm going to a hot area! ... Hm? Charo... I'm not sure if I ʈ+follow+ you. I'll ask again. Of course,
I'm going to the hotel! Of course you will, won't you? But Charo...
I want you to remember something... If you ever have to make
a big decision... and you can't make up your mind,
ask yourself: What is it that you really want? Follow your heart and it will
lead you to the right answer. What is it that I really want... You don't have to understand now. Just keep my words in mind, OK? Now, wake up... and run to Shota's father. Charo opens his eyes and finds
himself back in Tomoko's room. I have to hurry up and go to the
hotel!!! Charo runs out of Tomoko's room. 

****************************************
_out_EN_187.txt
****************************************

﻿l   ,  l   k  l     l     l   (  l   g  l     l     l   $  l   c  l     l     l      l   _  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_188.txt
****************************************

﻿l     l     l   "  l   a  l                  ]                 l   .     m            l        F       l     l   ,  l   k  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ It is a Fire Protection notice to
the construction workers. There is a message displayed in
big letters. "+No smoking+." Charo learned a new English phrase!
+No smoking+ There is a note on the sign board. "+No Entry to Unauthorized Persons.+" Charo learned a new English phrase!
+No Entry to Unauthorized Persons.+ +このメッセージには
英語訳がありません+ The information at the bottom of
the poster reads. "The Red Star Tickets are
 +Now On Sale+." Charo learned a new English phrase!
+Now on sale+ +このメッセージには
英語訳がありません+ +Matters That Require Attention+:
Do not use with wet hands to
avoid an electric shock. Charo learned a new English phrase!
+Matters that require attention+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_189.txt
****************************************

﻿}   7Q  AJ  <-     7Q  ry _  h-     7Q  H P  -     7Q  K)\N  -     7Q  w/  -     7Q  Rb  .     7Q  	N  K.     7Q  X  ~.  p   7Q  C'  .     7Q  T  .     8Q  LZ\L  .     8Q  U  )/     8Q  t2L  K/     7Q  HT  p/     7Q  DY  /     7Q  &L  /     7Q  B(6  /  Z   8Q  y7Q  0     7Q  Lt  .0  g   8Q  >P  i0     7Q  s  0     8Q  nZ  0     7Q  7]N  0     7Q  D  &1     7Q  "d  F1     7Q  Ul  x1      1     7Q  Y  1     8Q  	s  1     7Q  2	Y  @2     8Q  
|  s2  g   8Q  k
(/  2     7Q  
d  2     7Q  !@  2     7Q  [bG  3     7Q  I	d  L3     7Q  R^  3     8Q  l  3     7Q  u  3  !   8Q  G?  3     R  5
x  3  i   7Q  
{5  34     7Q  
cI  H4     7Q  gV  f4     7Q  ~-q  4     7Q  MfE  4  7   R  (T  4     7Q  |\kX  4     7Q  |n  5  C   8Q  z2  R5  c   R  iR4  a5  ^   R  [<  v5  j   8Q  Lke  5     8Q  )  5     7Q  C`  5  o   7Q  rd]  5     R  k  6     R  AvL   6     R  _a  P6  }   7Q  hRW  6     R  l~  6  2   R  &#  6     R  º}  6  c   8Q  8j  27     R  -C  W7     R  D  {7     R  +f`  7     8Q  H  7     8Q  Y  7     8Q  )w  8     R  _f  L8     R  EJ  ~8  ~   R  Q.  8     R  A  8  f   8Q  "9  8     R  P  8     8Q   KE  $9     R  e_U  +9     8Q  Q  R9     R  v  Y9     R  <2c  9  0   R  /.  9  B   8Q  ]$  9     R  yj  9  X   R  J'  :     8Q  q-V  :     R  M  6:     R  iz  X:     R  {   :     R  yj  :  #   8Q  g  :     8Q  {&u  ;     R  :  9;     R  lP2  S;     R  #  q;     R  d  ;  $   R  _v  ;  g   8Q  !AG  ;     8Q  bA  <  ^   R  }F  #<     R  VF  E<  \   8Q  <  f<     R  1$r  y<     R  UKc  <  Q   R  )  <     7Q  N  <     7Q  ' R  =     8Q  pz D  E=     7Q  5 [  e=  l   =  l   =     7Q  4!j  ">     7Q  Q!{A  ]>     7Q  !k  >     8Q  2"E  >     7Q  px"ei  >     7Q  紙n  ?  m   8Q  "
^  T?     7Q  ?#h  t?     7Q  Ȩ#k  ?     8Q  $w  ?     7Q  $Q  @     7Q  $I  B@  %   8Q  &%!(  l@     8Q  N%  v@      @     7Q  %J  @  .   8Q  +&L  @     7Q  x&GX  @     7Q  x#a  "A     8Q  &  \A     7Q  &U3  `A     7Q  '^  A  ~   8Q  #r'd  A     8Q  "'nn  A     7Q  E('  B     7Q  (Q  \B     7Q  )9  B     7Q  AT)e  B     8Q  6)M  B     8Q  *tS  B     7Q  s[*E  C  ~   ;Q  *zL  7C     8Q  *  QC     7Q  v*0Z  TC     7Q  P+6  C  O   8Q  D+&  C     8Q  0+Z  C  l   C     8Q  	,[C  D  7   8Q  qL,,5  2D     8Q  ,a  AD  R   8Q  -U.  D     7Q  S?-BI  D  %   8Q  -!(  D     8Q  -  D     7Q  B.V  E     7Q  Y.|b  -E  F   8Q  .p7  gE     7Q  E3/`M  vE     8Q  /]  E     8Q  n/I  E     8Q  '0K  E     7Q  s0=I  
F     7Q  0;m  8F     8Q  V*1t  rF     7Q  \1J  F     7Q  !1r  F     7Q  [2D  G     7Q  2r  >G     7Q  |3L  zG     7Q  _3]  G  g   8Q  (	T  G  K   7Q  $3b  G     7Q  3C  	H     8Q  4  3H     7Q  4P  nH     7Q  5  H  4   8Q  ԓ5$  H     8Q  Ǹ5n  H     7Q  '6-A  I     7Q  h6o  4I     8Q  6K  jI     8Q  #7m  I  	   8Q  C7  I     8Q  ǡ7S  I  g   8Q  7c  I  	   8Q  W8  J     7Q  u8R.  J     7Q  8h  +J     8Q  1 s  mJ     8Q  9O  J     7Q  @\9=  J     7Q  t  J     7Q  jV  K     7Q  34  FK     7Q  K v  fK  \   7Q  H  K  ~   7Q  bߑk!  K  ^   7Q     K  [   7Q  $  K     7Q  zAi  K  U   8Q  [a  &L     7Q  9P  9L     7Q  9	  gL     7Q  Y9:  nL  w   8Q  2
|  L     7Q  ,c  L     7Q  h.:<  L     7Q  <:N  L  %   8Q  :!(  M     8Q  :  M     7Q  E;\  ZM     7Q  ʡ;N  M     7Q  ;/N  M  h   8Q  ><O  M     8Q  <QN  M     7Q  I<L  N     7Q  )=Jn  2N     7Q  g=F  rN     7Q  W=h  N     7Q  6G> _  N     7Q  6><>  O     7Q  r>kF  .O  X   7Q  *?"  UO     7Q  :'I  fO     7Q  eM?ZB  O     7Q  ?K  O     7Q  ?R  O     7Q  af_  
P     7Q  -@Ym  ?P     7Q  @SD  }P     7Q  g@3N  P  B   8Q  -AB  P     7Q  LpAJQ  P     8Q  AX  Q     7Q  B/  9Q  z   8Q  Bi  Q     7Q  C#  Q     7Q  ʐC%l  Q  `   Q  C(  1R  s   Q  %D02  DR     Q  WDW  ZR     Q  _D  R     7Q  m.EN  R     7Q  |EN  R  G   Q  E9  $S     Q  śyw  ;S     7Q  F*  vS  k   7Q  /FJ4  S     7Q  dFB  S     Q  FI  S     Q  F5D  S     Q  4GH  T  X   Q  |G6  3T     Q  ճG``  KT     Q  5HrP  T     Q  dHI  T     Q  'Hj  T     Q  .Ic  U     Q  {I\  >U     Q  IV  uU     Q  -J|E  U     7Q  qsJg  U     7Q  kJI  V     7Q  +%KF  )V     7Q  t=P  RV  1   R  kK  {V     7Q   D  V     7Q  KHg  V     7Q  Kg  V     7Q  qXLN  W  d   8Q  eLQ  EW     8Q  CN  aW     8Q  Lbk  W  <   R  ZdMU.  W  x   R  M4  W     8Q  <M  W  K   R  ,QN_"   X     R  sNJ  X     8Q  wN4x  +X     7Q  6O>  aX     R  IuO=  X     8Q  OA  X     R  VO{  X  8   8Q   FP(  X     R  nPJ2  X     8Q  PV  X     8Q  Pr  /Y     R  jQ  XY     R   Qj  Y     8Q  2TR5  Y  U   8Q  goR(  Y     R  [Rf  Y     8Q  ]Ru  Y  !   R  S2  Z     R  (Sj  Z     8Q  S  =Z  Q   8Q  SY  DZ     R  9 Tg  dZ  !   R  hT  Z     R  ~T*  Z     R  dTIc  Z     8Q  U!  Z  8   R  U&  Z     R  oX  Z     8Q  _K&  Z     R  uq@:  Z  N   R  M  [     8Q  
  5[  d   R  _]  7[  ^   8Q  {a8  ][  N   R  gd  p[  \   R  K)  [  8   8Q  (|  [     R  ]F  [     R  `ŘA  [  G   R  EU(a  \  %   8Q  ƦU(  #\  v   8Q  Uy0  -\  r   R  ZUI  E\  z   R  [HVC  \\     8Q  ۋV)  s\  ]   R  V%  y\     8Q  VI  \     R  W<  \  3   R  @KW  \     R  jW=  \     7Q  W]  \  6   7Q  iX^  ]     "]     7Q  XN  ']     R  NgXٗ  Q]     R  'X[  ]     R  ZY\u  ]     R  [Y  ]     R  VZ~  ^     8Q  Zy   S^     R  Z  X^     R  |[X  ^     R  [n{  ^     R  ҜWc  ^     8Q  &P\S  _  X   8Q  ֣\B5  /_     R  \  @_     R  \`  F_     R  N]^  v_     8Q  :]LE  _  V   R  ]I  _     R  '<^6  _     8Q  s^U  _  {   R  ^P  `     R  _0  >`     R  I_4N  X`  ]   8Q  _%i  y`  9   R   `}C  `     7Q  ]D`bv  `     7Q  `_  `     7Q  azq  "a  ~   7Q  86!D  ba     7Q  aKS  a  e   8Q  ]an4  a     7Q  Yzf  a     8Q  bEW  a     7Q  kbG  "b     7Q  ޲b6d  Hb     7Q  cT  b     7Q  lcJ  b     7Q  *d  b     8Q  cYI  c     7Q  F*T  #c     7Q  9 dKX  Nc     7Q  5T  }c     7Q  Xd]  c  f   R  SdI  c     7Q  N e  d     7Q  e9  Gd     7Q  e`B  cd     8Q  Ue]  d     7Q  fL  d     7Q  f?B  d     8Q  =f#(  d     7Q  `f  d     8Q  WogCq  Ee     7Q  gS  je     7Q  a4hvd  e     7Q  טh0  e     7Q  m  e     7Q  hP  (f     8Q  piD  Yf     7Q  iV  f     7Q  jU  f  u   8Q  =[jI  f     8Q  Oje  g     8Q  4
kn  2g     8Q  kN  fg     8Q  k@q  g  ~   8Q  YlB  g     7Q  RlG  g     7Q  l9X  g  X   8Q  K<mv  $h     7Q  m8  Eh     8Q  mb  ah     7Q  Nn[  h  b   7Q  tn"  h  6   7Q  n@  h  '   8Q  Sn!  h     7Q  -o@  h     7Q  DoI  i  6   7Q  @o`  5i     7Q  oS  Ai     8Q  moLy  ni  X   8Q  op/  i     7Q  bpB  i  6   7Q  pS  i     7Q  pp)E  i  r   8Q  ;qH  j     7Q  q
A  $j     8Q  $qb  @j     7Q  'rY  hj  b   7Q  Ӂrw"  j  6   7Q  Jr?  j     7Q  rMF  j  r   8Q  rH  j     7Q  WGsD  j  6   7Q  
sM   k     7Q  ZsP  ,k     8Q  sLy  Yk  X   8Q  :jt/  k     7Q  tLM  k  6   7Q  /tx  k     7Q  tqE  k  r   8Q  AuH  k     7Q  u<  l     8Q  \ub  3l     7Q  &)vU  [l  b   7Q  ~v  l  6   7Q  vr  l     7Q  vE  l  r   8Q  vH  l     7Q  1=w6  l  !   7Q  Isw  m     7Q  B  m  %   8Q  =w!(  2m     8Q  ^w}  <m     7Q  3)xvD  pm  6   7Q  mx  m     7Q  xSH  m  r   8Q  
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Tomoko's apartment. There is a lamp post near Charo
with a clock on it. The Chrysler Building can be
seen in the distance. The hotel where Charo stayed with
Shota... is near the Chrysler Building. Shota's father should be at that
hotel right now. The area ʉ+is surrounded by+ an
orange light. A long shadow stretches from the
whole town, which is covered in light. It is already evening. The time reads 4:45 p.m. Is the Chrysler Building ʊ+far from+
here...? But... I must see Shota's
father! I have to hurry and go to the hotel! Charo rushes to the hotel
at full speed. This is the intersection close to
Tomoko's apartment. A subway entrance is near the
intersection. Many people are exiting from it. So many people... The intersection in front of Charo
is full of pedestrians. Oh no...
What should I do...? People continue to cross the street,
and Charo can't ʋ+get through+. I want to get to the hotel fast,
but... Charo successfully crosses the
intersection. Charo doesn't see Slim anymore. Thanking Slim in his mind, he
heads to the hotel. Charo ʌ+makes up his mind+. He dashes
into the crowd of people. Whump! However, he is soon pushed out of
the crowd of people. Oh no... I can't get to ʍ+the other
side+.... What should I do? Charo tries to go into the crowd
of people, but... If this keeps up like this,
I won't be able to cross... What should I do...? There is no break in the crowd of
people at the intersection. Suddenly, just like with Charo, something rolls out from the
crowd of people. There is no break in the crowd of
people at the intersection. The thing rolls up to him at a
great speed. Ah! The thing has no time to dodge
Charo. It slams into him. Owww... Owwwww.... Looks like I can't make
it with this body... The thing complains. It is a round, fat white cat. It is a fat cat wrapped in white
fur. From afar, it looks more like
a big, white ball of wool. The white cat's eyes meet
Charo's. Hey there. It is a fat cat wrapped in white
fur. From afar, it looks more like
a big, white ball of wool. Hi, I'm Charo. Hi, my name is Slim. Sorry about that.
Did it hurt? It hurt, but I'm OK...
Um... Slim... Charo hears the name and looks
at the cat's body. ʎ+Despite+ his name,
he is round and fat. Hey! Right now, you're looking at me and
thinking... how my name doesn't match my
body, aren't you? Charo shakes his head.
He doesn't say a word. I might not look like it, but I was
actually slim once. But now... I guess I won't be able to cross
the intersection with this body. Oh! How do I cross
the intersection? What? You couldn't cross it either? But... you don't look fat at all. Are you saying that you don't
know how to cross it? Yes... I'm ʏ+in a hurry+. I need to cross
here and keep on going, but... I can't cross it.
There are too many people. If you just wait a bit, there'll be
fewer people. Then, you'll be able to cross it
easily. You're in a hurry, huh? You want me to show you how
to cross it? Yes! Please tell me! There really are a lot of people
here. Yes... For times like these, there's a
trick. Trick? If you look carefully at the people
crossing the intersection... sometimes there's a space
in between them. You see? You're right. My body can't go in there
anymore, but... What about you? Yes. I think I can go in there! After you slip into that space... all you have to do is move along
with everyone else. With a crowd like that, sometimes
they move faster or slower... Their movement changes often
so be careful. I see... I'm sorry.
ʐ+Could you explain that to me again?+ You've forgotten already? There's only one trick to it. Once you enter the space between
the people, watch their movement. Follow their movement and move
the same way. ʑ+Got it?+ I got it. Thank you! Thank you for explaining it! Don't thank me.
You better hurry. You don't have much time,
right? Yes, that's right. Just think of it as my apology for
bumping into you. I'm going to wait here until this
crowd is gone. Well, good luck. Charo carefully examines
the intersection. There is a space that Charo
may fit into. I might be able to go in there. Charo enters the space between
the people at the intersection! +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ Charo carefully watches the
movement around him and walks. The people are beginning to walk slowly. Charo adjusts his steps to
match his surroundings. It looks like I'm able to walk. Charo carefully watches the
movement around him and walks. The people begin to walk faster
and their speed becomes normal. Whew...
I think I did it again. Charo carefully watches the
movement around him and walks. The people begin to walk much
faster. Charo has to keep up. Great!
It looks like I'll be able to make it. Charo mixes in with the crowd
and moves. Charo finally makes it to the
other side! I did it! Now I can move ahead! I need to
hurry and go to the hotel! Whump! Charo is pushed out of the
crowd of people. Oh no...
I failed... Charo rushes to the hotel
at full speed. This is an area between Tomoko's
apartment and the hotel. Hm? The street is under construction. There is a familiar-looking conveyor
belt. It moves. It's under construction.
What should I do? I can't get to the hotel without
crossing here... Charo cannot proceed since the road
to the hotel is under construction. The conveyor belt is carrying dirt
and sand. There is a conveyor belt nearby. Charo cannot go back.
He must hurry to the hotel. I've... been on this before. Dread... was with me that time... Charo becomes slightly sad. Charo... Move forward.... !? He thinks he heard a voice from
somewhere, but... ... it is just his imagination. I know, Dread... Of course, I'll move forward... +このメッセージには
英語訳がありません+ I need to prepare myself... I... failed... But I won't be able to get any
further if I don't get through here. I won't give up. Charo finally crosses the conveyor
belt! I did it! Now I can move ahead! I need to
hurry and go to the hotel! Charo rushes to the hotel
at full speed. This is an area between Tomoko's
apartment and the hotel. What... again? A construction site is in front of
Charo. I can usually go through
here, but... it's also under construction... And I need to hurry to the hotel... There are construction materials
and a truck. The road leading to the hotel
is blocked by a wire fence. I need to get to the other side
of this wire fence. There are construction materials
and a truck. Charo notices that there are many
things that he can jump onto. This is the other side of the wire
fence. There's no turning back now. Charo
rushes toward the hotel. The construction materials
are scattered about. Charo needs to get through here
to get to the hotel. Umm.
What should I do...? Charo thinks... He notices a garbage can in
front of him. Can I jump on this garbage can
and go over the wire fence? A large wire fence blocks
the road. The wire fence is very tall. It is
too high for Charo to jump over it. It's high... Can I go over this and get to
the other side? It is your average garbage can. If Charo jumps, he may be just able
to climb onto it. If I jump and climb onto this... can I jump on top of the wire
fence from there? ... I can't reach it from the garbage
can. There's no time.
What should I do...? ... Charo thinks for a moment. He looks around. There are many
other things that he can jump on. I know! I should look for new
platforms! And maybe I'll make it if I jump! It is your average garbage can. It is the first platform Charo will
use to go over the wire fence. Using some things around
him as platforms, he jumps toward the wire
fence. The platforms that can be
used for jumping are as follows: The garbage can. The back of the truck. The truck's roof. A cardboard box. He uses these to try to get
to the top of the wire fence. OK... here I go... Charo jumps toward the top
of the wire fence. But... Charo falls to the ground... Owwww...
I need more platforms. Charo makes a nice jump toward
the top of the wire fence. And... he finally makes it over the
wire fence! I did it! Now I can move ahead! I need to
hurry and go to the hotel! Charo rushes to the hotel
at full speed. It is just a little bit farther to
the hotel. A huge crowd is in front of
Charo. Eh? What is it now? This is supposed to be the
sidewalk... A huge crowd is in front of
Charo. He notices that the crowd has
formed a circle around something. The crowd prevents him from
going forward. A flyer and a magazine are on the
ground near the crowd. It is the way through the hedge
that Slim told him about. Slim waits for Charo to pass. It is a flyer that someone threw
away. The flyer reads, +Very small+ but very powerful. It is a flyer for a vacuum cleaner.... It is a magazine that someone threw
away. Charo reads the page that
happens to be open. It means that you are very
+patient by nature.+ It is a fortune-telling page
describing personality types.... A clown is at ʒ+the center of+ the
crowd. The clown juggles while balancing
on stilts. Wow! Amazing! Cheering can be heard from all
around the clown. Oh, everyone is watching this... It doesn't seem like the clown will be
ending his performance anytime soon. I'm in a hurry...
What am I going to do? Just when Charo begins to worry,
he hears voices from above his head. Nearby, two men who had been
watching the clown are talking. Hey, look at that. What's with that cat? It's trying to squeeze into that
small spot. He he he... look at the size of that
thing. That's one fat cat. There is a hedge a short distance
from Charo. A white cat is stuck in the
base of the hedge. (laughs)
Look at that! My question is why cats +like narrow
places+ so much. Charo looks at the hedge... Slim is buried in it.... The two men continue their
conversation. Cats sure do like small places. My cat loves tight places, too. But one time, my cat got lost. Lost!?
That's not good! I looked all over for my cat, but
couldn't find her. I looked and looked and finally
found her. She was inside a supermarket
bag. I thought it was garbage and I
almost threw the bag away. She was right in front of me and
I didn't even notice. I sure didn't think I'd find her
in a supermarket bag. Why do they like to go into
strange places? If we could talk with cats,
we could ask them. The two men stop talking and
focus on the clown act. Slim's body is buried in the
hedge. Only his head sticks out from
the hedge. Slim's eyes meet Charo's,
and he says... Hi, Charo. Slim sticks his head out from
the hedge. It's almost as if Slim is growing
from the hedge. Charo has pulled Slim out and he
is free of the hedge. His body is covered with the
hedge's leaves. Hi, Slim.
Why are you here? I came here as fast as I could. I'm surprised that you're faster
than me. Yeah, well... Cats have cat paths... I see.... By the way, what are you
doing there? You mean, me? As you can see, I'm resting. Isn't it painful to just have your
head sticking out? Slim shakes his head to the side. I love this tight feeling. Tight? Like I'm... being wrapped in
something. It calms me. R... really? So, what are you doing? Well... I need to get to the other
side, but... I can't cross over. It's full of
people. This street performance will
eventually be over so... I think the people will go away
if you wait. No! I have to hurry! Yeah, you mentioned that you
didn't have time. Yes. Hmmm... If you want to go through here,
there's one way. What!? How do I do it?
Please tell me! I don't ʓ+mind telling+ you, but... Mmmm... Well... I want to test you first.
Is that OK? Yes! Well then... Hmm...
I don't know what you mean. Um... Would you like to answer again? Hmm...
Maybe you're... ? Maybe you're a bit
smaller than I am. Y... you think so? (chuckles) OK.
Next question. Yep, that's right. R... really? Even though you're in a rush,
you're answering all my questions. Now, for the final question! I see...
OK, you pass! I did it! Then, will you tell me? OK, but before I do... Could you pull me out? Pull? That's right. Pull. Why do I have to pull you? You don't have time, right? Then pull. You'll know if you pull me out. Only half convinced, Charo pulls
Slim. Suddenly... Pop! Slim pops out from the hole in
the hedge. If I did it slowly, I could
get out by myself, but... seeing how you don't have much
time.... Now... take a look at the spot
that I was just in. You see, this hole in the
hedge leads to the other side. If you go through this hole,
you'll be able to make it. Wow! Back in the days when I was small
and slim like you... I used this hole all the time. Now, it's a little impossible with
my body like this. So I use it when I want to
feel tight. I don't know how that feels, but... Now I can go on! Good. You're in a hurry, right?
Then you'd better go. After you're gone, I'll go back
in there. Thank you so much, Slim. ʔ+Don't mention it.+
Now hurry. You don't have time, right? Yes... but I wanted to thank you. (chuckles)
Courteous, aren't you? But if you don't hurry... I won't be able to feel tight... Oh! I'm sorry.
I'll go right away. (chuckles)
Good luck. Charo goes through the hole that
Slim showed him and moves on. Charo goes through the hedge
path shown by Slim. He passes the clown and the crowd,
and is able to move forward. This is the street right
near the hotel. A big traffic jam is in front of
Charo. Wha... what is this? The traffic jam moves slowly and
blocks the street. The hotel is right over there, but... A big traffic jam is in front of
him. Just when cars start to move a bit...
they stop again. After moving a bit more,
they stop again. This moving and stopping continues. Due to the traffic, Charo
cannot cross the street either. Mmm... What should I do...? Charo is somehow able to cross
the street. The hotel that Charo is looking
for is nearby. The rows of cars move right to
left and sometimes stop. This continues as the cars
move little by little. What're you doing!?
Hurry up! The sound of cars honking and
someone's angry shout mix together. Just then, a cat appears... and ʕ+makes his way into+ the traffic! Ah! The cat occasionally stops between
the cars and then runs past them. The cat moves forward smoothly. Wow. Charo has no time to call out to
the cat. He follows him with his eyes. I see...
I should cross like that... Charo carefully examines the cars'
movement. From Charo's position, the
cars move right to left. There are three car lanes. If he crosses all three car lanes
from the start of the street... Charo will be able to make it to
the other side. There's no other way.
I have to do it like that cat. Charo carefully examines the cars'
movement. Charo remembers how the cat
crossed the traffic. That cat was amazing. Sometimes, he moved quickly
between the cars... Sometimes, he didn't move at
all and just waited... Waiting... was that the key? Doing nothing even in the middle of
a traffic jam... I will follow his example. Charo carefully enters the
traffic! He is somehow able to slip
between the cars. Whew... Good.
I'll keep this up. The cars around Charo move. I need to decide my movement
quickly... Charo carefully examines the
next car's movement. Charo moves back. Suddenly... Oh no... Charo returns to the starting
point. Charo carefully moves forward
in the traffic. Suddenly... He is somehow able to slip
between the cars. I did it! I was able to move ahead
a little! I'll keep this up. Charo stops in the middle of
the traffic. Suddenly... Charo is in the space between
the cars. Whew.... This is scary. The cars around Charo move. I need to decide my movement
quickly... Charo carefully examines the
next car's movement. Charo moves back. Suddenly... Charo is in the space between
the cars. Whew.... This is scary. Charo carefully moves into the
traffic. Suddenly... He is somehow able to slip
between the cars. I did it! I was able to move ahead
a little! I'll keep this up. Charo tries to stop in the middle
of the traffic. Suddenly... Charo is in the space between
the cars. Whew.... This is scary. The cars around Charo move. I need to decide my movement
quickly... Charo carefully examines the
next car's movement. Charo moves back. Suddenly... Charo is in the space between
the cars. Whew.... This is scary. Charo moves forward at once. Then... Charo finally crosses the street! I did it! The hotel is right in front of me!
I need to hurry! Charo stops in the middle of the
traffic. Suddenly... Charo is in the space between
the cars. Whew.... This is scary. Screeech! A car stops right before
hitting Charo. What're you doing, dog!? The driver is very angry at Charo. I'm sorry! Charo hurriedly returns to his
original spot... At long last, Charo arrives at the
hotel! (pants) Charo is breathing fast. Is Shota's father still here? I have to hurry up and find him! This is the entrance to the hotel
where Charo had stayed with Shota. Nearby, a van waits for someone. It is parked with the engine
running. Next to the front door of the hotel
is a doorman. That... person... It is the doorman that had chased
Charo away. The doorman looks around with
a bored look on his face. I have to find Shota's father
without that man noticing me. It is a van with the engine
running. Charo is ʖ+too short to+ see inside
the van. A man sits in the driver's seat. That's not Shota's father. I have to find Shota's father... Charo ʗ+tries to+ avoid the
doorman... and looks for Shota's father
a little further away. Where is Shota's father...? Please be at the hotel! Just then... Several people exit the hotel. They get into the van. A man's face appears at the
window... It's Shota's father! Ah!!! Shota's father!!! Arf arf! Shota's father! It's me! It's Charo! Arf arf! But no one notices Charo. So I'll see you here again on
Wednesday, 12 o'clock sharp. Got it. Wednesday, 12 noon. Yep. Take it easy. This is difficult... How should I do it? How did that cat cross? If I remember correctly...
that cat... Charo thinks hard and remembers
how the cat moved. He walked straight into the
traffic with no hesitation. He stopped...
and moved... and stopped... I know! Mmm... it's still difficult... How should I do it? I need to remember the cat's
moves again. Charo thinks hard and remembers
how the cat moved. He matched his movement with
the moving cars. Then, he stopped... and moved... Stopped... How do I stop? "Move ʘ+forward+"
"Move ʙ+backward+"... ... ... I know! It might be best if I don't move
at all! Charo is in the first ʚ+lane+ of
traffic. Charo is in the second lane of
traffic. Charo is in the third lane of
traffic. There is a space between cars
in the first lane. Charo may be able to enter the
space. A car seems to be coming in
the second lane. There is a space between cars
in the third lane. Charo may be able to enter the
space. A car seems to be coming in
the first lane. There is a space between cars
in the second lane. Charo may be able to enter the
space. A car seems to be coming in
the third lane. There is a space between cars
in the first lane. Charo may be able to enter the
space. A car seems to be coming in
the second lane. A car seems to be coming in
the third lane. There is a space between cars
in the first lane. Charo may be able to enter the
space. A car seems to be coming in
the second lane. There is a space between cars
in the third lane. Charo may be able to enter the
space. A car seems to be coming in
the first lane. There is a space between cars
in the second lane. Charo may be able to enter the
space. A car seems to be coming in
the third lane. A car seems to be coming in
the first lane. There is a space between cars
in the second lane. Charo may be able to enter the
space. A car seems to be coming in
the third lane. A car seems to be coming in
the first lane. A car seems to be coming in
the second lane. There is a space between cars
in the third lane. Charo may be able to enter the
space. A car seems to be coming in
the first lane. A car seems to be coming in
the second lane. A car seems to be coming in
the third lane. +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_19.txt
****************************************

﻿                     U                    !  +Charo learned a new English phrase!+ +It was Beethoven
who composed the Eroica.+ +Charo learned a new English phrase!+
+I have no idea what's going to happen.+ +Charo learned a new English phrase!+
+Cut it out!+ +Charo learned a new English phrase!+ +No one expects you to be a hero and
save people.+ +Charo learned a new English phrase!+ +You are a hero every New Yorker
is proud of.+ 

****************************************
_out_EN_190.txt
****************************************

﻿l   x   l      l      l   5  l   t  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_191.txt
****************************************

﻿y   7Q  0.       7Q  6E       7Q  W<  %
     7Q  7  G
     7Q  .|  a
     7Q  6z4  
  i   7Q  0kL  
  z   7Q  d/  
     7Q  ڣ:?  
     7Q  $KV       7Q  opT  9     7Q  Ť|  a     7Q  Az       7Q  }       7Q  |:~       7Q  xO  Y     7Q  m       7Q  -vh|       7Q  x       7Q  skM       7Q  xx  ;     7Q  1b  o     7Q  >       7Q  ҩ1e    4   `Q  7$    U   8Q  \T       7Q  :       `Q  9e  3     [Q  MQk  ]     `Q  A       7Q  l=@       `Q  ~       `Q  *\       `Q  "V  
     `Q  Gc  6     `Q  fǭN  ~     `Q  L}       `Q  ʮIs    ^   [Q  =5  K     7Q  s<^  ^     7Q  ѯ
?       [Q  Q       `Q  bJ       [Q  g    z   `Q  6  /     `Q  Ja  I     7Q  ګf  |  `   `Q          [Q  p3^       [Q  A#\       [Q  <       [Q  ڲK    h   `Q  PsW  B     `Q  ʳ_f  f     `Q  L1W    T   [Q  [@6    d   [Q  *    m   8Q  '       IQ  \_       8Q  o  $  q   IQ  C  )     7Q  ŵu8  G     8Q  ^*  h     IQ  (Yb       IQ  9<9    R   8Q  uĶ`       8Q  s%[b    !   IQ  ·b  6     IQ  MJ  >     8Q  0u]  g     IQ  /M       7Q  Jb       7Q  G    x   8Q  f    r   8Q  \[A  =  &   [Q  +2  V  k   [Q  ]E  _     [Q  5    _   [Q  ,1       7Q  ]N8       8Q  敺xJ       7Q  ^T       [Q  4G       [Q  |;K  6     7Q  Ȼ@  b     7Q  O  }  _   8Q  .XqG       8Q  pP       8Q  `       7Q  P^    ^   [Q  Y  ;     [Q  r	X`  Y     7Q  iNS       7Q  ?    [   [Q  u6       [Q  )31       [Q  dW       `Q  v6q  :     7Q  -a@  w     7Q  
n8.       7Q  EX       7Q  5hp    &   [Q  ei<  
     [Q  L    &   [Q    4     [Q  ^Y  <     7Q  < TK  k     7Q  K]       [Q  W       [Q  2 _K    	   [Q  KD<  '     [Q  Շ  +  1   [Q  ):  c     [Q  <hY  o     7Q  ʂ       8Q  py    v   [Q  cR       [Q  L       [Q  P.  M     8Q  V:  i     [Q  k
       [Q  x       [Q  ,       [Q  8W       [Q  v       7Q  Mi  C     7Q  ]p{F  u     7Q  ضU       7Q  |       8Q  c     v   7Q  p'Y  1      7Q  +  ^      7Q  %c  y      7Q  X2:        7Q  E        7Q  4D  !  t   8Q  1Z1  3!  o   8Q  L(  K!     7Q  musu  a!     !     !     !     "  l   V"     k"     "     "     "     #     =#  -   8Q  N  o#  l   8Q  .T,  y#  s   8Q  /R/  #  	   8Q  ^  #  d   8Q  kjZ  #  ~   8Q  C  #  	   8Q     #     8Q  EW  #  	   8Q  	o  $  	   8Q  z  $     8Q  ds  $     7Q  O  X$     7Q  Ɛ  {$  It is a Sunday morning. Some days earlier, Tomoko had taken
the script ʛ+filled with+ her dreams... and sent it to Bernhardt's agent. A reply has just arrived. Tomoko and Jane are reading a letter
from Gesner Bernhardt's agent. This is Tomoko's living room. Tomoko, Jane,
and Louis are here. Louis is on Jane's lap. Charo is on Tomoko's lap. Tomoko holds Charo up and
dances. Jane and Louis smile and watch
the two. Jane holds the letter in her hand
and reads it over and over. A motionless Tomoko stares
at the letter that Jane holds. Louis sits on Jane's lap with a very
serious look on his face. The usually cheerful Louis keeps
silent in the tense atmosphere. Jane watches Tomoko with a
worried look. Charo has never seen Tomoko
look so serious. Louis's usual cheerful personality
is completely gone. Jane is excited.
It's as if it had all happened to her. Tomoko's wish has come true. Her expression is a mixture of
uncertainty and joy. Tomoko is excited.
More excited than usual. Louis is happier than ever. Just as Charo tries to understand
Jane's mumbling... AAAAAAGH!! Wha-wha-what!?
What happened!? Charo is extremely startled! Ahh, you made it, Tomoko!
You really did! But... wha... what... I... I can't
believe this. What should I do? Are you kidding? You write! Jane reads a section of the
letter. Ahem! "Hello.
I am Gesner Bernhardt's agent. I am writing on behalf of
Mr. Bernhardt. 'One Last Ticket' was one of the
best scripts that have been submitted. We have proposed some changes.
ʜ+Please note that the revised version+... must be turned in by 12 o'clock,
noon, this coming Wednesday." But that's only three days from
now. What are you going to do? Only three days... After that, Tomoko doesn't say
anything. Charo can hear their conversation. By the way, where am I supposed
to bring it? Um... the Longfield Theater. That's where the premiere of
"The Red Star" is being held! You're virtually invited! Oh... there's another page to this
letter. Here... Tomoko glances through the next page
and freezes. What does it say? Um... "Mr. Bernhardt's next musical is planned for this coming spring, starring the top Japanese star...
Mr. Ken... Matsumoto..." Ken Matsumoto!?
That's your father! That means you're writing a script
for your father! Gosh!
Talk about dreams coming true! (laughs weakly) This is incredible.... What's wrong, Louis? Mmm...
Something big is about to happen. Big? Shhhhh!
Just be quiet, Charo. Jane ʝ+mumbles to herself+. What should we do, Louis? At times like these, you need
to ʟ+cheer up+ your owner. That's the role of a good
partner. Cheer her up....
Yes! I will try! ʞ+I wonder how Tomoko plans to
rewrite it.+ Yeah... What would I do if I played
the lead...? What?
You can play lead characters, too!? (chuckles)
What do you think I am? While Charo and Louis are talking
about Tomoko's script... Tomoko and Jane start to talk
again. Arf arf! It's OK!
You can do it, Tomoko! I'm sure it will be OK!! Charo... I know.
It's like I told you... "Don't give up your dream." It's now or never! Tomoko looks determined. Arf arf!!
Congratulations, Tomoko! Tomoko picks up Charo and
kisses him. Ever since you wandered into
my life, things have been getting better
and better. Tomoko is so happy that... she lifts Charo and starts to
dance. Arf arf!
Actually, Tomoko... My dream is coming true, too. I'm going to see Shota's father
on Wednesday. Tomoko listens to Charo's barking
with a smile. (chuckles)
What is it, Charo? It looks like something good
happened to you, too. Of course, she can't fully
understand him... but they share the same feeling. Oh, no.
Look at the time! I have to work on my script. Well, Jane.
Thank you so much for today. I'll be cheering you on, Tomoko!
Good luck with your script! Tomoko sets Charo on the floor. She returns to her room. An expression of fulfillment
is on her face. Tomoko sits at her desk
and lets out a sigh. (sighs) It's not as easy as I thought.... Whoops! I forgot to mail this flyer to the
print shop! Besides her "One Last Ticket"
script, Tomoko seems to have another
project going on. Oh, well...
I'll ʠ+deal with+ this flyer tomorrow... I have to ʡ+work on+ my script
first... ... Mmm... what should I do?
I can't come up with anything. ... I know! Say, Charo.
ʢ+Do you have some time?+ Tomoko faces Charo as if she is
determined to tell something. ? You know that letter?
It was a request. They want me to adjust the script with
Ken Matsumoto specifically in mind. You want to know about him? Arf arf! I want to hear! Well, first of all,
he looks so stern and rigid.... But then, once he smiles...
there's something so sincere and... Huh? Wait! That's what I need to add. Some more sincerity.... Yes, yes, yes! Charo listens to Tomoko with
a smile on his face. Tuesday... the night before the
deadline, Tomoko has fallen asleep at her
desk again. Charo is standing there, on her desk,
as if to protect her. Tomorrow, both our dreams will
come true. This is Tomoko's room.
Charo is on her desk. Tomoko is in front of him. She seems tired from writing
her script every day. Tomoko is asleep at her desk. Then, Charo notices a sheet of paper.
It's the flyer that Tomoko made. It is the flyer that Tomoko made. It's a picture of me... What's written on it? Charo is curious about what the
flyer says and reads it. "Looking for the owner of a
lost dog." "White body, but one of
his ears is brown." "Very cute and intelligent
mixed breed puppy. " "Japanese characters written on
the name tag on collar." "His name is Charo." "I think he is from Japan." "If the owner cannot be found," "I will take responsibility and
care for him." "However, I think it would be best
if he were returned to his owner." "Any clues will be appreciated." "If you have any information,
please contact me." Tomoko... Thank you, Tomoko... I'll never forget this. ... But... I'm sorry.
I have to go home. Shota is waiting for me. ... Tomorrow, I will be seeing
Shota's father. ... ... Please don't worry
if I don't come back to you tomorrow. Charo falls into a peaceful sleep, dreaming of both Tomoko's
and Shota's smiles. 

****************************************
_out_EN_192.txt
****************************************

﻿l   ,  l   k  l     l     l   (  l   g  l     l     l   $  l   c  l     l     l      l   _  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_193.txt
****************************************

﻿l      l      l     l   ]  l     l     l     l   Y  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_194.txt
****************************************

﻿   7Q  xM  D/     7Q  l  f/     7Q  2W  /     7Q  M  /     8Q  he  /  b   8Q  xl/  0     7Q  b  /0     7Q  {h  _0     7Q  i|  0     7Q  U<  0     7Q  [.  0     7Q  SP  @1     7Q  =j  ~1  ?   [Q  O  1     7Q  O  1     7Q  !7  1     7Q  aYT  
2     7Q  ]  ?2     [Q  8  t2     7Q  %k~  x2     7Q  8  2     7Q  }<  2     7Q  J  2     8Q  [m  3     8Q  a  _3     7Q  |{1{  3     7Q  {>  3     7Q  BP9  3     7Q  6|\Y  4     7Q  +|`W  24     7Q  q  j4     7Q  E>  4     7Q  {@  4     7Q  -%E  4     7Q  R	M  5     8Q  9WTA  ;5     8Q  {  _5     8Q  ^b  5  Z   8Q  Nw#  5     8Q   7  5     8Q  X  5     8Q  +9  6     7Q  XeU  76  b   7Q  ?n$  Y6     IQ  ,9  m6     IQ  
  6     7Q  oR  6     8Q  Ro  
7  A   IQ  d"  47  k   IQ  r+  B7     8Q  A  `7  \   IQ  +  ~7     IQ   mG  7  q   7Q  gN+  7     7Q  EGA  7     7Q  HV  7     8Q  *]G  
8     7Q  1rSf  *8  {   [Q  =  c8  s   7Q  ,  {8     8Q  BT  8     IQ  6]  8     7Q  p  8     IQ  Ch=\  9     8Q  e  I9     IQ  {ue  O9  P   8Q  ZI  9     8Q  #:2  9  E   7Q  &V  9  a   IQ  v,  9  S   8Q  n!  9  R   IQ  A  9     7Q  ^E  :     7Q   %O  /:  \   7Q  tJ!  [:  i   [Q  4GQ  m:     7Q  {7:  :  2   7Q  !W  :  U   [Q  	6B  :  <   [Q  xL  :  Q   IQ  G  :  3   8Q    :     7Q  <J  :     7Q  CG  %;     7Q  1c  R;  !   [Q  j  ;     7Q  Y[H  ;     7Q  T6  ;     7Q  G/W  ;     7Q  v/fA  <     7Q  pd8  +<     7Q  |  J<  ~   7Q  @D  <     7Q  ie3  <  ~   7Q  AH  <  	   8Q  5V  <     8Q  #D  =     7Q  L>  =     7Q  I  *=     R  v  P=     bQ  jKK  =  a   R  !d  =  N   7Q  #  =     7Q  p  =  g   8Q  G  >     8Q  hgg  >     8Q  e<  J>  	   8Q  !  j>     8Q  -p  n>     8Q  ؞MQ  >  	   8Q  %[  >     8Q  1  >     7Q  ~0I  >      [Q  Oz  >     [Q  ҏ  >     7Q  }?  =?     7Q  S}y  ^?  ~   7Q  }/X  ?     7Q  %~%X  ?  '   7Q  }~l  @     [Q  `~Y  @  I   [Q  r~  9@  ~   7Q  I  G@     7Q  \W  l@     VQ  :u3p  @     VQ  mq  @     VQ  VI  @     VQ    A  1   8Q  *  CA  U   7Q  DM  NA     7Q  N[Y  ^A  2   [Q  [o  A  K   7Q  $  A     7Q  w  A     7Q  cr  A     7Q  wb`f  4B  _   8Q   @  oB  D   [Q  &  B  \   [Q  /G  B     [Q  veL  B  J   [Q  'J  B     [Q  )
U  B     7Q  ~^  'C     7Q  s&9  PC  u   IQ  &%  tC     8Q  LM  C     IQ  ,  C     8Q   T  C  t   8Q  OX*  D  {   IQ  Oz%  &D     7Q  DA  >D     IQ  ,a  cD     7Q  4CE  D     7Q  KiW  D     7Q  G7j[H  D     7Q  'G  
E  %   [Q    6E     [Q  -e  >E     7Q  L"D  qE     7Q  >  E     7Q  L  E     7Q  dI  E  7   8Q  %+  E  /   [Q  G1  F  	   [Q  [N&  F  _   [Q  $G$  F     [Q  kkk  -F     [Q  k  hF     7Q  0iDR  F     8Q  |R  F  $   8Q  6  F     7Q  7  F  h   7Q  xh/  G     8Q  H)y  (G     8Q  	3M  YG  }   7Q  <0  }G  ]   aQ  @qE  G  0   aQ  0  G  ~   aQ  #.  G     aQ  j/  G  |   aQ  J\  G     7Q  +A!P  	H  D   8Q  LJ  -H  	   8Q  #  ;H     7Q  ZI  ?H  	   8Q  n;  aH     8Q  Vx  eH  =   7Q    H     7Q  5o  H  4   [Q  S 3  H     [Q  Ć _h  H     7Q  # K  I  ?   [Q  :G  <I  T   8Q  0  LI     7Q  15  ^I     xI  S   7Q  ="  ~I  b   8Q  /,zV  I     8Q  
M  I     8Q  W  I  z   8Q  qfuf  I     7Q  KE  I     8Q  1H  I     8Q  Z  J     8Q  cb  #J     8Q  \  RJ  z   8Q  !#sf  wJ     7Q  eK  J     7Q  Nb  J     7Q  G7Hc  J     7Q  ,  )K     8Q  \  EK     7Q  \$UH  gK     7Q  l0_  K     7Q  `  K     7Q  r,/  K     7Q  (\\m  L     7Q  X  XL     7Q  |"\  L     8Q  a  L  t   8Q  W  L     7Q  8	"9  M     7Q  t`[  EM     7Q  GjGI  M     7Q  j#:  M     7Q  q	8  M     7Q  	D?  M     7Q  	&w  N     7Q  `
T  NN     7Q  Oif\  vN     7Q  
a?  N     8Q  ^
  N  f   8Q  CtG  O     7Q  ֻ[  O     7Q  q  PO  (   R  1  O  g   R  ޣ,  O  c   R  ?  O  ?   R  2k&  O  e   R  
@H  O     7Q  LW
9  O     7Q  ϐ
`  P  E   8Q  \
%  GP     7Q  ?\F  WP     7Q  ][  P  s   8Q  \9  P     8Q  YkiZ  P     8Q  5\  P     8Q  #PN[  Q     7Q  q{  DQ     7Q  &  Q  I   8Q  @v9  Q     7Q  bzH  Q  D   7Q  R  Q  =   8Q  5  Q     7Q  c  Q     7Q  oee8  +R  =   7Q  ԝ1  MR  Y   R  _.  ZR     R  d(A  lR     R  $0  R     R  K  R  V   R  KUNY  R     7Q  O  R     8Q  77  S     7Q  nvS  S     8Q  i@  JS     8Q  {D  hS     8Q  ;@  S     8Q  /PH  S     7Q  !x/]  S  I   8Q  P7  S  s   8Q  A  T  $   8Q  M  #T     7Q  f0`  -T  a   8Q  >%  eT     8Q  ks  wT     7Q  'lT  T  h   8Q  |l\  T  _   R  b-  U     8Q  R  U     7Q  lP  BU     8Q  )mH  tU  R   R  $1  U     8Q  cryf  U     7Q  V  U  `   8Q  /?Y  V  Z   R  C  -V     8Q  m  LV  p   8Q  @2  nV     7Q  )0  V  N   8Q  Y;$  V     7Q  Q}L  V  P   R  %  V  T   R  }*  V     7Q  HV  W     7Q  p<  1W     7Q  ?  UW     7Q  U  sW     7Q  QBF  W     7Q  F-[  W  c   8Q  sP  W  [   8Q  4=  X     8Q  
rۍ  "X     7Q  i  TX     7Q  il  X     7Q  bC  X     7Q  R  X     7Q  sT  Y     7Q  IZ>S  TY     7Q  ذmk]  Y  `   7Q  l$  Y     7Q  -2  Y     8Q  zQ  Y     7Q  f  "Z     7Q  )BF  TZ     8Q  p4k  xZ     8Q  5y<  Z     7Q  :  Z  I   8Q  tR]1  Z  `   7Q  у/!  Z     7Q    /  Z     7Q   c  [     7Q  Cno:  D[     7Q  HnB;  a[     8Q  8    }[  X   R  X ?  [     7Q  ̗ \o  [     7Q  (![K  [  q   7Q  R!#   \     \     7Q  Ev!V  \     7Q  !c  B\     7Q  0"Gt  p\     R  "<  \     7Q  ni  \     7Q  "[:  \  T   R  #z,  ]     7Q  H#
;  ]     7Q  #z^  8]     8Q  #V  `]     7Q  h#=  e]  k   7Q  -$'  ]     7Q  U$rD  ]     7Q  $88  ]  5   R  5$g  ]     7Q  :%f  ]     7Q  %JX  ^  k   7Q  %*.  E^     7Q  !'&A  [^     R  i&U  z^  Q   7Q  	n&%  ^     7Q  ۾&b  ^     7Q   'X5  ^  <   R  7V'kA  _     R  /o,M  _  >   R  '#5  A_     7Q  'G  ]_  q   8Q  (8  _  }   R  K(uT  _     R  .  _     R  ۂ>  _     R  f(,8  _  Y   R  (   	`  K   R  (5  `     R  .)u  5`     7Q  )w  ``     8Q  r*f  `     8Q  *  `     7Q  *A  `     7Q  *N  `  z   8Q  +L  a     8Q  ~f+O4  a     7Q  ͚+\  7a     7Q  +I  da  r   8Q  A,6  a     8Q  x,d  a  s   8Q  ,~<  a  s   8Q  {-3  a     8Q  :M-[  
b  {   8Q  
-.M  7b     8Q  ;-  Pb  l   b     8Q  .C  b     7Q  .=  b  U   8Q  I</?  c  m   8Q  Z{/2  (c     8Q  h/'i  ?c  m   8Q  0AG  dc     7Q  ]0B  |c  S   8Q  Š0L  c     8Q  Q0^  c     7Q  6L1[  c  T   8Q  17)  
d     7Q  [_ob  d  *   8Q  1  bd     8Q  1XJ  ld     7Q  ;2Hd  d     7Q  zo6  d     7Q  Zod  d  !   7Q  _2l$  e     7Q  2#H  e     7Q  3J  ;e     7Q  U3a  ge     7Q  3e  e  -   8Q  -428  e     7Q  _U4SD  e     7Q  4'[  e     7Q  4  !f     7Q  b5V>  jf     7Q  5Y  f     7Q  i6pZ  f     7Q  v6D  f     8Q  69s  g     8Q  .7e  6g     8Q  7S
  _g     8Q  72  fg  v   8Q  _SE  g  =   7Q  7  g     7Q  T76  g  Q   BQ  E80  g     7Q  P8M  g     7Q  8 X  g     7Q  8W  'h  q   7Q  L92  [h  y   7Q  w\p[  rh     AQ  m96>  h     8Q  9`  h  m   7Q  94  h     8Q  :8  h     7Q  :KT  i  	   AQ  #>  <i     AQ  "pr  @i     8Q  3*q>T  vi     AQ  q~qDn  i  Z   8Q  :*  i  G   AQ  q';  i     8Q  qR`  i     AQ  G;/x  j  Z   8Q  ?;*  _j  G   AQ  ;`"  qj     8Q  MrZ  j     AQ  rR  j     AQ  5r,  j     AQ  &s*<  j     8Q  csQ  k     AQ  s'b  9k     AQ  a<SO  nk  Z   8Q  [<*  k     AQ  v<%p  k     8Q  	y  k     AQ  <s  l  Z   8Q  i=*  Nl     AQ  q=e  `l     8Q  y  l     AQ  H=ۆ  l  	   AQ  #>  
m  x   7Q  Κ>.  m     7Q  n>[  'm  M   AQ  ;%?n  Um     8Q  ??o  dm  W   AQ  ;?3  m     8Q  N?  m  D   AQ  ?  m  \   AQ  t#  m     AQ  14t)  m  Y   8Q  #^te(  m     AQ  t[  n     AQ  ƃ  5n     AQ  FG  }n     AQ  vJ  n  B   AQ  7t.  n  |   AQ  etH  n     AQ  @u5  o  Y   AQ  @&  o     AQ  1@n8  1o     7Q  7j@_  No  |   AQ  
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Shota's father arrives! If Charo goes to the hotel by
twelve o'clock, he should be able to meet
Shota's father. I'm really going to see Shota's
father.... Please wait, Shota! Charo is full of hopes, but he
is also worried. Meanwhile, today is a fateful day
for Tomoko, too... It is the day that Tomoko promised
to deliver the script to Mr. Bernhardt. Perhaps a trick of fate... she promised to meet him at twelve,
the same time as Charo's reunion. She ʣ+is supposed to+ deliver the
script to the theater. This is Tomoko's living room;
it looks the same as usual. 75, 76, 77... Tomoko busily counts the script pages. Louis sits right next to Charo. The two watch her as they
sit next to each other. The clock on the wall shows that
she still has time. Ow! A pained moan from Tomoko can be
heard from outside the apartment. Tomoko rushes to the door. It is an ordinary wall clock. The clock shows that it is
eleven o'clock. I will be able to meet Shota's father
at twelve o'clock, but... that means I will have to leave
Tomoko... Charo is filled with feelings
of happiness and sadness. +He has mixed feelings about it.+ It is an ordinary wall clock. The clock shows that it is
ten past eleven. She seems ʤ+tired from+ working
night after night. Tomoko had been making last-minute
adjustments to the script... and she has just now finished it. She carefully makes her final
check. Meanwhile, Charo watches
Tomoko. Charo feels something rise in
his heart. Tomoko...
Thank you for everything. I'm very happy that your dream
is about to come true. Actually, I...
I will meet Shota's father today. When I meet him... I will not come back here. I will leave without saying anything. Please forgive me, Tomoko... Charo is lost in thought until... Louis talks to him. Well, it looks like she made it. All she needs to do now is to bring
the script to the theater at twelve. She carefully makes her final
check of the script. I'm glad she finished the script
in time. Yeah, really. It ʥ+was worth+ it, too. Did you do something for her? I prayed for her. In my dreams, every night. Louis winks at Charo. Louis always makes Charo laugh. Today will be his last day with
Louis, too. Louis... about today... I... Just as Charo starts to tell him
about Shota's father... Oh no! I have to hurry! Tomoko rushes about. It looks like Tomoko is ready,
Louis. Whew! She almost didn't make it in
time. Louis complains to Charo as he
looks at the clock on the wall. How about we fulfill our duty
as partners? Duty? Let's ʦ+see her off+ and pray that
she succeeds. (laughs)
Yes. Good idea. Whatʧ+'s wrong with+ Tomoko? Louis listens. Something's wrong. I'll take a look. I'll go with you. Charo and Louis gather at Tomoko's
feet. Tomoko sets her hand on the
doorknob and... talks to the two. I need to hurry.
See you guys later! Tomoko runs out of the apartment. However... Ow... agh! Aaagh! Ohhh... ow... What was that? Tomoko...? Charo and Louis rush to the
apartment door. Charo and Louis jump through the
dog door... and see Tomoko downstairs holding
her ankle. Owww... This is the entrance to Tomoko's
apartment. The entrance ʨ+faces+ the road. There is a lamp post with a clock
on it nearby. Tomoko crouches in front of
Charo. The clock shows eleven twenty. Charo knows that the clock keeps
good time. +There is no time to lose.+ The clock shows eleven
twenty-five. Charo looks at the lamp post. The clock shows eleven
twenty-five. ... Ah! Charo remembers something
important. Charo remembers about Shota's
father. So I'll see you here again on
Wednesday, 12 o'clock sharp. Got it. Wednesday, 12 noon. Yep. Take it easy. Twelve o'clock! That is when Shota's father is
supposed to come to the hotel! What should I do...? If I bring Tomoko's script to the
theater... I won't make it to the hotel... ... But if I go see Shota's father
at the hotel... Tomoko's dream won't come
true... ... I... I... Charo remembers Tomoko's
words. Charo, would you be able to give up your
only ticket to happiness for a friend? Charo's thoughts turn to Tomoko. When he ʩ+parted with+ Dread and
Margherita and was alone in New York, with nothing to eat,
on the verge of death, the person who reached out a
helping hand was... Tomoko. But Charo... you've really
gotten better. Good for you! Saying that,
Tomoko smiled at Charo. Charo remembers Andorra's words. If you ever have to make
a big decision, and you can't make up your mind,
ask yourself: What is it that you really want? Follow your heart, and it will
lead you to the right answer. Andorra... What happened!? Tomoko presses her ankle and
sits on the ground. (moans)
It hurts... Tomoko moans. The envelope with the script inside
is on the ground next to her feet. It is the envelope that contains
Tomoko's important script. This has to be delivered to the
theater by twelve o'clock. Arf arf! Tomoko!
Are you all right? ... Oh. Charo. I fell over there. I think I ʪ+sprained+ my ankle.... I... can't walk. Oh, no... I won't be there in time
for Mr. Bernhardt.... Tomoko's expression quickly
becomes sad. Charo and Louis look at each other. We'd better get Jane. She's gone to work. It's too far.
We won't make it by twelve. But there's no other choice. OK. I'll go to the theater with the
script. You go and get Jane. Gotcha! Leave it to me! Louis looks at the nearby lamp post. Charo! The deadline is twelve o'clock!
Don't forget! Louis dashes out to call for
Jane. Charo makes an important decision
for himself. It's a very important decision. Charo takes the envelope between
his teeth. Charo!? Wha... you're going to bring it
to Mr. Bernhardt!? Charo no longer has any doubts. He follows his true feelings. The only thing that Charo has to
do is... help Tomoko achieve her dream. Arf arf!
Of course! ... Charo. ... Thank you, Charo. Please deliver the script to
Mr. Bernhardt at the theater. The deadline is twelve o'clock.
I'm counting on you. Charo is filled with strong
determination. OK. I will run for Tomoko's dream. "I will!" Charo dashes off to Broadway... as fast as he can. This means I will leave Tomoko
alone and hurt... Should I... really go to the hotel? Charo remembers Shota. Over here, Charo. Hurry up! Are you hungry, Charo? Let's eat the sausage together! Charo...
We'll always be friends! Charo remembers how nice
Shota was. Shota! Shota! ... Charo's inner conflict continues. ... I'm sorry, Tomoko.
But I really want to go to Shota... Just then... Tomoko tries to stand up despite
the pain in her ankle. Ow! Urgh... I have to deliver the script to
Mr. Bernhardt... Tomoko's face twists in pain. Ow... But I...! Ohhh... Tomoko... Tomoko tries to stand up. Wump! She falls again. Ahhh... Tomoko is... I can't leave her behind! But... Ahh! What should I do!? Charo continues to feel troubled. I can't just leave her here. But... If I don't go to the hotel,
I won't see Shota! I won't be able to go back to Japan! Ahh! What should I do!? This is the entrance to Tomoko's
apartment. There is a sign with a map of
the area near the roadway. He does not see Tomoko, who
had been crouching down. Did she go to the hospital? I hope Tomoko isn't overdoing
it. This is the entrance to Tomoko's
apartment. A map of the area is on the sign
near the roadway. There is a lamp post with a clock
on it in front of him. Charo looks up at the map. The theater that is showing the
premiere of "The Red Star"... is to the northwest. It is pretty
far from here. It will not be easy for Charo to get
there ʫ+on foot+. I have to get to the theater
by twelve o'clock. There isn't much time.
I have to hurry. Charo ʬ+sets off for+ the theater. He is on the middle of the sidewalk
that leads to Broadway. Perhaps because it is a weekday
morning, only a few people are around. Charo runs down the sidewalk... and sees a group of children
ahead. This is the sidewalk that leads to
the theater which is his goal. Cars come and go on the roadway
nearby. There aren't many cars, thus they
drive fast. It is dangerous to approach the
roadway. It's dangerous over there.
I don't think I can cross it. Is the sidewalk OK? He sees a group of children up
ahead on the sidewalk. The group of children are gathered
together and seem excited. It's big. You think it'll bite? Stop it.
You're annoying it. It'll be fine! Oh, it doesn't bite.
It's gentle. ... Charo has a bad feeling. Sirius is gone and the noise has
calmed down. I will go, too. Charo looks at the children one
more time. There are many children.
But they look very young. Many young children... They will catch me if I keep
going this way. If I run fast, maybe I can get past. There is not much time...
I will try! He looks carefully at the noisy
children. In the center of them is... Sirius. Ah! It's Sirius. Sirius slips through the group of
children... and runs on. He's gone... Charo is a little concerned about the
group of children, but... He passes along the side of them. Just then... It's another dog! This time it's a small one. Will it get mad if we touch it? This dog has something in its
mouth. Hey, let me see.
Let me see. Charo is surrounded by the group of
children. Waa! Charo hurries away to the
road he came from. I can't get there this way... Isn't there some good way? I can't get there this way... I need to ʭ+figure this out+... Charo decides to push through the
group of children. OK... I'm going! I am sure I can do it. "I will!" Charo speeds up as he approaches
the group of children. Can I dodge them? I need to look carefully and
decide which way to go! A child appears on the left
side of the sidewalk! A child!
Waa! I'll ʮ+get caught+! Over here, doggie! I did it!
But... there are more children! Children appear on the left
side of the sidewalk! Now there are more!
I... I have to dodge them! Hey! Right here! I did it!
But there are still more... There are children on both sides
of the sidewalk! Both sides...
what should I do!? He's a fast one.
Surround him! I did it! I got past them!
Great! Now, I need to hurry! Charo heads for the theater. I'll get caught! Charo tries to pass near the
children, but... It's the doggie! Let's catch him! Charo panics and goes back
the way he came.... Charo has moved closer
to Broadway. Colorful signs catch the eye. A poster hangs from a nearby
store wall. The theater is still a long way
away. Will Charo make it in time?
It's hard to tell. (gasps)
I think I ran a lot. But it's still far. I have to hurry...
I must deliver Tomoko's dream! This is a corner near Broadway,
the street where the theater is. This is a corner near Broadway,
the street where the theater is. Colorful signs catch the eye. A poster hangs from a nearby
store wall. There is a picture of the leading
actor on the poster. +He is the envy of everyone+
on Broadway. Mail the man was carrying is
scattered on the ground. The poster reads, "The Red Star Premiere." It's a poster for the theater where
"The Red Star" will open. Mr. Bernhardt's name also appears
in big letters. A simple map is on the poster, too. This red circle... is this where I am? The theater is that way. Charo turns to the northwest. OK... I'm going! The poster reads, "The Red Star Premiere." Mr. Bernhardt's name also appears
in big letters. Just as Charo starts to run, a bicycle suddenly appears! Huh!
What!? Noooo!
Out of the way!!! The man screams while the bicycle
brakes screech. Charo does his best to move out
of the way! At the next moment... Wham! Close call! Charo dodges the
bicycle! However, the bicycle falls down
with a crash. Letters and packages are everywhere
around the bicycle. Oww... With a closer look, Charo sees
the man is a messenger. Charo stops without thinking! ʯ+Out of the way+! The man's screaming echoes. Charo thinks he's a goner,
but he's OK. ...? Terrified, he opens his eyes. The wobbly bicycle... had not hit Charo and it
fell. Charo dashes without thinking. (screams) The man's panicked screams
can be heard behind Charo. After a bit of silence, Charo
turns around... The wobbly bicycle... had not hit Charo and it
fell. Oww...
What's a dog doing here...? The man moans. Mail the man was carrying is
scattered on the ground. The man talks on his cell phone. Yes... yes...
I fell. So, I'll be a little late getting
back. Yes... yes...
that's OK.... It seems that the man isn't hurt. Arf arf! Are you OK? Oww... what is this dog? Look what you've done... Well, it's not really your fault. I was the one who rushed out.... I was in a hurry. Sorry, dog.
Are you hurt? (sighs) Anyway, I guess I'll call my
boss. Envelopes that look like mail are
everywhere on the ground. This looks like Tomoko's script... Ah! Just then, Charo realizes... Tomoko's script is not in his mouth. Noooo! Tomoko's script! Where!? Where did it go!? He looks around and sees the
scattered mail. It seems to have gotten mixed up with
the mail. I have to ʰ+look for+ it! But these all look like Tomoko's
script.... Tomoko's script was... in a brown envelope... Was there anything else special
about it? Umm... I can't remember. Oh well... I don't have much time.
I should hurry and look for it. +このメッセージには
英語訳がありません+ Is this... Tomoko's script? Charo looks carefully at the
envelope. No, this isn't it. Time is running out... I have to find Tomoko's script fast. I found it. This is it! Charo finds Tomoko's script! Haa...
That was close. I don't want to ruin Tomoko's dream. Charo holds on to the script
tightly with his mouth. Is that man OK? The messenger seems to have
finished ʱ+picking up+ his belongings. I'm glad. Well, I'd better get going. Charo starts running toward Broadway
at full speed. Charo freezes on the spot. After turning at the street corner
that leads to the theater... Oh no. It's people, people, people! The sidewalk ʲ+is packed with+ people. He looks at the road and
sees a big traffic jam. It's like a wall of despair blocks
Charo. Oh, no.... Broadway is now very close
from here. Everywhere he looks, it's
incredibly crowded! There is not even a small space in the
crowd. Charo cannot move forward. The crowd of cars cannot move. He may be able to pass between
the cars, but... It would take time and
would probably be dangerous. Charo lets out a sad cry. Ahh... what should I do?
I can't move forward! If this keeps up, Tomoko's dream
will... But... I don't want to give up! I won't give up! Never! Just then... He hears a familiar voice. Why, it's Charo! The crowd of cars isn't moving
at all. He may be able to pass between
the cars, but... It would take time and
would probably be dangerous. Coincidence or fate... Sirius spots Charo and
comes over to him. Charo! What are you doing here? Sirius! It was Sirius's voice. I'm in a big hurry! I'm in
trouble! What should I do!? In a panic, Charo doesn't make
any sense. ... Calm down, Charo.
First, tell me what you want to do. I want to go to the hotel
by 12:00. The hotel isn't this way.
Are you sure you want to go there? I made a mistake. I'll ask again. I want to go to the airport
by 12:00. The airport is not this way.
Are you sure you want to go there? I made a mistake. I'll ask again. I want to go to the theater
by 12:00. I see.... The theater by twelve o'clock. You really don't have time. Well, any other problem at all? I don't know ʳ+the way to+
the theater. Hm? I can tell you how to get
to the theater, but... are you sure that really is the
problem? I made a mistake. Charo, you need to calm down.
I'll ask again. The road to the hotel is too
crowded with cars and people. Hm? You want to go to the hotel?
The hotel's the other way. I made a mistake. Charo, you need to calm down.
I'll ask again. The road to the theater is too
crowded with cars and people. I see.... Both the road and the
sidewalk certainly are packed. ... Sirius thinks carefully. After some time, he opens his
mouth to speak. Which theater? Where the premiere is being held
for "The Red Star." Got it.
Hop on my back. What? Say no more. Dread asked me... to take care of you, Charo. Dread said that? You and Dread taught me something
very important. Not to work because I'm ordered to
and to expect something in return... but to act just because
I want to help. I've learned this pure feeling
from you. That's why... there is only one thing
for me to do. Now is the time to help you. I promised Dread. Now is the time to help you. Sirius lifts Charo and sets him on
his back. Let's go! Hold on tight! At the next moment...
Sirius flies out with great ferocity. The two fly into the traffic jam! Let's go!!! I failed. Are you OK, Charo?
Let's try one more time! Charo and Sirius make it through
the traffic! Sirius jumps off a car and stops
moving. Thank you... Sirius. We'll talk later.
Let's hurry. However... they are really unable
to get through. There is an accident at the other
end of the traffic. The police have shown up. Now that's a problem... Luckily, there aren't many people on
the sidewalk. They may be able to run smoothly. OK, Charo.
We'll run along the sidewalk this time. Then... I'll run, too. It'll be much faster if you ride on my
back while I run. You need to get to the theater
by twelve o'clock, right? Charo silently nods. Then, here we go again.
ʴ+Hold on tight+! I failed. Are you OK, Charo?
Let's try one more time! Charo and Sirius run and make it
past the sidewalk! Sirius stops running again. Sirius? Look, Charo.
It's full of people again. Another wall of people blocks their
way. There's no other way. We'll have to
run on top of the cars again. Luckily, there aren't any police
officers. Sirius... (laughs) I hope I don't run into
any of my past partners. What? Your "past partners"? You quit the police!? I made too many errors so I retired.
What can't be done, can't be done. However, I'm very happy right now. Catherine quit the police, too,
and we're living together. With Catherine!
That's great! Well, we should save our chat
for another time. Let's hurry. Thank you... Sirius. Let's go, Charo! I failed. Are you OK, Charo?
Let's try one more time! Charo and Sirius make it through
the traffic! Ah! Look, Mommy! That dog! The boy is startled by Charo and
Sirius who suddenly appeared. The two arrive near the theater. (huffs) Sirius breathes hard, but... Sirius.... Are you OK? I'm fine. Sirius replies in a strong voice. How are you? It must have been hard trying
to hold on tight. It seems that Sirius was worried
about Charo. I'm fine. Sirius.... Thank you very much. Sirius doesn't answer Charo.
Instead, he says... Just a bit more until we reach our
goal! Let's go! Sirius runs like the wind with
Charo on his back. The time for Charo to choose
his fate has come. 30 minutes left until the
appointment with Mr. Bernhardt. 29 minutes left until the
appointment with Mr. Bernhardt. 28 minutes left until the
appointment with Mr. Bernhardt. 27 minutes left until the
appointment with Mr. Bernhardt. 26 minutes left until the
appointment with Mr. Bernhardt. 25 minutes left until the
appointment with Mr. Bernhardt. 24 minutes left until the
appointment with Mr. Bernhardt. 23 minutes left until the
appointment with Mr. Bernhardt. 22 minutes left until the
appointment with Mr. Bernhardt. 21 minutes left until the
appointment with Mr. Bernhardt. 20 minutes left until the
appointment with Mr. Bernhardt. 19 minutes left until the
appointment with Mr. Bernhardt. 18 minutes left until the
appointment with Mr. Bernhardt. 17 minutes left until the
appointment with Mr. Bernhardt. 16 minutes left until the
appointment with Mr. Bernhardt. 15 minutes left until the
appointment with Mr. Bernhardt. 14 minutes left until the
appointment with Mr. Bernhardt. 13 minutes left until the
appointment with Mr. Bernhardt. 12 minutes left until the
appointment with Mr. Bernhardt. 11 minutes left until the
appointment with Mr. Bernhardt. 10 minutes left until the
appointment with Mr. Bernhardt. 9 minutes left until the
appointment with Mr. Bernhardt. 8 minutes left until the
appointment with Mr. Bernhardt. 7 minutes left until the
appointment with Mr. Bernhardt. 6 minutes left until the
appointment with Mr. Bernhardt. 5 minutes left until the
appointment with Mr. Bernhardt. 4 minutes left until the
appointment with Mr. Bernhardt. 3 minutes left until the
appointment with Mr. Bernhardt. 2 minutes left until the
appointment with Mr. Bernhardt. 1 minute left until the
appointment with Mr. Bernhardt. The time of the appointment
with Mr. Bernhardt has passed. The clock reads,
11:30 a.m. The clock reads,
11:31 a.m. The clock reads,
11:32 a.m. The clock reads,
11:33 a.m. The clock reads,
11:34 a.m. The clock reads,
11:35 a.m. The clock reads,
11:36 a.m. The clock reads,
11:37 a.m. The clock reads,
11:38 a.m. The clock reads,
11:39 a.m. The clock reads,
11:40 a.m. The clock reads,
11:41 a.m. The clock reads,
11:42 a.m. The clock reads,
11:43 a.m. The clock reads,
11:44 a.m. The clock reads,
11:45 a.m. The clock reads,
11:46 a.m. The clock reads,
11:47 a.m. The clock reads,
11:48 a.m. The clock reads,
11:49 a.m. The clock reads,
11:50 a.m. The clock reads,
11:51 a.m. The clock reads,
11:52 a.m. The clock reads,
11:53 a.m. The clock reads,
11:54 a.m. The clock reads,
11:55 a.m. The clock reads,
11:56 a.m. The clock reads,
11:57 a.m. The clock reads,
11:58 a.m. The clock reads,
11:59 a.m. It is past 12:00 noon. What should I do?
I can't make it. Tomoko... Shota...
I'm sorry... +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_195.txt
****************************************

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X  '     dQ  wB  '     7Q  ~U  (  S   7Q  wSW$  /(     7Q  wg  ?(  -   cQ  ߶  y(  D   cQ  s  (     7Q  (8  (  }   [Q  DK  (  a   cQ  \˷:  (     7Q  a`O  (     8Q  2  )  j   8Q  H:  )     7Q  0G  ?)     7Q  ǸS  v)     7Q  S  )     7Q  o:\  )     7Q  ˹<  )     7Q  Xfw  0*     8Q  hϺq  d*     8Q  	A  *     7Q  ̻G  *     7Q  W  *     7Q  kD  +  Their dramatic entrance surprises
the crowd around the theater... The people cheer loudly. (pants) Sirius ʵ+is out of+ breath. Charo jumps off Sirius's
back onto the ground. He looks up at Sirius. Sirius... Thank you, Sirius! Don't thank me.
Thank Dread. Sirius has overcome a great obstacle.
He looks satisfied. I'm honored to have been able
to help you in some way. Now hurry and take that envelope
to Mr. Bernhardt. That's why you came here at
twelve o'clock, isn't it? Just then, a bell rings. The sound comes from the large
clock outside the theater. It is the bell that indicates the
hour of twelve. Charo ʶ+makes it in time to+ deliver
the envelope. However... the bell also means that Charo
will not see Shota's father. I'm sorry, Shota.
But you'll understand, won't you? It was for Tomoko. I really wanted to make her dream
come true.... Charo mumbles to himself while
looking up at the sky. Sirius talks to Charo. Well, I should be going now.
Good luck, Charo! Thanks! Sirius nods back.... He mixes in with the crowd and
disappears. Thank you so much,
Sirius. Now... I have to deliver the
envelope to Mr. Bernhardt! This is the front of the theater
in the center of Broadway. Huge crowds of people surround
the theater. The commotion does not seem
to be calming down. Everyone is focused on Charo, who
has suddenly appeared. It is an old but splendid theater. Charo has been in the theater
with Tomoko before. Today, the entire building is
brilliantly decorated. +It makes a good picture.+ Many people surround the theater
entrance. People holding cameras
ʷ+stand out+. The excitement from Charo's
dramatic entrance remains. A couple is asking a favor of
a man standing nearby. Excuse me. +Will you take a
picture of us+ with the dog? There are many publicity posters. They say,
"The Red Star Premiere." Mr. Bernhardt's name is on the
poster in big letters. Charo looks around for
Mr. Bernhardt. What does Mr. Bernhardt
ʺ+look like+? Charo does not know what
Mr. Bernhardt looks like. Where is he...? I know! Tomoko was going to
deliver this to the theater so... he must be inside the theater! With the envelope in his mouth,
Charo walks to the theater entrance. However, Charo cannot get in
because the doors are shut. What should I do...? Meanwhile, the surrounding people... are curious about Charo, who
suddenly appeared in front of them. What is this puppy? It was on the back of another dog
and they came out of nowhere. That dog, just now...
Wasn't that Sirius, the hero? He's got an envelope in his mouth.
Maybe he's a surprise messenger? The crowd is excited. Just then, the theater door opens
and a man appears. Hey! It's Gesner Bernhardt,
the stage director! What's all the commotion? People with cameras
surround the theater. They are all focused on the
theater entrance. He is a man with a beard. His eyes scan the area. Mr. Bernhardt has come to see
what is happening. This is... Mr. Bernhardt? That's him! He must be the person
that Tomoko spoke of! I have to give him the envelope
now! The man has an elegant aura. He has a stern and serious
look... But the way he smiles at the
crowd... conveys a feeling of sincerity. Ken Matsumoto!
Let me take a picture of you! The cameramen shout out to
the man. Ken Matsumoto? Ken looks at Charo as he responds
to the voices around him. Charo approaches Mr. Bernhardt
with the envelope in his mouth. Arf! Charo barks and wags his tail. Hm, what's a cute little puppy
doing here? ʻ+Are you lost+? ... Ah, what's this?
You've got something in your mouth. Mr. Bernhardt notices the
envelope in Charo's mouth. He hears another voice behind
him... Hm... what's a puppy doing here? It is a man's voice. Charo has heard Ken
Matsumoto's name. I've heard it somewhere... I know! Tomoko's father! Then... this person is...!? Hm...? Ken Matsumoto is looking
at Charo. Arf! Charo barks and wags his tail. Ken Matsumoto sees Charo
and smiles. (chuckles)
What a cute puppy. Ken notices a red star on
Charo's collar. What is it? Gesner, look... a cute little dog.
He has a red star on his collar. What is this?
Some sort of a promotion? Well, if it is, it's pretty original.... By the way, Ken... The envelope in the puppy's mouth...
What do you think it is? Charo goes up to Mr. Bernhardt
and drops the envelope. What? For me?
Cute little dog.... Let's see.... Oh, this is the script for "One
Last Ticket." Surprise, surprise! What is it? Ken holds Charo in his arms
and asks. It's actually for you, too.
The script for our next show. It's very good, especially the main
character, your part. The playwright did a wonderful
job. Wow, I've never heard you
praise anyone like that. You wait and see.
By the way, she's Japanese. Japanese...? That's what I heard. Just then, Charo sees Tomoko
walking through the crowd. She struggles to walk this way
and drags her foot. Tomoko! Tomoko drags her foot and slowly
approaches them. She seems hurt, but she is
somehow able to walk. She came here despite the pain
in her foot. Meanwhile, Mr. Bernhardt looks
at the envelope. Now, what would a puppy be doing
with an envelope? Strange... Oh, well. I'm going to go back in
and ʸ+take a good look at+ this. I'll go, too. Would you like to come inside
with us, too, puppy? The two are ready to go into
the theater. Oh, no! They're going in! Wait!
Tomoko is here! Tomoko... Hurry! Arf! Arf arf!
Wait, you two! Tomoko is right there!
Arf arf! The two are ready to go back
inside the theater... but they are surprised by
Charo's barking. What's wrong? Is there something else,
puppy? Ken asks Charo. Meanwhile, Charo barks loudly
so that Tomoko can hear him. Arf! Tomoko! Tomoko!
Hurry up! Tomoko notices Charo's
barking. Tomoko tries to bear the pain
in her foot and walks. She finally reaches the theater. Mr. Bernhardt! I'm sorry to be late.
I'm Tomoko Hashimoto. Well, well, well. So you are Ms.
Hashimoto. Very glad to meet you. Mr. Bernhardt looks at Tomoko
and speaks to her happily. Ken, let me introduce you
to our new playwright. This is... I know who she is. Ken and Tomoko look at each
other. Tomoko's eyes are already
filled with tears. Of course she can write my
part well. She knows me better than
anyone else. The sudden incident stirs up
the crowd in front of the theater. The cameramen don't miss their chance. They cannot hide their excitement. Mr. Matsumoto, a good smile for
us, please! Ken smiles at the cameraman's
request. OK. But not without this little
dog here. He's the one who brought us all
together. Ken raises Charo in front of the
camera. At that moment, one of the cameramen stops
shooting and walks up to them. ... Hmmm? Cha... Charo? Tomoko notices the cameraman. Um... Yes, this is Charo.
And you are...? No doubt about it!
It's Charo! Charo recognizes the man's voice. Arf! Father...
it's Shota's father!! An inexpressible feeling rises
within Charo's chest... A gentle breeze drifts along
Broadway. Shota's father holds Charo in
his arms... A feeling of wonder makes
his heart tremble. Charo's dream of returning to
Japan is finally coming true. Charo is filled with happiness.
He remembers Candy. The story about the red star
was true, Candy. My wish came true.
It's all because of the red star. Charo followed his true feelings... and his actions led him to
the right answer... which ʹ+brought about+ a miracle. 

****************************************
_out_EN_196.txt
****************************************

﻿   7Q  9&s       ^Q  (b       ^Q  n>       MQ  FM       7Q  /dņ  	  *   ?Q    =  <   ?Q  /  F  9   TQ  .  S  _   TQ  D-  ^     ?Q  $r  q     7Q  '*       VQ  Gb       VQ         7Q  F  M     7Q  S  i     7Q  Vl[    ,   AQ  TY)       XQ  96       AQ         AQ  !kR       AQ  Pt@    r   AQ  'R  8     7Q  "\  c  >   7Q  d"       [Q         `Q  *;    m   [Q  f&E       [Q  =    c   `Q  $9L  O     IQ  )Z  n     IQ  4[  s     IQ  ^    Y   7Q  EJ^       7Q  r    Y   7Q  u*)  	  r   QQ  `T0j  #	     =Q  b  L	  x   =Q  +q5W  n	  t   =Q  `S=  	     KQ  !!  	     KQ    	     EQ  @x  +
  R   GQ  wb  h
     EQ  nd  y
  =   EQ  G9  
  h   hQ  URHW  
     hQ  W  
  	   jQ              hQ  ^x        hQ  VzxK  R     hQ  K  |     jQ           N   7Q  (    j   7Q  G:oQ       7Q  F       7Q  G@_    w   8Q  f=3    *   8Q  1  2  Charo's story has become
the U.S. media's favorite. Hey, Louisa.
Look at this cute little puppy. Isn't this a sweet story? Meow. Louisa draws a card.
The first one is C, for Candy! Arf arf! Look, Chris! (chuckles) What is it, Candy? It's him! Charo! He did it!
He really made his dream come true! Louisa draws a second card,
and it's an A... for Andorra. I always knew you would make it,
Charo. Stay as you are, and you shall
never lose your way again. Louisa's next card is... S. Sirius is walking in the park
with Catherine. He is enjoying the sweet smell
of the flowers. (sniffs) They're beautiful, aren't they? Woof! And I now know the true joys of
life. I owe it to Charo and Dread. Thank you, you two.
I'll never forget you. Finally, Louisa draws the card T... for Tomoko. See, Charo? The premiere is to be
held tonight. This is so unreal.... Looking at that photo again? Well, it's just that... everything turned out so perfectly,
it's almost hard to believe. Come on!
It's true, all right. Arf! Yes, it is! And all thanks to Charo! That small pup is really something. C-A-S-T, "cast." The letters were from the names of
those who helped Charo get home. And, of course... Hey, Margherita! Look!
Isn't this Charo? Oh, my! Look at that! He made it! He got back to Japan!
Can you believe it? That pup is a miracle. Well, Charo was like a kid brother
to me. He was a good pup. I gave him a ribbon as a present...
and a sausage, too, mm-hm! "I will." I wonder whether Charo
remembered those two words. I'm sure he did. He must have earned the trust of
others and made his way through. What a pup! Look, Shirley!
It's a puppy on TV. I really think you deserve
the limelight, though. ... I mean, you were sent to Japan,
then to Africa... And you finally made it back to
New York! You must have had some
adventure. ...! Warm sunlight... is pouring into
Dread's empty nest. A tender gust of wind blows, and down comes a pale, pinkish
petal. Thank you... everyone. Arf arf! 

****************************************
_out_EN_197.txt
****************************************

﻿(   7Q    h     7Q  4lE  r     7Q  b[    F   #R  0       :Q  QU       #R  Ce    q   :Q  `       7Q  Y
Y  0     7Q  9dq  [     #R  h       :Q  >>       #R  }9    f   :Q  ?t}(       7Q  {6W       7Q  bB  ?     7Q  Q`  _  ,   7Q  ̱    h   #R  x>       7Q  w !.       7Q  .<       #R  j    P   #R  ;.0  )	  t   :Q  i>
?  9	  v   #R  s}v  W	     :Q  O  	     7Q  T#q  	  9   #R  w  
     :Q  
W  
     #R  uM  >
     7Q  aT  D
     7Q  \]  p
     &R  ?q  
  X   %R  G  
     &R  ^  
     7Q  RU    '   #R  e  2     #R  {oE  ;  	   :Q    U     7Q  h  Y     7Q  ^FZ       7Q  ehV       7Q  @       7Q  7K|  	     7Q  d  O     7Q  b    '   7Q  z       7Q  (:       :Q         :Q  K    V   #R   I3  
  U   :Q  SR(  $
     :Q  6|A  5
     7Q  ƽY?  R
     7Q  !  t
     7Q  @}P  
     7Q  Vf  
     7Q  t  .     7Q  aJ  p     7Q  )Ed    X   :Q  <P       7Q  >P       :Q  @J_  $     7Q  Y(\  *     'R  ǵl  ^     'R  r"c    D   :Q  l2    I   7Q  `O       7Q  Q       7Q  c&kF       7Q  l7  2     :Q  ޣ  T     :Q  f;G  [     :Q  _  {     7Q  _c2e    G   7Q         7Q  gA       7Q  O =<  	     8Q  \d
  -     7Q  iE  3     7Q  s  X  j   8Q  S i       7Q  	"6R    Spring... A warm, bright, ordinary day. It is one year before Charo came
to New York. Daddy! Daddy! Don't run so fast. It's dangerous. I'm fine!
Look how fast I can run! OK, OK.
Come back here, Bell. Dread's son Bell was only
four months old. He was a little puppy covered with
soft, light brown fur. Look at that tree, Daddy...
what are those red things? Those are called flowers. What's that in the sky? That's a butterfly. Bell wanted to know about
everything he saw. Dread was a dog of few words... but he gently answered each of
his son's questions. Summer... Daddy, look at this! Bell was holding something. It was peppermint ice cream. You love ice cream, right, Daddy?
It's your birthday present! Happy birthday! Bell...
how did you get this? It's a secret, Daddy!
Eat it before it melts! Heh, heh... this is the first time
I've ever celebrated my birthday. Dread ate the ice cream with a
look of happiness on his face. Is it good? It's great, Bell.
The best I've ever had. Good! Another dog passed close to
Dread and Bell. A mother dog and her puppy,
walking with their owner. Mommy! Yesterday, Alice gave me
pancakes! Oh, how nice!
Were they good? Yes! They were so sweet! Bell gazed at the loving
mother and child. Mommy... Why don't I have a Mommy? ... Bell's mother was a beautiful
retriever named Monterey. Monterey belonged to a rich family
in the Bronx. Dread fell in love with Monterey,
and... a while later, Bell was born. But Monterey's owner did not want
to keep the puppy of a stray dog... so Dread and Bell were separated
from Monterey. After that, Bell grew up without
knowing his mother. Winter... It was Bell's first birthday. Bell... Daddy's going to get you something
good to eat. Come back soon! OK. Don't worry. Be a good boy and wait here. Bell's favorite food was sausage. Dread searched all over, at
fast-food places and restaurants. As a gift for his son, who had given
him mint ice cream on his birthday, Dread wanted more than anything to
find a sausage. It took a long time, but finally,
behind an Italian restaurant... he found a sausage that had been
thrown out. Dread hurried back to the nest
with the sausage in his mouth. Bell! Bell!
Look! A sausage! But there was no answer.
Bell wasn't there. Bell? Then Dread heard some people
talking on the street. It's so sad....
He was just a little puppy. He suddenly ran out,
like he was looking for something... Oh, no... Bell! On that day... Bell was hit by a small truck,
and died. After that, Dread hardly ate a thing. He just wandered around the city. Why... why didn't I stay close to him? What was Bell thinking about
when he died...? Another season passed,
and springtime came again. One evening... As usual, Dread was wandering, walking aimlessly through the city. Owww! Dread had stepped on something soft. He looked down and saw a white
puppy looking back up at him. Uhh... sir...?
Which way is Japan? This was how Dread and Charo met. 

****************************************
_out_EN_198.txt
****************************************

﻿   7Q  t  $     ,R  XP  a     ,R  Ԩi       ,R  [       ,R  m&       7Q  nGP  +     7Q  x  \     ,R  -fNW    $   ,R  {       AQ  !       7Q   I       XQ  d       XQ  FO  2     AQ  2  _     7Q  yu    	   AQ  w       7Q  ъ       7Q  1G  
     7Q  d-  ,  *   )R  K4  H     7Q  4O  V     7Q   i       7Q  f    .   *R  !"       7Q  I    2   *R  Q+  7  b   (R  }P  I     7Q  I  f     7Q  D?    	   AQ  M       7Q  lVt       7Q  0       7Q  ae  	  n   7Q  %w-  J	     7Q    ^	     AQ  _8<  	  f   AQ  +u?*  	     AQ  jA  	     AQ  	K  	     -
     7Q  ,E  3
  #   AQ  Er  V
     7Q  N  ^
     7Q  y|x  
  y   7Q  Nu)  
  @   7Q  jx  
     7Q  7u  
     7Q  LG  4  F   AQ  
J8  T     AQ  jG  g     7Q  ,+F       7Q  WT       7Q  cdhf    This story takes place when Sirius
was just three years old. Listen up! We'll make the rescue
using a decoy. Police dogs will rush in the front
and draw the criminal's attention. At the same time, another group will
circle to the back... and rescue the children. The incident took place at an
elementary school. A robber had taken children hostage
and was holed up in the school. The leader of the police dogs
is Sirius. Got it? Woof! Catherine whispered in Sirius's ear. Sirius, you have to rush in at
just the right moment. If you don't time it just right,
we'll fail. Woof!
Leave it to me, Catherine. Each unit moved into position.
The air was thick with tension. ... Sirius was an outstanding police dog
who had won many trophies, but... he, too, was feeling a bit tense. It happened at that moment. Arf arf!
Bob! A dog suddenly appeared in front
of Sirius. The dog ran in front of the police
dogs who were standing by. Beyond the dog were the children
who had fled from the danger. ... Blinky! One boy ran out from the group
of children. You came!
Blinky! Arf arf!
I was worried, Bob. Pushing past the guard, the boy
ran out. The boy and dog hugged each other. ... Sirius couldn't take his eyes off of
the happy boy and dog. From the time he had been born, Sirius had received special training
as a police dog... so he had no owner. The scene between the boy and Blinky
was something Sirius had longed for. If I were not a police dog... if I had an owner... what kind of life would I lead...? Every day would be different than
it is now... Bang! The dry sound of a gunshot echoed. Oh, no! When he came to his senses,
it was too late. Before the police dogs had run in,
the other unit had started to move. A shootout had begun. The result... A tragic incident in which many
police officers were injured. The operation ended in failure. ...
It's my fault. If I hadn't missed the signal to
rush in... Sirius blamed himself bitterly. After that, Sirius never compromised. He changed into a mission-executing
machine. 

****************************************
_out_EN_199.txt
****************************************

﻿2   -R      q   -R  7        /R  PB       0R  63]       7Q  œR       7Q  rG  9     7Q  .  Z  8   7Q         7Q  e       7Q  ,d       7Q  SU    l   AQ  m+  A     AQ  07M  X     AQ  g_v6       7Q  ݕww    w   .R  T
/.       .R  ;K    m   .R  	S  +  S   AQ  u8  P     7Q  RU  e     7Q  qhy       7Q  2n       .R  PH  	     .R  B6  T	  *   AQ  (  u	     AQ  FQT  	     .R  1$_  	     .R  U@  	     7Q  p: *  	     7Q  2e n  
     7Q   nv  Q
     7Q  0JaJ  
     7Q  0}  
  c   7Q  3.  
     -R  ?       7Q  T$l       -R    D  =   -R  M  `     7Q  2 <  m  a   AQ  =     ]   XQ  ^,    8   AQ  w2       XQ  5       AQ  ;J       7Q  <8       XQ  N  W     AQ    ~     AQ  "5=       XQ  _>    D   XQ  r"       XQ  gU       -R  ^eN  
     7Q  dFI  E
     7Q  	  r
     XQ  3%B  
     XQ  vv  
  9   AQ  +       XQ  E}  '     XQ  ~  h     XQ  ˊYA  o     XQ  $K       AQ  	h    7   AQ  Z	        7Q  Y	-h    *   XQ  	
  7     7Q  "
?  B     7Q  a
Fb  d     XQ  ?
W       AQ  Tdx       7Q  ^  	     7Q    1     7Q  N~  r     7Q  
]    Time's up! Sirius is the top dog! Again? Amazing....
How many times in a row is it now? This is a training facility for
police dogs. Sirius was being retrained here. His results were overwhelming, far
beyond those of the other dogs. That day... that day when he ran after Dread
and deserted his post, Catherine said she would send
Sirius to be retrained. Sirius's pride was shattered
into pieces. Training is pointless. I want to get back to the real
action, fast. I'm the ace of police dogs. He finished the training with flying
colors and went back to work, but... What happened, Sirius? You let the criminal escape
again today. What happened?
Didn't you smell him? ...
That can't be... After that,
Sirius's failures continued. Maybe his wits had become dull,
or maybe he was trying too hard. His relationship with his new
partner wasn't going well, either. Today you let the criminal get away
again. Sirius, what's going on? Maybe you've reached your limit. N... no... Woof woof!
Am I no good anymore...? For now, let's try taking a short
break from work. We'll decide what to do after that. In the days that followed... Sirius spent idle days in a corner
of the police office. With no duties and no training,
boring days continued. Sirius didn't know what would
happen to him. A vague feeling of anxiety slowly
grew stronger and stronger. On one such day... Sirius. Peering into Sirius's cage,
a policeman spoke to him. There's someone to see you. OK, come in! The person who came in was... Woof! Catherine...!? Long time no see! Woof woof!
Catherine! You're looking good, Sirius. Why aren't you wearing your
uniform, Catherine? Catherine looked down at her
clothes, smiled slightly, and spoke. Sirius,
I quit my job with the police. What? I wanted to team up with you again... I'm taking over my father's
bookstore. I love books. Running a bookstore has been
my dream for years. Whenever you had free time,
you were reading a book. Catherine smiled back at the
police officer. Crouching down in front of Sirius,
Catherine spoke in a gentle tone. Sirius,
will you come live with me? Will you give up your work as a
police dog and be my watchdog? Catherine... Being a police dog is definitely
important and responsible work. But... Running a little bookstore
together... would be a good life, too, don't
you think? ... Catherine.
How can I refuse your invitation? (whimpers) Sirius pushed his head against
Catherine affectionately. Sirius...? Catherine seemed a bit surprised. But after a moment, she stroked
Sirius's head gently. I've never seen you seek affection
like this. Just once, I wanted to try being
babied by someone, Catherine... And so Sirius resigned as a
police dog. The next day, in front of an old
bookstore in downtown New York, a splendid guard dog could be seen
looking slightly out of place. Sirius's second life had begun. 

****************************************
_out_EN_2.txt
****************************************

﻿l   p  ]     Q     F     l     B     J   ,  S   ;  l   K                 l        *     P     v  l     8     4     &     l     ]   9  X   K  _   ]  l   p  q     q     q     l     @   J  Q   W     g  l                    l   +     j            l             +  }   O  l   g  t     t     t     l        E     a     |  l     )     (     /     l     /   -  C   6  N   C  l   R  c     U     f     l     \     s     X   ,  l   >  P   }  Z     N     l                  -  l   U  y     ~     y     l        @     |       l     2   1  6   ;     F  l   J  w     :     ]     l             I     i  l               {   	   l   "      a   f   }   J      l      f            J   !  l   !     ^!     y!     !  l   !     %"     D"     e"  l   "     "  r   "  x   #  l   /#     n#     #  n   #  l   #  u   $  g   ($  V   =$  l   O$     $  x   $  u   $  l   $     1%     M%     j%  l   %     %     %     %  l   &     R&     o&     &  l   &     &     '      '  l   ='  \   |'     '  Z   '  l   '  W    (  J   9(  K   O(  l   f(     (     (     (  l   (  k   9)  k   ^)     )  l   )     )  ]   )  Y   
*  l   *     ^*     {*     *  l   *  p   *     +  [   )+  l   <+  9   {+  b   +  G   +  l   +     +     ,     ;,  l   V,  S   ,  b   ,  J   ,  l   ,     /-     h-     -  l   -     .     @.     m.  l   .     .     .  z   &/  l   J/     /     /     /  l   /     !0     H0     t0  l   0     0     1     <1  l   j1     1     1     1  l   2  `   J2  `   ]2  R   o2  l   2     2     2     2  l   3  v   T3  i   w3     3  l   3     3      4     D4  l   j4     4     4     !5  +このメッセージには
英語訳がありません+ I am not a snake! I am not a dog! I am a snake! +このメッセージには
英語訳がありません+ Help, please. Help yourself. May I help you? +このメッセージには
英語訳がありません+ Uhm... he went back. To Japan. Uhm... he went back. To America. Uhm... he went back. To Jamaica. +このメッセージには
英語訳がありません+ I'm looking for children with
a ball. I'm looking for children with
a doll. I'm looking for children with
a bull. +このメッセージには
英語訳がありません+ Dachshund! Shiba Dog! Bulldog! +このメッセージには
英語訳がありません+ My name is Charo! My name is Cello! My name is Chairo! +このメッセージには
英語訳がありません+ That's because he is
a human boy. That's because he is
a horse. That's because he is
a dog. +このメッセージには
英語訳がありません+ A big boxer. A lonely husky. My favorite kind of dog,
a pug! +このメッセージには
英語訳がありません+ He is wearing a patch over
his eye. He is wearing a bandage over
his mouth. He is wearing a bandage. +このメッセージには
英語訳がありません+ I think he likes mint ice cream. He is like mint ice cream. He cares more for love than
mint ice cream. +このメッセージには
英語訳がありません+ Yes! I want to see Shota! I want to see the meaning
of Shota. I saw Shota in the sea. +このメッセージには
英語訳がありません+ Are you talking about
Sirius? Are you talking about
Pegasus? Are you talking about
Santa Claus? +このメッセージには
英語訳がありません+ I want to go back to Japan. I want to travel in Japan. I won't go back to Japan. +このメッセージには
英語訳がありません+ Hot dog Hot cat Hot duck +このメッセージには
英語訳がありません+ Corn Dog American Dog Hot Friend Dog +このメッセージには
英語訳がありません+ Frankfurt Sausage Boronia Sausage Dachshund Sausage +このメッセージには
英語訳がありません+ You left a bagel. Don't eat your bagel. You lift a bagel. +このメッセージには
英語訳がありません+ The third door. The three doors. The tree door. +このメッセージには
英語訳がありません+ Charo should give up and
stay still. Charo should start dancing. Charo should give up and try
to escape. +このメッセージには
英語訳がありません+ Chicago is to the west
of New York. Chicago is to the north
of New York. Chicago is to the east
of New York. +このメッセージには
英語訳がありません+ The population of Chicago is
smaller than that of New York. The population of Chicago is
larger than that of New York. The population of Chicago is
as large as that of New York. +このメッセージには
英語訳がありません+ Deep-dish Thin-crust Pan +このメッセージには
英語訳がありません+ Nice to meet you, too.
Sir Joseph. Nice try.
Sir Joseph. Nice meat to you,
Sir Joseph. +このメッセージには
英語訳がありません+ Japan is very far to the west
of Chicago. Japan is very close to Chicago. Japan is in the very center
of Chicago. +このメッセージには
英語訳がありません+ I am surprised at everything! I am surprising everybody! I slept well. Thank you! +このメッセージには
英語訳がありません+ On the left side of a lady. In front of a lady. Behind a lady. +このメッセージには
英語訳がありません+ In front of a lady. On the right side of a lady. Behind a lady. +このメッセージには
英語訳がありません+ I wouldn't bring anything! I would bring ingredients for dishes
to be prepared at the party. I would avoid raw foods....
Maybe cookies? +このメッセージには
英語訳がありません+ Do you have a shiny key chain? Would you drive me to Chinatown? I would like to have a good meal. +このメッセージには
英語訳がありません+ I should put it on the bench. I should put it in the
water fountain. I should bury it in the
flower bed. +このメッセージには
英語訳がありません+ To the load-carrying platform
of the van. To the roof of the shed. To the driver's seat
of the van. +このメッセージには
英語訳がありません+ She is full of energy! I'm fine, thank you. It is a fine day. +このメッセージには
英語訳がありません+ I had a chance to meet a lot
of animals. I had a lot of animals. I saw a lot of animals
in the zoo. +このメッセージには
英語訳がありません+ I have an important reason. I have an impossible reason. I don't have any reason. +このメッセージには
英語訳がありません+ Charo jumps into the car. Charo jumps out of the car. Charo jumps at Sir Joseph. +このメッセージには
英語訳がありません+ There is no delicious smell. There are no good customers. There are no sausages. +このメッセージには
英語訳がありません+ I want you to be in good health. I want to be in good health. I want you to be good to me. +このメッセージには
英語訳がありません+ Of course!
I will be with you. Of course!
I will be seeing the doctor. Of course!
I will be at home. +このメッセージには
英語訳がありません+ Candy.
She's whimpering! Candy.
She's meowing! Candy.
She's chirping! +このメッセージには
英語訳がありません+ I don't need another pendant. That's none of your business. I don't need any change. +このメッセージには
英語訳がありません+ I'm on the way back
to Dread's nest. I'm on the way back
to Sirius's nest. I'm on the back of Dread. +このメッセージには
英語訳がありません+ full of buildings and people. full of sausages. full of penguins. +このメッセージには
英語訳がありません+ the whole town becomes pink. the whole town becomes very long. the whole town becomes dark. +このメッセージには
英語訳がありません+ had a wonderful life. had a happy married life. had a single life. +このメッセージには
英語訳がありません+ Casablanca Gone with the Wind Roman Holiday +このメッセージには
英語訳がありません+ the world's No.1 hot spot for
musicals. the world's No.1 hot spot for
rock-climbing. the world's widest street. +このメッセージには
英語訳がありません+ So many people!
So many signs! So many sausages!
And I'm full! So many dogs!
So many cats! +このメッセージには
英語訳がありません+ He should do well on the test
and regain his confidence! He should pass the test and
regain his driver's license! He should take a medical exam and
regain his confidence ! +このメッセージには
英語訳がありません+ we should study about Japan
together! we should write a book about
Japan together! we should study in Japan
together! +このメッセージには
英語訳がありません+ A Japanese portable lunch is
called a Bento. A Japanese public bath is
called a Bento. A Japanese goddess is
called Bento. +このメッセージには
英語訳がありません+ commuter rush hour in Japan. happy hours at bars in Japan. lunch hour breaks in Jakarta. +このメッセージには
英語訳がありません+ there are people who work
as "Oshiya." there are people who sell
Japanese origami. there are fortune-tellers. +このメッセージには
英語訳がありません+ They push on the commuters' backs
so that they fit in the train. They help carrying commuters'
heavy luggage. They assist pushing wheelchairs
on platforms. +このメッセージには
英語訳がありません+ the Bank of Japan stands. the statue of the loyal dog
Hachi-ko stands. a goldsmith school stands. +このメッセージには
英語訳がありません+ Sad but beautiful. Sad and hopeless. Sad and boring. +このメッセージには
英語訳がありません+ I really wanted to see you! I really wanted to have beans! I really wanted to eat you! +このメッセージには
英語訳がありません+ Of course,
I'm going to the hotel! Of course,
I went to the hotel! Of course,
I'm going to a hot area! +このメッセージには
英語訳がありません+ I want to go to the theater
by 12:00. I want to go to the hotel
by 12:00. I want to go to the airport
by 12:00. +このメッセージには
英語訳がありません+ The road to the theater is too
crowded with cars and people. The road to the hotel is too
crowded with cars and people. I don't know the way to
the theater. 

****************************************
_out_EN_20.txt
****************************************

﻿   P                    +Charo learned a new English phrase!+
+Cool!+ +Charo learned a new English phrase!+
+very tasty+ +Charo learned a new English phrase!+
+It is not food.+ +Charo learned a new English phrase!+
+It is shaped like a snake.+ 

****************************************
_out_EN_200.txt
****************************************

﻿   7Q  f
t  T     TQ  s
i       ?Q  xDXh       7Q  Ь@       7Q  O  	     TQ  oL  J     TQ  ڼ!  m     ?Q  KVf       ?Q  QsQ       ?Q  XQ       7Q  U3|  0     7Q  OM  i     7Q  Qх       ?Q  mE    !   7Q  c
  	     7Q  pJ7  "	     ?Q  _  A	     7Q  N  j	     ?Q  VQ  	     TQ  `u  	     TQ  y\p  	     7Q  Ս>  &
     7Q  R  E
     ?Q  U  x
  $   ?Q  t-!  
     7Q  ҕL  
     7Q  W  
     7Q  :h  
     ?Q  BX  3  !   7Q  `L  U     7Q  	Q  ]     ?Q  [    v   ?Q  j8    c   7Q  \'       TQ  Q*K    I   TQ  {5J       ?Q  `^
    6   nQ  k    >   ?Q  C       ?Q  K     .   R  A1A  A  a   R  rX6J  Q  5   ?Q  x4  j     7Q   G  ~  J   7Q  >>    	   ?Q  ,]    q   7Q  vR'       7Q  #XL       7Q  {@J       7Q  4DM  *
  J   ?Q  ^6  Q
  ^   ?Q  ]I  c
      TQ  sB  ~
  u   TQ  t3  
  2   ?Q  )I(  
  *   ?Q  q<  
     7Q  A  
     7Q  6  
  g   TQ  %B  
     7Q  hy:  
  h   ?Q  V  '  X   TQ  Q/  G  F   TQ  (%  Y     TQ  uNq;  h  0   TQ      a   7Q  }D    D   7Q  ^    !   ?Q           7Q   W8       ?Q   O A       ?Q   }       TQ  
!i  =  a   ?Q  w!CF  n     7Q  !CR       TQ  :"]       7Q  /n"$b    7   7Q  S"       7Q  <"e  #     7Q  &L#U  U     7Q  #Y       7Q  #l    It was the day that Candy went out
for the first walk of her life. Look, Candy! This is the city of
New York! Arf arf!
I'm scared, Chris! Carry me! Chris carried Candy in his arms. Candy held on to Chris and didn't
even try to enjoy the scenery. I've pampered you too much,
Candy. I was sick, so I played inside with
you all the time. That was wrong. Arf arf! I don't need to know
about the world outside. I'm fine just being with you,
Chris. I want to go home soon!
Arf arf! For Candy, her first walk was full
of unfamiliar sights. The strong sun was too bright and
the street noises were too loud. The people passing by were all new
to her. Everything scared her. (whimpers)
I'm scared. I want to go home... Then... Chris put Candy on the ground. Oh! What are you doing, Chris!?
Arf arf! Chris tied Candy's leash to
a lamp post. Arf arf!
What are you doing with me? Candy, I'm going into a store that
doesn't allow dogs. You're a good girl, so just wait
here for a while, OK? Saying this, Chris left Candy. He disappeared along the other
side of the street. Chris, where are you going?
Arf arf! Chris...! Candy's heart felt like it
would burst. To Candy,
Chris was the whole world. With Chris out of sight, she thought
she'd collapse with fear. Don't leave me alone! Chris!
Arf! Then... Candy's leash slipped free of the
lamppost. ... Oh! Now I can go to Chris! Candy dashed off. Oh! Candy, where are you going? Wait, Candy!
I'm right here! Arf! Watch out! (whimpers)
I'm scared... Chris... where are you? Chris... Mama!
A doggie! I want to pet you!
Wait! Arf arf!
Stop that! Finally, Candy arrived at a park. Exhausted,
she sat down. ... Candy looked around. It was a place she had never seen
before. While running around and looking
for Chris... Candy had lost track of where she
was. Chris... Chris... What should I do?
Chris... Candy! There you are, Candy! It's Chris! Arf arf!
Chris! Candy jumped into Chris's arms. Chris held Candy tightly. I finally found you,
Candy. Chris was tired out, too. (whimpers)
I was scared, Chris. I'm sorry, Candy. It's my fault. I won't leave you alone again. I promise. Holding Candy,
Chris walked home. On the way... Wha...? A puppy caught Candy's eye. A white, round little dog... I wonder if that puppy got
separated from his owner, too. What's wrong? Candy,
is something bothering you? Arf arf.
It's nothing, Chris. Candy buried her nose in Chris's
chest. You're a good girl, Candy.
We'll be home soon. Chris adjusted Candy's position
and they walked on. And that... was the day Candy and Charo first
saw each other. Pampered Candy, raised like a
princess... would gradually change after
meeting Charo. This is what took place just a short
time before that. 

****************************************
_out_EN_201.txt
****************************************

﻿3   7Q  sh$       7Q  p$u       7Q  $C       ?Q  ;%W  D     7Q  %x  l  ~   ?Q  ]&qf       7Q  r&A    w   1R  &gE       7Q  &d    F   ?Q  ^'c4  C     7Q  3'^p  Y     7Q  (g       7Q  k(@F    F   TQ  ()    r   TQ  {(.    1   ?Q  H
) 5  
  q   ?Q  H?)H       7Q  )I  9     7Q  )I  \     7Q  *5@    !   CQ  Z*z       7Q  Kv*,k    m   CQ  w*kH    ~   ?Q  )+]       CQ  k+[a       ?Q  +w  3  A   CQ  =h,+  h     CQ  ̓,s`  v  	   ?Q  ?,    `   CQ  
- -       CQ  6:-6K       ?Q  l-r       7Q  ޕ-@       CQ  -A       CQ  .mp  	     CQ  .{]  I	     CQ  v.g  x	  s   CQ  9N/C  	     CQ  /k  	  m   ?Q  /'<  	     CQ  90g=  
     CQ  Dw0(T   
  "   ?Q  l0'"  J
     CQ  0@  S
  [   CQ  E.1,  m
     7Q  Z1w  
  ;   ?Q  1t  
     7Q  71CH  
  7   ?Q  z02A  
  l   7Q  Nr2<N    5   7Q  2o  )     7Q  2tS  5     7Q  m,3<  `     7Q  h3EU    	   ?Q  ǽ3E       7Q  3*l       7Q  6?4ub       7Q  4I  )  F   ?Q  4%  V     7Q  U57  e     7Q  :H57@       7Q  q5^    One day... many people were invited to a fancy
party at Chris's house. It was Candy's first birthday
party. Arf arf.
That dog food looks delicious. The presents that everyone had
brought were opened one by one. This one is a ball!
This collar is cute, too! The last one was Chris's present. Happy birthday, Candy! Everyone cheered as the
white ribbon was untied. What!?
What is this!? When she saw the birthday cake,
Candy was disappointed. It was a mess, too ugly to be
called a cake. At least,
it looked that way to Candy. Sorry, Candy. I've disappointed you. Arf arf.
Obviously! Oh!
My birthday is ruined! Candy was crying in the next room. She felt like she had been
humiliated. After crying like that for a while... Candy. Ike, a gigantic Saint Bernard,
came into the room. Are you still crying? Leave me alone. (sobs) I see.
It was a big shock for you. Of course it was.
I've never seen such an ugly cake. But, Candy... you have to think about how Chris
feels. ... About that cake... Chris made it for you himself. Huh? Ike continued speaking softly. Chris doesn't have a mother. So there's no one to teach him
how to bake a cake. All by himself, while looking at
a cookbook... he whipped fresh cream,
baked the cake in an oven... and put fruit on top. Chris put his heart and soul into
making it. By himself? For me... Despite the way it looks, he probably believed it would
please you. Chris... Candy, do you understand? Chris's feelings... Without waiting to hear Ike's words,
Candy ran to the kitchen. The cake...! The cake was already in the
garbage can. (whimpers) Crushed with regret,
Candy looked down. Doing so... she noticed a box next to the
garbage can. She recognized the white ribbon. It was the box that Chris's cake
had been in. ... Candy tried frantically to untie
the ribbon from the box. She didn't care that her body was
getting covered in cream. After struggling with the box
for a while... I took it off! Candy treasured the ribbon. In time, Chris took the ribbon... and made it a decoration for
Candy's ear. 

****************************************
_out_EN_202.txt
****************************************

﻿   7Q  5[+       7Q  z6bh    5   QQ  z62       7Q  g6[       7Q  	7k       QQ  t7FL  X     QQ  67}  |     =Q  ?8YS       =Q  p8P       QQ  8}       7Q  0`93[  ?     QQ  c9v  l     7Q  Y2:s       7Q  g:H       7Q  :W       7Q  E;[  8     7Q  B;^  f  \   QQ  )<P    b   =Q  z<]A       QQ  <       QQ  zU=@  !	     QQ  K=  ;	  *   =Q  	3>  	     =Q  D>@  	     7Q  H>ar  	     QQ  >I  	     =Q  ?   
  	   QQ  ?(  %
     QQ  ?W  )
  ^   QQ  	@(  O
     QQ   2@$j  b
  q   =Q  D@<  
     7Q  @\  
     7Q  m5Ap  
  v   =Q  AP  ,     7Q  AM  Q     SQ  FDB#W  ~     7Q  iB/s       =Q  C    ^   SQ  ;Ck2       SQ  CJA  .     7Q  !D8  M     7Q  YDV]  l     =Q  KD)    u   =Q  t;E,/       7Q  jEl    ]   7Q  ER.  6
     7Q  FF  K
     7Q  KF}  l
  _   SQ  sFC  
     =Q  
Gk  
     7Q  xG$A  
  h   =Q  G(N       7Q  =Hc  <  '   SQ  #lH  r     SQ  ~HV  {  Q   SQ  sH%    Y   SQ  !HU    	   SQ  3PIS    b   SQ  aIR    -   =Q  Ib&       SQ  gIUq       =Q  KJN  E     SQ  ΙJ&5  ^     SQ  J9  x     7Q  KOy       7Q  8Kσ    @   7Q  L       7Q  Ll        7Q  GLH9  T     7Q  Le  p  This story takes place... just a few months after
Margherita moved to this city. Oh, dear... Rosa sighed as she sat on a chair
at the counter. At the foot of the chair, Margherita
was looking up at Rosa. We're not getting more customers... If it keeps up like this, this month
will be hard, too. Arf arf.
Rosa, your cooking is the best. Someday everyone will realize that. Thanks, Margherita. You're trying to
cheer me up, aren't you? Rosa stood up and spoke in a
cheerful voice. ... OK, let's get ready for tomorrow.
I can't just mope around! Rosa had come to New York from Italy
to pursue her dream. But the reality was not so easy. On top of everything, something else
went wrong. Rosa had a high fever and had to
stay in bed. Her fever did not go down. Days went
by without the restaurant opening. Oh... ohhh, dear... Wow....
Are you OK, Rosa? If the restaurant stays closed any
longer, we'll go out of business. We have to open tomorrow. But I can't go shopping like this,
and I don't have anyone I can ask... Arf arf! Rosa! I'll go shopping for you! Margherita took a shopping basket
in her mouth and showed Rosa. I wonder if, maybe... Margherita,
you'll go for me? Arf! ... Well, then, yes, I accept your offer. It's John's store. You've been there many times, so you
know where it is, right? Arf arf!
Leave it to me, Rosa! Margherita arrived in front of the
appointed store. It was the shop for food and general
goods, run by John. Arf arf! John!
Please open the door. Margherita barked with all her
might. But... Hey! Dogs can't come in!
Scram! John came out and saw Margherita.
He tried to chase her away. Arf! Rosa's in trouble! Look at the
note in the basket! Please! What a noisy dog. Look. Get out of here now,
OK? John went back into the store. But Margherita didn't move from
the front of the store. If I give up now, Rosa's restaurant
will probably have to close... I have to keep trying! Cold rain started falling, but
Margherita kept waiting. Finally, night fell. Margherita still didn't give up. John came out to close the store.
He was surprised to see Margherita. Wh... what?
You're still here!? Oh...
let me do my shopping... please. Margherita made a desperate appeal. Arf! John!
Look in the basket! John peered into the basket that
Margherita held out. ... Huh? ...
What's this? There's a note in here. I wonder what... Parsley, carrots,
chicken, garlic... ... "Rosa." From that
Italian restaurant? Arf! Yes! I see. She asked you to come and
do the shopping, huh? Arf! You understand now. Sorry I didn't trust you. You're a really good dog. John tenderly stroked Margherita,
who was completely soaked. Then he invited Margherita into the
store and filled Rosa's order. Since then... Margherita went shopping at
John's store every day. For Margherita, John was... the first friend she made after
coming to New York. 

****************************************
_out_EN_203.txt
****************************************

﻿   7Q  *MUe       7Q  ؏Mm;  G  '   2R  EM"  f     2R   MS  n     2R  AN    +   EQ  N
       2R  N"y       2R  lOra    ~   2R  .OC       2R  q_P_  K  p   EQ  ^P+  g  P   EQ  AP   }     7Q  Qo       7Q  {QIE       7Q  Q8    m   7Q  Qm*  	  -   5R  '$R&       5R  M7R!b  (     5R  nR{  [     5R  Sf9    _   EQ  gNSDA       GQ  S
    :   GQ  zS&       7Q  S8       7Q  sS#N       7Q  7TL  +     3R  TbC  L     4R   T  s     3R  NUR    8   4R  U#       7Q  UM_       7Q  #VEF    h   7Q  $jV-  !	     7Q  #Vc  5	     7Q  V<  m	  =   6R  8Wt  	     7Q  CWV  	     7Q  Xm  	  w   7Q  LqX
%  
     GQ  VXU#  %
     GQ  X  =
     GQ  X7  A
     GQ  jX?  g
     GQ  r9YR  
     7Q  @Y2  
     7Q  ԾYl  
  2   7Q  +Z+       EQ  >Z    &   GQ  ZZ  '     7Q  TlZu  /     7Q  ZS  r     7Q  5[S    u   7Q  [L/    	   GQ  Ҹ[U       7Q  '[s    c   GQ  A\(    r   GQ  &_\+  4     GQ  $\P  J     GQ  \8  q  @   7Q  r]I       EQ  .]W    p   GQ  ԅ]X9       7Q  ,] Q       7Q  L^6  
     7Q  1G^V  +
  Joseph's father, Frederick, departed
this world... when Joseph was two years old. Joseph. I won't live much longer. It's time for you to take on the
responsibility of Chicago. Father... The most important thing for
those at the top... is not ability, but trust. If you can gain trust,
order will be maintained. You must never forget this. I understand, Father. I'll do my best. In this way, at a young age, Joseph
succeeded his father. He became Chicago's top dog. Frank came to the Spencer estate... not long after that. Joseph... this is Frank. I hope you'll
get on well together. Frank has won a lot of shows in
New York. He's a great dog. I'm sure he can help you. Frank, I'm Joseph.
Nice to meet you. Hmm. ... Likewise. Frank was a gifted dog. He was strong, swift-footed,
and smart... in every way superior to Joseph. Did you hear?
Frank is back in action. I heard.
He's definitely Chicago's top dog. Hey, Joseph is the top dog. Oh, really? The other dogs had already begun
to compare the two. Joseph grew up under heavy
pressure. And then one day... Joseph and Frank were walking
outside together, when... something unexpected happened. Arf arf!
Help! Hellllp! A puppy had fallen into a river
and was drowning. The river had risen due to rain
and swept away the pup. Frank thought quickly. Can the puppy be saved? No. If I jump in, I'll be in danger, too. This puppy doesn't even have
a collar. I'm not going to risk my life
for a stray dog. That was Frank's conclusion. He made his decision calmly
and with precise calculation. However... I will! Joseph! With a start, Frank noticed that
Joseph had jumped into the river. Joseph swam hard against the
strong current. At last, Joseph reached the
drowning pup. The puppy was saved. ... Frank could only watch the whole
thing from start to finish. ... I can't do that. The courage to act... the force of will to follow
through... I'm no match for Joseph. Since then... Frank, will you show our guests
around the courtyard? Certainly, Sir Joseph. Frank has treated Joseph
with respect... and called him "Sir Joseph." Joseph had gained Frank's trust
completely. 

****************************************
_out_EN_204.txt
****************************************

﻿   7Q  ^h}  l     ^Q  H_       ^Q  A_b       7Q  
`V^    c   MQ  cd`H  I     MQ  "`M  c     MQ  `e       7Q  ``aE       7Q  .a[       7Q  Bbh  	     7Q  jbVE  E	     7Q  dbA  o	     ^Q  bt  	     QQ  ec.s  	     7Q  cM  	     7Q  f&d_  (
     7Q  !di  Z
     7Q  dV  
     ^Q  Fey  
  h   QQ  eP  
  h   QQ  f\       7Q  lf6  F     7Q  fl  f     7Q  go       7Q  g]q       MQ  g\    R   =Q  Mh"  5     =Q  oh.  E  `   MQ  iR    2   7Q  Ti       7Q  Dfij       7Q  iO       7Q  _Sja  4
     ^Q  vjM  k
     ^Q  k _  
  u   MQ  !ak^  
     MQ  ޿k0r  
     ^Q  2lT    p   ^Q  l1  0     7Q  RlG_  G     ^Q  mJV    A   ^Q  mm(    f   7Q  m<    N   7Q  m    D   ^Q  m?    #   MQ  S/n=P       7Q  ndn       7Q  n=  >     MQ  +o=  [  W   ^Q  io	N  v  	   MQ  q       7Q  of       7Q  $7per       7Q  pI    Y   7Q  p  8     MQ  q  J  Q   MQ  -q  M     MQ  dMq]h  \  S   7Q  q5    j   7Q  q3       ^Q  r5       7Q  Tr?[       MQ  ׯro!    V   ^Q  Fr#    X   ^Q  >r#B  ,     7Q  a7sEy  N     MQ  sm       MQ  7tb    \   MQ  Հt21       MQ  t       ^Q  t^       7Q  +u
    U   ^Q  u/  e     MQ  u#  w     MQ  e vG  }  m   MQ  Hv3       MQ  {vd       7Q  v)>       7Q  w I       ^Q  gw[R    )   ^Q  /wZ  M     ^Q  wVU  W  p   7Q  *x    w   7Q  Ix,       7Q  vxk    u   7Q  x/    F   7Q  yS&       7Q  _7yR5       7Q  lyae  5     7Q  y^  f     7Q  0zG       7Q  mxzNn       7Q  zj       7Q  [Q{5  ,     7Q  {l  L  This is a story about when Louisa
and Aimee were still in New York. Hey, Louisa. Listen.
Things didn't go well again today. I was told flat out that my work
won't sell. Louisa looked up from the lap of
her sighing owner. Meow.
Don't worry, Aimee. Your work is very interesting. Someday, someone will appreciate
your work. Aimee was a struggling novelist then. Never abandoning her dream, she had
kept writing. It had been a hard life, but she had
never given up her dream. And no matter how tight money
had been... she had never abandoned Louisa. I'm sorry, Rosa.
I'm always getting food from you... Don't worry about it, Aimee.
It's just leftovers, anyway. Rosa was always good to Aimee
and Louisa. At that time, Rosa was in the same
boat as Aimee. Her Italian restaurant, her long-
cherished dream... was not going well, and she was
having a hard time. I appreciate it.
This month I have no income again. Don't mention it.
I'm rooting for you. The tales you write
give people dreams. By the feet of the two women... Louisa and Margherita were also
talking together happily. Margherita had recently moved to
New York City, and for her... Louisa was one of the few friends
she could open up to. Rosa is really a kind person. She took me in. Even when things are bad with her
restaurant, she never abandons me. I understand.
Aimee is the same. However... even with Rosa's help, Aimee was
barely getting by. There was a time Rosa and Margherita
went to Florida for about two weeks. Rosa went to train under a chef at
a restaurant there. Louisa, you must be hungry. I'm sorry.
I can't give you enough to eat. Meow.
I'm fine! I can manage. You always take care of me,
and it's for your dream. Well, I can't just sit here doing
nothing. I'll go buy something. Aimee picked up her wallet and
started to leave, but... Oh, I only have one dollar... What'll I do? Nevertheless, Aimee
went out. After a while... OK, Louisa,
here you go. Meow...
Aimee... With her last dollar, Aimee had
bought milk for Louisa... putting her own needs aside. You must be hungry, too... What's wrong?
Drink up, Louisa. ... Louisa's heart was so
full of gratitude for Aimee, and hope for Aimee's happiness,
that it felt like it would burst. Then, Louisa
put her tongue in the milk. At that moment... !? What was that? I felt like something just
came over me... Louisa quickly
looked around... and then jumped up
on the table. Louisa, what's the matter? Louisa began to turn over the cards
on the table. Meow. Come on, Louisa. Stop playing and
drink your milk. Aimee quickly picked the cards up
and put them face down as before. Meow.
Aimee, give me the cards. These letters
must have some meaning. Let me try again. Meow! You want the cards that much?
... All right. Intently, Louisa flipped the cards
that had been put back on the table. Chicago... again? Meow. Aimee, there must be something. Let's go to Chicago. Something's going to happen, I'm sure. In Louisa's urgent attitude, Aimee seemed to have sensed
something. You're trying to tell me something,
aren't you? Louisa... There's something in Chicago,
isn't there? The following month... Aimee went to Chicago. She believed Louisa, and scraped
together the money to travel. Was it a rash gamble? No, it wasn't. At a Chicago publishing house... Aimee at last met an editor who
valued her work. And Aimee's novel was accepted
for publication. After that, everything went
smoothly. As soon as it was published,
Aimee's novel became a hit. More projects followed and Aimee's
ideas kept flowing. Just a few months after that... Aimee had become a miraculous
bestselling author. 

****************************************
_out_EN_205.txt
****************************************

﻿   7Q  {V       7Q  J|:B       7Q  |3    Q   9R  |       8R  A|X    ?   7R  6}+  6     7Q  N}e  C     7Q  }mq  ~     7Q  $~9       7Q  9^~       7Q  ~n9  !     9R  PQ1  C     7Q  Ip  ^     7Q  6i       7Q  $k       7Q  ڏ  	  	   7R  r  ^	  J   8R  (  b	  6   7R  =!#  p	     8R  a  |	  1   7R  l&  	     7Q  ]  	     7Q  ݁a  	     7R  ?_  	  	   8R  R  
  t   8R  &I  
     8R  +  C
     8R  2m  ]
     7R  :6  
  	   8R  ׃!  
  H   8R  B  
     8R  W=Q  
     8R  fY  
  B   8R  T  *     8R  oׄD  8  p   8R  +  _  6   7R  G
  s  p   8R  b    	   7R  }-    {   7Q  3U       7Q  1o       7R  ZX       7Q  ?  2  m   7Q  .  W     8R  A!b  m     8R  2G%  s     7Q  W[w       7R  Eχ7       7R  S    n   7R  =    F   7R  ]h!  

  q   7R  .C  
     7R  e  ,
     7R  (R  M
     7Q  zx  q
     8R  Z  
  ~   7R  MsV  
  S   8R  _   
  u   8R  mĊS_    z   7R  #g  H  h   8R  ԊF  d  K   7R  ы	.       7Q  S       9R  SgF       9R  
w-    *   7R  ǌ?"    -   8R      q   7Q  a(%       7Q   3  +  -   8R  +T  H     8R  e=  R     8R  ڢ]  t     7R       f   7Q  bYX    K   7R  hu!    H   7R  0Q       7Q  =       7Q  ,e       7Q  KlX  _     7Q  cc       7R  
    K   7R  .$    P   7Q  %9         7Q  %Y7S    This story takes place many years
earlier. Ten years ago, on November 9th... It was Tomoko's birthday. Happy birthday. You're already nine years old.
Happy birthday. Thank you... On the table was a birthday cake
with strawberries on top. Tomoko's mother and father were
smiling at her across the cake. But Tomoko's heart was heavy. It was the last day together for her
father Ken and her mother Mari. They had decided to get divorced. Now, blow out the candles. Mari, Tomoko's mother, encouraged
her with a smiling face. Tomoko knew that her mother was only
pretending to be happy. The next day, Tomoko and her mother
were leaving for America... where Tomoko's mother's mother, that
is, her grandmother, awaited them. ... What's wrong? Say, Dad... Yeah? Would it... After saying that much, Tomoko
fell silent. She had already asked the same
thing many times. Why not, Dad?
Why can't you come with us? ... I'm sorry, Tomoko.
I can't go to America. I can't quit my work now. Continuing the work that gives
dreams to people is my dream. You can do that in America! ... Well, Tomoko... I'm not an established actor yet,
but... there are still many people who
enjoy my performances. That's why... I'm just not ready to leave Japan
yet. Can you understand? Hey, Dad... What's on your mind? ... After looking down and
hesitating for a while, Tomoko looked into her father's eyes
and said decisively. I'm going to write a drama for
you to appear in! For an instant, her father marveled. But soon he smiled... Sure! I'm looking forward to it. Tomoko smiled back and started
observing her father carefully. What role would be good for you? Hmm... Someone really cool? A comic role? Or maybe a bad guy? Uh-uh... none of those is right. Maybe a serious role would be best? Hearing his daughter's words,
Tomoko's father laughed cheerfully. If it's your script, I would be
happy to play any part. Really?
Even a comic gangster? Yes, of course. A villain, a passerby...
I would do anything. Wow,
you can play any role. Of course.
I'll handle any role. Really? Then... The discussion continued for a long
time. Well, we have an early morning
tomorrow. Tomoko, it's time for bed. OK, Mom. Tomoko... Her father stood up. He walked over to her and... Tomoko... take care of yourself in America. I'll see you again.
I'll be looking forward to that day. Dad... With a shaky voice,
Tomoko responded. It's a promise. I'll be waiting. Tomoko's father hugged her tightly. Whenever they made a promise,
they hugged each other like this. And when the promise came true,
they hugged again. That had been their special custom
for a long time. Dad... It's a promise. The next day... Tomoko left for America with her
mother. 

****************************************
_out_EN_206.txt
****************************************

﻿   7Q  \J  8     =R  -n  Y  0   :R  &eG)       >R  mf    P   :R  H2       7Q  N0E       7Q  KH       7Q  cےl  ,     7Q  FHc  f     :R         7Q  NC       :R  ܔv       :R  qS  Q  k   7Q  )    ~   7Q  J    i   7Q  jd%       7Q  jB    c   7Q  Җ #       7Q  %b    1   <R  -W  A     :R  )g  K     7Q  rl  P     7Q  ߗ@9       7Q  );       :R  	T#       7Q  wFD    V   <R  ?F       7Q  b     k   <R  e<Q  .  	   :R  c(  O     7Q  SߙF  S     7Q  0&=g  s     7Q  mI       <R  ֚>    '   :R  r       7Q  '|  	     <R  
R  G	     <R  /n  	  9   <R  c  	  z   :R  |r  	     <R  :9  	  s   <R  2)&  
  c   7Q  O  0
     7Q  nU  D
     7Q  wĝA  t
     7Q    
     7Q  i  
     7Q  ~|  
     7Q  
^  "     7Q  Ym  X     7Q  hǟWd       7Q  +&g       7Q  咠T       7Q  _  %  Louis did not like taking walks. Oh, good afternoon, Louis.
How are you today? Oh, hello. Hi, Louis, good to see you.
Nice weather today, isn't it? Yeah, I guess... It was early afternoon in Central Park. Many people and dogs came to the
park. Louis responded briefly to the
greetings of passing dogs. He seemed a very different dog from
Louis today... Ugh... I don't like it here.
I want to go home soon... Louis avoided the eyes of the other
dogs and walked along looking down. All the dogs that come here are
good-looking and classy. I bet they're all laughing behind my
back about how ugly I am. His legs are short... and his face sure isn't
handsome.... Regarding his looks, Louis had a terrible complex. On one such day... Louis was out for a walk,
reluctantly as usual. Look out! Huh? Trying to avoid the ball, Louis
quickly jumped away, but... a puddle was waiting for him! Louis's whole body got wet. Ugh... As Louis slowly tried to get up... Ah ha ha ha ha! Overhead, shrill laughter rained
down on him. Ah ha ha, so funny!
How amusing! ... Louis's face burned with shame. He was so embarrassed,
he wanted to disappear. But the dog faced Louis and spoke to
him. Have you ever watched how you jump
in a mirror? ... Huh? Totally impressed, the dog nodded his
head briskly and continued. There's something wonderfully unique
in your light steps. None of the dogs in New York could
imitate that even if they wanted to. It's a gift. A gift?
My steps are a gift...? You've shown me first-rate
footwork. Thank you very much! Two months later... Louis headed for Broadway with his
owner, Jane. He went there to audition for a show. And... after passing the audition, Louis
made his stage debut. Louis danced about brilliantly in the
center of the dazzling spotlights. There was no trace of his earlier
lack of confidence. And performing on stage with him
on that occasion was... the star dog of the theatrical world,
Oscar! He was the bull terrier Louis
had met that day in the park. Oscar had not only changed
Louis's life... he had also become Louis's
greatest rival. 

****************************************
_out_EN_207.txt
****************************************

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****************************************
_out_EN_208.txt
****************************************

﻿l   @  l     l     l     l   <  l   {  l     l     l   8  l   w  l     l     l   4  l   s  l     l     +このメッセージには
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****************************************
_out_EN_209.txt
****************************************

﻿l   X  l     l     l     l   T  l     l     l     l   P  l     l     l   
  l   L  l     l     l   	  l   H  l     l     l     l   D  l     l     l     l   @  l     l     l     l   <	  l   {	  +このメッセージには
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****************************************
_out_EN_21.txt
****************************************

﻿      +Charo learned a new English phrase!+
+There are some leftovers.+ 

****************************************
_out_EN_210.txt
****************************************

﻿l   ,  l   k  l     l     l   (  l   g  l     l     l   $  l   c  l     l     l      l   _  l     +このメッセージには
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****************************************
_out_EN_211.txt
****************************************

﻿l   ,  l   k  l     l     l   (  l   g  l     l     l   $  l   c  l     l     l      l   _  l     +このメッセージには
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****************************************
_out_EN_212.txt
****************************************

﻿l   h  l     l     l   %  l   d  l     l     l   !  l   `  l     l     l     l   \  l     l     l     l   X  l     +このメッセージには
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****************************************
_out_EN_213.txt
****************************************

﻿l   h  l     l     l   %  l   d  l     l     l   !  l   `  l     l     l     l   \  l     l     l     l   X  l     +このメッセージには
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****************************************
_out_EN_214.txt
****************************************

﻿l     l   3  l   r  l     l     l   /  l   n  l     l     l   +  l   j  l     l     l   '  l   f  l     l     l   #  l   b  l     l     l     l   ^  l     l     +このメッセージには
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****************************************
_out_EN_215.txt
****************************************

﻿l      l   /  l   n  l     l     l   +  l   j  l     l     l   '  l   f  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_216.txt
****************************************

﻿l     l     l   6  l   u  l     l     l   2  l   q  l     l     l   .  l   m  l     l     l   *  l   i  l     l     l   &  l   e  l     l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_217.txt
****************************************

﻿l   <   l   {   l      +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_218.txt
****************************************

﻿l   ,  l   k  l     l     l   (  l   g  l     l     l   $  l   c  l     l     l      l   _  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_219.txt
****************************************

﻿l     l   [  l     l     l     l   W  l     l     l     l   S  l     l     l     l   O  l     l     l     l   K  l     l     l     l   G  l     l     l     l   C  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_22.txt
****************************************

﻿   P                  0  +Charo learned a new English phrase!+
+Excuse me, do you have the time?+ +Charo learned a new English phrase!+
+I am out of luck today.+ +Charo learned a new English phrase!+
+Are you with me?+ +Charo learned a new English phrase!+
+It is a perfect place to take a rest.+ 

****************************************
_out_EN_220.txt
****************************************

﻿l   x   l      l      l   5  l   t  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_221.txt
****************************************

﻿l      l      l   2  l   q  l     l     l   .  l   m  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_222.txt
****************************************

﻿l     l     l   N  l     l     l     l   J  l     l     l     l   F  l     l     l     l   B  l     l     l     l   >  l   }  l     l     l   :  l   y  l     l     l   6	  l   u	  l   	  l   	  l   2
  l   q
  l   
  l   
  l   .  l   m  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_223.txt
****************************************

﻿l   x   l      l      l   5  l   t  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_224.txt
****************************************

﻿l      l      l   
  l   I  l     l     l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_225.txt
****************************************

﻿l   <   l   {   l      +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_226.txt
****************************************

﻿l   <   l   {   l      +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_227.txt
****************************************

﻿l   <   l   {   l      +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_228.txt
****************************************

﻿l   <   l   {   l      +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_229.txt
****************************************

﻿l   P   l      l      l   
  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_23.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_230.txt
****************************************

﻿l   P   l      l      l   
  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_231.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_232.txt
****************************************

﻿l   P   l      l      l   
  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_233.txt
****************************************

﻿l   x   l      l      l   5  l   t  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_234.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_235.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_236.txt
****************************************

﻿l      l     l   F  l     l     l     l   B  l     l     l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_237.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_238.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_239.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_24.txt
****************************************

﻿               +     s               D       +Charo learned a new English phrase!+
+Have a safe trip.+ +Charo learned a new English phrase!+
+You can count on me.+ +Charo learned a new English phrase!+
+I'm getting confused.+ +Charo learned a new English phrase!+
+Give me another shot.+ +Charo learned a new English phrase!+
+Don't blame me.+ +Charo learned a new English phrase!+
+Welcome to New York.+ +Charo learned a new English phrase!+
+Keep going.+ +Charo learned a new English phrase!+
+Drive Safe.+ 

****************************************
_out_EN_240.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_241.txt
****************************************

﻿l   Q  h  l   Q    l   Q    l   Q  %  l   Q  d  l   Q    l   Q    l   Q  !  l   Q  `  l   Q    l   Q    l   Q  	  l   Q  \	  l   Q  	  l   Q  	  l   Q  
  l   Q  X
  l   Q  
  l   Q  
  l   Q    l   Q  T  l   Q    l   Q    l   Q    l   Q  P  l   Q    l   Q    l   Q  

  l   Q  L
  l   Q  
  l   Q  
  l   Q  	  l   Q  H  l   Q    l   Q    l   Q    l   Q  D  l   Q    l   Q    l   Q    l   Q  @  l   Q    l   Q    l   Q    l   Q  <  l   Q  {  l   Q    l   Q    l   Q  8  l   Q  w  l   Q    l   Q    l   Q  4  l   Q  s  l   Q    l   Q    l   Q  0  l   Q  o  l   Q    l   Q    l   Q  ,  l   Q  k  l   Q    l   Q    l   Q  (  l   Q  g  l   Q    l   Q    l   Q  $  l   Q  c  l   Q    l   Q    l   Q     l   Q  _  l   Q    l   Q    l   Q    l   Q  [  l   Q    l   Q    l   Q    l   Q  W  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_242.txt
****************************************

﻿   (      l   ぜったいにそろわない
運命のカードが４枚あるわ もう一度　はじめからやり直してね 

****************************************
_out_EN_243.txt
****************************************

﻿   <   <   n         おっ！　なかなかやるな
あと２回だ やるなぁ！
あと１回 ＯＫ！
約束だ　もっていっていいぞ！ 

****************************************
_out_EN_244.txt
****************************************

﻿x      x      `      $      r         
     2  正解！　あと２回だよ 正解！　あと１回だよ 正解！　やるなぁ 残念！ それじゃあ いくよ！ ミュージック　スタート！！ Dummy 

****************************************
_out_EN_245.txt
****************************************

﻿            l   e       `        0     ~               |  条件にあっていない動物がいるよ スティーブン　♂　短毛
おれ　毛の長い奴のそばだと
くしゃみが　でちゃうんだ ジョイ　♀　長毛
私は　あの白い花の
そばが　いいわ キース　♂　長毛
おれは　どこでもいいよ ラム　♀　短毛
私は　キースの
となりが　いいわ ポール　♂　短毛
高い席だぜ
犬に挟まれるのはごめんだ ミミー　♀　長毛
私黄色のイスだけは　絶対にイヤ トム　♂　短毛
せっかくだから
女の子に　挟まれたいね ナンシー　♀　長毛
低い場所は　きらいだわ
それと　トムのとなりがいいな 真珠 

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_out_EN_246.txt
****************************************

﻿   d                        
  『雪』の単語を完成させよう 『旅行』の単語を完成させよう 『電話』の単語を完成させよう 『病気』の単語を完成させよう 『父』の単語を完成させよう 

****************************************
_out_EN_247.txt
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﻿   7Q  <   <   8Q  }      7Q     After a while, Charo sees the Manhattan
skyscrapers approaching. Wow! So big! And this is the beginning of
Charo's wonderful adventures. 

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_out_EN_248.txt
****************************************

﻿   7Q  d   T   7Q        8Q        7Q     /   8Q     He stumbles into the back alley
of the hotel and lies down. Then suddenly... Owww! There, a great big boxer. Big dog... 

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_out_EN_249.txt
****************************************

﻿   =Q        =Q        =Q       :Q  ]     =Q       =Q       =Q       =Q  8  Hey, Dread, I haven't seen you for
quite a while. How've you been? Oh don't act like that.
I thought we were friends, no? Come on, why don't you give me a
nice smile and talk for a change? Never thought you were my friend. So you do hear me. Good. Anyway, what
a wonderful day! Look at the beautiful... Oh my oh my!
Who is this little one, he's so cute! Hey, what's your name?
Never seen you before, have I? Yes, I'm talking to you, little prince.
Oh, what a sweet thing! 

****************************************
_out_EN_25.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

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_out_EN_250.txt
****************************************

﻿   =Q        =Q        =Q     ~   =Q  (     =Q  V     =Q       =Q    New York, New York
Crowds of people rushing around New York, New York
It's the world's most fascinating town Walk along the Broadway,
watch today's matinee Go inside a flower shop
and buy a big bouquet There's nothing you can't get,
in Manhattan cafes Pizza, sushi, kebab, sherbet,
escargot, and steak New York, New York
Taxicabs are honking around 

****************************************
_out_EN_251.txt
****************************************

﻿   7Q  x      =Q        7Q     s   8Q       7Q  2     7Q  R  Just then, Margherita spots
a wonderfully charming puppy. Wow. Look at her. Isn't she something! Charo sees the cute little dog
held in the arms of a slender boy. Her ears... so pretty. At this time, Charo has no idea that this charming dog would become
one of his very best friends. 

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_out_EN_252.txt
****************************************

﻿   8Q  d      8Q  i      7Q  n      7Q     1   :Q     Yes. Arf! Charo makes a long jump. He falls onto the top deck
near the stern of the boat. Good job! 

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_out_EN_253.txt
****************************************

﻿   7Q  P      7Q        7Q        AQ     At that instant, a black shadow
jumps on the burglar... so quickly that nobody understands
what has happened. It's the super police dog, Sirius. Woof! 

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_out_EN_254.txt
****************************************

﻿   8Q        :Q        7Q        7Q       7Q  /     :Q  b  a   :Q    Do you want me to find it for you? Will you?
Will you do that for me, Charo? Charo knows they are talking about
something important. He feels very close to Dread. On the other hand,
Dread is thinking to himself... I'll try everything for you to
return to Japan, Charo. I'll try everything. 

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_out_EN_255.txt
****************************************

﻿   =Q  P   U   ?Q     i   7Q        7Q     Shhh. Don't tell him anything.
Don't take his hopes away from him now. Yes.... I'm sorry. Charo keeps eating, with the red star
shining proudly around his neck. 

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_out_EN_256.txt
****************************************

﻿   7Q  P      7Q  i      LQ        LQ     Right around the corner, a strange-looking bird is sitting
on a mountain of empty cans. Whoops! Did I wake you up?
Sorry about that. I was just trying to get
some food out of this... can. 

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_out_EN_257.txt
****************************************

﻿   [Q        [Q        8Q        [Q       gQ  2     [Q  U     [Q    And what really counts is
to believe in yourself. Believe in yourself, and your dreams
will come true. Okay, Charo? Arf! You know, he really seemed to
understand me. Clever dogs can do that, you know. Yeah, but there was something more
about him... Uh... how should I put it?
Like... we connected. 

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_out_EN_258.txt
****************************************

﻿h   8Q  x   A   =Q        8Q        8Q        8Q        7Q    I will go back.
I will never give up. Ooh, Charo... Shota took me in when I was dying. He trusted me and loved me.
We are family. That's why I have to go back. Saying this much, Charo turns around
and walks out of the restaurant. 

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_out_EN_259.txt
****************************************

﻿1   8Q  <      7Q  F      7Q  l   Look out! Charo throws himself against Paul.... And this makes Paul plunge into
his fellow cats. 

****************************************
_out_EN_26.txt
****************************************

﻿~   (   l   ^   ...That's a good idea!
+Let's go+ to the movies. +このメッセージには
英語訳がありません+ 

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_out_EN_260.txt
****************************************

﻿   MQ  x      8Q        MQ        MQ    q   8Q  /     MQ  F  Hmm... according to the cards,
it seems you should stay... east. East!? But west is closer to Japan! There is somebody who needs you
there... somebody with short hair...
maybe a boy? A boy? Is it... Shota? I'm not sure. But if you go back east,
there should be a clue. 

****************************************
_out_EN_261.txt
****************************************

﻿   EQ  x      8Q        EQ        EQ     ?   EQ        8Q     I will. What? "I will." It is one of Chicago's mottos. Whatever you want to do, Charo,
you can make it happen. Keep trying. I will...
I understand, Sir Joseph! 

****************************************
_out_EN_262.txt
****************************************

﻿   8Q     f   8Q     %   8Q        7Q     p   :Q  %     :Q  ;  $   8Q  ]     :Q  e     8Q  ~  I want you to stay strong. Please eat with me. (cries) Dread can't stand to
let down this little puppy any more. Okay, Charo. You win. You eat first, I'll eat the rest. Really? Now stop crying and eat. Yes! 

****************************************
_out_EN_263.txt
****************************************

﻿Z   8Q  x      ?Q        ?Q        ?Q        ?Q        ?Q    Goodbye... Candy. Why is your little heart fluttering? What is this feeling that's lingering... Since your friend's gone away? Why is your little heart fluttering? What is this feeling that's lingering...? 

****************************************
_out_EN_264.txt
****************************************

﻿   7Q  <      8Q  W      :Q  ~   It's Dread! He's bleeding. Dread! It was you who saved Catherine! I thought I told you not to come. 

****************************************
_out_EN_265.txt
****************************************

﻿   8Q        8Q        8Q       8Q  =     8Q  ^     8Q       8Q       8Q    It was my very first spring
I felt the warm hazy sun Out we ran, hand in hand
Along the riverbank And we felt the soft scented breeze
I wondered what it was I looked above and saw the trees There were pale pinkish blossoms
My first-time-to-see blossoms Against the blue, bright blue sky And the wind was blowing gently
My first-time-to-see blossoms The flowers are called sakura 

****************************************
_out_EN_266.txt
****************************************

﻿   7Q       8Q  .  ~   :Q  Y     :Q       :Q       8Q       :Q    5   8Q       :Q  %     7Q  \     8Q       7Q    _   :Q    It's Dread!
Charo can't believe his eyes. What happened?
Are you feeling better now? Yeah. Now listen, Charo.
I need to go now... to someplace far, far away. We won't be seeing each other
for a while. Why? Where are you going? You just worry about yourself.
Get back to Japan. Yes, but... Promise me that
you'll never give up your dream. Okay? Charo wants to say something
but Dread starts off. Wait! Where are you going? Dread stops, looks back and smiles. Thank you, Charo. 

****************************************
_out_EN_267.txt
****************************************

﻿   8Q  d      8Q        8Q     |   7Q     o   7Q    Dread... thank you... for everything. And I promise you.
I will never give up my dream. I will go back to Japan...
to show you the sakura blossoms.... It's a warm, sunny day. The air is crisp and
everything is shining. 

****************************************
_out_EN_268.txt
****************************************

﻿   7Q        7Q  :  2   8Q  o     \Q  z     7Q       7Q       7Q       7Q    8   7Q  ?  o   \Q  J     7Q  a     7Q    He sees some white confetti dancing
in the wind. It looks just like snow. Suddenly, the shadow of somebody...
with short hair! Sho... ta? Poor thing....
He'll die if I leave him here. With that, the blurry shadow leaves. Charo weakly closes his eyes... But just when he is about to
lose consciousness, a good smell tickles his nose... A sausage! Here! Eat! It's yours. It's Tomoko, whom Charo met
at Margherita's restaurant. And this was the second time Charo was
saved, from the brink of death. 

****************************************
_out_EN_269.txt
****************************************

﻿   JQ  x      7Q     -   JQ        JQ        IQ  %     IQ  [  Hmm... you have the nerve to invade
my property. A black pug is lying on the sofa. (laughs) Come on, kid! Don't be frightened! I was
just doing the part of a gangster boss. Wasn't I good? Hi there.
I'm Louis, the one and only. You? 

****************************************
_out_EN_27.txt
****************************************

﻿l   x   l      l      l   5  l   t  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_270.txt
****************************************

﻿   IQ     ~   IQ        IQ        IQ       IQ  @     IQ  |  /   IQ    Someday you'll see
When you're singing and dancing Life's a stage and
You can be a star, too Grab your dancing shoes
And sing a happy tune Enjoy every day
Chase your troubles away Bright lights! Raise mics!
Cue the curtains and spotlights! Life's a stage and
You can be a star... too! Oh, yeah! 

****************************************
_out_EN_271.txt
****************************************

﻿   7Q  P      7Q  s      7Q        8Q     It is the day of Louis's audition. Jane decides to take Charo
along with them. Charo is surprised.
It is new territory for him. Many people! Many signs! 

****************************************
_out_EN_272.txt
****************************************

﻿   7Q        8Q     C   8Q  6     7Q  D     7Q  z  `   8Q       8Q    A   7Q  "     7Q  1     7Q  U  Charo runs as fast as he can,
but the van starts off. Arf arf! Wait! It's me! Charo!
Don't leave me! Arf arf! Arf arf! Arf! Charo barks hard
but the van leaves with a loud roar. Charo is lucky, though. He did hear
the last part of the conversation. Wednesday noon.... If I come here on that day, that time,
I will be able to meet Shota's father! Well, will he? Charo looks up at the New York sky. A shiver runs through him. 

****************************************
_out_EN_273.txt
****************************************

﻿m   AQ  d      AQ  z      8Q        7Q        7Q     Hold on tight, Charo! Woof! Arf! The next moment, Sirius and Charo are
soaring higher and higher... and land right in front of the theater! 

****************************************
_out_EN_274.txt
****************************************

﻿   [Q  <      7Q  A      8Q  |   Dad! With that, Tomoko runs into Ken's arms.
The cameras flash. Arf! Tomoko, I'm so happy for you.
Your dream is really coming true! 

****************************************
_out_EN_275.txt
****************************************

﻿   7Q        bQ    D   8Q  -  x   [Q  ;  h   bQ  S     bQ  g     [Q    -   8Q    n   [Q       [Q    *   8Q    Charo jumps into Shota's father's arms! Charo!
I never thought I'd see you here. Arf, arf arf! Sir... do you know him? Oh, yes! Excuse me. This Charo here, he's our dog,
my son's best friend. Then, you are Shota's father! Arf, arf! Oh, my gosh!
Isn't this wonderful? Both our dreams are coming true,
on the very same day! Arf arf! 

****************************************
_out_EN_276.txt
****************************************

﻿   7Q  x   l   aQ     r   8Q        7Q        7Q  +     8Q  d  Springtime in Japan.
The cherry blossoms are in full bloom. Wow, Charo.
Look at the Sakura. Arf arf! You're right.
They are pretty. Charo stops and looks up
at the pink blossoms. His mind starts to wander
back to his wonderful friends. I wonder how everyone is
doing. 

****************************************
_out_EN_277.txt
****************************************

﻿a   7Q        8Q     p   aQ     *   8Q    u   8Q       7Q  2     7Q  P     8Q    A cherry blossom? Dread... can you see the pink
blossoms? Aren't they beautiful? What's wrong, Charo?
Let's go. Arf arf! Wait, Shota! I'm coming! Charo runs straight to Shota. The two are laughing and barking,
romping their way... back home. ... Thank you, everyone. 

****************************************
_out_EN_278.txt
****************************************

﻿l     l   W  l     l     l     l   S  l     l     l     l   O  l     l     l     l   K  +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_279.txt
****************************************

﻿l      l      l   2  l   q  l     l     l   .  l   m  l     +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_28.txt
****************************************

﻿~   (   l   ^   ...That's a good idea!
+Let's go+ to the movies. +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_280.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_281.txt
****************************************

﻿l   L  l     l     l   	  l   H  l     l     l     l   D  l     l     l     l   @  l     l     l     l   <  l   {  l     l     l   8	  l   w	  l   	  l   	  l   4
  l   s
  l   
  l   
  l   0  l   o  l     l     l   ,  l   k  l     l     l   (
  l   g
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  l   $  l   c  l     l     l      l   _  l     l     l     l   [  l     l     l     l   W  l     +このメッセージには
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英語訳がありません+ 

****************************************
_out_EN_282.txt
****************************************

﻿l      l      l     l   ]  l     l     l     l   Y  +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_283.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_284.txt
****************************************

﻿l     l     l   2  l   q  l     l     l   .  l   m  l     l     l   *  l   i  l     l     l   &  l   e  l     l     l   "  l   a  l     l     l     l   ]  l     l     l     l   Y  l     l     l     l   U  l     l     l     l   Q  l     l     l     l   M  l     l     l   
  l   I  l     l     l      l   E   l      l      l   !  l   A!  l   !  l   !  l   !  l   ="  l   |"  l   "  l   "  l   9#  l   x#  l   #  l   #  l   5$  l   t$  l   $  l   $  l   1%  l   p%  l   %  l   %  l   -&  l   l&  l   &  l   &  l   )'  l   h'  l   '  l   '  l   %(  l   d(  l   (  l   (  l   !)  l   `)  l   )  l   )  l   *  l   \*  l   *  l   *  l   +  l   X+  l   +  l   +  l   ,  l   T,  l   ,  l   ,  l   -  l   P-  l   -  l   -  l   
.  l   L.  l   .  l   .  l   	/  l   H/  l   /  l   /  l   0  l   D0  l   0  l   0  l   1  l   @1  l   1  l   1  l   1  l   <2  l   {2  l   2  l   2  l   83  l   w3  l   3  l   3  l   44  l   s4  l   4  l   4  l   05  l   o5  l   5  l   5  l   ,6  l   k6  l   6  l   6  l   (7  l   g7  l   7  l   7  l   $8  l   c8  l   8  l   8  l    9  l   _9  l   9  l   9  l   :  l   [:  l   :  l   :  l   ;  l   W;  l   ;  l   ;  l   <  l   S<  l   <  l   <  l   =  l   O=  l   =  l   =  l   >  l   K>  l   >  l   >  l   ?  l   G?  l   ?  l   ?  l   @  l   C@  l   @  l   @  l    A  l   ?A  l   ~A  l   A  l   A  l   ;B  l   zB  l   B  l   B  l   7C  l   vC  l   C  l   C  l   3D  l   rD  l   D  l   D  l   /E  l   nE  l   E  l   E  l   +F  l   jF  l   F  l   F  l   'G  l   fG  l   G  l   G  l   #H  l   bH  l   H  l   H  l   I  l   ^I  l   I  l   I  l   J  l   ZJ  l   J  l   J  l   K  l   VK  l   K  l   K  l   L  l   RL  l   L  l   L  l   M  l   NM  l   M  l   M  l   N  l   JN  l   N  l   N  l   O  l   FO  l   O  l   O  l   P  l   BP  l   P  l   P  l   P  l   >Q  l   }Q  l   Q  l   Q  l   :R  l   yR  l   R  l   R  l   6S  l   uS  l   S  l   S  l   2T  l   qT  l   T  l   T  l   .U  l   mU  l   U  +このメッセージには
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英語訳がありません+ 

****************************************
_out_EN_285.txt
****************************************

﻿l   8Q     l   zQ    l   8Q  Z  l   zQ    l   8Q    l   zQ    l   8Q  V  l   zQ    l   8Q    l   zQ    l   8Q  R  +このメッセージには
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英語訳がありません+ 

****************************************
_out_EN_286.txt
****************************************

﻿l   8Q     l   zQ    l   8Q  Z  l   zQ    l   8Q    l   zQ    l   8Q  V  l   zQ    l   8Q    l   zQ    l   8Q  R  +このメッセージには
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英語訳がありません+ 

****************************************
_out_EN_287.txt
****************************************

﻿l   8Q  d   l   zQ     l   8Q     l   zQ  !  l   8Q  `  +このメッセージには
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英語訳がありません+ 

****************************************
_out_EN_288.txt
****************************************

﻿l   8Q     l   zQ     l   8Q  
  l   zQ  I  l   8Q    l   zQ    l   8Q    +このメッセージには
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英語訳がありません+ 

****************************************
_out_EN_289.txt
****************************************

﻿l   8Q  ,  l   zQ  k  l   zQ    l   8Q    l   zQ  (  l   zQ  g  l   8Q    l   zQ    l   8Q  $  l   zQ  c  l   8Q    l   zQ    l   zQ     l   8Q  _  l   zQ    +このメッセージには
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英語訳がありません+ 

****************************************
_out_EN_29.txt
****************************************

﻿   (      w   +Charo learned a new English phrase!+
+He is sensitive to the heat.+ +Charo learned a new English phrase!+
+It will be a long trip.+ 

****************************************
_out_EN_290.txt
****************************************

﻿l   8Q  d   l   zQ     l   8Q     l   zQ  !  l   8Q  `  +このメッセージには
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英語訳がありません+ 

****************************************
_out_EN_291.txt
****************************************

﻿l   8Q     l   zQ     l   8Q  2  l   zQ  q  l   zQ    l   8Q    l   zQ  .  l   8Q  m  l   zQ    +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_292.txt
****************************************

﻿l   8Q     l   zQ     l   8Q  
  l   zQ  I  l   8Q    l   zQ    l   8Q    +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_293.txt
****************************************

﻿l   8Q    l   zQ  W  l   8Q    l   zQ    l   8Q    l   zQ  S  l   8Q    l   zQ    l   8Q    l   zQ  O  l   8Q    l   zQ    l   8Q    l   zQ  K  +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_294.txt
****************************************

﻿l   8Q     l   zQ    l   8Q  F  l   zQ    l   zQ    l   8Q    l   zQ  B  l   8Q    l   zQ    l   8Q    +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_295.txt
****************************************

﻿l   8Q     l   zQ     l   8Q  2  l   zQ  q  l   8Q    l   zQ    l   8Q  .  l   zQ  m  l   8Q    +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_296.txt
****************************************

﻿l   8Q     l   zQ     l   8Q  2  l   zQ  q  l   8Q    l   zQ    l   8Q  .  l   zQ  m  l   8Q    +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_297.txt
****************************************

﻿l   8Q     l   zQ    l   8Q  F  l   zQ    l   8Q    l   zQ    l   8Q  B  l   zQ    l   8Q    l   zQ    +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_298.txt
****************************************

﻿l   8Q    l   zQ  C  l   8Q    l   zQ    l   8Q     l   zQ  ?  l   8Q  ~  l   zQ    l   8Q    l   zQ  ;  l   zQ  z  l   8Q    l   zQ    +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_299.txt
****************************************

﻿l   8Q    l   zQ  C  l   8Q    l   zQ    l   8Q     l   zQ  ?  l   zQ  ~  l   8Q    l   zQ    l   8Q  ;  l   zQ  z  l   zQ    l   8Q    +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_3.txt
****************************************

﻿~   (   l   ^   ...That's a good idea!
+Let's go+ to the movies. +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_30.txt
****************************************

﻿   (      u   +Charo learned a new English phrase!+
+I'll never get used to it.+ +Charo learned a new English phrase!+
+They are on good terms with each other.+ 

****************************************
_out_EN_300.txt
****************************************

﻿l   8Q  x   l   zQ     l   8Q     l   zQ  5  l   zQ  t  l   8Q    +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_301.txt
****************************************

﻿l   8Q     l   zQ     l   8Q  2  l   zQ  q  l   8Q    l   zQ    l   8Q  .  l   zQ  m  l   8Q    +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_302.txt
****************************************

﻿l   8Q     l   8Q    l   zQ  Z  l   8Q    l   8Q    l   zQ    l   8Q  V  l   zQ    l   8Q    l   zQ    l   zQ  R  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_303.txt
****************************************

﻿l   8Q    l   zQ    l   8Q    l   8Q  M  l   zQ    l   8Q    l   zQ  
  l   8Q  I  l   zQ    l   8Q    l   zQ    l   8Q  E  l   zQ    l   8Q    l   zQ    l   8Q  A  l   zQ    l   zQ    l   8Q    l   zQ  =  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_304.txt
****************************************

﻿l   8Q     l   zQ  /  l   8Q  n  l   zQ    l   8Q    l   zQ  +  l   zQ  j  l   8Q    l   zQ    l   8Q  '  l   zQ  f  l   8Q    +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_305.txt
****************************************

﻿l   8Q     l   zQ     l   8Q  
  l   zQ  I  l   8Q    l   zQ    l   8Q    +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_306.txt
****************************************

﻿l   8Q  d   l   zQ     l   8Q     l   zQ  !  l   8Q  `  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_307.txt
****************************************

﻿l   8Q  d   l   zQ     l   8Q     l   zQ  !  l   8Q  `  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_308.txt
****************************************

﻿l   8Q  P   l   zQ     l   8Q     l   zQ  
  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_309.txt
****************************************

﻿l   8Q  d   l   zQ     l   8Q     l   zQ  !  l   8Q  `  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_31.txt
****************************************

﻿              `               8     |               R  +Charo learned a new English phrase!+
+What a beautiful view!+ +Charo learned a new English phrase!+
+You can get perfect service.+ +Charo learned a new English phrase!+
+How beautiful!+ +Charo learned a new English phrase!+
+First come, first served.+ +Charo learned a new English phrase!+
+Is everything all right?+ +Charo learned a new English phrase!+
+Long time no see.+ +Charo learned a new English phrase!+
+Safety First.+ +Charo learned a new English phrase!+
+Your smile is my good luck charm.+ +Charo learned a new English phrase!+
+You look great.+ +Charo learned a new English phrase!+
+It's self-service.+ 

****************************************
_out_EN_310.txt
****************************************

﻿l   8Q     l   zQ     l   8Q  2  l   zQ  q  l   zQ    l   8Q    l   8Q  .  l   zQ  m  l   8Q    +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_311.txt
****************************************

﻿l     l   zQ    l   zQ  J  l   8Q    l   zQ    l   zQ    l   zQ  F  l   zQ    l   zQ    l   zQ    l   zQ  B  l   zQ    l   8Q    l   zQ    l   zQ  >  l   zQ  }  l   zQ    l   zQ    l   zQ  :  l   8Q  y  l   zQ    l   zQ    l   zQ  6  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_312.txt
****************************************

﻿l      l      l     l   ]  l     l     l     l   Y  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_313.txt
****************************************

﻿:      |      _      I                 *     1     dummy text Wow, this is a big park. I want to go, ***! I want it, ***! I want to return it, ***! Okay Arf arf! Ice cream 

****************************************
_out_EN_314.txt
****************************************

﻿D     h     0   *  b   5     J  e   d  J   w  S     |     d     Q     o          8     X     6   $  C   0  A   >  i   L  e   `  ;   s  Z   ~  M     H     ;     `     D     :     p     {        	     8
     Z          g
                                             '                .                                   !     C"     a#     x$     w%     &     '     (     K)     )     y*     +     +     ,     ,     Q-     -     .     f.     ;/     /     0     0     %1     1     1     2     u3     4     4     .5     }5     5     
6     6     &7     7  leave for ～ You must be joking! That's it! I'll get it for you. Something has gone wrong. What's the matter? Help yourself. What happened? I'm running out of time. Let's hit the road! I remember now. It's always the same! It's not like we had a choice. Which way? lose sight of ～ No kidding! decide to ～ ～ is closed Why don't you ～ ? How should I know? by the way Get out of here. That's enough! Don't you ～. pull pranks You're in the way! no longer ～ There it is! dogs are not allowed How long does it take? leave は「～を出発する」という意味で
後ろには出発地がきます。leave Tokyo
なら「東京を出発する」。「～へ」と
目的地を示す場合は、leave for ～ を
使います。leave for Japan なら
「日本に向けて出発する」となります。 joke は「ジョーク・冗談（を言う）」
という意味です。You are joking. は
「冗談言っているのでしょう」ですが、
must を使って「冗談にちがいない・
冗談にきまっている」と話し手の
気持ちを伝えることもあります。 That's it! は、直訳すると「あれは
それ！」ということになりますが、
会話では「その通り・まさにそれだ！」
という意味で使われます。文脈によって
「もういいよ」とか「以上です・もう
おしまい」などの意味にもなります。 直訳のまま「私がそれを取ってあげます
よ」という意味です。
for you は「あなたのために」、
つまり「代わりに取ってあげる」
というニュアンスを表します。 wrong は「間違った・故障した」という
意味で、go wrong で「手違いが起こる・
調子が悪くなる」という状態の変化を
表します。have[has] gone wrong の形
で使うと、調子の悪い状態がずっと続い
ている、という意味合いになります。 matter は「事（柄)・問題・物質」と
いう意味で、What's the matter? だと
「何か問題でもあるの？」となります。
with を使って、What's the matter
with him? とすると、「彼はどうかした
の？」という意味になります。 Help yourself. は直訳をすると「あなた
自身を助けなさい」ですが、特に
食べ物や飲み物について「自由にとって
召し上がってください・どうぞ」という
意味で使われます。「～を」と
示す場合はto ～ と続けます。 happen は「(物事が）起こる」という
意味です。What happened? で「何が起
こったの・どうしたの？」と問いかける
表現になります。起こった事が現在まで
続いている場合には What's [What has]
happened? という形が使われます。 run out of ～ は「～を使い果たす・
～を切らす」という意味です。
ここでは I'm running の形で、状況が
進みつつある、つまり「時間切れになり
かけている・ギリギリの状態である」
ことを表しています。 hit the road は おもにアメリカ英語で
「(旅に）出る・出発する」という意味
を表す口語表現です。
さあこれから車で出かけよう、などと
いうときによく使われます。 remember は「～を記憶している・～を
思い出す」という意味です。
この I remember now. は、now をつけ
ることで、忘れていた状態から「今」
思い出した、ということを強調して
います。 always は「いつも」、same は「同じ」
という意味です。単に「いつも通り」と
表すこともありますが、この例のように
「どうしていつもこうなるの」といった
感じで、不平・不満を表す際にもよく使
われます。 It's like ～ で「～のようだ」という
意味を表します。not があるので、続く
we had a choice「選択肢があった」と
いう内容を否定しています。全体で「選
択の余地はなかったみたい・仕方が
なかった」という意味になります。 way には「道・道程・方向・方法」など
いろいろな意味があります。Which way?
で「どっち（の方角）？」という意味を
表します。 lose は「～を失う」、sight は「見る
こと、視力、視野」という意味です。
lose sight of ～ で「～を見失う」と
いう意味になります。has lost なら
「見失っちゃった」というニュアンスで
見失ったままという意味になります。 kid には「(～を）からかう」という
意味があります。No kidding! は、
「からかわないで・冗談はやめてよ」と
いう意味で使われますが、自分の言った
ことについて「本当だよ・冗談抜きで」
と念を押す場合にも使われます。 decide は「～を決心する・解決する」
という意味です。後に  to ～ と続ける
ことで、これからしようと決めた動作を
表します。 店を「閉める」あるいは店が「閉まる」
という動作は  close で表します。
一方、すでに店が「閉まっている」状態
は (be) closed という形で表します。 why don't you ～ は、文字通り「なぜ
～しないのか」と理由をたずねるよりも
「～してはどうですか」と提案をする表
現としてよく使われます。また Why
don't we ～ とすると「～しましょう」
と勧誘の意味を表すことができます。 直訳すると「一体どうやって私が知って
いるのか」ですが、実際には
「知らない」という意味を表します。
should で強調されて「知っているわけ
がないじゃないか・私に聞かないで」
といった気持ちを伝えています。 by the way は「ところで」という意味
で、会話の中で別の話題に移るときに
使います。
電子メールでは　BTW と簡略した形で
使われることもあります。 文字通り「ここから出ていけ」と相手を
追い払うときなどに使われます。また、
くだらないことを言った相手に「馬鹿な
こと言うなよ」と返したり、「おいおい
冗談だろ」といった驚きを表したりする
こともあります。 文字通り「それで十分」という意味です
が「それ以上いらない・うんざりだ」と
含みをもつ言い方にもなります。
「いい加減にしなさい」といった感じで
子供のいたずらなどを制止する場面など
でよく使われます。 Don't you ～? は「～しないの？」とい
うことですが、Don't you ～. で「～す
るな」という意味で使われることもあり
ます。一般的に、相手に対するいら立ち
を表したり、何人かいる中で相手を特定
する場合に使われます。 prank は「悪ふざけ・いたずら」という
意味で、たいていは悪意のない子どもの
いたずらを指します。
pull pranks（on ～）で「(～に) いた
ずらする」という意味で、pull の代わ
りに play が使われることもあります。 直訳すると「あなたは通り道にいる」、
つまり「邪魔だからどいてくれ」と
伝える表現です。the way の代わりに
my way を使うこともあります。
より直接的に、Get out of my way.
という言い方もよく使われます。 no longer ～ は「もはや～ない」とい
う意味です。not ～ any longer という
形を使っても同じ意味合いになります。
I can't trust him any longer. なら、
「もはや彼を信用できない」という
ことです。 There it is! は「これだ・あった！」と
いう意味です。また「ほら言ったとおり
でしょう」といった意味や、困ったこと
について「こういった次第です・これが
その問題だ」といった残念な気持ちを
表すこともあります。 allow は「～を許可する」という意味で
dogs are not allowed で「犬は許可さ
れていない」ことを表しています。
街中の標識などでは、"No dogs allowed"
や "No dogs"と簡潔に表現されている
ものも多くあります。 How long does it take? は「(時間が）
どれくらいかかるか」を尋ねる表現
です。何をするのに、と尋ねるときは、
to ～ と後に続けます。
ちなみに、距離を尋ねる場合は、主に
how far が使われます。 We still have an hour before
our plane leaves for Chicago.
私たちの飛行機がシカゴへ出発するまで
には、まだ１時間あるよ。 A: I can't find our boarding passes.
　搭乗券が見つからないの。
B: You must be joking!
　おいおい、冗談だろう！ That's it! That's what I have been
looking for!
それだ！それを探していたんだよ！

That's it for today.
今日はここまで（でおしまい）。 A: I'm sorry. I can't reach it.
  ごめんなさい。届きません。
B: Don't worry. I'll get it for you.
　心配しないで。私が取ってあげるよ。 Something has gone wrong
with my camera.
Can you see what's wrong with it?
なんかカメラの調子が悪いんです。
どこが悪いかみてもらえますか？ A: What's the matter with him?
　彼、どうかしたのですか？
B: I think he's sick.
   Can you call a doctor?
　具合が悪いみたい。
　医者を呼んでもらえますか？ Please help yourself to the dessert.
デザートをご自由にお取りください。 What happened?
You look a little nervous.
何かあったの？
すこし落ち着かない様子だけど。 Oh, no! We're running out of gas!
まずい！ガソリンがなくなりそう！ Let's hit the road before we get
caught in the traffic jam.
渋滞に巻き込まれる前に出発しよう。 Now I remember what he said!
彼がなんて言ったか今 思い出したよ！ Q: Why is an empty purse always
   the same?
　空のサイフがいつも同じなのはなぜ？
A: It's always the same because
   there is no change in it.
　まったく変化（小銭）がないから。 It's not like we had a choice.
This is the only room available.
まあ仕方ないよ。この部屋しか空いて
いなかったんだから。 Which way is Central Station?
セントラル駅はどっちの方ですか？ I lost sight of my friend in the
crowd.
人ごみの中で友だちとはぐれてしまい
ました。 A: No kidding?
   (You are not kidding me?)
　冗談じゃなくて？
B: No kidding!
   (I'm not kidding you!)
　冗談じゃないよ、本当だって！ We decided to cancel our
reservation at the restaurant.
私たちはレストランの予約を取り消す
ことにしました。 The museum is closed on Tuesday.
博物館は、火曜日は閉まっています。 A: Do you have any recommendations?
　何かお勧めはありますか？
B: Why don't you try our seafood
   platter? It's very popular.
　「シーフードの盛り合わせ料理」は
　いかがですか。人気のメニューです。 A: Where are my glasses?
　僕のメガネはどこ？
B: How should I know?
　私が知っているわけないでしょ。 By the way, do you know a good
restaurant around here?
話は変わりますが、このあたりでいい
レストランを知りませんか。 A: Fire! Run!
　火事だ！逃げろ！
B: Get out of here!
　ふざけないでよ！
A: No kidding. Let's get out of here.
　本当だって、ここから出よう。 A: I want to play more!
　もっと遊びたい！
B: That's enough for today!
　今日はもう十分でしょう！ Don't you ever do that again.
二度とそんなことしちゃダメだよ。 Don't play pranks on me.
私にいたずらするのはやめて。 Step aside. You're in my way.
ちょっとどいて。通れないから。 This site is no longer available.
この（インターネットの）サイトはもう
ご利用いただくことはできません。 I think the art gallery is somewhere
around here... Oh, there it is!
美術館はこのあたりだと思うんだけど…
あ、あった！ "No dogs are allowed in
the cafe"(except guide dogs).
「カフェに犬はお連れになれません」
（盲導犬などを除く） How long does it take to get to
the nearest station by bus?
バスで最寄りの駅に行くまでどれくらい
（時間が）かかりますか。 

****************************************
_out_EN_315.txt
****************************************

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               
               "     D     q          Z                                   -     T                !     "     #     $     %     )'     _(     (     Q)     @*     *     +     +     %,     ,     '-     -     o.     .     =/     .0     1     1     -2     3     3     $4     4     5     b5     5     C6     6     7     7  … enough to ～ have got to ～ … called ～ of all ～ I did it! If only ～. Thanks, but no thanks. Here comes ～. big mouth Could you speak more slowly? unbelievable Okie-dokie. Poor thing! terrible get tired of ～ Why not? I forgot it pours Here you go. See you! I'm counting on you. Let me introduce ～. take a nap That's a good idea. Nice to meet you. no doubt I'm sure. What's going on? Which would you prefer? enough は「(必要を満たすのに）十分な」
という意味で … enough to ～ の形
で「～するのに十分…だ」ということ
です。strong enough to walk なら
「歩く」のに十分 strong「強い」とい
うことです。 特に話し言葉では、have と同じ意味で
have got を、have to ～ と同じ意味で
have got to ～ が使われることが
よくあります。意味はそれぞれ、
「～を持つ」「～しなくてはいけない・
～にちがいない」です。 (人／モノ) called (名前) で、
「～と呼ばれる…」ということです。
a man called Jack なら「ジャックと
呼ばれる男」ですが、文脈によって
「ある男がジャックを呼んだ」という
意味になる場合もあります。 of all ～ は「あらゆる～の中で」とい
うことですが、使い方によって「よりに
よって・～に限って」という意味で驚き
やいら立ちを表します。
of all (the) days だと「なんで今日に
限って」という意味で使われます。 I did it! は直訳をすると「私がそれを
やりました」となりますが「やった！
出来た！」という意味を表します。具体
的な内容は it の指すもの、did の指す
動作により様々ですが、喜びの気持ちを
表すときによく使われます。 If only ～. は「～さえすれば・～さえ
あれば」という願望を表す表現で、
If only I knew. なら「知ってさえいれ
ばなぁ」ということです。
ちなみに、only if ～ だと「～の場合
に限って」という意味です。 一般に 英語では断る際に No, thanks.
と感謝の気持ちを表すのがマナーです。
せっかくの好意に対しては、さらに前に
Thanks, but とつけると効果的です。
Thanks. は Thank you. よりも、
少しくだけた言い方です。 here は「ほら、～だ」という意味で、
相手の注意をひくために、文のはじめに
置くことがあります。Here come(s）～.
は「ほら、～がやって来た」です。
主語が he や she のときは
Here he/she comes. となります。 big は「大きい」、mouth は「口」
ですが、big mouth で「おしゃべり・
言うべきでないことをよく言う人」の
意味になります。一般に、否定的な
気持ちをこめて（秘密をもらす）
おしゃべりな人に対して使われます。 Could you ～ ? は Can you ～ ? より
丁寧な依頼表現で「～していただけます
か」といった言い方になります。相手に
もっとゆっくりとしゃべる（speak more
slowly) ように求めるときは、こちらも
それをゆっくり伝えると有効です。 unbelievable は「信じられない」とい
う意味です。un- は否定、-able は可能
の意味を believe「～を信じる」という
語につけ加えています。同じパターンの
英単語はたくさんあり、unforgettable
「忘れられない」などもその例です。 Okie-dokie. は、話し言葉で OK. と
同じ「オーケー・いいよ・問題ないよ」
という意味で使われます。Okeydokey.
と表記されることもあります。 Poor thing! で「かわいそうに」という
意味です。poor は「貧しい・粗末な」
の他、とくに話し言葉で「気の毒な」と
いう意味で使われることもあります。
thing はモノを指しますが poor thing
は「人」に対しても使われます。 terrible は「ひどく悪い・恐ろしい・
過酷な・きびしい」という意味です。
ちなみに、スペルの似ている terrific
という語は「非常によい・すばらしい・
すてきな」とまったく反対の意味を表す
場合もありますので注意しましょう。 get tired には「疲れる」と「飽きる」
という意味があります。
get tired of ～ とすると、
「～に飽きる・うんざりする・
嫌になる」の意味で使われます。 Why not? は、否定の文に対して「なぜ
だめなのか」「いいじゃないか」という
意味を表します。また、誘いやお願いに
対しては「なぜだめなのか」「もちろん
いいに決まっている・いいとも」という
肯定の意味で使われます。 forget は「(～を）忘れる」という意
味です。I forgot は「忘れた」と過去
の出来事に焦点が当てられています。
ちなみに I forget は「忘れている」と
現在の状態を表すため、今も思い出せて
いないことを意味します。 pour は「(お茶など）をつぐ・注ぐ・
(液体が）流れ出す」という意味ですが、
it を主語にして「雨が激しく降る」と
いう意味もあります。ちなみに「土砂降
り」は、rain cats and dogs
という言い方で表すこともできます。 Here you go. は「はい、どうぞ」とい
う意味で、相手に物を手渡すときなどに
使われます。Here we are. でも似た
意味を伝えることができます。ちなみに
Here we go. は Let's go. と似た意味
で「さあ、行こう」ということです。 See you! は「じゃあね」といった感じ
で使われる別れのあいさつです。
See you. の後には later「あとで」の他
next week「来週」、tomorrow「明日」、
soon「間もなく」、then「その時」など
の時間を表す言葉がよく使われます。 count は「数を数える」ということです
が、count on ～ で「～を当てにする・
期待する」という意味で使われます。
「あなたを（頼れる人として）数えてい
る」ことから「頼りにしてるね・まかせ
た」という気持ちを伝える表現です。 Let me introduce ～. は「(私に) ～を
紹介させて」という表現です。「誰に」
紹介をするのかを示すときには to …
と続けます。introduce you to her で
「あなたを彼女に」、introduce her to
you で「彼女をあなたに」となります。 nap は「うたた寝・仮眠」という意味で
通常は起きているべき時に眠ることを
指します。
take a nap で nap を取りこむ、つまり
「昼寝をする・仮眠をとる」という
意味です。 文字通り「それはいい考えだね」という
意味です。that は「心理的に多少遠い
もの」この場合は「相手の言ったこと」
を指しています。単調なあいづちだけに
ならないように、相手の提案に興味を
示す表現として有効です。 Nice to meet you. は「はじめまして」
と初対面の人によく使われる表現です。
ちなみに Nice meeting you. は
「会えてよかった」という別れ際の
あいさつとして使われます。 doubt「疑い」が no「ない」、つまり
「確かに、きっと」ということです。
ちなみに suspect も「疑う」ですが、
suspect ～ は「～であると疑う」
doubt ～は「～ではないと疑う」という
ことを表します。 I'm sure (of ～). は「(～を）確信し
ている」という意味で、主観的、直感的
な判断にもとづく希望的観測を表すこと
も多くあります。また、Are you sure?
は「確かですか・本当に？」と、相手に
確かめるときによく使われる表現です。 go on には「(事が）起こる」という意
味があり、What's going on? で「何が
起こっているの？・どうしたの？」と様
子をたずねる表現になります。また、
「最近どうしてる？・調子はどう？」と
いったあいさつとしても使われます。 prefer は「むしろ～のほうを好む」と
いう意味です。とくに何かと何かを比較
して、どちらか一方を好むという場合に
使われます。「何と比べて」という場合
は、prefer ～ to … の形で「…よりも
～のほうを好む」と表されます。 Unfortunately I'm not rich enough
to stay at the hotel.
残念ながら、そのホテルに宿泊できる
ほどお金に余裕はありません。 It's almost 10:00. We've got to go.
１０時になるよ。そろそろ行かないと。 A: Excuse me, but I'm looking for
   a restaurant called Amici.
　すみません、アミーチというレスト
　ランを探しているのですが。
B: I've never heard of it. Sorry.
　悪いけど、聞いたことないよ。 Of all days, I was sent to the
hospital on New Year's Day.
よりによって、私は元日に病院に
運ばれました。 I did it!
I finally got the ticket!
やった！
ついにチケットを手に入れたよ！ If only it stopped raining!
雨さえ止んでくれたらいいのになあ。
（雨が止みそうにない状況下で） A: Would you like some tea?
　お茶でもいかがですか。
B: Thanks, but no thanks.
　ありがたいけれど、結構です。 Here comes the bus!
ほら、バスがやって来たよ！

Here they come!
さあ、彼らがやって来たぞ！ She's got a big mouth.
You shouldn't have told her.
彼女はおしゃべりなんだよ。
彼女には話すべきじゃなかったね。 Sorry, I couldn't catch what you
said. Could you speak more slowly,
please?
すみませんが、おっしゃったことが聞き
取れませんでした。もっとゆっくりお願
いできますか？ I know it sounds unbelievable,
but it's true.
信じられないように聞こえるだろうけど
本当なんだ。 A: All right. Talk to you tomorrow.
　じゃあ、明日話そう。
B: Okeydokey.
　オッケー。 A: I've got a high fever.
　かなり熱があるんです。
B: Poor thing.
　かわいそうに。 A: This food's terrible! Waiter!
   I want to speak with the chef!
　この料理は不味い！ウェイターさん
　料理長を呼んでくれ！
B: Oh, he has gone out to lunch.
　お昼を食べに他の店に行っています。 A: I'm getting tired of hamburgers.
　ハンバーガーにも飽きてきたよ。
B: Me, too. Let's have lunch at the
   Chinese restaurant there.
　私も。お昼はそこにある中国料理店で
　食べよう。 A: I'm going to the shopping center.
   Do you want to come with me?
　ショッピングセンターに行くんだけど
　一緒に来る？
B: Why not?
　もちろん（行かないわけがないよ)。 Oh, I almost forgot it.
あ、もう少しで忘れるところだった。 "It never rains, but it pours."
「降れば必ず土砂降り」
（普段起こりそうにないことが一度
　起こると立て続けに起こるものだ）
→　悪い事は続くものだ
→　二度あることは三度ある A: Can I have a glass of water?
　水を１杯もらえる？
B: Here you go.
　はい、どうぞ。
A: Thanks.
　ありがとう。 A: How about 11:30?
　１１時半でどう？
B: All right. See you then.
　いいよ、じゃあまたその時にね。 A: I know how to get there.
   Just follow me.
　そこならどうやって行くかわかるよ。
　ついて来なよ。
B: I'm counting on you.
　頼りにしてるよ。 Let me introduce myself.
自己紹介をさせて。 I was always taking a nap at school.
いつも学校で居眠りしていました。 A: How about taking a taxi?
　タクシーで行くのはどう？
B: That's a good idea.
　それがいいね。 A: Nice to meet you.
　はじめまして。
B: Nice to meet you, too.
　こちらこそ、よろしく。 There is no doubt about it.
それについて疑いの余地はまったく
ありません。 The restaurant is still open.
I'm sure of it.
レストランまだ開いているって。
間違いないよ。 A: What's that crowd?
   What's going on?
　あの人混みは何？　何の騒ぎ？
B: There was a fire near here.
　この辺りで火事があったんだ。 Which would you prefer,
coffee or tea?
コーヒーと紅茶では、
どちらがよろしいですか？ 

****************************************
_out_EN_316.txt
****************************************

﻿     D          5          1          Q          2   	  ^     /   '  >   1  )   >  U   F  &   V  J   ^  M   n  Y   }  O     *     6     :     x                       	     
          ;
     !     I     `                                                                      *     Y            !     ~!     !     7"     |"     #     #     b$     "%     %     %&     &  e   d'     '      (     (     )     )     /*     *     *     +  puppy belong to ～ （the） most important ～ Good luck! scary I wish ～. Nope. You mean, ～ ? mean Forget it. with a look of ～ scare ～ It's no use. nowhere See you around! pick up I don't get it. be good at ～ I've got no clue. I'll do my best! go away suppertime smile at ～ I hope you didn't mind. puppy は「子犬」という意味で、特に
１歳未満の犬を指します。
英語には動物の赤ちゃんを別の名前で
呼ぶ例が「子猫 kitten（cat)」
「子豚 piglet（pig)」「子羊
lamb（sheep)」などたくさんあります。 belong to ～ は「(人が）～の一員で
ある・に所属する・(物が）～のもの
である」という意味です。また、belong
は belongings という形で「所持品」の
意味でよく使われます。 the most ～ で「一番・最も～だ」と
いう意味を表します。一般に the
most important「一番大切な」のよう
に長い語の前に置かれます。また、
my best friend 「私の一番の親友」の
ように、most を使わない形もあります。 Good luck! で「幸運を（祈る)」と
いう意味です。I wish you good luck.
の形で表されることもあります。
「ご健闘をお祈りします・がんばって
ください・元気でね」など、相手を励
ます言葉として使われます。 scary は「(物事が）恐ろしい・薄気味
悪い」という意味の形容詞で、特に危険
な状況下で、おびえに近い気持ちを表し
ます。「怖い」という場合は動詞の
scare を使って、be scared という形で
表現するのが一般的です。 I wish ～. は「～だったらいいのにな
あ」という意味で使われます。
I wish there was a vending machine.
なら「自動販売機があったらいいのに」
ということです。～部分の動詞が過去形
になっている点に注意しましょう。 Nope. は No. と同じ「いや・いいえ」
の意味で、アメリカの話し言葉でよく
使われます。似た例として、Yep.
という言葉も Yes. と同じ「ええ・
はい」の意味で使われます。 You mean ～. は、直訳をすると「あな
たは～を意味する」となります。
You mean, ～? のように使うと、「それ
は～ということですか？」という意味で
相手の言ったことについての確認や補足
をするときによく使われます。 mean には「卑劣な・下品な・意地の悪
い」という意味があります。
Some people are mean. なら「意地の悪
い人もいる」ということです。ちなみに
some people は「～の人もいる」という
意味で普段よく使われます。 Forget it. は「それを忘れなさい」と
いう意味です。何かを言いかけたときに
途中で「やっぱりいいや・何でもない」
と伝えたり、相手の謝罪に「もういいよ
気にしないで」、提案に「やめておけ」
などと表したりするのに使われます。 with a look of ～ で「～様子・表情・
目つき・まなざしで」という意味で、
～の部分には respect 「尊敬」や
disgust 「嫌悪・うんざりした」
amazement 「驚き」などの言葉が
入ります。 scare ～ は「～を怖がらせる・びっく
りさせる」という意味です。
Don't scare me. なら「驚かさないで」
ということです。同じように
You scared me. も「驚かさないでよ」
というニュアンスで使われます。 use には「使用・利用・利益・効果」と
いった名詞としての意味があり、
(It's）no use. で「役に立たない・
ダメだ」ということです。
名詞で使う場合は「ユーズ」ではなく
「ユース」と発音します。 nowhere は、否定を表す no と場所を示
す where を合わせた言葉で「どこにも
～ない」という意味を表します。
go nowhere だと、「どこにも行かない」
つまり「進展が見られない・行き詰る」
という意味になります。 around には「どこかで」という意味が
あり、See you around! は、特にどこで
会おうという約束なしに、「どこかで、
またね」というニュアンスで、
別れのあいさつとして使われます。 pick は「～を拾う」という意味です。
up には「上へ」というイメージがあり
pick up で「(物）を拾い上げる」動作
を表します。また「(知識や言葉など）
を身につける」、「(人）を車で迎えに
行く」という意味でも使われます。 get には「わかる・理解する」という意
味があり、I don't get it. は「わから
ない」ということです。
I don't understand. よりくだけた表現
で、主に話し言葉でよく使われます。 be good at ～ で「～が得意だ」という
意味です。be good at ～ ing の形で
「～をするのが得意だ」と、動作を表す
使い方もあります。 clue は「(問題を解く）手がかり・
糸口・(話や考えの）筋道」です。
I've got no clue. は I have no clue.
と同じ意味で「まったくわからない」と
いうこと。I don't know. や I have no
idea. も同じような意味で使われます。 I'll は I will の短縮形で、「～する
つもりでいる」、do my best は「自分
のベストを尽くす」という意味です。
「やるだけやってみます（が、ダメかも
しれません)」といった含みを持たせる
場合もあります。 away は「離れて」というイメージを表
し「遠征地での（試合)」といった意味
で使われることもあります。go away は
「立ち去る」という意味です。Go away!
と言えば「あっち行け！」という命令に
なります。 suppertime は「夕食の時」という意味
です。夕食というと dinner が定着して
いますが、もともと１日のメインの食事
を指します。supper は１日の最後の食事
を指し、とくに昼に dinner を食べたと
きの軽い夕食や夜食を意味します。 smile は、「うれしそうな表情をする」
laugh は、「声に出して笑う」です。
smile at ～ は「～に微笑む・にっこり
笑う」ですが、laugh at ～ は「～を
あざ笑う・笑いものにする」という意味
で使われることがよくあります。 hope は「～を望む・であると願う」、
mind は「～を気にする・迷惑に思う」
という意味です。I hope you didn't
mind. で、とくに自分が相手にした事に
ついて「あなたが気にしていないといい
のですが」と伝えるのに使われます。 What a cute puppy!
Is this a male or a female?
かわいい子犬ね！
男の子、それとも女の子？ Who does this backpack belong to?
このバックパックは誰のですか？ Breakfast is the most important meal
of the day.
朝食は、一日で一番大切な食事ですよ。 Thank you for everything
and good luck to you!
ありがとう、元気でね！ I was so scared I couldn't sleep
that night.
とっても怖くてその晩は
眠れなかったわ。 I wish I were a millionaire.
私が大金持ちだったらなあ。 A: Can we park here?
　ここに駐車してもいいのかな？
B: Nope, I don't think so.
　いや、ダメなんじゃないかな。 A: The concert will take place
   next Friday.
　コンサートの開催は次の金曜日です。
B: You mean, this coming Friday?
　今週の（来週の）金曜日のこと？ A: You are so mean!
　あなたって本当に意地悪ね！
B: I'm sorry, I didn't mean it.
  ごめんよ、
　そんなつもりじゃなかったんだ。 A: What were you going to say?
　何を言おうとしていたんですか？
B: Just forget it. It's not important.
  ああ、もういいよ。
　たいしたことじゃないから。 The boys are listening to his story
with a look of amazement.
その男の子たちは、びっくりした表情で
彼の話を聞いています。 A: Boo!
　ばあっ！
B: Wah! You scared me to death!
　うわっ！驚いて死ぬかと思ったよ！ A: I'm worried about tomorrow's
   weather.
　明日の天気が心配で。
B: It's no use worrying about it.
　それを思い悩んでも仕方ないよ。 Let's try to find some middle ground.
Arguing is getting us nowhere.
妥協点を見つけましょう。
言い争っても何にもなりませんから。 A: Bye for now.
　じゃあね。
B: See you around!
　またね。 Where did you pick up that information?
その情報、どこで手に入れたの？ A: She won't even talk to me.
   I don't get it.
　彼女が口をきいてくれないんだけど。
　なんでかな。
B: Easy. Tell her you're sorry.
　簡単だよ。謝ればいいんだよ。 I'm not good at sports.
スポーツはあまり得意ではありません。 A: How much longer will it take?
　あと時間どれくらいかかるのかな？
B: Well, I have no clue.
　さあね、わからないよ。 A: Can you finish it by Friday?
　金曜日までにそれを終えられますか？
B: I'll do my best.
　頑張ります。 She went away without telling me.
彼女は私に何も言わず、去って行った。 What would you like for supper?
夕食は何にしましょうか？ Smile at the camera!
カメラの方に向かって、
にっこり笑って！ A: By the way I used your dictionary.
   I hope you didn't mind.
　そういえば、辞書を使わせてもらいま
　した。勝手に使って、すみませんね。
B: No. That's OK.
　構わないよ。 

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_out_EN_317.txt
****************************************

﻿T     R   (  :   9  N   E     U  ^   y  >     X     >     ;     5     j     /     Q     N     D          L   1  a   B  X   T  k   e  /   z  d     F     ^     K                  	     
           
     Y                                        
     	          &     T     I     .     Y     s           !     "     #     T$     $     u%     %     s&     &     '     v'     '     $(     (     =)     )     *     *     *     5+     +     K,     ,     ,     K-     -     -     e.  Leave me alone. Congratulations! what to ～ That's why ～. There is nothing (that) ～ can do. What should I do? take a walk What about ～ ? let me know I guess so. how to ～ （be） eager to ～ Be quick. three-way path by any chance without ～ing Do you know where ～ is? I'm telling you. cause you trouble That won't work. Why don’t we ～ ? catch up What do you want? thanks to ～ It doesn't matter. a sound sleep leave には「～を…のままにしておく」
という意味があり、Leave me alone. で
「私のことを１人きりにしておいて」、
「私のことはほうっておいて」といった
意味を表します。 congratulation は「祝うこと」を表し、
お祝いの言葉として「おめでとう！」と
伝えるときには Congratulations! と s
をつけて使います。メールでは略式の形
Congrats がよく使われます。～おめで
とう、は on ～ で表現します。 what to ～ で「何を～するといいか」
という意味を表します。what to do は
「何をしたらいいのか」です。
同様に、what to buy で「何を買ったら
よいか」、what to order で「何を注文
したらよいか」という意味になります。 That's why ～. は「そういったわけで」
という意味で、先に事情を説明してから
結論を伝える言い方です。I can't ～
と続けると、「(だから）～することが
できない」という内容を伝えます。 there is nothing で「何もない」とい
う意味を表します。(that) ～ can do
と続けて「～にできることは何もない」
となります。I/you can do とすれ
ば「私／あなたにはどうしようもない・
仕方がないよ」という意味になります。 should は「～をするべき」という意味
で、What should I do? で「私は何を
したらいい？」という意味になります。
自問自答以外にも、相手に助言を求めた
り「じゃあ、どうしろって言うの？」と
文句を言ったりする時にも使われます。 take a walk は「散歩をする」という意
味です。take a walk の形にすることで
「ちょっと」歩くというニュアンスがで
ます。同じように、take a rest という
表現も「ちょっと」休む、つまり、
「一休みする」ことを表します。 What about ～ ? は「～はどうなの？」
という意味です。What about me/you ?
なら、「私は／あなたはどうなの？」
と尋ねる表現です。また、相手に「～し
てみてはどうか」と勧誘する表現として
も使われます。 let には「…に～させる」という意味が
あり、Let me know. で「私に know さ
せて」つまり「私に知らせて」というこ
とです。if ～ を続けて、Let me know
if you change your mind. なら「気が
変わったら知らせて」ということです。 guess は「～を推測する・言い当てる」
という意味ですが、とくに十分な根拠が
ないときに使われます。I guess so. は
I think so. より確信がない場合が多く
「多分そうだろう」といった意味を表し
ます。 how to ～ で「どのように～するか・
～の仕方」という意味を表します。
例えば、I know how to drive a car.
と言えば「どうやって車を運転するかを
知っている」という意味です。 be eager to ～ で「～することを切望
している・しきりに～したがっている」
という意味で、特にイギリス英語で多く
使われます。また、be keen to ～ と
いう言い方も同じような意味合いでよく
使われます。 quick は「動きの速い・迅速な」という
意味で、Be quick. は相手を急かす表現
です。なお、quick が「瞬間的」、
fast は「持続的」に速い様子を表し、
高速列車（a fast train）などを表すの
に quick は使われません。 path は「(小）道・公園などの歩道・
通り道」という意味で、three-way の道
とは「三叉路」のことを指します。似た
例として、four-door sedan(セダン）
five-door hatch(ハッチバック）と車
の形をドアの数で表すこともあります。 by any chance は「ひょっとして」と
いう意味をつけ足す表現です。
ちょっとした頼みごとをするときなどに
よく使われます。
by chance だと「偶然に・思いがけず」
という意味になります。 without は「～なしで」という意味で、
without ～ing の形で「～することなし
に・～しないで」という意味です。
without her は「彼女ぬきで」
without telling her は「彼女に言わな
いで」ということです。 Where is ～ ? だけでも「～はどこか」
と尋ねることができますが、ここでは
Do you know の後に続けて「～はどこか
知っている？」と表現しています。
語順が Do you know where ～ is ?
となる点に注意が必要です。 I'm telling you. は直訳すると「私は
あなたに言っている」ですが、前に言っ
たことについて、「本当なんだよ・だか
らそう言っているでしょう・何度も言わ
せないでくれ・わかった？」のように強
調する役割で使われます。 cause you trouble で「あなたに迷惑を
かける」ということです。
I'm sorry to cause you trouble. なら
「迷惑をかけてすみません」という意味
で、自分の非を認めてあやまるときに使
います。 work には「(物事が) うまくいく・効き
目がある」という意味があり、
That won't work. で「それではうまく
いかないだろう」という意味です。
won't は will not の短縮形です。 Why don't we ～ ? を直訳すると「なぜ
私たちは～しないのか」となりますが、
反語のように「～しよう」と勧誘の意味
で使われます。Why don't you ～ ?
だと「～したらどう？・～してよ」と
相手の行動を促す表現になります。 catch up with ～ で「～に追いつく・
遅れを取り戻す」という意味です。
物理的に「追いつく」という場面だけで
なく、「話に追いつく」という感じで、
気持ちの面で「追いつく」という場合に
も使われます。 What do you want? は、直訳の通り「何
をあなたは欲しいの？」ですが、言い方
によって「いったい何がしたいんだよ」
といった非難のニュアンスが入ります。
「何の用？」「いったい何なの？」と
いった意味合いになることもあります。 thanks to ～ は because of ～ と同様
に「～のため」という意味を表しますが
「～のおかげで」という感謝の気持ちが
こめられます。ただし、逆に皮肉として
使われることもあります。 matter には「重要である」という意味
があり、It doesn't matter. は「重要
な問題ではない」ということです。似た
表現に I don't care. 「どうでもいい
よ」がありますが、こちらはきつい言い
方になりがちなので注意しましょう。 sound には「健全な・十分な」という
意味があり、a sound sleep で「熟睡」
ということです。
wake up from a sound sleep なら
「深い睡眠から目覚める」ということ
です。 A: Why don't you pay in cash?
　現金で払えばいいのに。
B: Leave me alone. It's none of your
   business.
　ほっといてよ。私の問題だから。 Congratulations on your wedding!
結婚、おめでとう！ A: Ready to order?
　ご注文をお伺いしてもよろしいですか？
B: I don't know what to get.
   Any recommendations?
　何をいただいたらよいのか分かりま
　せん。おすすめはありますか？ Hey, don't cheat!
That's why I don't want to play with
you.
おい、ズルするなよ！
だからお前と遊ぶのは嫌なんだ。 There is nothing you can't do!
君にできないことは何もないよ！
（君なら何でもできるよ！） I lost my wallet!
What should I do?
財布をなくしちゃった！
どうしよう？ Let's take a walk to the beach.
ビーチまで散歩しようよ。 A: Let's go!
　さあ行こう！
B: Hey! What about me?
　ちょっと！僕はどうなるの？ Let me know if you decide to go out.
でかけることにしたら知らせてね。 A: Do you like her?
　彼女のこと好きなの？
B: I guess so.
　たぶんね。 You should learn how to talk to girls.
おまえさ、女の子との会話の仕方を学ん
だ方がいいぜ。 He was so eager to get on the plane
that he forgot his luggage.
彼は飛行機に乗ることだけに躍起になり
すぎて、荷物を忘れてしまった。 A: I have to go to the bathroom.
　トイレに行きたいんだけど。
B: Okay. Be quick.
　わかった。じゃあ急いでね。 Turn right at the three-way path.
三叉路で右折してください。 By any chance, did you see a wallet
here?
ひょっとして、ここで財布を見かけませ
んでしたか？ How can I get past without meeting her?
彼女に会わずに通りすぎるなんてあり
得る？ Do you know where my keys are?
私の鍵どこにあるか知ってる？ A: I don't believe you.
　あなたなんか信じられないわ。
B: I'm telling you! It's true!
　だから言ってるでしょ！本当なんだ
　ってば！ I didn't mean to cause them any
trouble.
彼らに迷惑をかけるつもりはありません
でした。 Ten people in a small car? That won't
work.
小さい車に１０人？それは無理でしょう。 Why don't you give me your number?
電話番号教えてよ。 We have a lot of catching-up to do.
僕らはお互い色々積もる話があるんだ。 What do you want from me?
いったい私にどうして欲しいの？ Thanks to you, I'm a millionaire.
君のおかげで、僕は大富豪だ。 It doesn't matter what he says.
You're you.
彼の言うことなんか関係ないわよ。
あなたはあなたなんだから。 Something wakes me up every time
I fall into a sound sleep.
熟睡したかと思うと、いつも何かに起こ
されてしまう。 

****************************************
_out_EN_318.txt
****************************************

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     ,     X     5     8               .          7     f     G     u          t                               "     "     #     $     x$     $     %     X%     %     %     l&     1'     '     (     r(  `   A)     j)     )     b*     *     [+     +     ,     r,     0-     -     b.  flea market in a row go ahead （be） full of ～ ～ be gone a woman with ～ I can't help it. joke around chat with ～ （be） crowded with ～ browse That smells good. I'm not sure. Where can I find ～? Shall I ～? I won't be able to ～. the crowd of people I feel dizzy. How rude! Do you mind ～ing? no matter what I finally made it Ta-da! fire escape earlier I've been waiting for you. 「フリーマーケット」は、flea market
「のみの市」と表記し、flea「ノミ」が
わくように所せましと古物が並ぶ様子に
由来する、など語源には様々な説があり
ます。パリではじまった古物の露店市が
起源とも言われています。 row は「列」という意味で、とくに人や
物のまっすぐな列を指します。in a row
で、「一列になって」という意味を表し
ます。また、「連続して」という意味も
あり three nights in a row「３夜連続
で」のように使われます。 ahead は「前方に・先に」という意味で
go ahead は文字通り「前に進む」こと
を表します。Go ahead. は相手に「そ
のまま進めて」と話を促したり、通り道
や並んでいる列などで「どうぞお先に」
とゆずるときに使われます。 (be）full of ～ は「～で満たされて
いる・いっぱいある」状態を表します。
(be）filled with ～ という表現も、
同じような意味でよく使われます。 gone は「消え去った、過ぎ去った」と
いう意味で、人に対して使えば「いなく
なった」、物ならば「なくなった、使い
切った」ということです。
All my memories are gone. なら「記憶
が全部吹き飛んだ」という感じです。 人の特徴を説明するときに使われる表現
の一つで、a woman with ～ hair の形
で「～の髪をした女性」という意味。
a woman with black/blonde/long hair
で「黒い／ブロンド（金色）の／長い髪
の女性」と表すことができます。 help には「～を避ける・～させない」
という意味があり、I can't help it. で
「私はそれを避けられない・どうしよう
もない・仕方ないよ」といった意味を表
します。また、It can't be helped ～.
という言い方もよく使われます。 joke は「ジョークを言う」、around は
「あちこちに」という意味です。
joke around で「あちこちジョークを
飛ばして歩く」、「ふざける」といった
意味を表します。 chat は「気楽に話す・雑談をする」と
いう意味で、コンピュータを使いネット
ワーク上でおしゃべりすることを表すの
によく使われます。一般に、軽い話題の
楽しいおしゃべりを指します。 (be）crowded with ～ は「～で混雑し
ている・満員である」という意味です。
(be）jammed with ～ という表現も同じ
ような意味でよく使われます。 browse は「閲覧する・拾い読みする・
(店で) 商品を冷やかしてまわる」とい
う意味です。
browser という形だと、「インターネッ
トのブラウザ・閲覧ソフト」としてよく
知られる用語になります。 smell は「(～の）においがする・香り
がする」という意味です。Smells ～ .
の形も会話ではよく使われます。ただし
good（よい）や delicious（おいしい）
などの言葉をそえず、That smells. と
言うと多くの場合「悪臭」を指します。 sure は「確信がある」という意味で、
I'm not sure. で「よくわからない」と
いう意味を表します。何かしらの情報は
あるけど自信がないというニュアンスで
使われます。 Where can I find ～? は「どこで～を
見つけられますか」という意味です。
目的地を探していて、まわりの人に尋ね
るときなどに使います。Where is ～?
でも意味は同じですが、いきなり使うと
やや唐突な印象があります。 Shall I ～? は「私が～しましょうか」
という意味で、具体的に何か助けになる
ことを申し出るときに使います。ここで
Shall we ～? とすると、「私たちが～
しましょうか・一緒に～しませんか」と
いう勧誘の意味になります。 I won't be able to ～. で「～すること
ができないだろう」という意味です。
will not（～しないだろう）の短縮形
won't と be able to（～できる）とを
組み合わせた表現です。 the crowd of people で「人の群れ」と
いう意味です。crowd は、多数の「人」
を指す言葉ですが、英語では何の群れか
によって使い分けます。魚は school、
鳥は flock、猟犬は pack、ライオンは
pride など、いろいろな例があります。 feel dizzy は「めまいを感じる・頭が
くらくらする」という意味です。他に、
feel feverish「熱っぽい」、
feel cold/chilly「寒気がする」、
feel sick「気分が悪い」などは体調
不良をうったえるときに使う表現です。 How rude! は「失礼じゃないか！」と、
相手に文句を言うときに使います。
How rude you are! 「あなたはなんて
失礼なのでしょう！」という感嘆を表す
文を短くした表現です。 mind は「～を気にする」という意味
です。Do you mind ～ing? は「～する
ことを気にしますか・～してもらっても
構いませんか・～していただけますか」
といったニュアンスで、相手に依頼する
ときによく使われる表現です。 no matter what には「なんとしても」
という意味で、決意を強調する働きが
あります。 また、no matter what は
「たとえ何が[を]～でも」の意味を表し
no matter what happens「たとえ何が
起ころうとも」のようにも使われます。 I made it! は「やった！」という意味
で、さらに I finally made it! とする
と「ついに」という意味合いがでます。
一般に、I did it! は「やっとできた」
I made it! は「なんとかたどり着いた」
というニュアンスで使われます。 Ta-da! (Ta-dah!) は「ジャジャーン！」
という意味で、発表や紹介をするときに
使われます。とくに漫画などで、よく使
われる表現です。 fire escape は火災避難装置で、一般に
建物の外に備えられた、非常用の階段を
指します。通常は２階と地上の間は、ス
ライド式のはしごになっていて、泥棒が
下から登ってこられないように降りると
きだけ使えるようになっています。 earlier は early（早く）をもとにした
語で「以前に・先に」という意味です。
多く使われている例に、the（same）man
from earlier「さっきの（同じ）男」や
what you said earlier 「さっきあなた
が言ったこと」などの表現があります。 wait for ～ で「～を待つ」という意味
です。have been waiting for ～ とい
う形では「さっきからずっと待ち続けて
いた」というニュアンスを表して
います。 Every weekend the famous flea market
operates in The Rocks, which is near
the Sydney Opera House.
週末には、有名なフリーマーケットが
シドニー・オペラハウスの近くの
ロックスでやっていますよ。 We took seats in the third row.
私たちは３列目の席に座りました。 You go ahead. I'm going to take a rest.
先に行って。私は少し休んでいくから。 She is always so full of life.
彼女はいつも生き生きしてる。 Oh no! All the money is gone!
あっ！お金が全部なくなってる！ He likes women with long hair.
彼は長い髪の女性が好きです。 There are some things that
can't be helped.
どうしようもないこともあるよ。 Don't joke around in the classroom!
教室ではふざけないで！ I chat with people from all around
the world on-line.
私はネット上で世界中の人と会話をしま
す。 The Seoul Folk Flea Market is
crowded with some 900 stores selling
a variety of goods.
「ソウル風物市場」は様々な商品を売る
９００ほどのお店で混み合っています。 We like to browse around the city
at night.
私たちは夜の街を観てまわるのが好き
です。 I like this flower very much because
it smells good.
いい香りがするので、この花は大好き
です。 I'm not sure how I got here.
どうやってここに辿り着いたのか
よくわからない。 A: Excuse me, but where can I find
   a place to exchange money?
　すみません、
　両替所はどこにありますか。
B: There is one in that hotel.
　あのホテルの中にありますよ。 Shall we dance?
踊りましょうか？ I won't be able to take you skiing.
I broke my leg.
君をスキーに連れて行けそうにないよ。
脚の骨折っちゃったんだ。 The flock of birds landed near
the big lake.
大きな湖の近くに鳥の群れが
舞い降りた。 I feel dizzy after riding the roller
coaster.
ジェットコースターに乗ると頭がくらく
らします。 How rude! If you don't like my
cooking, get out of my house!
失礼ね！私の料理が嫌いならこの家から
出てって！ Do you mind holding this for a
second?
これちょっと持っててくれない？ No matter what happens, trust me!
何が起ころうとも、僕を信じてくれ！ We made it! We have reached the
peak of Mt. Fuji!
やった！富士山の頂上にたどり着いたよ！ A: Ta-da! Happy birthday, Jenny!
　ジャジャーン！誕生日おめでとう、
　ジェニー！
B: Oh, thank you. It's so pretty!
　まぁ、ありがとう。とっても素敵！ The cat was cuddled cozily on the
fire escape.
その猫は、非常階段の上で気持ち良さそ
うに丸まっていました。 I'm sorry for what I said earlier.
I didn't mean to hurt your feelings.
さっき言ったことだけど、ごめんね。
傷つけるつもりはなかったんだ。 Forget it! You've been waiting for
her for 12 years!
もう忘れろよ！彼女のこと１２年間も
待ち続けたんだからさ！ 

****************************************
_out_EN_319.txt
****************************************

﻿%     s     >     b     "     [     B          w     g     P   "     2  m   7  N   M     ^     {                 Q     s     ^     %          {   2     I  7   f  J   q          	     
                    7     l                                        {     h     |     g                               _!     P"     p#     $     %     Q&     &     O'     '     u(     (     )     )*     *     +     k+  x   +     ,,     ,     *-     -     _.     .     ,/     /     !0     0     0     W1     1     h2     2  burglar The skies are gloomy. go shopping How're you today? bother become forgetful a fan of ～ annoy Something is not right. That made me jump. That's amazing. NYPD Isn't this something? I wonder if ～. （be） concerned about ～ All is well that ends well. can't catch what ～ is saying I can't make out a thing. aisle without ～ help There must be a way. in the first place furious All he cares about is ～. it's a waste of energy go out to get some fresh air Copy that. Good for you. 「どろぼう」を表す語にも幾つかあり、
それぞれ違ったニュアンスがあります。
thief は「こっそり盗むどろぼう」、
robber は主に「暴力や脅しで物を奪
う強盗」、burglar は「建物に押し
入って物を奪う強盗」という感じです。 gloomy は「薄暗い・どんよりとした・
憂うつにする・重苦しい気分にさせる」
という意味を表します。sky「空」は、
the sky と表すのが一般的ですが、空に
いろいろな表情があるととらえて skies
と表すこともあります。 go ～ing は「～しに行く」という意味
で、go shopping は「買い物に行く」こ
とを表します。他に、go snowboarding
「スノーボードに行く」、go swimming
「泳ぎに行く」、go camping「キャンプ
に行く」など様々な使い方があります。 How are you? は一般的なあいさつで、
「元気？」といった意味で使われます。
また、How are you doing? や
How's it going? なども「調子は
どう？」という感じでよく使われる
表現です。 bother は「(人を) 悩ます」という意
味です。「彼がそのことで困っている」
様子は、It is bothering him. または
He is bothered by it. と表します。
また、trouble という単語も bother と
同様の意味でよく使われます。 forgetful は「忘れっぽい・物忘れをし
やすい」という意味です。一般に、-ful
をつけると「主語がする」動作、-able
をつけると「主語がされる」動作を表し
ます。主語が「忘れる」のが forgetful
「忘れられる」のが forgettable です。 fan は「熱狂的な支持者・ファン」とい
いう意味です。さらに「～の大ファン」
と強調するときには a big fan of ～
と表します。逆に、I'm not a big fan.
という言い方も、やんわりと自分の好み
ではないと伝えるのに便利な表現です。 annoy は「(人）を悩ます・いらいら
させる」という意味です。「彼は、いら
いらさせる（うっとおしい人だ)」と表
すときは、He is annoying. とします。
なお、「彼は、いらいらしている」様子
は、He is annoyed. の形で表します。 something（何か）が is not right（正
しくない）とある通り「何かが違う」と
いう意味です。ある物と物の調和または
人間関係において「何かしっくりと行っ
ていない」と、ばくぜんとした違和感を
表すときに使います。 make には「…を～させる」という意味
があります。That made me jump. で
「私を飛び上がらせ（るほど驚かせ）
た」という意味です。また、動作以外に
that made me happy「幸せにした」のよ
うに状態を伝えることもあります。 That's amazing. は「すごい」と驚きの
気持ちを表します。amaze は「(人）を
をびっくりさせる」という意味です。
I am amazed. だと「私はびっくりさせ
られた」つまり「びっくりした」という
意味になります。 NYPD は、New York Police Department
「ニューヨーク市警」のことです。
department は、組織の一区分で、政府
機関の他にも、会社の「部・課」、大学
の「学部」などを指します。 something には「重要な人やもの・まず
まずのこと」という意味があります。
Isn't this something? で「これって、
すごいことじゃない？」といった意味を
表しています。 wonder は「不思議に思う」という意味
で、I wonder if ～. は「～かどうか
疑問に思う」ということです。
相手への間接的な問いかけとして
使われます。 concern ～ は「～を心配させる」で、
be concerned で「心配する・気にす
る」という意味です。
「～を心配する」という場合は、
be concerned with/about ～ という
形がよく使われます。 All is well that ends well. は、
ことわざで「終わりよければ全てよし」
という意味です。また、All is well.
だけで「全てうまく行っている」
という意味で使われることもあります。 can't catch what ～ is/are saying で
「～の言っていることを聞き取れない」
という意味です。実際の会話で「あなた
の言ったことを聞き取れませんでした」
と伝えるには、I couldn't catch what
you said. と言います。 make out には「～をようやく見分ける・
判読する・聞き取る」という意味があり
I can't make out a thing. なら
「全然わからない・ちっとも聞き取れな
い」という意味になります。 aisle は「(飛行機などの乗り物や劇場
などの座席間の）通路」を指します。
とくに飛行機や列車の座席を予約する際
などには、aisle seat（通路側の席）か
window seat（窓側の席）かの希望を伝
えることができます。 without ～ は「～なしで」という意味
で、without money なら「お金なしで」
without reason なら「理由なしに」と
いうことです。後ろに help を続けて、
without your help, without the help
という形は普段よく使われます。 there must be ～ で「～があるにちが
いない・あるはずだ」という意味を表し
ています。 ここでの way は「方法・
手段・手立て」の意味です。
なんとかして解決策を見つけようという
気持ちを表しています。 in the first place は「まず第一に・
最初の段階で」ということです。
shouldn't have ～ in the first place
の形で「そもそも～しなければよかっ
た」という意味合いでも普段よく
使われます。 furious は「ひどく腹を立てた・激怒し
た」という意味です。
何かの事柄について怒っている場合は
furious about ～ 、
人に対して怒っている場合は
furious with ～ が使われます。 All he cares about is ～. を直訳する
と「彼が気にしているすべてのことは
～だ」ということです。
つまり「～だけが彼の関心事である」
という意味です。 a waste of ～ で「～浪費・無駄遣い」
という意味を表します。a waste of
energy で「エネルギーの無駄遣い」
です。他に、time（時間）や money
(お金）などについてもよく
使われます。 fresh air「新鮮な空気」を得るために
出て行く、つまり「気晴らしに外へ散歩
に行く」ことを表します。また、「気晴
らし」を表すのに、for a change「気分
を変えるために」という表現を使うこと
も多くあります。 copy は「うつす・まねる」という意味
で、コピー機でコピーする場合にも使え
ます。Copy that. は、主に無線などで
「了解」という意味で使われる表現で、
相手の指示をそのまま頭の中に複写する
ように受けとめるイメージです。 Good for you. は「よくやったね」とい
う意味で、とくに友人同士でよく使われ
ます。また、Well done. といった表現
も同様の意味を表します。オーストラリ
アでは、Good on you. という言い方も
一般的に使われています。 I'm sorry, Santa.
I thought you were a burglar.
サンタさん、ごめんな。
あんたのこと泥棒だと思っちまったよ。 I always feel blue when the skies
are gloomy.
空がどんより暗いときはいつも気分が
沈むんだ。 It's a bit cold to go camping,
don't you think?
キャンプへ行くにはちょっと寒いんじゃ
ないかな。そう思わない？ A: Good morning! How're you today?
　おはよう！今日の調子はどう？
B: Hey, it's still 3 am!
　おい、まだ午前３時だぞ！ Something is bothering me, but
I can't figure out what.
気にかかることがあるんだけど、
それが何なのか分からないんだ。 I'm becoming forgetful these days.
What's my name?
最近物忘れしやすくなってきたんだ。
僕の名前、なんだっけ？ Can I have your autograph?
I'm a big fan of yours.
サインをもらえませんか？
私、あなたの大ファンなんです。 The person next door is really annoying.
Can you get us another room?
隣の人がすごくうるさいんだ。
別の部屋を用意してもらえないかな？ Hmm... something is not right.
Oh! This is the men's room.
う～ん　どこかおかしいわねぇ。
あっ！ここ男性トイレだわ。 You called me. That made me happy.
君が電話くれて、うれしかったよ。 I am amazed at how beautiful this
hotel is.
このホテルの美しさには驚いたわ。 The NYPD caught the thief and took
him to the station.
ニューヨーク市警は、その泥棒を捕まえ
て警察署へ連行した。 Isn't she something?
彼女ってすごくない？ I wonder if he'll take us hiking today.
It's raining.
彼、今日はハイキングに連れて行って
くれるのかなぁ。雨降ってるけど。 He is never concerned about his
appearance.
彼は自分の外見を全く気にしていない。 Grandpa used to say,
"All is well that ends well."
おじいちゃんはよく、
「終わりよければ全てよし」と
言っていました。 I couldn't catch what you said.
Did you say something about me?
何て言ったかよく聞き取れなかったんだ
けど、私のこと何か言った？ The music's too loud.
I can't make out a thing!
音楽がうるさすぎるよ。
ちっとも聞き取れない。 Can I have two aisle seat tickets,
please?
通路側の席の券を２枚ください。 Without your help, it's impossible
to finish this.
君の助けなしでこれを終わらせるのは
不可能だよ。 There must be a way.
There's always a way!
必ず方法があるはずだ。
いつだって解決策はあるものさ！ We should have taken an airplane
in the first place!
そもそも飛行機に乗っていればよかった
のよ！ She was furious.
What did you do?
彼女カンカンだったよ。
君、一体何をしたの？ All he cares about is himself.
彼にとって大切なのは彼自身のことだ
けよ。 Don't buy everything you see.
It's a waste of money.
見るもの全てを買うのはやめなさい。
お金の無駄だよ。 A: Where's Susan?
　スーザンはどこにいるの？
B: She went out to get some fresh air.
　気晴らしに外へ出て行ったよ。 A: Would you copy these files?
　このファイルを
　コピーしてくれませんか？
B: Copy that!
　了解！ A: Hey! I got a promotion!
　聞いて！昇進したのよ私！
B: That's great! Good for you!
　それはすごい！よかったね！ 

****************************************
_out_EN_32.txt
****************************************

﻿~   (   l   ^   ...That's a good idea!
+Let's go+ to the movies. +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_320.txt
****************************************

﻿9          A     E     $     S      H     W      /   1     :  M   @  ?   O     \  ~   u  N     S     X     M     h     [     A     8     G           :   &  r   2  V   H     X  X   x          	     
                              /     G                                                            (     C      )!     >"     #     =$     p%     &     '     '     p(  x   (     \)     )     *     1+     ~+     +     h,     ,     B-     -     9.     .     /     /     B0     0     1     ~1     2     q2     2     F3     3     $4     4  Excuse me. a bit garbage can That's awful. Hold it! That's too bad. Like I said … Stop teasing me. too much chips Piece of cake. Yes, please. Could you do me a favor? Be sure （not） to ～. How come ～ ? difficult to say Don't bother me. not everything That's all I can do. （be） impressed fire hydrant No wonder. Let's not ～. Got it! No problem! It looks good on you! needless to say ～ have nothing to do with … make up a story Excuse me. は、人に話しかけたり、人
の前を通ったりする場面のほか、席を
立つ際に「では、これで失礼します」と
いう意味でも使われます。「では私たち
はこれで」のように２人以上で退出する
ときは、Excuse us. という形です。 a bit は「ちょっと」というニュアンス
で、とくに量的に「わずか」、時間的に
「少し」を表します。また、話し言葉で
は、a little bit という言い方もよく
使われます。 garbage can は、おもにアメリカで屋外
に置いてある「ゴミ箱」を指し、イギリ
スでは主に dustbin が使われます。
一般に、紙くず、容器、食べ残しなどを
アメリカ英語では garbage、イギリス英
語では rubbish と表します。 awful は「ひどい・恐ろしい・嫌な」と
いう意味で、特に話し言葉でよく使われ
ます。
ちなみに似た言葉の awesome は「ひど
い・素晴らしい」と文脈によって２つの
意味で使われますので注意が必要です。 Hold it! は「ちょっと待った」という
意味で、Wait! や Stop! と同じように
使われます。また、Hold it! は「動か
ないで！」というニュアンスで、電話な
どで「ちょっと待って」と伝えるときに
は Hold on（, please）. と言います。 That's too bad. は「それは残念だね・
それは大変だったね・困ったね・気の毒
に」といった意味です。相手のよくない
状況などを聞いたときに使われます。
It's too bad. や Too bad. という場合
もあります。 like には「～のように」という意味が
あり、Like I said. で「私が言ったよ
うに」という意味です。
「だから・さっきも言いましたけど」と
少しいらだった気持ちで使われることも
あります。 tease は「～をからかう・いじめる」と
いう意味で、Stop teasing me. は「私
をからかわないで」です。また
Stop teasing the dog.「犬をいじめる
のはやめなさい」のように、動物につい
て使われることもあります。 too much は「余計に・過度に」という
意味で、You ask for too much. は
「多くを求めすぎだよ」、You complain
too much. なら「文句が多すぎ」、
You think too much. なら「考えすぎ」
という感じで様々な場面で使われます。 chip は「一片・薄切り」という意味で
すが、アメリカでは「ポテトチップス」
イギリスでは「フライドポテト」の意味
で使われます。ちなみにイギリスでポテ
トチップスは crisps、アメリカでフライ
ドポテトは French fries と表します。 a piece of cake は「一切れのケーキ」
ですが、大きな丸いケーキと違って食べ
やすいことから「たやすいこと・簡単に
できること・朝飯前」という意味でも使
われます。（It's as）easy as pie.
でも同様の意味を表すことができます。 Yes, please. は「はい、お願いします」
という意味です。一般に、英語では勧誘
や申し出など相手からの好意に対しては
Yes./No. だけでなく、Yes, please.
や No, thank you. と答えるのが正しい
マナーとされています。 favor は「親切な行為・恩」を表し、
Could you do me a favor? は「お願い
を聞いていただけますか」と人に頼み事
をするときに使われます。
Could I ask a favor of you? でも同じ
意味合いを表します。 sure は「確信がある」という意味で、
Be sure to ～. で「必ず～しなさい」と
やや強い命令を表します。また、not を
つけて、Be sure not to ～. とすること
で「～しないようにしなさい」と禁止を
表します。 How come ～ ? は、ややくだけた表現で
「どうして～なの？」という意味を表し
ます。Why の文と違い、How come の文
では、語順が普通の文と同じです。
How come you don't know?
≒ Why don't you know? です。 difficult to ～ で「～するのが難しい・
～しがたい」という意味を表します。
difficult to say で「なんと言ったら
いいか」や「言いづらい」といった意味
を表しています。 bother は「(人を）悩ます」という意
味で、Don't bother me. は「私を悩ま
せないで・邪魔しないで」という意味
です。I'm sorry to bother you,
but ～ という形で使われることが
よくあります。 not everything は「すべてが～とは
限らない」という意味で、
I don't know everything. は「何でも
知っているわけではない」ということ
です。I don't know anything. なら、
「何も知らない」という意味です。 That's all I can do. は、直訳をする
と「それが私ができるすべてだ」つまり
「やれることはそれだけだ」という意味
です。「今の時点では」と付け加える場
合は、That's all I can do right now.
と表現することができます。 impress は「(人に）印象づける・感動
させる」という意味です。人が「感動を
する」ことを表す場合は、be impressed
の形にします。I was impressed. なら
「私は感動させられた」つまり「感動し
た」ということです。 fire hydrant は「消火栓」という意味
で、一般にアメリカで使われます。駐車
する際には、NO PARKING FIRE HYDRANT
「消火栓付近の駐車禁止」の標識に注意
が必要です。ちなみに「消防車」は英語
で fire engine/truck と言います。 No wonder. は「不思議がない」つまり
「どうりで、そういうことか」といった
意味を表します。また、No wonder you
speak English well.「どうりで、英語
が上手いわけだ」のように、後ろに
文を続けることもできます。 Let's ～.「～しよう」を、
Let's not ～. の形にして「～しないよ
うにしよう」という意味を表すことがで
きます。Let's not do it. で「やめて
おこう」という提案を表します。 get には「～を手に入れる・習得する・
理解する」という意味があり、
I got it! は「わかった！・了解！」と
いう意味になります。
Got it! と簡単に表されることもあり、
会話の中でよく使われる表現です。 No problem! は文字通り「問題ない」と
いう意味で、相手から何か頼まれたとき
に「大丈夫・いいよ・気にしないで」と
いった返事として使われます。 on は「接している」というイメージを
持つため、It looks good on you. は
「それは、あなたが身に着けていると、
よく見える」、つまり「似合う」ことを
意味します。ちなみに、「試着する」と
いう動作も、try ～ on と表されます。 needless to say は「言うまでもなく・
もちろん」という意味を表す決まり文句
です。一般に、-less は組み合わせた語
に「～のない」という意味をそえます。
needless「必要のない」や sugarless
「無糖の」など例はたくさんあります。 ～ have to do with …　で「～は …と
関係がある」ことを表します。nothing
を入れて、have nothing to do with と
すると、「関係がまったくない」ことを
表します。something とすると、「関係
が何かしらある」ことを意味します。 make up は「作り」「上げる」という
イメージから「～を作成する・化粧を
する・埋め合わせる」といった意味で
使われます。make up a story は
「話を作り上げる・でっち上げる」
ことを表します。 Excuse me. Is this seat taken?
すみません。この席は空いてますか？ It's a bit far, but it's a great
restaurant.
あそこはちょっと遠いけど、すばらしい
レストランだよ。 A big cat jumped out of the garbage
can.
大きな猫がゴミ箱から飛び出した。 A: How was the food?
　料理はどうでした？
B: It was awful.
　まずかったですよ。
A: Oh! That's awful!
　それはひどい！ A: May I speak to the concierge?
　コンシェルジュと話をしたいのですが。
B: Hold on, please.
　少々お待ちください。 A: We had to cancel our trip to Hawaii.
　ハワイ旅行をキャンセルせざるを
　得ませんでした。
B: Oh. That's too bad.
　あらら、それはお気の毒に。 Like I said a hundred times,
don't jump on the bed!
もう何度も言ってるように、
ベッドの上で跳ねてはいけません！ Stop teasing your baby sister!
幼い妹をからかうのは止めなよ！ You study too much.
You should go out and play.
君は勉強のしすぎだよ。
もっと外へ出て遊ぶべきだね。 Can I have some popcorn and a bag
of chips?
ポップコーンとポテトチップス１袋
ください。 That puzzle was a piece of cake.
あのパズルは楽勝だったよ。 A: Would you like sugar in your
   coffee?
　コーヒーに砂糖をお入れしますか？
B: Yes, please.
　はい、お願いします。 A: Could you do me a favor?
　ちょっとお願いしてもいいかな？
B: Sure.
　ええどうぞ。
A: Pass me the salt.
　塩をとってくれない？ Be sure not to eat too much.
あまり食べ過ぎないようにするんだよ。 How come you didn't come to the
party?
君はなぜパーティーに来なかったの？ A: Hey! How do I look?
　ねぇ！私どう見える？
B: Hmm. Difficult to say...
　うーん、なんて言ったらいいかな… I'm sorry to bother you,
but do you have time now?
お邪魔してごめんなさい。
でも今お時間ありますか？ Don't eat that! Not everything
can be eaten, you know.
それは食べてはいけません！ご存知の通
り、全てが食べられる訳じゃありません。 I love you.
That's all I can say right now.
愛してる。
今言えるのはこれだけだ。 He is easily impressed by
everything he sees.
彼って見るもの片っ端から
感動するんだよね。 The fire hydrant splashed water
all over the street.
消火栓は道中に水をまき散らしました。 You sleep all day.
No wonder you can't sleep at night.
君は一日中ずっと寝てるね。
どうりで夜眠れない訳だ。 Let's not go there.
It's too dangerous.
そこへは行かないようにしよう。
危険すぎるから。 A: Did you get what I said?
　私の言ったことわかった？
B: I got it.
　わかったよ。 A: Could you lend me some money?
　ちょっとお金貸してくれない？
B: No problem.
　いいよ。 Try this on!
It really looks great on you.
これ着てみなよ！
君にすごく似合うよ。 Needless to say, I will be working
all night again.
言うまでもないけど、今夜もまた一晩中
仕事だよ。 This unusual climate has something
to do with global warming.
この異常気象は地球温暖化と何かしらの
関係があります。 He made up a story of himself being
a hero.
あいつ、自分がヒーローになる作り話を
でっちあげたんだ。 

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﻿K     ;     X     V     F          y     +   
  l     7   '  3   2  _   =     O  V   x            )     C          c     1          l   2  `   F     Y     i     	     
               
     $                    4     @     %     *     2     O     v     m                                    5!     !     	"     "     "     \#     #     $     $     %     %     &     }&     &     '     "(     (     )     )     )     *     9+     +  （be） asleep I envy you. Are you leaving? You must be ～. not ～ at all Say, Would you like to ～ ? Not yet. almost make her cry Let me go! in uniform a friend of one's The only thing I can do is （to） ～. That's promising! everything works/worked out Don't let that get you down. farewell do something I'm sorry. I didn't mean to ～. Let's hurry to ～. We failed! We've come all this way. shouldn't have come I'm glad you came. sleep が「眠る」という行為を表すのに
対し、asleep は「眠って（いる)」状態
を表します。be asleep / fall asleep
などの形で使われます。
sound asleep で「ぐっすり眠ってい
る」という表現もよくでてきます。 envy は「～をうらやむ」という意味で
I envy you. は「君がうらやましい・
いいなあ」という感情を表します。
似た表現の I am jealous. は相手を憎
むニュアンスが含まれることがあるため
使う際には注意が必要です。 Are you leaving? は「出発するの？」
という意味です。これから出発しようと
している相手に対して使う表現です。
さらに、so soon（そんなに早く）など
の言葉をそえると、「もう行ってしまう
の？」と残念な気持ちを表します。 You must be ～. は「あなたは～にちが
いない」という意味です。相手の気持ち
を察して、You must be worried. と言
えば「きっと心配でしょう」です。
お疲れ（tired）、空腹（hungry）など
の言葉と組み合わせてよく使われます。 not のある文で、at all とそえると、
「ぜんぜん・少しも」という強い否定を
表します。I'm not interested in it
at all. で「そんなのにはちっとも興
味がない」という意味になります。 Say, は、特にアメリカ英語で「ねえ」
や「ちょっと」のように会話の中で相手
の注意を引くのに使われます。また、
「まあ」や「まったく」といった驚きや
喜びなどの気持ちを表すときに使われる
こともあります。 「～したいですか」という意味ですが、
「～していただけますか」と依頼のニュ
アンスを含むこともあります。
Would you like to come with me? なら
「一緒に来たい？」ですが、「来てもら
える？」という場面でも使われます。 Not yet. は「まだです」という意味の
決まり文句です。相手の質問に対する
受け答えの表現で、通常
I haven't ～ yet.「まだ～していな
い」という意味合いで使われます。 almost は「ほとんど・もう少しで」と
いう意味で、まだその状態にぎりぎり
達していないことを表しています。
almost make her cry は「ほとんど泣か
している、でもまだ泣かしていない」
ということです。 let には「～が…するのを許す・～に
…をさせてやる」という意味があり、
Let me go. は「私に行かせて」という
意味です。
Let me do that. 「私にやらせて」など
も普段よく使われます。 人の格好を説明するときに使われる表現
の一つで、a person in ～ という形で
「～に身をつつむ人」という意味です。
a guard in uniform なら「制服の警備
員」、a detective in a brown suit
なら「茶色いスーツを着た刑事」です。 a friend of one's で「～の知り合い・
～のたくさんいる友達の１人」を意味
します。a friend of yours は「あなた
の友達」ということです。
a friend of Charo's「チャロの友達」
a friend of his「彼の友達」です。 The only thing I can do is（to）～.
は「私にできることは～だけ」という
意味です。
I だけでなく you や we を使って
「あなたに／私たちに」という場面でも
よく使われます。 promise は「～を約束する」という意味
で、promising の形だと「見込みのある
将来性のある」という意味でも使われま
す。
That's promising! は「いい手応えだ」
という意味で、期待を表す表現です。 work out には「(計画などが) うまく
いく」という意味があり、
everything worked out で「すべてが
順調にいった」ということです。
I'm glad everything worked out. なら
「全部うまくいってよかったね」です。 don't let で「～に…させるな」という
意味を表し、直訳すると that get you
down「それにあなたを気落ちさせるな」
となります。「そんなことくらいで落ち
込むなよ」と、相手を励ます表現として
使われています。 farewell は「別れの言葉」という意味
です。Good-bye「さようなら」よりも
形式的で、日常のあいさつとしてでなく
長い旅路の別れ際などで使われます。
ちなみに、a farewell party と言うと、
「送別会」のことを表します。 I have to do something. は、文字通り
「なんとかしなくてはいけない」という
意味です。また、相手に対して「何とか
しなさい！」とやや強い命令をするとき
に、Do something! と言います。 I'm sorry. I didn't mean to ～. は、
「すみません、～するつもりはなかった
のです」と、謝るときの決まり文句で
す。自分の軽はずみな言動などで相手の
気分を害してしまったときに、悪気の
ないことを伝えるのに使われます。 Let's hurry. で「急ごう」です。
行き先を示すときは、to the entrance
「入口へ」のように、to ～を後に続け
ます。また、We must hurry. や We've
got to hurry. なども「急がないと」
という意味合いでよく使われます。 fail は「失敗する」という意味で、
I/We failed! で「ダメだったよ！」
ということです。「～に失敗する」とい
う場合は fail ～ でも表現できますし
fail in ～ と表現する場合もあります。 all the way は「はるばる・わざわざ」
という意味で、
We've come all this/the way. で
「せっかくここまでやって来たのだか
ら」と、それまでの努力を強調するニュ
アンスの表現になります。 should have の後に過去分詞という形で
「～するべきだったのに」という意味で
す。You should not have come. なら
「あなたは来るべきではなかった」と非
難を表す表現です。
You を I にすると、後悔を表します。 I'm glad you came. は「来てくれて、
うれしいよ」という意味です。ちなみに
Thank you for coming. 「来てくれて、
ありがとう」という言い方もよく耳に
します。ただし、こちらは別れ際に
使うのが一般的です。 I was so tired that I fell asleep on
the stairway.
すごく疲れていたから階段で寝ちゃった。 You're going on a world cruise?
I envy you.
世界一周旅行にいくの？
いいなぁ。 Are you leaving so soon?
You just got here.
そんなに早く帰っちゃうの？
今来たばかりじゃない。 You must be hungry.
Here, have my sandwich.
お腹空いてるでしょう。
ほら、私のサンドイッチ食べていいよ。 I am not happy at all with these
results.
僕はこれらの結果にはまったく満足
してないよ。 Say, how about we take a ride to
the beach?
ねえ、浜まで車で行ったらどうかな？ Would you like to say hello to my
parents?
俺の両親に挨拶していかないか？ A: Have you finished your homework?
　宿題はもう終わったの？
B: Not yet.
　まだだよ。 The news almost made her cry,
but she held back her tears.
その報せに彼女は泣きそうになりました
が、彼女は涙をぐっとこらえました。 Let me go! I didn't do it!
放してよ！私そんなことやってないよ！ In Halloween, the streets are filled
with people in costume.
ハロウィーンでは、
街中が仮装をした人々で一杯になります。 A friend of mine came to visit me
from Italy.
僕の友達がイタリアから訪ねて来たんだ。 When there's a storm, the only thing
you can do is wait.
嵐の時にできるのは待つことだけだ。 My boss gave me the thumbs up!
That's promising!
上司が僕に賛同してくれてね！
手応えありだよ！ A: Did everything work out?
　万事うまく行った？
B: Yes. Everything worked out great!
　はい。すべてとてもうまく行きました！ Hey! It was just an exam.
Don't let that get you down.
おい！ただの試験じゃないか。
そんなことぐらいで気落ちするなよ。 Farewell, old friend.
I will miss you dearly.
さよなら、長年の友よ。
とても寂しくなるな。 A: You have to do something.
　何かしなくちゃ。
B: Like what?
　たとえば何を？
A: Anything!
　何だっていいのさ！ I'm sorry, I didn't mean to interrupt.
ごめんなさい。お邪魔するつもりは
なかったんです。 Now, let's hurry to the bus stop!
それじゃ、バス停まで急ごう！ Half of the class failed the test.
We failed to please our teacher.
クラスの半分がテストに落第したんだ。
先生の期待に応えられなかった。 Hello, we are from outer space.
We've come all this way to make peace.
こんにちは、僕たち宇宙から来ました。
遠路はるばる和平のために来たんです。 I shouldn't have come back.
Things have changed.
戻ってくるべきじゃなかったわ。
状況はすっかり変わってしまった。 Hi! I'm glad you came.
Can you fix my faucet?
こんにちは！よくおいでくださいました。
蛇口を直していただけませんか？ 

****************************************
_out_EN_322.txt
****************************************

﻿     ?     0     b     /           9   5  P   @  <   P  E   ]  t   m  H          o     >               =     ~     W   /     A     0     ]     C	     N
     g          
                                                  6     )     9     l                    /       x   H          s     
             !     !     "     X#     #     d$     $     r%     &  Doesn't it seem familiar? all together Beautiful! I didn't know that. apologize Believe in yourself,
and your dreams will come true. What's up? speaking of ～ Let's see... I'll be waiting Why don't you try it? Welcome back. Sorry I kept you waiting. What are you up to? laugh at ～ What would you do if you were ～ ? I love this sort of thing. Hello there. What can I do for you? You got it right. seem は「～のように見える・思える」
で、Doesn't it seem ～ ? は「それは
～のようじゃない？」ということです。
ここでは seem familiar なので、
「見覚えない？」という意味です。 all together は 文字通り「すべて合わ
せて・一斉に・ひっくるめて」という
意味を表します。また、altogether は
一語で「完全に・すっかり・全体で」、
さらに文頭で「全体的に見て・結局は」
と、異なった意味を表します。 beautiful は「美しい」という意味です
が、Beautiful! と、これだけで使って、
「すばらしい！・お見事！・すてき！」
といった感動を表すときに使われる
ことがあります。 I didn't know that. は「そうだったん
だ・知らなかったよ」という意味で、
I don't know.「わからない」とは意味
合いが異なります。That's news to me.
「それは初耳だ」も同じような意味で
よく使われます。 apologize は「謝罪する」という意味の
行為を表す言葉で、感情を表す I am
sorry. とは使い方が異なります。
apology「謝罪」という名詞を使って、
Please accept my apologies.「お詫び
致します」という表現もあります。 Believe in yourself. で「自分自身を
信じなさい」という意味を表します。
and は命令文の後「そうすれば」とポジ
ティブな内容につなげます。ここでは、
your dreams will come true「あなたの
夢が実現する」ことを表しています。 What's up? は、話し言葉で「どうかし
たの？・何が起こったの？」という意味
を表します。また、「調子はどう？」や
「よっ！」といった気軽なあいさつの
ように使われることもあります。 speaking of ～ は「～と言えば」とい
う意味で、相手が言ったことをきっかけ
に、話に入っていくときに使われます。
また、相手が直前に言ったことを which
で表し、Speaking of which, という形
も「そう言えば」の意味で使われます。 Let's see... は「ええと」という意味
ですぐに答えが出ないとき、何かを思い
出そうとするときに使います。Well...
にも同様の働きがあります。Let me
see. も同じような意味ですが、より深
く考えているニュアンスがあります。 wait は「待つ」という意味です。ここ
では、I'll be waiting で、これから
のことに焦点を当て、「待っている」
という意志を伝えています。ちなみに、
I'll wait. と言うと、「待つことに
今決めた」というニュアンスです。 Why don't you try it? は直訳をすると
「なぜあなたはそれを試さないのか」で
すが、「ぜひ試してみたらどう？やって
みようよ！」といった提案を
表しています。 welcome は「歓迎」を表し「ようこそ・
いらっしゃい」という気持ちを伝える表
現としても使われます。Welcome back.
は「よく戻ってきてくれました」という
ニュアンスです。 (I am) Sorry I kept you waiting. は
「待たせてしまってごめんなさい」、
「お待たせしました」という意味です。
I'm sorry to have kept you waiting.
という言い方も、よく使われます。 What are you up to? は「何してるの？
これから何するの？」という意味で使わ
れます。
場合により、「悪いことをたくらんでい
るのか？」というニュアンスが含まれる
こともあります。 laugh は、声に出して笑うことを表し、
laugh at は「～をあざ笑う・笑いもの
にする」という意味になります。なお、
smile は、うれしそうな表情をすること
を表し、smile at で「～にほほえむ・
にっこり笑う」という意味になります。 What would you do if you were ～ ?
で、「もしあなたが～だったとしたら、
どうしますか」という現実にはあり得な
さそうな仮定を表します。動詞の過去形
が使われていますが、現在の (現実離れ
した) 事柄を表しています。 sort of ～ には「多少・いくぶん～」
のように、～に当たるものをあいまいに
する働きがあります。sort of thing は
「～といったようなもの」です。I love
this sort of thing. は「こういうの好
きなんだ」という意味です。 Hello there. は、くだけた表現で
「やあ・こんにちは」ということです。
there の持つ「向こうに」という
イメージから、たいていは少し離れた
ところにいる人に対して使われます。 What can I do for you? を直訳すると
「私はあなたに何ができますか」となり
ます。とくにお店で「どんなご用件で
しょうか？・何をさし上げましょう？・
いらっしゃいませ」といった意味で
使われます。 You got it right. は「それを正しく受
けとめた」、つまり「その通りです」と
いう意味で、クイズなどで相手の解答に
「正解」と言うときにも使われます。
ちなみに、「間違っている、誤解だ」と
いう場合は You got it wrong. です。 Doesn't she seem familiar?
I think I know her.
彼女に見覚えない？
私知ってる人だと思う。 How much all together?
全部でおいくらですか？ A: We finished painting the house
   in one day!
　僕たち、１日で家を塗り終えたんだ！
B: Beautiful!
　すばらしい！ A: Did you know that I can cook?
　私、料理ができるって知ってた？
B: I didn't know that.
　それは知らなかったなあ。 You have to mean it when you
apologize.
謝るんなら本当に申し訳ないと思わな
くちゃだめよ。 A: I can't do it!
　僕には無理だ！
B: Believe in yourself, and your
　dreams will come true.
　自分を信じれば、
　きっと夢は実現するわ。 A: Hey, what's up?
　おい、何かあった？
B: Oh, nothing much.
　別に何もないよ。 A: I just bought the latest album.
　最新のアルバムを買ったよ。
B: Speaking of which, can I have
　my CDs back?
　そういえば、そろそろ私のCD返して
　もらえない？ Now, let's see....
Which one of you ate my pudding?
さて、どれどれ…
私のプリンを食べたのは、あなたたちの
うち誰かしら？ Call me, please.
I'll be waiting for your phone call.
電話ちょうだいね。
君からの電話、待ってるから。 This cookie is really good!
Why don't you try it?
このクッキーとってもおいしい！
食べてみなよ！ A: Bye.... Hi!
　さよなら…　こんにちは！
B: Welcome back!
　もどってきたのね！
A: I forgot my bag. Bye.
　私の鞄、忘れちゃった。じゃあね。 A: I'm sorry to have kept you waiting.
   I was abducted by aliens and...
　ずっとお待たせしてごめんなさい。私、
　エイリアンに連れ去られて、それで…
B: Sure, sure.
　はい、はい。 A: What are you guys up to?
　いったい何をたくらんでるの？
B: Oh. Just planning your birthday
   party.
　ああ、君の誕生日パーティーを
　計画してるんだよ。 Hey! It's rude to point your finger
and laugh at other people!
ちょっと！人を指差して笑うなんて
失礼よ！ A: Hey! What would you do if you
   were a fish?
　ねえ！あなた魚だったら何をする？
B: I would swim.
　泳ぐだろうな。 A: Can you play darts?
　ダーツはできる？
B: Sure! I love this sort of thing.
　もちろん！そういうの好きなんだ。 Hello there! Anybody in the cave?
Oh. Just a bear.
こんにちは！この洞穴に誰かいる？
なんだ、クマだけか。 A: What can I do for you?
　どんなご用ですか？
B: I'm looking for a pink jacket.
　ピンクのジャケットを探してるんです。 A: The answer is... panda!
　答えは…　パンダです！
B: Sorry, you got it wrong.
　すみません、
　あなたの答えはハズレです。 

****************************************
_out_EN_323.txt
****************************************

﻿     =     Z      f        '  /   B  W   L     ]  Q   }  <          g     F     7     k     -     b     `        $  :   *  y   6     M     c          [	     |
               
          A     9     Z     w     v     [     }                                   :          |       x             ]      )!     !     "     #     u#     #     $     $     &%     %     &     &     &  ocean It's too ～. That's the spirit! Let's check it out. （It's a） good question attention That reminds me. Why do you have to be so rude!? Leave it to me. Who knows? Don't worry. You can do it. (the) second floor too ～ to … Take care! ～ is far from here the rest Don't fool around. No need to worry. sweet Never mind. Get ahold of yourself. ocean は sea「海」よりも大きい「大洋
や海洋」という意味ですが、アメリカで
は特に区別されない傾向があります。
「太平洋」… the Pacific Ocean
「大西洋」… the Atlantic Ocean
「日本海」… the Sea of Japan です。 too は「あまりに～すぎる」という意味
です。It's too dangerous. なら「それ
は危険すぎる」ということ。
too expensive なら「値段が高すぎる」
です。ただしこの表現、店への苦情と
とられることもあるので要注意です。 spirit は「精神・心持ち・気迫」とい
う意味です。
That's the spirit! で「そう、その意
気だ！・その調子！」と相手をほめたり
応援する表現として使われます。 check out ～ / check ～ out は
「～を調べる・確かめる」という意味で
す。Check it out. と相手に言えば、
「見てごらん・確かめてみなよ」という
意味でLet's check it out. なら、「確
かめてみよう」という意味になります。 (It's a) good question. は、即答を
さけるときの決まり文句で「よい質問」
ではなく「難しい質問だなあ」といった
意味で使われます。答えに困って時間を
かせぐ、または間接的に答えを知らない
ことを伝える表現です。 attention は「注意・注目」という意味
で draw attention で「注目を集める」
と表します。逆に pay attention（to）
で「(～に）注意を払う」という意味に
なります。また、Attention, please.
は場内放送等のお知らせで使われます。 remind は「(人）に思い出させる」と
いう意味で、That reminds me. で「そ
れで思い出した」という意味です。
that は直前に相手が言ったことを指し
それをきっかけに、自分が思い出した話
題を持ち出すときによく使われます。 Why do you have to be ～ ? は「なぜ
～でなくてはいけないか、いや～でなく
てもいいでしょう」と反語の意味を
表します。rude(無礼な) のほか、mean
(意地悪な), sarcastic(嫌みな) などの
言葉と合わせてよく使われます。 leave には「(物・事を) ～にまかせる」
という意味があり、Leave it to me. で
処置・判断などについて「それは私にま
かせて」という申し出になります。逆に
I leave it to you. だと「あなたに
まかせます」という意味になります。 直訳すると「誰が知っているか」となり
ますが、「いや、誰も知らない」という
反語の意味を含みます。「そんなことは
知らないよ・何とも言えない」といった
意味で使われます。 Don't worry.「心配をしないで」と、
You can do it.「あなたにならできる」
は、相手をはげます文句として、多くの
場合セットで使われます。Everything
will be fine.「すべてうまくいくよ」
なども組み合わせて使われます。 (the) second floor は「２階」という
意味です。ただし、イギリスやオースト
ラリアなどでは、１階を ground floor、
その上の階を順に (the) first floor、
(the) second floor と数えていくため
日本でいう「３階」を指します。 too は「あまりに～すぎる」という意味
で、「何をするのに」という情報を示す
場合は、後に to … と続けます。ここ
では、too far to jump で「跳ぶのに
あまりに遠すぎる」という意味です。 Take care! は「気をつけて・お大事
に」という決まり文句です。
別れ際のあいさつとして「行ってらっ
しゃい・じゃあね」というニュアンスで
使われることもあります。 far は「遠くに・離れて」という意味で
 ～ is far from here は、ある場所に
ついて、「～は、ここから遠い」と説明
するときに使われます。It is far from
here to ～. で「ここから～までは
遠い」という言い方もできます。 rest には「残り」という意味があり、
I'll leave the rest to you. で「あと
はあなたにお任せします」ということ
です。また、keep the rest for
yourself. で「残りは取っておいて」と
チップを渡すときなどによく使われます。 fool には「ばかなまねをする・ふざ
ける」という意味があり、Don't fool
around. で「ふざけているんじゃない・
のらりくらりするな」ということです。
また、後に with ～ と続けて「～であ
そんでいるな」という意味になります。 No need to worry. は文字どおり「心配
(to worry) 無用 (no need)」という
意味です。話し言葉では、No worries!
「心配ないよ！」という表現も使われま
す。また、おもにイギリス英語では
Not to worry! という形も使われます。 sweet には「甘い」の他に「すてきな・
優しい」という意味があり、人間に対し
て使うことも出来ます。ちなみに
sweet には「塩気のない」という意味も
あり、特にアメリカで sweet butter
というと「無塩バター」を指します。 Never mind. は「気にしないで・忘れて
いいよ」という意味です。
「もういいよ」といったあきらめの
気持ちで使われることもあります。 Get ahold of yourself. は「気持ちを
落ち着けて・しっかりして」という意味
で、主にアメリカ英語で使われます。
get ahold of ～ は hold と同じように
「～をつかむ・つかまえる」という意味
です。 There are so many living things
in the ocean.
海の中にはとても多くの生物がいます。 I really wanted to try the helicopter
tour. But it was too expensive...
ヘリコプターツアーを試してみたかっ
たんだけど、値段が高すぎて… A: Can you run one more round?
　もう１周走れるかい？
B: Of course!
　もちろん！
A: That's the spirit! Go!
　その意気だ！行け！ This restaurant looks nice.
Let's check it out!
このレストラン素敵だね。
ここで食べてみようよ！ A: Where do you think this taxi's
   taking us?
　このタクシー私たちをどこに連れて
　行くつもりだろうね？
B: Good question.
　いい質問だ。 Attention, please.
お知らせいたします。 That reminds me of the good times
we had when we were young.
僕らが若かったころの懐かしい記憶が
思い出されるね。 A: I like your hair.
　あなたの髪いいわね。
B: Why do you have to be so
   sarcastic! I don't have much hair!
　君ってどうしてそんなに嫌みなの？
　僕は髪が薄いのに！ You can go home now.
Leave the rest to us.
もう帰ってもいいよ。
あとは僕らにまかせて。 A: What are we doing here?
　 私たち、こんなところで何してるの？
B: Who knows? But we may find
   something interesting.
　そんなの知らないよ。でも、何か
　面白いものが見つかるかもしれないよ。 A: I'm scared.
　こわいよお。
B: Don't worry. Everything will
   be fine.
　心配しないで。万事うまく行くよ。 My flat is on the second floor of this
building.
私のアパートはこのビルの２階です。 She was too sleepy to go out.
彼女は出かけるには眠すぎました。 Take care! Come back any day!
気をつけてな！またいつでも来いよ！ A: The station is far from here.
　駅までは遠いよ。
B: Maybe I should use the bus then.
　それなら、バスを使おうかな。 This is as far as I go.
The rest is up to you. Good luck!
これが私の限界。
あとはあなた次第よ。頑張って！ Don't fool around near the pool!
It's dangerous!
プールの近くで悪ふざけはいけません！
危険です！ No need to worry.
We will take care of you.
心配しなくても大丈夫。
あなたの面倒は私たちが見るから。 That's really sweet of you,
thank you.
あなたって本当に優しいのね、
ありがとう。 A: I am sorry to keep you waiting.
　ずっと待たせて、すみません。
B: Never mind.
　気にしないで。 A: Sharks!
　サメだっ！
B: Get ahold of yourself. We're safe
   on the ship, and they're dolphins.
　落ち着けよ。船の上は安全だし、
　あれはイルカなんだからさ。 

****************************************
_out_EN_324.txt
****************************************

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          m     7
     
               l     |                         V     L     ;                                                       9      z            0!     !     !     "     X"     "     -#     #     #     $     c$     $     /%     %     %     &     ]&     &     ='     t'     (     l(     (      )  make one's way through ～ hurry back to ～ give a sigh of relief What's wrong? repay you for ～ be about to ～ No wonder ～ . be ruined without a doubt It took me an entire day to ～. make (that) face It's you. around here tilt in detail be picky about ～ be in trouble happen to ～ right away Don't be a stranger. otherwise in an instant feel better Compare with ～, mistake ～ for … useful bring back take a deep breath make one's way to ～で「～に進んで
行く」という意味です。
to のかわりに through を使うと、
かき分けて進む、くぐりぬけて行く、
といったニュアンスになります。 hurry back to ～ で「急いで～へ
もどる」という意味です。
hurry back from ～ なら「急いで～
からもどる」、
hurry home で「急いで帰宅する」
という意味で使われます。 give a sigh of relief で
「ほっと息をつく」という意味です。
give のかわりに breathe (呼吸する)
という動詞が使われることも
よくあります。 wrong には「間違っている」という意味
があります。What's wrong? は
直訳すると「何が間違っているの？」
ということですが、「どうしたの？・
何か困ったことがある？」という
ニュアンスで使われます。 repay には「払い戻す・報いる」という
意味があります。
repay ～ for … で
「～に…のお返しをする」という意味を
表します。 be about to ～ で「まさに～しようと
して」という意味を表します。
I'm not about to ～. の形で使うと、
「～するつもりはない」という意味に
なります。 (It is) no wonder (that) ～ . で
「～は少しも不思議ではない」という
意味です。会話では「どうりで～・
だから～」のように使われます。 ruin には｢破壊する・損なう・台なしに
する」などの意味があります。
be ruined financially だと「経済的に
破たんする」、ruin one's health だと
「健康をそこなう」という意味に
なります。 without a doubt で「疑いなく・間違い
なく・たしかに」という意味を
表します。
without any doubt, without doubt
という形で使うこともあります。 It takes (人) an entire day to ～. で
「(誰かが) ～するのに丸一日かかる」
という意味です。
entire には「全体の・完全な・無傷の」
という意味があります。 make a ～ face で「～な顔をする」、
make a happy face なら「幸せな顔を
する」、make an angry face なら
「怒った顔をする」です。この場合は、
don't と一緒になって、「そんな顔を
しないで」ということです。 It's you. は「あなた（だったの）ね」
という意味で、日常会話でよく使われ
ます。
It's me. なら「私よ」となります。 around は「(何かの）周り」という
ことで、around here だと「この周り、
このあたり」という意味です。
around thereならば「そのあたり」
という意味になります。 tilt は「傾く・傾ける」という意味で、
この場合は動詞として使われています。
名詞として使うと、
｢傾く（傾ける）こと・傾斜」という
意味です。 in detail で「詳細に・詳しく」という
意味です。in complete detail なら、
「きわめて詳細に」、
in every detail なら「すみずみまで・
詳細に」という意味になります。 picky は「口うるさい・より好みする」
という意味で、be picky about ～ で
｢～にやかましい・～の好みがうるさい」
という意味で使われます。 be in trouble で「困っている」という
状態を表します。
be in deep trouble で「かなり困って
いる」、be in financial trouble で
「金銭的に困っている」という感じで
使われることもあります。 happen to ～ で「偶然～する・
たまたま～である」という意味を表しま
す。
疑問の形で、Do you happen to ～?
として「ひょっとして～ですか？」
という意味で使うこともできます。 right away で「すぐに・ただちに」
という意味です。
同じような意味合いで、right now という
表現もよく使われます。 直訳すれば「見知らぬ人にならないで」
ということですが、「他人にならないで」
つまり「他人じゃないんだから・
水くさいな」という意味で使われます。 otherwise は「さもなければ・
もしそうでなければ・別の状況では」
という意味を表します。
命令文の後に使うと「(～しなさい)
さもないと…」という意味です。 instant は日本語でもインスタントラー
メン等でおなじみですが、英語では
「瞬間・寸時・即刻」という意味です。
in an instant は「あっという間に・
即座に」、for an instant なら「少しの
間」という意味を表します。 feel better は「気分が（より）すっき
りする（している)」という意味です。
feel well, feel fine なら「気分が
よい」、feel ill, feel sick　なら
「気分がすぐれない」という意味に
なります。 compare は「比べる・匹敵する」という
意味で、compare ～ with… なら
「～と…を比較する」ということです。
文頭で Compared with ～, という形で
使われると、「～と比べると」という
意味になります。 mistake ～ for … で「～を…と間違
える・勘違いをする」という意味です。
be mistaken for ～ という受け身の
形で使われると「～と間違われる」
ということです。 useful は「役にたつ・有益な」という
意味です。
useful to ～ で「～にとって
有益な」という意味を表します。 bring back で「持ち帰る・引き戻す」
などの意味を表します。
ちなみに It brings back memories.
と言えば「記憶を引き戻す」つまり
「なつかしい」という意味になります。 take a deep breath で「深呼吸する」
という意味です。ちなみに
hold one's breath は「息を止める」、
recover one's breath なら
「息を整える」という意味になります。 I had to make my way through the crowd.
ひとごみをかき分けて歩かなければ
ならなかった。 Let's hurry back to the hotel.
急いでホテルに戻ろう。 He gave a sigh of relief when he got
back home.
彼は家に着いて、ほっと息をついた。 What's wrong with this door, I wonder?
このドア、どうしたんだろう？ You should repay her for her support.
彼女のサポートに報いらなくちゃね。 The train is about to leave.
電車が発車するところだ。 No wonder you are here.
だからあなたが　ここにいるのね。 They ruined my plan.
彼らが私の計画を台なしにした。 Without a doubt, it was the best way.
間違いなく、それが最良の方法だった。 Wow! It took you an entire day to
find the shop?
えっ！そのお店を見つけるのに丸一日
かかったの？ Stop making that face at him.
彼に向ってそんな顔をするのは
やめなさい。 John! It's you!
ジョン！あなたなのね！ The child was lost around here.
その子供はこのあたりで迷子になった。 He tilts his head to the question.
彼は質問に対して、頭を傾けた。 Could you describe the point in detail?
ポイントを詳細に説明して頂けますか？ My mother is picky about salad dressing.
私の母はサラダドレッシングの好みが
うるさい。 The old lady seems to be in trouble.
あの老婦人は困っているみたい。 Do you happen to have a map?
ひょっとして地図持っている？ I need to call the office right away!
すぐに会社に電話しないと！ Don't be a stranger. Just tell me.
水くさいな。話してよ。 Take a bus to the station.
Otherwise you'll be late.
駅までバスに乗りなさい。
じゃないと遅れるから。 Everyone left the room in an instant.
みんな、あっという間に部屋を
出て行った。 Do you feel better now?
少しはすっきりした？ Compared with Tokyo,
people in this town walk very slowly.
東京とくらべると、この街の人は
ずいぶんゆっくり歩いてるよね。 I mistook the restaurant for a museum.
そのレストランを美術館かと勘違いした。 This game is very useful
for learning English.
このゲームは英語学習に
とってもいいね。 What shall I bring you back as
a souvenir?
おみやげは何がいい？ Close your eyes and
take a deep breath.
目を閉じて深呼吸して。 

****************************************
_out_EN_325.txt
****************************************

﻿O   T  :   c  I   o  '   ~  D     z     :     %     )     )          `          2     `     )          ;     `   )  ;   ;  y   G  1   ]  6   h  /   s  5   |  a     c             |     r	     a
     F     M     ^
     *          O     C     W     E     B                                                                       s!     !     "     h"     "     a#     #  ?   &$  x   C$     x$  l   $     $     M%     %     %     ^&     &     '     '     (     I(     (     (     ")     _)     )     **  make a promise for a while sneak into ～ in sight Why Chicago? make the decision to～ go through make it stay ～ You win. close take notice of ～ avoid Well done! the first thing ～ proceed stiff work on ～ mind your manners hear of ～ make yourself at home in silence Calm down. your own new to ～ be absorbed in ～ recommend that ～ promise は「約束・見込み」という意味
で、make a promise with ～ で
「～と約束をする」、
make a promise to ～ で
「～する約束をする」という意味に
なります。 while には「時間・期間・間」という
意味があり、for a while で「しばらく」
という意味です。
for a long while なら「長い間」、
for a little while なら「少しの間」
という意味になります。 sneak は動詞で使うと「コソコソ歩く」
という意味です。
sneak into ～ なら「～の中へこっそり
しのびこむ」、sneak out of ～ なら
「～の中からそっと抜け出す」という
ことです。 sight には「視野・視界」という意味が
あります。
in sight で「見えるところに・視界の
中に」、
out of sight で「見えないところに・
視界の外に」という意味を表します。 文脈から主語や動詞が明らかな場合、
会話ではそれらが省略されることが
よくあります。ここでは、Why are
you going to Chicago? 「なぜシカ
ゴに行くの？」を、Why Chicago?
と単刀直入に聞いています。 decision には「決定・決心」などの意味
があり、make the decision to ～ で
「～することを決心する・決める」とい
う意味を表します。
alter one's decisionといえば「決心を
ひるがえす」という意味になります。 go through には文字通り「通り抜ける」
という意味のほかに、「経験する・切り
抜ける・終える・過ごす・きれいに
する」など多くの意味があります。 make it には「達成する・成功する・
目標を遂げる・間に合う・何とか都合を
つける」など多くの意味があります。
make it as ～ だと「～として
成功する」という意味にもなります。 stay ～ は「～のままでいる」という意
味で「違う場所や状態に移動しない」と
いう感覚です。stay young なら「いつ
までも若々しい」、stay calm なら「落
ち着いている」、stay still なら「そ
のままじっとして」ということです。 win は「勝つ」ということで、
You win. は文字通り「あなたの勝ち」
ということです。
口語では「君の言う通りにする・君には
負けた」というようなニュアンスで
よく使われます。 close には「(時間、空間的に) ～に
近い・迫っている」という意味がありま
す。ちなみに、a close contest は
「勝敗の危うい接戦」、close call は
「危機一髪・九死に一生を得る」という
意味の口語表現です。 take notice of ～ で「～に注意を払
う・～を気にとめる」という意味です。
ちなみに、sit up and take notice
というと「急に強い関心を寄せる・
目を見張る」という意味を表します。 avoid は「(望ましくない事柄や人物
から) 回避する・避ける・近寄らない」
などの意味があります。
「～することを避ける」と言うときは、
avoid to ～ ではなく、avoid ～ing
で表現します。 Well done! は「よくやった！・
でかした！」という意味です。
Good job! You did it! なども
同じような意味で、口語でよく
使われます。 the first thing ～ は「～の最初の
こと」という意味です。ちなみに、
first things には「ただちに・何はさて
おき」という意味もあります。
また、First thing first. は「重要な
ことから先に」ということです。 「進む・始める・続ける」という意味で
proceed to/onto/into ～ などで
「～へ進んで行く・入っていく」という
意味を表します。
proceed with ～だと「～を始める・
続ける」という意味になります。 stiff は「堅い・こわばった・思うよう
に動かない」という意味です。
stiff greeting なら「堅苦しい挨拶」、
have a stiff neck なら「肩（首）が
こっている」という意味になります。 work on ～ で「～取り組む・
取りかかる」という意味です。
また「(人に）影響を及ぼす・
（薬などが）効く」という意味で
使われることもあります。 日本語でも使う「マナー」ですが、
「行儀・作法」という意味では、
通常 manners と複数形が使われます。
mind は「気をつける」ということです。
good manners なら「行儀がよいこと」、
bad manners なら「無作法」です。 hear of ～ で「～について伝え聞く・
～のうわさを聞く」という意味です。
hear about ～ でも似通った意味を
表します。
hear from ～ だと「～から連絡を
もらう」という意味になります。 この場合の make は「(人や物を) ある
状態にする」という意味です。
yourself（ご自身）を
at home（自宅にいるような）状態に
してください、つまり「どうぞ
くつろいで」という定番表現です。 silence は「静けさ・無言・沈黙」
という意味です。
in silence で「黙って・無言で」
という状態を表します。
in dead silence 「しんと黙りこくって」
という言い方もあります。 「落ち着いて！・気を鎮めて！」という
意味で使われる定番表現です。
同じような意味で、
Pull yourself together. という言い方
もあります。 own は「自分自身のもの」という意味
です。my own ～ のように使うと、
「私自身が持っている～」と、自分が
所有していることを強調する役割をしま
す。on your own なら「あなた１人きり
で・独力で」という意味になります。 new は「新しい」ですが、new to ～ で
「～によく知られていない・
めずらしい」という意味を表します。
What's new to us? と言えば「(私たち
にとって) 何か変わったことある？」
という意味になります。 absorb には「吸収する・取り込む」
などの意味があり、be absorbed in ～
で「～に夢中になっている・
熱中している・没頭している」
という状態をあらわします。 recommend that ～ は、「～することを
勧める」ということです。
やんわりと「やめた方がいい」と
言いたいときには
wouldn't recommend that ～
という表現が便利です。 Don't make a promise you can't keep.
守れない約束はするな。 I was speechless for a while.
しばらく言葉が出てこなかった。 I saw a cat sneak into the kitchen.
猫がキッチンにそっと入っていくのを
見た。 The island is now in sight.
ただ今、島が視界に入りました。 A: I have to work overtime tomorrow.
　明日、残業しなきゃ。
B: Why tomorrow? It's your birthday.
　どうして明日なの？
  あなたの誕生日なのに。 Did you make the decision to
quit smoking?
たばこを　やめることにしたの？ I want you to know
what I went through.
私が何を体験したか、
あなたに知って欲しいの。 You made it!
やったね！ You should stay warm.
温かくしていなさい。 I give up! You win.
ギブアップだ！君の勝ちだよ。 It was a close call!
危機一髪だったよ！ I didn't take notice of him at all.
彼のことは、まったく気にとめて
いなかった。 Why are you avoiding me？
なんで私のこと避けてるの？ You got an A+! Well done!
Aプラスをとったのね！
すごいじゃない！ The first thing my dog does in the
morning is wake me up.
私の犬が朝一番にするのは、
私を起こすこと。 Please proceed to gate 19.
１９番ゲートにお進みください。 Something is wrong with the door.
It's so stiff.
ドアが何かおかしい。
開閉が思うようにいかない。 I'm busy working on the special
project.
特別なプロジェクトに取り組んでいて
忙しいんだ。 Our children need to learn
table manners.
うちの子供たちはテーブルマナーを
身につけなきゃね。 Have you heard of them?
彼らについて聞いたことある？ Have a seat. Make yourself at home.
座って。どうぞ、くつろいでね。 She stared at me in silence.
彼女は黙って私を見つめた。 Calm down. Let's talk.
落ち着いて。話をしましょう。 I've bought my own car.
自分で自分の車を買った。 That line of work was quite
new to me.
私はそのたぐいの仕事には
まったく慣れていなかった。 I was totally absorbed in my
reading.
すっかり読書に夢中になっていた。 I wouldn't recommend
that you accept the offer.
その申し出を受けることは
お勧めしないけど。 

****************************************
_out_EN_326.txt
****************************************

﻿E          :          d     ;     >     g     l          }         8  4   =  l   H  T   \  P   l  F   |  A     $     g          >          G                        
     
               
                         K     1     =     G     H     $     D     F          #                    C  s             $                     t            Q!     !     !     3"     |"     "     0#     #     #     b$     $     $     G%     %  refreshments bloom Good grief. nasty Speak of the devil step on ～ look for ～ all they need is ～ be frightened by ～ fake pull ourselves together over get to ～ spend too much time a bit depressed leave him alone to be honest count on ～ sneeze be impressed by ～ treat take a look There is no sense in ～ bound for ～ refresh（元気が回復する）の名詞形で
「軽食、茶菓子」の意味です。この意味
では通常複数形で使われます。
ちなみに、liquid refreshment は「飲
み物」、refreshment to the eyes なら
「目の保養」ということです。 動詞 bloom は「花が咲く」という意味
ですが、名詞として使うと、花そのもの
や最盛期などを意味します。
come into bloom で「咲きだす」、
in full bloom で「満開で」という意味
になります。 Good grief. は「やれやれ・あきれた・
まいった」などの意味で使われる決まり
文句です。grief には「深い悲しみ・
嘆き」といった意味があり、
be in deep grief だと「深い悲しみに
しずんでいる」ということです。 nasty には「汚れた・不快な・ひどい・
意地悪な」などの意味があります。
nasty smell なら「悪臭」、
nasty accident なら「重大事故」
という意味です。 speak of the devil は、
Speak of the devil, and he is sure
to appear.「うわさをすれば影」という
ことわざからきた口語表現で、
「うわさをすれば、ほらね」という
ニュアンスで使われます。 step on ～ は「～を踏む・踏みつけ
る」という意味です。
step on it と言えば「アクセルを踏み
込む・車を飛ばす」という意味の口語
表現で、Step on it! 「急いで！」
という場面でも使われます。 look for ～ で「～を探す」という
意味です。使い方により「(人や事を）
期待する・待ち受ける」という意味にも
なります。Look（ing) for trouble
だと「自ら厄介事を招く」という意味で
使われます。 all they need is ～ で「彼らに必要
なのは～だけだ」という意味で、この形
は普段よく使われます。
That's all you need to do.
「それだけすれば、いいんだ」という
表現もよく使われます。 frighten は「ぎょっとさせる・おびえ
させる」という意味で、自分がおびえた
場合は be frightened となります。
be frightened by ～ は「～を怖がる・
おびえる」という意味を表します。 fake は「偽造する・見せかける・
ふりをする」などの意味です。
fake it で「知ったかぶりをする・
虚勢を張る」という意味で使うことも
あります。 pull oneself together で「しっかり
する・立ち直る・自制心を取り戻す」
という意味で使われます。
pull together だけで、「協力する・
協調する」という意味で使われる
こともあります。 over には「終わって・過ぎて」という
意味があります。
all over with ～ となると、
「～はお終いで・～は見込みがなくて」
という意味を表します。 get to ～ で「～に達する・着く・
行く」という意味です。
get nowhere で「どこへも着かない」
つまり「まったく進展しない・
行き詰まっている」という表現も
あります。 spend は財産、資源、時間、労力などを
「費やす」という意味です。
spend too much time in ～ で「～に
たっぷり時間を費やしすぎる」という
意味ですが、口語では in が省略される
ことがよくあります。 depressed は「落ち込んだ」という意味
です。a bit depressed は「ちょっと気
がめいって」という感じ。a bit の
代わりに much, terribly, greatly
などを使うと「ひどく気がふさいで」
という意味になります。 leave ～ alone で 「～をそのままに
しておく・干渉しないでいる」という
意味を表します。
alone には solitary や lonely にある
ような「ひとりぼっちで悲しい」という
ニュアンスはありません。 to be honest は「正直に言って・
正直なところ」という意味でよく
使われます。to be frank（with you）
「率直に言わせてもらうと」なども
同じようによく使われます。 count には「数える・考慮に入れる・
みなす」などの意味がありますが、
count on～で「～をあてにする・頼る・
期待する」という意味になります。
Count on me! は「まかせておいて！」
という意味でよく使われます。 sneeze は「くしゃみする」という意味
の動詞ですが、give a sneeze,
let out a sneeze でも「くしゃみを
する」という意味になります。
ちなみに、くしゃみの音「ハクション」
は achoo と表現します。 be impressed by ～ で「～に感動
する・感銘を受ける」などの意味を
表します。
be favorably impressed で「好印象を
抱く」という表現もあります。 treat には「ごちそうする」という意味
があります。「～に…をおごる」という
場合は、treat ～ to … という表現を
使います。He treated me to a drink.
なら「彼は私にお酒を一杯ごちそうして
くれた」という意味です。 take a look で「見る・見てみる」
という意味を表します。
look の前に形容詞をつけて、
take a close look at ～
「～をよく見る」という表現も
できます。 sense には「意義・意味・価値」などの
意味があり、there is no sense in ～
で「～には意味(価値) がない」という
ことです。ちなみに「ある意味で」は
in a sense、「あらゆる意味で」は
in every sense で表現できます。 bound は「～行きの・～を目指す・
～途上にある」という意味を表します。
「シカゴ行きの電車」は通常
train bound for Chicago ですが、
Chicago-bound train と表現する
場合もあります。 They served light refreshments.
ちょっとした茶菓子が出された。 These flowers bloom every two years.
この花は一年おきに咲く。 Good grief. Not again!
やれやれ、またか！ Why is he so nasty to his brother?
どうして彼は弟にそんなに
意地悪なんだろう？ Speak of the devil, I've got a
call from her.
うわさをすれば、彼女から電話だわ。 Someone is stepping on my toe!
誰かが私の足を踏んでる！ The puppy is looking for his mother.
子犬が母犬を捜している。 Ten dollars a day, that's all I need.
１日に１０ドル、それだけあれば十分だ。 The baby was frightened by the roar
of a motorcycle.
オートバイの爆音に赤ん坊がおびえた。 He didn't hurt his arm.
He's just faking it.
彼は腕を痛めてなどいない。
ふりをしてるだけ。 She pulled herself together
immediately.
彼女はすぐに自制心を取り戻した。 Is the game over yet?
その試合はもう終わったの？ Call me when you get to the station.
駅に着いたら電話してね。 You spend too much time cooking.
料理に時間をかけすぎだよ。 She was a bit depressed at the news.
そのニュースに彼女はちょっと
落ち込んだ。 Don't leave the child alone.
子どもを１人きりにさせたらダメよ。 I didn't like the teacher, to be honest.
先生は好きじゃなかった、
正直なところね。 We are counting on your success.
君の成功を期待しています。 Sneezing again?
You should go see a doctor.
また、くしゃみしてるの？
お医者さんに行ったほうがいいよ。 I was deeply impressed by his story.
彼の話に、大いに感動した。 She always treats me.
彼女はいつも、ごちそうしてくれる。 Come closer and take a look.
もっと近くに来てよくみてごらん。 There is no sense in asking him for
advice.
彼にアドバイスを求めても無駄。 That ship is bound for Europe.
あの船はヨーロッパ行きです。 

****************************************
_out_EN_327.txt
****************************************

﻿+     z     :   '     2  %   8  A   @     L  K   Q  Q   `     o  Z     E     h     e     K     M     &     D     d     R     1   %  y   /  [   E     X  #   u  l   |  =     6     :     2             	     
               
                    w     h          Q     D          8                                                        d!     "     a#     x$     }%     %     &     &     &     N'     '     (     _(     (     )     )     )     :*     *     
+     }+     +     ,     h,     ,     -     s-     -     .     _.     .     -/     /     0  get lost take one step forward atmosphere clear whisper come across howl you better ～ for one's sake Will you do me a favor? hang out with ～ be scattered give ～ the shivers by the name of ～ Good riddance! anyone but ～ beeping doesn't work be cornered by ～ not particularly be raised none of your business It was ～ who … clear one's misunderstanding nearby at a loss for words glare at ～ pass away so that ～ in a daze get lost は「迷子になる・道に迷う」
という意味ですが、Get lost! というと
「失せろ！・消えてなくなれ！」という
意味の口語表現になります。
この lost を使って、lost child
「迷子」という表現もあります。 take one step forward で「一歩足を
進める」という意味です。
「２、３歩あるく」は、
take a few steps と表現します。
only a step away といえば、「ほんの
目と鼻の先」ということです。 atmosphere には「大気・空気」の他に
「雰囲気・(特定の場所や物の）感じ」
などの意味もあります。
a cafe with a Parisian atmosphere
といえば「パリのような雰囲気のある
カフェ」という意味になります。 clear には「片づける、取り除く」とい
う意味があります。
Would you clear the table, please?
なら「テーブルを片づけていただけます
か？」という意味でレストランなどでよ
く使われる表現です。 whisper には「ささやく・耳打ちする・
こそこそ話す」などの意味があります。
whisper to ～ で「～に耳打ちする」、
whisper about ～ で「～について密談
する」というように使われます。 come across には「横切って来る」の他
「(考え・表情が) よぎる・
(偶然) 出くわす・見つける」など、
多くの意味があります。書き言葉では、
同じ意味合いで come upon という
表現が使われることもあります。 howl には「(犬や獣の）遠ぼえ・
(風などの）うなり・うめき声・
(軽蔑の）笑い声」などの意味が
あります。
口語では「笑いをさそうもの」という
意味で使われることもあります。 you (had) better ～ は
「～すべきだ・～した方がいい」という
意味の口語表現です。
should よりも強い表現ですので、
目上の人には使わない方が無難です。 for one's sake で「～のため・～の目的
で」という意味で使われます。
for safety's sake なら「安全のため」
for convenience's sake なら「便宜上」
という意味を表します。 favor には「親切な行為・世話」などの
意味があり、Will you do me a favor?
は比較的カジュアルに何かをお願いする
表現です。Could I ask you a favor?
というと、もう少し丁寧になります。 hang out は口語で「頻繁に訪れる・
ウロウロする」という意味で使われる
ことがあります。hang out with ～ は
「～と一緒にウロウロする・つるむ」
ということです。hang out in/at ～
だと「～で、たむろする」です。 scatter には「まき散らす」という
意味があります。
scatter one's money about といえば
「金をあちこちに、ばらまく・湯水の
ように使う」ということです。 shiver は「震え」という意味で、恐怖
からくる震え、身震いの他、発熱など
による悪寒の場合にも使えます。
give ～ the shivers は「～を、ぞっと
させる」という意味で使われます。 by the name of ～ で「～という名の」
という意味です。ちなみに real name
といえば「本名」、false name なら
「偽名」、the official name は
「正式名称」を意味します。 riddance は「除去・免れること・
脱出」などの意味です。Good riddance.
は「いなくなって、せいせいした・厄介
払いが出来た」ということですが、
Good riddance to bad rubbish. という
イディオムが短くなったものです。 anyone but ～ は主に否定の文で使われ
「～のほかは誰も（…ない）」という
意味を表します。
人ではなく、物や事柄について言う
ときは anything but ～ を使います。 beep は「(警告音を) 鳴らす」という
意味で、車のクラクションやブザーの
音もこれで表すことが出来ます。
名詞で使うと、「ビーッという音・
発信音・信号音」という意味に
なります。 work には「働く・作動する・うまく
いく」などの意味があります。
Let's see if it works. と言えば
「うまくいくか見てみよう」という
意味になります。 corner は「角」ですが、動詞として
「～を窮地に追いやる・追い詰める」
といった意味でも使われます。
in a tight corner で「苦しい立場・
境遇におちいって」という表現も
あります。 particularly は「特に・とりわけ・
著しく」という意味で、似たような言葉
に especially があります。
Not particularly. という形だと「特別
なことはないよ」という意味合いで、
日常会話でよく使われます。 raise には「植物を栽培する、動物を
飼育する」という意味があり、
be raised で「育てられた」ということ
です。「人間を育てる」という意味も
ありますが、人に対しては
bring up を使う方が一般的です。 business には「干渉すべきこと・
関わり合いのあること」という意味が
あります。None of your business. は
「あなたには関係のないこと・余計な
口出しをするな」という意味で、
日常よく使われる表現です。 It was (is) ～ who … で「…した（す
る) のは ～ だ」という意味です。単に
「誰かが … した（する)」というの
ではなく、その行為をした人をより強調
したいときによく使われる表現です。 clear one's misunderstanding で
「～の誤解を解く」という意味です。
misunderstanding about/of ～ だと
「～についての誤解」という意味で
使われます。 nearby は「すぐ近くの・隣接した・
手近な」という意味です。
～ is located nearby.
「～はすぐ近くにあります」のように
使うことも出来ます。 at a loss for words は「何と言って
いいかわからない」という意味で
よく使われる表現です。
同じような意味で、Words fail me.
「言葉にならない」という表現も
あります。 glare には「ぎらぎら光る・反射する」
という意味ですが、at, on, upon ～
の形で、「～をにらみつける」という
意味にもなります。主に、「怒りや
憎悪などをにらみつけて表現する」
というニュアンスで使われます。 pass away は「過ぎ去る」ということ
ですが、「死亡する」という意味でも
使われます。
die の遠まわしな表現として、お悔やみ
のメッセージなどで使われます。 so that ～ は「～するために」と
目的を表したり、「それで・だから～」
と結果を述べるときに使います。
ちなみに、so … that ～「とても…
なので～」という表現とは別物なので
使い方を区別しましょう。 daze は「ぼうっとした状態」を表す
言葉で、in a daze で「ぼうっとして・
当惑して」という意味です。
be dazed by/with ～ だと、
「～によって、ぼうぜんとする・
気が遠くなる」ということです。 What if I get lost?
道に迷ったら、どうしよう？ Take one step forward.
The view is beautiful.
一歩前に出てごらん。良い景色だよ。 I couldn't stand the tense atmosphere.
あの緊張した雰囲気には
たえられなかった。 He made the police clear the crowd.
彼は警察に群衆を追い払わせた。 She whispered something,
but I couldn't catch it.
彼女が何かささやいたが、
私には聞き取れなかった。 I luckily came across the shop.
幸運なことに、偶然その店を見つけた。 He says he heard a howl from the
basement.
地下室からうめき声が聞こえたって
彼が言ってるよ。 You better ask someone else.
誰か他の人に聞くべきだよ。 I chose this road for his sake.
彼のために、この道を選んだ。 Will you do me a favor?
Bring me a bath towel, please.
お願いしていい?
バスタオルを持ってきて。 I used to hang out with them when
I was a teenager.
１０代のころは彼らと付き合っていた。 Fallen leaves are scattered
all over the street.
道路一面に落ち葉が散らばっている。 His story gave everyone the shivers.
彼の話に、みなぞっとした。 The stray cat goes by the
name of Shiro.
その野良ネコは「シロ」という名前で
通っている。 Good riddance!
They're gone forever!
せいせいした！
もう彼らは二度と来ない！ I don't want to show this photo to
anyone but my sister.
この写真は妹以外の誰にも見せたくない。 Isn't something beeping in your bag?
あなたのバッグの中で何か鳴ってない？ The old clock doesn't work.
その古い時計は動かない。 The mouse was cornered by the cat.
ネズミが猫に追い詰められた。 I don't have any questions,
not particularly.
特に質問はありません。 My dog was raised with the cats.
うちの犬は猫たちと一緒に育ちました。 Stop preaching! It's none of
your business.
お説教はやめて。大きなお世話だから。 It is you who called me.
電話をかけて来たのはあなたでしょう。 You should clear this misunderstanding.
君はこの誤解を解くべきだ。 Drop me off at a nearby station.
最寄の駅で降ろしてください。 Don't say you were at a loss for words.
何て言っていいのか、わからなかった
なんて言わないでよね。 She glared at him for an instant.
彼女は一瞬、彼をにらみつけた。 Her father passed away in September.
彼女のお父さんは９月に亡くなった。 I'm hurrying so that you can catch
the train!
あなたを電車に間に合わせるために
急いでるんでしょ！ He closed the door in a daze.
彼は、ぼうぜんとしてドアを閉めた。 

****************************************
_out_EN_328.txt
****************************************

﻿D     i     '   *  :   2  q   >  M   S     b  )   h  ;   r  P   ~       t     H     "     -     R               a     r     D   #  )   2  J   :  /   J  <   T     `  Q   f  L   v  )     k             	     
               
                              H                    	               z     }          M     a     i     #     B      0!     "     '#     4$     @%     %     7&     &     '     y'     '     W(     (     a)     )     *     w*     *     <+     +     
,     M,     ,     -     -     -     .     '/     /     /     [0     0  z   ;1     p1  pieces of ～ on the front of ～ complex just as ～ for someone so small full of energy lying while ～ used to ～ tell the future quite catch one's attention break the ice relieve turn out be eager to ～ gifted What really counts is ～. be reminded of ～ have much to do with this is simply open to lead ～ to … roll down see ～ off right put ～ through wander around wear ～ stopped the quarrel a piece of ～ は「～の一片、一部分」
で pieces of ～だと「～のいくつか」
というニュアンスです。後ろには、
cake や ice といった具体的な物がくる
場合と、knowledge（知識）のように
抽象的な事柄がくる場合があります。 front には「最前部・表面・前方」など
の意味があり、on the front of ～ で
「～の表に・前面に」という意味です。
ちなみに、in front of ～ は
「～の前に」、in the front of ～ は
「～の前方部分に」という意味です。 complex には「複雑な・入り組んだ・
もつれた」などの意味があります。
「複合体」という意味もあり、
総合レジャー施設などを
leisure complex と呼ぶことも
あります。 as ～ は様々な意味で使われますが、
この場合は「～の時」ということです。
just as ～ は「まさに～の時」という
ように、より同時性を強調したい
場面で使われます。 この場合の for は「～としては」
という意味で使われています。
for someone so small なら「そんなに
小さい人の割には」というニュアンスで
so small の代わりにいろいろな言葉を
入れることができます。 full of energy で「元気いっぱいの・
エネルギーに満ち溢れた」という意味
です。
full of fight なら「闘志満々」、
full of complaints なら
「不満だらけ」という意味になります。 lying は lie の ing形で、「(水平に、
横に) 置かれている」という意味です。
「一時的に置いてある」という
ニュアンスを含んでいます。
let it lie で「成り行きにまかせる」
という表現もあります。 while ～ には「～の間ずっと・～のうち
に・～する一方」などの意味があります。
Make hay while the sun shines. なら
「日の照るうちに干し草を作れ」つまり
「好機を逃すな」と言う意味です。 used to ～ は「(以前は) よく～した、
～する習慣だった」という意味で、
「今はそうではない」というニュアンス
があります。
get/be used to ～「～に慣れて」とは
違う意味なので注意しましょう。 tell the future で「未来を予言する」
という意味です。
同じような表現で、
foretell the future という言い方が
ありますが、これは「人の運勢を占う」
という意味です。 quite は「まったく・すっかり」
という意味ですが、not quite という
形で「完全には～ない・すべて～では
ない」という意味でも使われます。 catch one's attention で「～の注意を
ひく」という意味です。
catch のかわりに get, attract, draw
などの動詞が使われることもあります。 break the ice 直訳すると「氷を壊す」
ですが、「堅苦しい雰囲気をほぐす・
(問題解決などの) 糸口を見つける・
(話の) 口火を切る」という意味でも
使われます。icebreaker で「場を
なごます人」という表現もあります。 relieve には「楽にする・ 解放する・
ほっとさせる」という意味があります。
be relieved で「ほっとした」、
seem relieved で「ほっとしたようだ」
という意味を表します。 turn out ～ には「～の結果になる・
～だとわかる」という意味があります。
how it will turn out で「(物事が)
結局どうなるのか」ということです。
as it turned out 「結局のところ」
という表現もあります。 be eager to ～ で「しきりに
～したがっている」ということです。
ちなみに、be eager in/about ～ なら
「～に熱心である」という意味を
表します。 gift は「贈り物」ですが、「天からの
贈り物＝天賦の才能」という意味でも
使われます。
gifted ～ は、「優れた才能のある～」
ということです。 count には「重要である」という意味が
あり、What really counts is ～. で
「本当に価値があるのは～だ」という
ことです。
It is ～ that really counts. でも
同じ意味を表現できます。 remind には「思い出させる・
気付かせる」という意味があり、
be reminded of ～ で「～を思い出す・
思い起こす」ということです。
That reminds me! 「それで思い
出した！」という表現もあります。 to do with ～ は「～と関係がある」、
have much to do with ～ で「～と
大いに関係がある」ということです。
have something to do with なら「いくら
か関係がある」、have nothing to
do with なら「関係がない」です。 simply は「簡単に・単に・質素に」
という意味ですが、This is simply ～.
だと「これは単なる～です」ということ
で、日常よく使われる表現です。 open は「開いている」ということで、
open to ～ で「(意見・考え・提案な
どを) 受け入れる用意がある」という意
味で使われることがあります。
open mind 「偏見のない心・広い心」
という表現もあります。 lead ～ to … で「～を…へ案内する・
導く」という意味で、be led to …
「…へ導かれた」という形もよく使われ
ます。I was led to the conclusion
that ～. なら「～という結論に達した」
ということです。 roll には「転がる・(涙・水滴が）
落ちる」という意味があります。
涙がほほを伝って落ちて行く様子は、
roll down や roll off で表せます。 see ～ off は「～を見送る」という
ことです。see ～ out も同じような
意味で、「(来客を) 出口まで見送る」
ということです。I'll see myself out.
で「わざわざお見送り頂かなくて大丈夫
です」という表現もあります。 right には「きっかり・ちょうど」とい
う意味があり、right in front of ～
で「ちょうど目の前に」という意味を
表します。「ちょうど真ん中」は
right in the middle で表現できます。 put ～ through には「～に（訓練・
試練などを）受けさせる」などの意味が
あります。
put a person through it で
「(白状させるために)徹底的に調べる」
という表現もあります。 wander は「歩き回る・ぶらつく・
さまよう」という意味で、
wander around で「あちこち歩き回る・
ぶらつきまわる」ということです。
wander off だと「道に迷う・わき道へ
それる」という意味になります。 wear ～ で「～を身につけている」
ということです。衣服や装飾品だけで
なく、perfume (香水), beard (ひげ)
なども wear で表現できます。
wear one's hair long といえば
「髪を長くしている」という意味です。 quarrel は「けんか、口論、不和」とい
う意味で、stop the / a quarrel は「
けんかを止める」です。have a quarrel
with ～ で「～とけんかをする」、
make up a quarrel で「仲直りをする」
という表現もあります。 Fine pieces of work are on display
at the entrance hall.
エントランスホールにすばらしい作品が
飾られている。 I can't read the letters on the
front of the envelope.
封筒の表に書かれている文字が読めない。 The story was too complex to
catch up with.
話が複雑すぎて、ついていけなかった。 Just as we finished talking,
the door bell rang.
話が終わったちょうどその時、
玄関の呼び鈴がなった。 The child has good manners for someone
his age.
あの子は幼い割にはお行儀が良い。 She is always full of anxiety.
彼女はいつも気をもんでばかりいる。 The book lying on your desk is what
I've been looking for.
君の机に置いてあるあの本を、
僕はずっと探してたんだ。 All the while I'm not home,
my dog is sleeping on my bed.
私が留守の間中ずっと、
犬が私のベッドで寝ている。 I used to drink a cup of coffee
before going to bed every day.
以前は、毎日寝る前にコーヒーを
１杯飲んでいた。 Do you think she can really tell the
future?
本当に彼女が未来を予言すると思う？ I haven't quite finished my dinner.
まだ夕食を食べ終わってはいない。 He tries so hard to catch her attention.
彼は必死に彼女の気をひこうとしてる。 He made a joke to break the ice.
緊張をほぐすために、彼は冗談を言った。 He looked relieved after finishing
his speech.
彼はスピーチを終えて
ほっとしたみたい。 The ugly duckling turned out to be a
beautiful swan.
みにくいアヒルの子は
美しい白鳥になりました。 She is eager to go abroad.
彼女はしきりに外国へ行きたがっている。 She was a gifted child.
彼女は才能のある子供だった。 What really counts is to feel
comfortable.
本当に大事なのは心地よいと感じる
ことだ。 I was reminded of the house we used to
live in.
昔住んでいた家を思い出した。 The news had much to do with his family.
それは彼の家族に大いに関係している
ニュースだった。 This is simply an example.
これはただの例だから。 He is open to our suggestion.
彼は我々の提案を受け入れる用意がある。 You can lead a horse to the water,
but you can't make him drink.
馬を水場に連れていくことはできても、
水を飲ませることはできない。
（機会を与えることはできても、強制は
できない、という英語のことわざ） I saw teardrops rolling down her cheeks.
涙が彼女のほほを伝って落ちるのを見た。 Did you go all the way to the
airport to see her off?
彼女を見送りにわざわざ空港まで
行ったの？ I'll come back right here by five.
５時までにはこの場所に戻ってくるから。 I didn't mean to put you through
so much.
きみにそんな苦労をさせるつもりは
なかった。 He wandered around town just to
kill time.
時間つぶしのため、
彼は街中をぶらぶら歩き回った。 Does he wear glasses?
彼、眼鏡をかけてる？ It takes two to make a quarrel.
相手がいなくては、
けんかもできない。(ことわざ) 

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     %     K                         }                         1                         )                          !     n!     !     "     "     "     '#     #     #     G$  x   $     $     %     %     %     ?&     &     '  l   '     '     .(     (     (     0)     )     *  go to sleep commotion among ～ safe sternly be aware of ～ follow you It was (not) wise of you to ～. Once a stray, always a stray. be careful in ～ be taken as ～ harsh dawn be lit by settle down find a way to ～ grateful somewhat uneasy be dressed in ～ come and go getting weaker wrong way figure out get ready start off fool around Good heavens! give up on go to sleep は「眠りにつく・寝入る」
という意味です。
まず go to bed（床につく）して
go to sleep（眠りにつく）し、
朝まで sleep（眠る）する、という
流れです。 commotion には「騒動・動揺・混乱」
などの意味があり、commotion among ～
で「～同士の騒動」ということです。
cause a commotion 「騒動を引き起こ
す」という表現もあります。 safe は「安全な・安心できる・
無事に」という意味です。
play it safe で「用心深くやる」
safe and sound で「つつがなく」
という表現もあります。 stern は「厳格な・容赦ない・険しい」
という意味で、sternly は「厳格に・
厳しく」ということです。
「～にきつくあたる」というときは
(be) stern with ～ という表現を
使うこともできます。 be aware of ～ で「～に気づいている・
承知している」という意味です。
be well aware として、「ひしひしと
感じている・十分に承知している」
という言い方もできます。 follow には、「(話・議論などを)
追っていく・理解する」という意味が
あります。
I don't quite follow you. は
「おっしゃることが、よくわかりません」
という意味で使われる表現です。 wise は「賢明な・思慮分別のある」
という意味で、It was wise of you
to ～. で「～したのは賢明だったね」
ということです。It was not wise …
だと、「…したのはまずかったね」と
いうニュアンスです。 once には「いったん」という意味があ
り、stray は「野良(犬／猫）」です。
Once a stray, always a stray. は直訳
すると「いったん野良になったらいつも
野良だ」つまり「野良犬／猫はしょせん
野良犬／猫」ということです。 be careful in ～ で「～に気をつける・
気に掛ける」という意味です。
in のかわりに of や about が使われる
場合もあります。 take … as ～ には「…を～と思う・
見なす」という意味があり、
I'm taken as his same kind. のように
受け身の形で使われると「彼の同類か何
かと私は思われている」というニュアン
スです。 harsh は言動や態度が「手厳しい・
しんらつな」という意味です。
be harsh on ～ で「～に厳しくする」
という使い方もできます。 dawn に「夜が明ける・始まる」
という意味です。名詞として使うと、
「夜明け・事の始まり」などの意味に
なります。
from dawn till dark で「夜明けから
日暮れまで」という表現もあります。 be lit by ～ で「～に照らされた」
という意味で、light を受け身で使った
表現です。light は動詞で使うと、
「点火する・照らし出す・輝かせる」
などの意味があります。 settle down は、「気持ちが
落ち着く」という意味です。
他に「(ものが) 固まる・結婚して
身を固める」などの意味でも使います。
settle down to ～ で「～に没頭する」
という言い方もできます。 find a way は「道・手段を見つける」
ということです。find a way to Japan
のように、後ろに場所がくる場合と、
find a way to become rich「金持ちに
なる方法を見つける」のように、後ろに
動詞がくる場合があります。 grateful は「感謝している・
ありがたいと思う」という意味です。
丁寧にお願いする時に、
I would be grateful if you would ～
「～していただけると大変ありがたいの
ですが」という表現も使われます。 somewhat は「少し、いささか」という
ことで、uneasy は「不安な、楽ではな
い」という意味です。
somewhat uneasy で「少し不安、なんと
なく不安」という気持ちを表します。 be dressed in ～ で「～を着ている」
という意味です。
後ろに「色」がくると「～色の服を
着ている」という意味で使われます。 come and go は「行ったり来た
りする」です。
come-and-go で「去来・行き来」
という意味の名詞で使われることも
あります。 get には「～になる」という状態の変化
を表す使い方があり、be getting とす
ると「だんだん～になっている」という
感じです。getting stronger は「だん
だん強くなる」、getting complicated
なら「徐々に複雑になる」です。 wrong は「間違った・不適切な」という
意味です。take a wrong bus なら
「間違ったバスに乗る」、
have the wrong man は「人違いをする」
have the wrong number なら
「間違い電話をする」という意味です。 figure は「形・図形・数字」という
意味ですが、動詞としても使われます。
figure out は「計算する・考え出す」
ということです。ちなみに、
figure in ～ は「～を計算（考慮）に
入れる」という意味です。 get ready は ready（準備出来た状態）
に get（なる）、つまり「用意する・
支度をする」ということです。
ちなみに、Are you ready to order?
「ご注文はお決まりですか？」はレスト
ランなどで聞かれる定番表現です。 start off で「動き出す・始まる・
取りかかる」という意味です。
start out も、ほぼ同じ意味合いで
使われます。 fool は「愚か者」ということですが、
動詞として「ばかなまねをする」という
意味でも使われます。
fool around は「ふざける・おどける」
ということですが、「だらだらと時間を
浪費する」という意味でも使われます。 Good heavens! は「おやまぁ！」と
いう意味で、驚きを表す表現として
使われます。
Thank heavens! で「よかった！」、
for heaven's sake で「お願いだから」
という表現もあります。 give up on は「見切りをつける・
愛想をつかす」という意味です。
give up on one's life といえば
「(絶望して) 人生を見限る・どうでも
いいという気持ちになる」という
意味になります。 They have already gone to sleep.
彼らはすでに眠りについていた。 Who caused the commotion last night?
昨夜の騒動を引き起こしたのは誰だ？ Better safe than sorry.
後悔するより安全が第一。
（英語のことわざ） He said "no" so sternly.
彼は「ダメだ」と、
とてもきびしく言った。 Is the teacher aware of my absence
yesterday?
私が昨日いなかったこと、
先生は気づいてる？ Do you follow me?
私の言ってることが、わかりますか？ It was wise of you to keep silent.
沈黙を守り続けたのは賢かったね。 Once a friend, always a friend.
一度友だちになったら、
ずっと友だちだよ。 Be careful in using that knife.
そのナイフを使うときは気をつけてね。 I don't mind to be taken as a
strict mother.
こわいお母さんだと思われても
かまわない。 Is the punishment too harsh?
その罰は厳し過ぎない？ It dawned at last.
ようやく夜が明けた。 The tower was lit up mysteriously.
そのタワーは神秘的に
照らし出されていた。 The puppies will settle down and
go to sleep soon.
子犬たちも、そのうち落ち着いて
寝つくでしょう。 I need to find a way to contact her.
彼女に連絡をとる手段を見つけなきゃ。 I'm grateful for your help.
お手伝いいただき、感謝しています。 If you feel somewhat uneasy,
just tell me.
何となく落ち着かないのなら、
そう言ってください。 The girl is always dressed in yellow.
その女の子はいつも黄色い服を着ている。 He just comes and goes as he pleases.
彼はほんとうに自分勝手です。
（彼は好きなように
　行ったり来たりする。） It's getting dark.
暗くなってきたね。 I'm afraid you've got the wrong number.
電話番号をお間違えだと思います。 I can't figure out why she doesn't
answer my call.
なぜ彼女が僕からの電話に出ないのか
わからない。 We are getting ready to start now!
始めますよ！ You can start off with something easy.
簡単なものから始めればいい。 It seems to me that you are just
fooling around every day.
おまえは毎日ぶらぶら過ごしている
ようにしか見えない。 Good heavens! I didn't know that.
おやまぁ！知らなかったわ。 Don't give up on him!
彼のことをもう少し信じてあげて！ 

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_out_EN_33.txt
****************************************

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_out_EN_330.txt
****************************************

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     F     T     I
     f     m     K     $          !     :     D     b     %                                             {          .                  X!     !     "  |   "     "     `#     #     $     >$     $     $     %     %     \&     &  a   
'     6'     x'     '     !(  be worried about ～ nowhere to be seen with a ～ expression somehow fall asleep  all of a sudden no point in ～ Suit yourself. the same as always nest the hustle and bustle remain ～ rush to ～ what's happened to ～ aroma hate to ～ from the bottom of his heart share ～ with … won't get you anywhere get hold of ～ play dumb nothing to ～ go bad in good health endure be worried about ～ で「～のことを
心配する・気に病む・悩む」という意味
です。about のかわりに over が使われ
ることもあります。「心配しないで」と
いう意味で Don't worry. という表現は
日常会話でよく使われます。 nowhere は「どこにも～ない」という意
味で、nowhere to be seen は「どこに
も見当たらない」ということです。
「どこにも見つからない」という意味で
nowhere to be found などの表現を使う
こともできます。 expression は「表現」という意味で、
「表情・声の調子」という意味でも
使われます。with a ～ expression は
「～な表情・顔つきで」ということで
す。 somehow は「どういうわけか・
何となく・何とかして」という意味で
使われます。
Somehow I feel different today.
なら「今日はどういうわけか、いつもと
は違う気分です」ということです。 fall asleep で「眠りに落ちる」つまり
「寝入る」という意味です。
眠っている、という状態は、be asleep
で表現します。ちなみに、
fast/sound asleep は「ぐっすり寝て」
half asleep は「うとうとして」です。 all of a sudden で「突然・前触れもな
しに」という意味の決まり文句です。
sudden には「思いがけない・突然の」
という意味があり、a sudden rain
といえば「にわか雨」という意味です。 point は「要点・核心・意味」など様々
な意味合いで使われる言葉です。
there is no point in ～ なら「～には
意味がない」ということです。
What's the point?「要するにどういう
こと？」という表現はよく使われます。 suit には「～に合わせる・適する・
都合がよい」などの意味があります。
Suit yourself. は「自分自身に
合わせて」ということから、
「勝手にして・好きなようにして」
という意味で使われます。 the same as always で「いつもと同じ
ように・相変わらず」という意味です。
How's it going? などのあいさつに、
The same as always. 「いつも通り」
と答えることもできます。 nest は「巣・住みか・居心地の良い場
所」などの意味です。
leave the nest で、「巣立つ」つまり
「親の家から出て独立する」という
意味で使う場合もあります。 the hustle and bustle は「押し合い
へしあいの雑踏・喧騒」という
意味です。
hustle には「張り切ること」、
bustle には「活気・ざわめき」という
意味があります。 remain ～ で「～の状態のまま残る・
とどまる」という意味を表します。
stay ～ にも同じ意味がありますが、
remain は「周囲の変化に対し残る」、
stay は「他の場所や状態に移動せず
とどまる」というニュアンスです。 rush には「急いで行く・押し寄せる」
という意味があり、rush to ～ で
「～に殺到する・に駆けつける」という
意味です。rush は名詞としても使われ
with a rush なら「どっと一度に」
in a rush は「急いで」です。 happen には「起こる・生じる・ふりか
かる」などの意味があり、
what's(what has) happened to ～？ は
「～に何があったの？」ということです。
what happened to ～? と過去形が使わ
れることもよくあります。 aroma は「(ワインや料理・花などの)
よい香り・芳香」という意味です。
fragrance も「芳しさ」という意味で
同じような意味合いで使われます。
ちなみに smell は「匂い」で、
「悪臭」という意味でも使われます。 hate to ～ で「～することをきらう・
いやだと思う」という意味です。
I hate to mention it, といえば
「言いたくはないんだけど」という
意味です。 bottom には「底・裏・本質」などの
意味があります。
from the bottom of one's heart は
「心の底から」という決まり文句です。 share は「分ける・分かちあう」という
意味で、share ～ with … で
「～を…と分ける」という意味です。
share を名詞として使うと、「共有・
分け前・役割」という意味になります。 anywhere は否定文の中で使われると、
「どこへも・どこにも」という意味に
なります。～ won't get you anywhere
で「～はあなたをどこにも連れて行かな
い」つまり「結論は出ない・どうしよう
もない」などの意味を表します。 get hold of ～ で「～を手に入れる」
という意味で使われます。
hold には「つかむ」という意味がある
ので、単純に get「手に入れる」という
よりも、がっちりと手に入れる
ニュアンスが含まれます。 dumb は「おろか者」という意味で、
play dumb で「おろか者のふりをする」
つまりは「とぼける」という意味を
表します。play を使って、
play sick「仮病を使う」という表現も
あります。 nothing to ～ で「～することが何も
ない・少しもない」という意味を
表します。
It's nothing to laugh at. といえば
「笑いごとじゃない」という意味です。 go ～ には「～の状態になる」という意
味があり、go bad は「悪くなる」とい
うことです。この go ～ は、主に悪い
状態になるときに使われる表現で、
go astray「行方不明になる」、go dry
「パサパサになる」などで使われます。 in ～ health で「～の健康状態で」
という意味なので、in good health は
「健康な状態で」ということです。
in bad health「不健康な」
in poor health「健康を害して」などの
使い方もあります。 endure には「耐える・持ちこたえる」
などの意味があります。
endure working conditions なら
「職場の環境に耐える」です。 You don't have to worry about it.
心配しなくていいよ。 The hotel he mentioned is nowhere to
be seen.
彼が言っていたホテルはどこにも
見当たらない。 With a sad expression,
she left the room.
悲しそうな顔で、
彼女は部屋を出て行った。 Somehow I feel uneasy here.
なんとなく、ここは落ち着かない。 He fell asleep while he was
watching the DVD.
そのＤＶＤを見ている間に彼は
寝入ってしまった。 The baby started crying all of a sudden.
突然赤ん坊が泣きだした。 There would be no point in
asking them for their help.
彼らに助けを求めても意味がないだろう。 I don't want to waste my time anymore.
Suit yourself.
これ以上時間を無駄にしたくないから。
勝手にして。 A: How have you been?
　どうしてた？
B: The same as always.
　相変わらずだよ。 He finally decided to leave the nest.
彼はようやく実家を出て独立することを
決めた。 Can you hear the hustle and bustle in
the back street?
裏通りからざわめきが聞こえない？ She remained silent.
彼女は黙ったままだった。 He rushed into the train.
彼は電車に飛び乗った。 Then what happened to them?
それから彼らに何があったの？ Enjoy the aroma first when you
have wine.
ワインを飲むときは、
まず香りを楽しんで。 Actually, I hate to tell you,
but I hate talking on the phone.
実は、言いたくないんだけど、
電話で話すのって苦手なんだ。 He respects his grandfather from the
bottom of his heart.
彼は自分の祖父を心の底から
尊敬している。 One is enough for us.
We can share.
私たちには１つで十分です。
分けますから。 Such excuses won't get you anywhere.
そんな言い訳しても、
どうしようもないよ。 I got hold of this book by chance.
僕は偶然この本を手に入れた。 Stop playing dumb.
とぼけないで。 It's nothing to worry about.
心配することは何もない。 Isn't this tofu starting to go bad?
この豆腐、腐りかけてない？ May your family be in good health.
ご家族の皆さんが健康でありますように。 I can't endure his selfishness.
彼の身勝手さには耐えられない。 

****************************************
_out_EN_331.txt
****************************************

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hospital yard There are ～ below … put ～ there cannot hear ～ crawl underneath ～ make ～ come true find it (very) hard to ～ must ～ This is where ～. care for ～ If Shota were sick,
Charo would feel ～. Something is wrong. be full of ～ be going to ～ go see ～ have to ～ with ～ enough take a closer look look ～ I won't give up yet. feel much better than expected not just ～, but … I have something to tell you. be about to ～ I don't know if  ～. something about ～ may be able to ～ without ～ing shouldn't have brought ～ toward ～ be covered in ～ They say (that) ～. keep ～ing That's none of your... some time 「しばらくの間」と、
after ～ 「～のあと(に)」で、
「～して、しばらくしたら」という
意味です。sometimes「ときどき」とは
意味が違いますから注意しましょう。 「～の向こう側の・～の反対側の」と
いう意味です。
こちら側なら this side、
両側なら、both sides, either side
で表現します。 standing は、その前の a tree を
「病院の庭に立っている木」と
説明しています。このように、
名詞のすぐ後ろに ～ing形をつけて
何かを説明する表現は便利ですので
覚えておきましょう。 「～が…の下の方にある」ということ
です。below のかわりに under を使う
こともできますが、under だと「真下」
というニュアンスが強くなります。
below だと「～よりも下側に」という
感覚です。 put は「置く」という意味で、後ろに
置くモノと置く場所がきます。
この場合は「～を there（そこ）に
置く」ということです。
ちなみに、put は過去形でも形が
変わらない動詞です。 cannot hear + 人 で、「～の言うこと
が聞き取れません」ということです。
騒音がひどかったり距離が遠すぎて聞
こえない、という場合に使います。 crawl は水泳のクロールのことですが、
「はって進む」という意味もあります。
赤ちゃんがハイハイする様子も、crawl
で表現できます。
underneath ～ は「～の下」という
意味です。 make ～ come true で「～をかなえる・
実現させる」ということです。
Make my wish come true. なら「私の願
いをかなえて」ということで、神仏に
お願いするときの定番表現です。 find it hard to ～ は「～するのが
困難だと気づく」という意味です。
I find it hard to believe. なら「信
じるのが困難」つまり「信じられない」
I find it hard to understand. なら
「理解に苦しむ」ということです。 must は「～に違いない」と話し手の
強い推量を表すことができます。
You must be joking. 「冗談でしょう」
That must be it! 「きっとあれだ！」
などは日常よく使われる表現です。 This is where ～. で「ここは～する
ところ」と、場所を説明する際に
使われる表現です。電車やバスで、
This is where I get off. といえば
「ここが私の降りる場所」つまり
「ここで降りますので」となります。 care for ～ で「～を大切に思う」
という意味です。care には
｢気にかける」という意味もあり、
I don't care about it. というと
「そんなこと私は気にしないよ」という
意味になります。 この表現は「もし仮にそうなれば～だろ
う」と何かを仮定する表現です。
「もし翔太が病気なら」と現在のことを
仮定していますが、動詞は過去形を使う
ので注意しましょう。 Something is wrong. は「何かが変だ・
何か様子がおかしい」というときに
よく使われる表現です。with を使って
Something is wrong with you today.
「あなた今日は何だか変だわ」などと
言うこともできます。 be full of ～で、「～でいっぱい」と
いう意味です。
have been full of ～ だと、「～で
いっぱいの状態がずっと続いていた」と
いうことを表します。 be going to ～ は「～に向かって
進んでいる」つまり「～しそうだ・
～するつもり」と近い未来に確実に
起こりそうなことや予定を表現します。 go see ～ は go and see が省略された
形で「～に会いに行く・～を見に行く」
という意味で使われる口語表現です。
Let's go see a movie. 「映画を見に
行こう」なども普段よく使われる
表現です。 have to ～ は must と同じような
意味合いで、どちらも「～しなければ
ならない」という意味です。
主に must は主観的義務感で、
have to は外的要因の義務感を表す
場合に使われます。 with ～ で「～の状態で」という意味に
なることがあります。
Don't speak with your mouth full.
「口に食べ物を一杯入れたままで
しゃべらないで」の with も
同じ使われ方です。 enough は「十分な」という意味で、
That's enough. だと「十分だ、もうい
いよ」ということです。
「十分～」と言いたいときは ～ enough
という語順で、big enough なら「十分
に大きい」ということです。 take a look で「見る」という意味です。
単に look を使うより、見るという
動作を強調した表現です。
closer は「もっと近づいて」という
意味で、「もっと近づいて見る」という
ことです。 この look は「～のようにみえる」
という意味です。～の部分には普通は
形容詞がきます。
文や名詞がくる場合は、通常
look like ～ が使われます。 give up は「あきらめる」ですが、
この場合は強い否定を表す won't が
ついて「まだまだ絶対にあきらめない」
という意志を表現しています。
won't は will not の短縮形です。 feel good は「気分がよい」ですが、
much better than expected ですから、
「思っていたよりもさらに調子がよい」
ということです。
このbetter + than expected は
普段よく使われる表現です。 not just ～, but … は
「～だけではなく、…も」の意味で、
not only ～, but … と表現することも
あります。 I have something to tell you. は、
「話したいことがあるんだけど」という
意味で、言いにくいことを言うときや、
話のきっかけとして使われます。
日常便利な表現なので、このまま
覚えましょう。 be about to ～ で「今にも～しそう」
という意味です。
about to cry なら「今にも泣きそう」
about to fall なら「落ちそう」
about to leave なら「まさに立ち去る
ところ」という意味です。 I don't know if ～. で、「～かどうか
知らない」という意味で、～の部分に
は、普通の文の形がきます。I don't
know if he comes here or not.「彼が
ここに来るかどうかわからない」のよう
に、or not を付ける場合もあります。 「～についてちょっと・多少」という
ニュアンスで、普段よく使われる便利な
表現です。
Can you tell me something about it?
なら、「そのことについて、ちょっと
教えてくれる？」という意味です。 be able to ～ は「～することが
できる」という意味で、～する能力が
あることを表しています。
この場合は推量の意味を表す may と
一緒に使って、「できるかもしれない」
という意味です。 without ～ing で、「～しないで」
という意味で使われます。
She left without saying a word. なら
「彼女は一言も喋らずに立ち去った」
という意味です。 have brought は「完了形」と呼ばれる
形で、should + 完了形で「～すべき
だった」、shouldn't + 完了形で
「～するべきではなかった」という意味
です。実際とは逆の場合を表現し、
後悔の気持ちを表す表現です。 toward は「～の方向へ」という意味で
す。to も同じような意味で使われます
が、to が「到着」のニュアンスを含ん
でいるのに対して、toward にそのニュ
アンスはありません。到着地点が確定し
ていない場合は、toward が便利です。 be covered in ～ で「～で覆われてい
る」ということで、be covered in mud
なら「泥で覆われている」です。in の
かわりに with を使うこともできますが
in の方が「すっぽり泥にはまって泥だ
らけ」という感じがでます。 They say (that) ～. は、噂などを話す
場合によく使うフレーズです。
この they は特定の誰かではなく、
漠然とした第三者です。say の後ろの
that はよく省略されます。 keep には、「そのままの状態に保つ」
という意味があり、keep ～ing で
「～し続ける」という意味です。
後ろには、動詞の ing形がくるので
注意しましょう。 チャロは慌てて言うのを途中でやめまし
たが、That's none of your business.
「あなたに関係ない・余計なお世話だ」
と言いたかったようです。
時と場合によっては、失礼になることも
あるので、使う場面に注意しましょう。 We went on our honeymoon some time
after we got married.
結婚して、しばらくたってから
ハネムーンに行きました。 Penn Station is right on the other
side of this building.
ペン（ペンシルバニア）ステーションな
ら、このビルのちょうど向こう側です。 The man sitting on the park bench
over there is our tour guide.
あそこの公園のベンチに座っている男性
が、私たちのツアーガイドです。 There are some piles of flyers below
the ticketing counter.
発券カウンターの下に、チラシの山が
いくつかあります。 Please put the luggage by the door.
荷物はドアのそばに置いてください。 It's too noisy and I cannot hear you
well. Let me call you back later.
うるさすぎて、あなたの言ってることが
よく聞こえないわ。あとでかけ直すわね。 Please crawl underneath the net
included in this obstacle race.
この障害物競走に含まれるネットは
下をはって進んでください。 This is my chance to make
my dream come true!
これは私にとって夢をかなえる
チャンスです！ I find it quite hard to find a good
Japanese restaurant abroad.
海外でおいしい日本食レストランを探す
のは、なかなか難しいです。 You must be tired after walking
through the city all day.
一日中街を歩き続けて疲れたでしょう。 This is where you can buy train
tickets.
ここで電車の乗車券を購入できます。 Hand-knitted muffler? Your mother
really cares for you, doesn't she?
手編みのマフラー？あなたのお母さん、
本当にあなたのこと気にかけているのね。 I really want to go to Paris.
If I were there right now, I would be
so happy.
ああ、パリに行きたいな。
今あそこにいたらすごく幸せなのになぁ。 There is something wrong with the
smell of this food.
この食べ物の匂い、なんだか変だわ。 I wish my wallet were full of large
bills right now.
ぼくの財布がいま高額紙幣でいっぱいだ
ったらいいのになあ。 We are going to go shopping on
5th Avenue now.
今から５番街でショッピングをするん
です。 Let's go see some pandas at the zoo
today.
今日は動物園のパンダを見に行こう。 You always have to make sure you
have all of your belongings.
すべての携行品があるか常に確認しなく
ちゃだめですよ。 He can swim with his hands tied.
彼は手が縛られても泳げるほど上手です。 Your suitcase is big enough
for an 8-day trip.
８日間の旅ならそのスーツケースで十分
だよ。
(あなたのスーツケースは８日間の旅に
十分な大きさだ) You should have taken a closer look
before you left the hotel room.
ホテルの部屋を出る前に、もっとよく探
したらよかったのに。 The menu looked very good.
メニューはとても、よさそうだったわよ。 The waiting line is still long but I
won't give up yet!
待ってる人たちの列は相変わらず長いけ
ど、まだまだあきらめないぞ！ A: How do you feel?
　ごきげんはどうですか？
B: I feel much better than yesterday.
　昨日よりもすごくいいです。 Please act responsibly, not just for
you, but for your family too.
ご自分のためだけでなく、ご家族のため
にも、責任ある行動をお願いします。 Boss, I have something to report to you.
Please listen without getting mad.
ボス、報告があります。怒らないで聞い
てください。 Hey, don't start the game now. I was
just about to start watching a movie.
おい、いまそのゲーム始めるなよ。ちょ
うど映画を見ようとしていたんだから。 The station staff doesn't know if
our train will be late or not.
駅員ったら、私たちの列車が遅れる
かどうか知らないのよ。 I have heard something about the
painting before. Now, what was it?
この絵画について何か聞いたことがある
わ。さぁて、なんだったかしら？ You may be able to catch the last
train if you run.
走れば最終電車に間に合うかも
しれないね。 Henry headed out without eating
anything.
ヘンリーは何も食べずに出かけちゃった
よ。 You should have brought
something for the party too.
あなたもパーティーに何か持ってくるべ
きだったのに。 We walked toward the neon sign.
ぼくらはネオンサイン目指して歩いた。 Thomas was totally covered in black
paint when I found him.
私が見つけたとき、トーマスは完全に
黒いペンキまみれだった。 They say that this mountain is
absolutely worth the climb.
この山は絶対に登る価値があるそうよ。 I kept drinking until my girlfriend
stopped me.
ぼく、彼女が止めるまでずっと飲み続け
たんだ。 A: You'd better study harder.
　もっと勉強した方がいいよ
B: That's none of your business.
　余計なお世話だよ。 

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&  l   L&  l   &  l   &  l   	'  l   H'  l   '  l   '  l   (  pierce see … ～ing go off there is nothing else move forward What do you think you're doing? There are hardly any ～. It's no good. prevent ～ from … How about this? Is that a deal? scratch ～ with … I'm for it. ～ have passed since … bring ～ … Are you ～ing? last work That can't be! How is ～? on duty Take it easy. one another be over Keep it short. just in case, you know get ～ back pierce は「ピアスの穴をあける」
という意味でも使いますが、
「突き破る・突き進む」という意味でも
使われます。ちなみに日本語の
「ピアス」は和製英語です。 see … ～ing で、「…が～するのが
見える」という意味です。
I saw him walking in the rain. なら
「彼が雨の中を歩いているのを見た」
ということです。 go off には「立ち去る・質が落ちる・
消える・生じる」など様々な意味があり
ます。アラームや警報装置が「鳴る・作
動する」という意味もあり、
The alarm clock goes off at seven.
なら「目覚ましは７時に鳴る」です。 there is nothing は「何もない」です
が、nothing else とすると「～の他に
は何もない」という意味になります。
there is nothing else that ～ can …
は「～が…できることは他に何もない」
ということです。 move は「動く・移動する」、
forward は「前に向かって」です。
move forward で「前に進む」という
ことです。
「後ろにさがる」は move backward
で表現します。 「何をしていると思ってるの？」という
意味で普段よく使う表現です。一般に非
難するニュアンスが含まれるので、使う
状況には注意が必要です。you're doing
の部分をかえると、「～はどう思う？」
という意味でも使えます。 hardly は「ほとんど～ない」という
否定を表す言葉です。This plan can
hardly succeed. なら「このプランが
成功する見込みはほとんどない」、
There's hardly any time left. なら
「時間はもうほとんどない」です。 no good で「よいところが無い・少しも
よくない」ということです。
no には他の言葉を否定する意味があり、
no use「役に立たない」
no need「必要ない」などの表現が
あります。 prevent は「妨げる」ということで、
prevent ～ from … で「～が…するの
を妨げる」という意味で使われます。
How can I prevent myself from
getting a sunburn? なら「どうやった
ら陽焼けを防げるの？」です。 How about this? は「これはいかがです
か？」と相手に何かを勧めたり、意見を
尋ねる場合によく使います。
「お茶はいかがですか？」なら
How about tea? と言えばＯＫです。 deal には「契約・取引」という意味が
あり、Is that a deal? で「それでいい
よね？」という意味です。
単純に、Deal? ということもあります。
「これで決まりだ！」という場合は、
It's a deal! という表現があります。 scratch は「～をひっかく」という意味
です。「かすり傷」という意味でも使わ
れます。
scratch ～ with … だと、「～を…で
ひっかく」ということです。 I'm for it. は「私がそれに向いて
いる」つまり「賛成です」という意味で
使われる表現です。I'm all for it.
なら「大賛成」、逆に「反対です」
というときは I'm against it. です。 pass には「(時が) 経つ」という意味が
あり、～ have passed since … で
「…があって以来～が経った」という
意味です。Ten years have passed since
we first met. なら「私たちが初めて会っ
てから１０年が過ぎた」です。 bring 人 + モノ で「人にモノを持って
くる」ということです。
Can you bring me some coffee? なら
「コーヒー持ってきてくれる？」ですし
I'll bring you some food. なら「食べ
物持ってきてあげる」です。 Are you ～ing? で「～するつもり？」
と相手の予定や意向を尋ねる場合が
あります。
Are you getting married to him?
なら「彼と結婚するつもり？」という
ことです。 last は「最後」ということですが、
動詞として使って「～が続く」という
意味にもなります。
How long will it last? なら、
「それはいつまで続くの？」という
ことです。 work には、「働く」という意味の他に
「うまくいく・作用する・影響を及ぼ
す」など様々な使い方があります。
How does this machine work? なら
「この機械はどんな仕組みなの？」
ということです。 That can't be! は「ありえない・
そんなバカな！」という意味で、
相手の話したことが信じられないときや
考えられないことが起こったときに
使う表現です。It can't be! も同じ
意味で使われます。 「元気ですか？」と相手に尋ねるときは
How are you? といいますが、
「～の調子はどう？」と人やモノの
状態・状況をきくときには、この
How is ～? を使います。 duty は「義務・責務・税金」という
意味で、on duty で｢勤務中で」という
ことです。
NO LIFEGUARD ON DUTY. は「ライフガー
ドはいません」という意味で、
ビーチなどで見かける看板の文言です。 Take it easy. は「無茶をしないで・
がんばってね」という意味です。
｢気楽にね」というニュアンスで相手に
声を掛けるときによく使われる決まり
文句です。 one another は「１人＋もう１人」と
いうニュアンスで、｢互いに」という
意味です。each other でも同じような
意味を表せます。
We always help one another. なら「私
たちはいつも助けあっている」です。 over には「終わって」という意味が
あり、be over で「～が終わる」という
ことです。
It's over. で「もう終わりだ」という
意味を表すこともあります。 長々と話す相手に、「手短にしてくれ」
と頼む場合に使う表現です。
will you? を付け加えると、相手に
｢頼む」というニュアンスが出ますが、
念を押している感じになることも
あります。 just in case で「万が一のために・
念のために」という意味で普段よく
使われる表現です。
you know は「わかってると思うけど」
ということですが、日本語の「あのう」
のように使う場合もあります get ～ back は「～をもとに戻す」とい
う意味で使われる表現です。
Can we get the money back? なら、
「お金を取り戻すことできる？」という
意味です。 +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ 

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_out_EN_333.txt
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﻿     m   !  "   7     ?     D  ,   \  G   f  u   s  N               <          2     >         
  4   '  V   1  M   C  ,   S     ]     v  )     `     Y     9     #     A     Q     Z        	     	     
               
                                   f     G               t     _                '                                    w!     "     #     $     %     %     	&     g&     #'     '     ,(     (     )     )     *     <+     #,     ,     @-     -     z.     g/     %0     0     1     A2     2     *3     3     M4     4     .5     5  feel somewhat uneasy ～ won't ～ for a while in pain look Not knowing what to do, since ～ have a fever have a better chance if not for you explain it a little more simply be about the same as ～ show me ～ It must be worth a look. With that, close to ～ have not been able to ～ get worse can't help ～ing in order to ～ as if ～ looks the same as always something different about ～ be shut No matter how ～, ～ be in trouble! fill with ～ be out … where ～ keep ～ waiting catch up with ～ somewhat は「いくぶん」ということ、
uneasy は「不安な・落ち着かない」と
いうことです。
feel somewhat uneasy で「いくぶん
不安を覚える」という意味になります。 won't は will not の短縮形で、
「～するつもりはない・～しない」とい
う意味です。
for a while があるので、「しばらくは
～しない」ということです。 pain は「痛み・苦痛」という意味です
が、in pain で「苦しそうに」という
状態を表します。
in ～ で「状態」を表す例として、
in a hurry ｢急いで」、in secret
「ひそかに」などがあります。 look は「目線を向ける」という意味
ですが、名詞として使って「まなざし・
目つき」という意味にもなります。
a kind look なら「優しいまなざし」、
a careful look なら「用心深い
まなざし」ということです。 Not knowing ～, で「～を知らずに・
わからないままに」という意味です。
ここでは Not knowing what to do,
なので、「何をすればよいかわからず
に」ということです。これは普段よく
使われるフレーズです。 since ～ は「～以来ずっと」という
意味です。
文脈によって「～だから」という意味
にもなります。
since we're friends, なら「友達同士
なんだから」ということです。 have a fever で「熱がある」という
意味です。fever 以外にも、病状を表す
場合には have が使われます。
have a stomachache「腹痛がする」
have a pain in my back「背中が痛い」
などがあります。 have a better chance で「より大きな
チャンスがある」ということです。
than ～ を使って「～より」ということ
もできます。We have a better chance
than last year. なら「去年よりチャン
スがある」ということです。 if not for ～ は if it were not
for ～ 「もし～がなければ」という
ことで、if not for you で「あなたが
いなければ」つまり「あなたのおかげ
で」という気持ちを表す表現です。 a little more simply は「もう少し
わかりやすく」という意味です。
Could you を使って、Could you
explain it a little more simply,
please? というと、わかりやすく説明し
てほしいときに様々な場面で使えます。 be about the same as ～ で「～とほと
んど同じ」という意味です。
same の後に別の言葉を続けて、
She's about the same age as our
daughter. 「彼女はうちの娘と同じくら
いの年齢だ」という使い方もあります。 show 人 + ～ で「人に～を見せる」とい
う意味です。
Can you show me the way to the
station? なら「駅への行き方を教えて
くれますか？」ということです。 be worth ～ は「～の価値がある」とい
うことで、must be worth a look で
「見る価値があるに違いない」という
意味です。
worth hearing なら「聞く価値がある」
となります。 with that は主に文頭で使われて、
「そうして・そう言って・それから」
という意味になることがあります。 close to ～ で「～にごく近い」という
意味を表します。距離的に近いという
意味もありますが、「親密な・親しい・
身近な」という場合にも使われます。 この have not been able to ～ は、
「(ある時から) ずっと～することが
出来なくなった」という意味で、
「現在も～する力がない」という
意味合いです。 worse は「より悪い」という意味で、
get worse で「より悪くなる」という
ことです。
「具合が悪くなる」という場合にも
使えますし、状況、天候など様々な
場面で使えます。 can't help ～ing は、「～せざるを
得ない」という意味で普段よく使われる
フレーズです。
can't help but ～ でも同じような
意味を表せます。 単に to ～ で「～するために」という
意味を表せますが、よりはっきりさせた
いときには、in order to ～ が便利で
す。in order to save money なら、
「お金を節約するために」という意味に
なります。 as if ～ は「まるで～のように」とい
う意味です。She treats me as if
I was her son. 「彼女は私をまるで
息子のように扱う」のように、現実
とは違うことを表現する場合は動詞の
形に注意が必要です。 the same as always は「いつもと
同じ」という意味です。
Looks the same as always. で
「いつものようにみえる」という
意味になります。 something different は「何かどこかが
違う」というニュアンスの言葉で、
いつもと違う様子や雰囲気を表します。
about ～ で「～がいつもと違う様子」
という意味合いです。 shut は「閉める」という意味ですが、
be shut の形で「閉まっている」という
状態を表すこともできます。
closed でも「閉まった」という意味を
表しますが、shut には「ピタッと閉じ
ている」というニュアンスがあります。 No matter how ～, で「どんなに
～しても」ということです。
通常は否定の文と一緒に使われて、
「どんなに～でも…できない」という
内容を表現します。 be in trouble で「困難な状況で・
災難にあっていて」という意味です。
I'm in trouble. なら「困っている」
I'm in big trouble. なら「すごく
困っている」ということです。 fill with ～ で「～で満たす」です。
fill ～ with … で「～を…で満たす」
という言い方もあります。
The news filled me with happiness.
なら「その知らせを聞いて私の心は幸せ
でいっぱいになった」ということです。 be out は「外出中」という場合に使え
る便利な表現です。電話などで「今、
母は留守にしております」という場合、
Sorry, but my mother is out now.
でＯＫです。 場所を指す言葉に where ～ を続けると
「～する場所」という意味になります。
the place where I want to go なら
「私が行きたい場所」ですし、
the town where I was born なら
「私が生まれた街」となります。 keep + 人 ～ing で「人を～の状態に
しておく」ということです。
keep him waiting なら「彼を待たせて
おく」。後ろにモノがくることもあり、
keep the fire burning「火を消さない
ようにする」という表現もできます。 catch up with ～ は「～に追いつく」
という意味です。
物理的に追いつく場合と、時間的、感覚
的に追いつく場合があります。
catch up with schedule は「予定を
挽回する」ということです。 I felt somewhat uneasy about taking
the ferry across the river.
フェリーで川を渡るのがちょっと不安
でした。 I won't be able to get there for a
while, but please hold on to my seat.
まだしばらくは行けそうにないけど、
私の席を確保しておいてください。 My mother is living in happiness.
母は幸せに暮らしています。 The policeman looked at the man
with a sharp look.
警官は鋭い顔つきで男を見た。 Not knowing what to do, I just waited
at the boarding gate for my flight.
何をしたらよいか、わからないまま
フライトの搭乗ゲートで
ただ待っていました。 I haven't had anything to eat since
I woke up this morning.
今朝起きてからまだ何も食べてません。 My daughter has a fever so I have to
go pick her up at her school.
娘に熱が出たので、学校へ迎えに行かな
ければなりません。 My brother has a better chance in
Tokyo than in Osaka.
弟には、大阪よりも東京の方がより良い
チャンスがあるんです。 If not for you, I wouldn't be here.
君のおかげで僕はここにいる。 I didn't understand any of what you
just said. Could you explain it
a little more simply, please?
今言われたことが全く理解できません
でした。もう少しわかりやすく説明して
いただけますか？ The taste of this vender's hot dogs
is about the same as the taste of
that vender's there.
この売店のホットドッグの味は、あっち
の売店の味とほとんど一緒だね。 The guide showed us the backstage of
the theater.
そのガイドさんは、私たちに劇場の舞台
裏を見せてくれました。 If there isn't another chance
for you to visit this city, it must
be worth trying the dish now.
もしも、もう二度とこの街を訪れる機会
がないなら、今この料理を食べてみる価
値はありますよ。 Ken: "I'll see you tomorrow!"
With that, Ken ran off.
ケン「じゃあまた明日ね！」
そう言うと、ケンは走り去りました。 The painting was so beautiful....
We were drawn closer to it.
その絵はとっても美しくて…
近くに引きつけられたわ。 I haven't been able to take any days
off for a month.
ここ１ヶ月というもの、まったく休みが
取れてないのよね。 If this weather continues to get
worse, the flight will be cancelled.
このまま天候が悪化し続けるようだと、
そのフライトはキャンセルされます。 I missed Japanese food so much that I
couldn't help cooking rice and making
rice balls in my hotel room.
日本食があまりにも恋しくなっちゃって、
ついホテルの部屋でご飯炊いておにぎり
を作ったわ。 In order to get better seats, we
need to purchase tickets as early as
possible.
より良い席を確保するためには、できる
だけ早くチケットを購入しなくちゃね。 The gondolier sang an aria as if he was
in front of a large audience.
ゴンドラの船頭は、まるで大観衆の前に
でもいるかのようにアリアを歌った。 The jazz club was filled with many
customers. It looked the same as
always.
ジャズクラブは多くの客であふれて
いた。いつもと変わらない様子だった。 There was something different about
his behavior. He must be hiding
something.
彼の態度、どこかいつもと違っていたの
よね。何か隠してるに違いないわ。 The park gate is still shut.
公園の門はまだ閉まっています。 No matter how hard I tried to figure it
out, I couldn't solve the quiz.
どんなに頑張っても、そのクイズを解く
ことはできなかった。 My friend is in trouble by the river.
Please help!
友達が川辺で大変なんです。
助けてください！ The bag is now filled with laundry.
Please take it to the cleaner.
あの袋は洗濯物でいっぱいなの。
クリーニング屋へ
持って行ってちょうだい。 My mother is out shopping right now.
お母さんは今お買い物で出かけてるの。 This is the comedy house where I
used to come every Saturday.
ここはぼくが昔毎週土曜日に通ってた
演芸場だよ。 Hurry up! We can't keep the taxi
waiting for us for a long time.
急いで！あまり長い間タクシーを待たせ
ておけないわ。 I have to catch up with Kate, who
left here a few minutes ago.
数分前にここを出たケイトに追いつか
なくちゃいけないんだ。 

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_out_EN_334.txt
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     =     U     c
                    t          7     +               5                                                  c                 !     @"     "     ?#     #     D$     $     N%     %     `&     '     '     D(     (     )     *     *     k+     +     ,     {,     
-     -     .     .     _/     /     0  be running out of ～ Are you really going to ～? one of the ～ I have ever met Take care of yourself. I'm sure ～. Thank you so much for everything! It's time to go now. in a corner like ～ the same spot as ～ There is … beyond ～. nothing that ～ This is mine. can't take his eyes off ～ It's no use ～ing. what it's called anything like that It seems like ～. There is nothing inside ～. later Should I try? be unable to There were ～. where to go by their looks compare ～ with … I made it. anything but ～ run out of ～ で「～がなくなる」
という意味です。running out of ～
とすると、「だんだん～がなくなって
いる」という状況の変化を表現
できます。 be going to ～ は「～する予定・～す
るつもり」という意味で、レールに乗っ
て進んでいるようなイメージです。
Are you really going to ～? は「本当
に～するつもり？」という意味合いで、
普段よく使われる表現です。 one of the ～ は「～の中のひとつ」
という意味で、普段よく使われる表現
です。
I have ever met は「私が出会った中
で」ということです。 Take care of yourself. は「元気で
ね」という意味で、人と別れるときに使
うフレーズです。長く別れる場合でも、
毎日会う人と別れる時でも、様々な場面
で使えます。簡単に、Take care! と
いう場合もあります。 I'm sure ～. は「きっと～だと思う」
という場合に使われます。
単純に I'm sure. 「そうに違いない」
という場合もあります。
相手に対して、Are you sure? 「本当に
そう思うの？」と聞く場合もあります。 Thank you so much for everything! は
「いろいろ本当にどうもありがとう！」
というときの定番表現です。
具体的に「～してくれて」という場合は
Thank you for calling.「電話してくれ
てありがとう」のように表現します。 It's time. は「もう時間です」という
意味で普段よく使われる表現です。
「～する時間」というときは、
It's time to ～. で表現します。
It's time to get up. なら「もう起き
る時間」ということです。 a corner は「角・すみ」という意味で
す。通りの曲がり角を指すこともあり
ますし、部屋の中の奥まった場所を指す
こともあります。
in a corner は「すみに」ですが、「ピ
ンチに陥って」という意味もあります。 like は「～のように」という意味で
使われ、後ろには名詞や文がきます。
like a dream なら「夢のように」
like I said なら「今言ったように」
ということです。 the same spot は「同じ場所・同じ地点
に」という意味で、「～と同じ場所」と
いう場合は as ～ で表現できます。
the same spot as he was yesterday な
ら「彼が昨日いたのと同じ場所」という
意味になります。 beyond ～ は「～の向こうに」という
ことです。
There is … beyond ～. で「～の
向こうに…がいる・ある」という状況を
表現しています。 nothing that ～ は「～なものは何も
ない」という意味合いです。
nothing that I have to do なら
「私がすべきことは何もない」
nothing that you can do なら
「あなたにできることはない」です。 mine は「私のもの」という意味です。
This is mine. は「これは私のもの」
ということで、日常よく使われる表現
です。 take off には「離陸する・脱ぐ」など
の様々な意味がありますが、
can't take one's eyes off ～ で
「～から目が離せない」という意味で
使われます。 no use は「役に立たない」ということ
です。
It's no use ～ing. は「～しても役に
立たない・無駄だ」という意味で
使われます。 what it's called で「それが何と呼ば
れているか」という意味です。
単純に「なんと呼ばれているの？」と
尋ねる場合は、What is it called? と
通常の疑問文の語順になります。 anything like that は通常疑問文や
否定文で使われ、
「そのようなモノ(コト) はどんなモノ
も」というニュアンスです。 It seems like ～. で「～のように
見える・思える」ということで、
話し手の推量や判断を表します。
It seems like he's in trouble. なら
見た目や状況から「彼は困っている」と
話し手が推測した、ということです。 There is nothing inside ～. は
「～の中には何もない」という
ことです。
There is nothing inside. だけでも
「中には何もない」という意味で
使われます。 later は「後で」ということで、
I'll try it later. なら「後で試しま
す」、I'll call you back later. なら
「後で (電話を) かけ直します」という
意味です。ちなみに、「今すぐ」なら
right now を使って表現できます。 Should I ～ ? は「私は～した方が
いい？」ということで、Should I try?
で「試した方がいい？」という意味を
表します。try には「試着する」という
意味もあり、「試着してみた方が
いい？」という意味でも使えます。 「～ができる」という意味の able に
un- をつけて unable とすると、
「～できない」という意味になります。
We are unable to accept your offer.
なら「あなた方の申し出はお受けする
ことができない」ということです。 There were ～. は「～があった」という
意味です。
疑問文で Were there any phone calls?
「電話かかってきた？」や
Were there any problems? 「問題あっ
た？」は普段よく使われる表現です。 where to go は「行くべき場所」という
ことです。
know where to go なら「行くべき場所
を知っている」
decide where to go なら「行き先を
決める」ということです。 by their looks は「外見によると」
つまり「外見から判断すると」という
意味です。
by their clothes なら「服装から判断
すると」という意味です。 compare は「匹敵する・比較する」
ということで、「～を…と比べて」
と表現するときは
compare ～ with … の形を使います。 I made it. は「やった！ 間に合った」
という意味で普段よく使われる表現
です。
You made it! 「やったね！」という
表現もよく使われます。 anything but ～ は「～以外は何も」
という意味です。
I can't think of anything but ～ で
「～のことしか考えられない」という
意味で、普段よく使われる表現です。 We have run out of coffee. Please
put it on the shopping list.
コーヒーが切れちゃったから、買い物
リストに書き足しておいてちょうだい。 The traffic is awful. Are we really
going to be on time?
道が込んでるわね。これで本当に間に
合うの？ She is one of the smartest women
I have ever met.
彼女はこれまでに出会った中で最も
賢明な女性の１人です。 You don't look well. Go home and
take care of yourself.
具合があまり良くないみたいね。
家へ帰って休みなさい。 I'm sure she will make it to the
party somehow.
彼女はきっとなんとかしてパーティーに
やってくるよ。 You did so much for us. Thank you
so much for everything!
大変お世話になりました。何からなにま
で、ありがとうございました！ Look at the time!
It's time to go now, guys.
もうこんな時間！
みんな、もう行く時間だよ。 There is a crumpled piece of paper
lying in a corner of the room.
部屋のすみに丸められた紙くずが
転がっています。 His steps were so light, like a
feather dancing in the air.
彼の足取りは、宙を舞う羽毛のように
とても軽かった。 The cafe where we used to meet is
still in the same spot as those days.
私たちがよく会ってた喫茶店、まだ当時
と同じ場所にあるのよ。 There is an ice-cream parlor beyond
the big fountain. You won't miss it.
大きな噴水の向こうにアイスクリーム屋
さんがあるんだ。すぐに見つかるよ。 There was nothing in the newspaper
that I found amusing.
その新聞に面白いと思える記事は
まったく載っていなかった。 A: Is this your handkerchief?
　これはあなたのハンカチですか？
B: Oh, yes, this is mine.
　あ、はい、私のものです。 See, I still can't take my eyes off
the sweets over there. I've got to
eat some.
ほらね、あそこのスイーツからどうして
も目が離せないわ。これはもう食べなき
ゃダメだわ。 It's no use just looking at the
textbook like that.
そんなふうにただ教科書を見てたって
だめだよ。 I'm not sure what it's called here,
but in Japan, it's called a katana.
ここでは何と呼ばれているか分かりませ
んが、日本では刀と呼ばれています。 The magic trick was so amazing!
I have never seen anything like that.
あのマジックはすごかったなぁ！
あんなの見たことないよ。 It seems like the rain has stopped.
どうやら雨はやんだようです。 There's nothing inside the coin bank.
貯金箱の中には何もありません。 A: Have you done your homework?
　もう宿題やったの？
B: I'll do it later.
　あとでやるよ。 I've called Chris many times, but
should I try again?
クリスにはもう何度も電話してるけど、
もう１回かけてみようか？ I was unable to find the ring I
dropped in the park.
公園で落とした指輪は見つけられません
でした。 There was an ice cream vender at
the festival.
お祭りにはアイスクリーム屋が１つ
店を出していました。 Could you please recommend us where
to go for sightseeing?
観光にどこへ行ったらいいか、お勧め
いただけないでしょうか？ I met a couple of guys. By their looks,
they seem to be rock musicians.
数人の男の人たちに会ったんだけど、
外見からしてロックミュージシャン
じゃないかなあ。 You should carefully compare the hotels.
ホテルは慎重に比べた方がいいですよ。 Sue made it to the business meeting.
スーは仕事の打ち合わせに間に合った。 I can't feel anything but sadness.
悲しさ以外、何も感じることができない。 

****************************************
_out_EN_335.txt
****************************************

﻿N     A          *     ?     c   &  L   :  D   I  >   W  |   e  ?   |  F     L     7          F     j          q     E   ,  e   :     N     w          	     
     s          s
     O     =     J     P                                                       G          Y          T          1          ]     !            !     !     "     "     #     $     $     '%     %  bring ～ to … seem like ～ share company mind one bit believe in yourself except for ～ late at night feel like ～ be concerned about ～ result in ～ as he is told want ～ to … stop ～ing with a big smile on his face where we are get the hang of ～ I want to hear your honest opinion. be well known for ～ There she is! old but magnificent bring には、bring ～ to …　で「～を
…に連れていく」という使い方がありま
す。What brings you to Japan? なら
「何があなたを日本に連れてきたのです
か？」つまり「どういう理由で日本に
来たのですか？」という意味です。 seem like ～ は「～のように見える」
ということです。It seems like he
knows what he wants to do. なら「彼
は自分のやりたいことが分かっている
みたいだね」ということで、It を省略
して Seems like ～. とも言えます。 share は「共有する・一緒に使う」とい
う意味の言葉で、カーシェアリング (同
じ車を共有するシステム) などで日本語
でもお馴染みです。I'll share this
news with you. なら「このニュースは
君と共有するつもり」ということです。 company は「会社」という意味で知られ
ていますが、「仲間・友だち・連れ」と
いう意味もあります。
We had company tonight. なら「今夜は
来客があった」という意味です。 mind は「気にする・気にかける」とい
う意味です。one bit「ほんの少し」と
一緒に使って、I don't mind one bit.
「ちっとも気にしない」ということも
できます。 Believe in yourself. は「自分自身を
信じて」という意味で人を励ましたり
勇気づける場合によく使われます。
ちなみに、I believe in myself. なら
「私は自分自身の力を信じています」
という意味合いです。 except for ～ は「～を別にして・～を
除けば」という意味で、例えば
It was dark in the city except for
a few weak lights. なら「多少の灯り
を除いて街の中は真っ暗だった」という
ことです。 late at night は「夜遅く・夜中に」と
いう意味です。ちなみに「朝早くに」は
early in the morning と表現します。
また、middle of the day は「真っ昼間」
ということです。 feel like ～ は「～したい気分だ・
～のように感じる」という意味で、
I feel like crying.「泣きたい気分
だ」や I feel like I forgot
something.「何か忘れた気がする」の
ように使います。 be concerned about ～ で「～について
心配している・気にしている」という
ことです。concerned for ～ でも似か
よった意味になります。
I am concerned for you. なら「あなた
のことが心配だ」ということです。 result は「結果」という意味ですが、
動詞としても使われます。result in ～
で「～に終わる・～という結果になる」
ということです。
The project resulted in failure.
は「事業は失敗に終わった」です。 as he is told は「(彼が) 言われた通り
に」ということです。
「私は言われた通りにしたよ」なら、
I did as I was told. となります。 want は「欲する」ということですが、
want 人 to ～ で「人に～してほしい」
という意味で使われます。
I want you to know the truth. なら
「本当のことを知ってもらいたいんだ」
ということです。 stop ～ing は「～するのをやめる」と
いう意味で、stop to ～ だと「～する
ために立ち止まる」ということです。
stop reading は「読書をやめる」
stop to read は「読むために立ち止ま
る」という意味になります。 with a smile on one's face で「笑顔
を浮かべて」という意味で、普段よく使
われる表現です。
ここでは、a big smile ですから、
「満面の笑顔で」ということです。 Where are we? は「私たちはどこにいる
の？」ということですが、
Are you asking の後ろにつけると、
where we are と語順が変わります。
Are you asking where we are? は「ど
こにいるか尋ねてるの？」です。 get the hang of ～ は「～の扱いや
要領を身につける」という意味です。
I'm starting to get the hang of it. は
「こつがつかめてきた」という意味で
このまま覚えて会話で使える表現です。 I want to hear your honest opinion.
は文字通り「あなたの正直な意見が聞き
たい」ということです。
I want to hear your candid opinion.
なら「率直な意見が聞きたい」です。 known for ～ は「～で知られている」
be well known for ～ は「～でよく知
られている」ということです。
He is well known for the book he has
written. なら「彼は自分の書いた本で
よく知られている」ということです。 There she is! は「いたぞ！」という意
味で、She is there. を強調した表現で
す。同じような表現で、
There you are. 「いた」
Here I am. 「着いたよ」も普段よく
使われます。 old but magnificent は「古びているけ
ど壮麗な」という意味でニュアンスの異
なる形容詞を並べる表現です。他にも
beautiful but shy 「美しいけど気弱
な」cheap but useful 「安いけど役立
つ」など様々な組み合わせが可能です。 I brought my boyfriend to my
parents' place last Sunday.
この前の日曜日に、彼を両親の家に
連れて行ったんだ。 Oh, it seems like the car is out of gas.
うわ、どうやらガス欠みたいだ。 I share my computer with my family.
I'll send you the file later tonight.
家族とコンピューターを共有してるんだ。
ファイルは今夜遅くなってから送るよ。 It's fun hanging out with my own
company.
自分の仲間と時を過ごすのは楽しい。 They say this summer is too hot, but
I don't mind it one bit.
みんな今年の夏は暑すぎるって言うけど
私はちっとも気にならない。 Can you believe in yourself?
あなたは自分のことが信じられる？ Everybody in my family had the same
cold except for my father.
父だけを除いて、家族の全員が同じ風邪
にかかりました。 It's late at night. You shouldn't
be calling your friend.
もう夜も遅いから、友達に電話なんか
しちゃだめよ。 The bed was so soft, and I felt like
I was lying on a cloud.
ベッドがとっても柔らかくて、まるで
雲の上に横たわっているみたいだった。 Our company is always concerned
about cutting energy consumption
for the environment.
私たちの会社は、環境のためにエネルギ
ー消費量の削減に常に関心があります。 The improvement of my diet has
resulted in better health.
食事の改善は、私により良い健康を
もたらしてくれました。 I went to the police station as
I was told by you.
あなたに言われた通り警察署へ行き
ました。 I want you to see the dentist as
soon as possible.
なるべく早く歯医者で診てもらいなよ。 I should stop drinking.
I have to catch the last train.
もう飲むのはやめるよ。
最終電車に乗らなくちゃいけないから。 The clown looked at me with a big
smile on his face and ran off with
my hat.
そのピエロは満面の笑顔で僕を見ると、
僕の帽子を奪って行った。 A: Hey, do you know where we are?
　僕たちどこにいるか分かる？
B: Are you asking where we are now?
　いまどこにいるのか聞いてるの？
A: Yes, I am.
　そうだよ。 My foreign friend is recently getting the
hang of using chopsticks.
私の外国人の友達は、最近箸の使い方が
上達してきた。 I want to hear your honest opinion
about Japanese society.
日本の社会について、君の正直な意見を
聞かせてください。 Chicago is well known for its unique
style of pizza.
シカゴは独特なスタイルのピザでよく
知られています。 I can't find my tour group...
Ah! There they are!
私のツアーグループが見つからない…
あっ！あそこにいた！ The place we stayed was a new but
tiny bed and breakfast.
私たちが宿泊したところは、新しいけれ
ど小さな朝食付きの宿でした。 

****************************************
_out_EN_336.txt
****************************************

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  K     4   )  _   3  I   E  8   T     `  o   z       X     &     `     l     /     Y     .     A     Q   	     	  f    	     4	  ,   P	     Z	     r	  G   x	  V   	     	  6   	  b   	  f   	     	  B   
     
     J
     l          m
                                   ]     c               u     t                                   !     #"     #     *$     T%     p&     '     (     })     z*      +     4,     -     ~-     -     .     /     /     0     0     0     1     2     2     !3     3     H4     4     5     6     6     c7     7     8     8     (9     9     .:     :     :     N;     ;     (<     <     <     \=  Long time no see! be excited ～ Every time ～, take over just the way I am look after ～ busy ～ing as far as the eye can see there's something ～ on ～ be located in ～ kind of more ～ than I do do something for ～ Let's ～! Will you help me? customer cheer ～ up Take your time. run What a coincidence. I'm interrupting your work. available What did you do before? guess made from ～ introduced in ～ ～ means … in Japanese. appreciate can't ～ any more have the air of ～ with dark hair /
who appears to be Asian just in case If there's anything that～,
feel free to …. Long time no see! は直訳すると「長い
間、会わなかったね」という意味です。
「ひさしぶりだね」と、しばらくぶりに
会う友人などに使う決まり文句です。
It's been a long time! How long has
it been? も同じ意味で使われます。 excite は「ワクワクさせる」で自分が
ワクワクした場合は、be excited と表
現します。I'm exciting. というと、
自分が面白いことをしていて周りを興奮
させている、という意味になってしまう
ので注意しましょう。 every time は「いつも」という意味で
すが、Every time ～, … で「～するた
びに…する」という意味で使われます。
同じような意味で、each time が使われ
ることもあります。 over には「乗り越えて・移動して」と
いう意味合いがあり、take over には
「(仕事や責務を) 引き継ぐ」という
意味があります。Can you take over?
で「(残業などを) 私のかわりにやって
もらえますか？」という意味です。 just the way I am は「ありのままの
自分」という意味です。「ありのままの
あなた」なら just the way you are
といいます。I'm just going the way
I am. なら「私は私のままでいく」と
いうことです。 look after ～ で「～の世話をする・気
を配る」という意味です。My mother
looks after my child on weekends.
なら「週末は母が子どもを預かってくれ
る」 Can you look after my baggage?
は「荷物見張っててくれる？」です。 busy ～ing は「～で忙しい」というこ
と。I'm busy taking care of my son.
なら「息子の世話で忙しい」です。
こうした使い方は busy 以外でも可能で
I feel comfortable being with you.
は「君といると落ち着く」です。 as far as ～ は「～に関する限りは」
ということで、as far as the eye can
see だと「見渡す限り」という意味に
なります。as far as I can see といっ
ても、ほとんど同じ意味を表します。 there's something ～ で
「～するものがある」という意味です。
There's something I can do for you.
なら「君のためにできることが何かある」
Is there something you want to know?
は「知りたいことある？」です。 on には「～に関する・～についての」
という意味があり、There were many
books on science. なら「科学に関する
本がたくさんあった」という意味です。 locate には「場所を決める・特定の場
所に設置する」という意味があり、
be located in ～ は「～に位置する」
ということです。
名詞形の location「場所・ロケ地」は
日本語としてもお馴染みです。 kind of ～ は「ちょっと・いわば」と
いう意味で使われることがあります。
I'm kind of tired. というと「なんと
なく疲れちゃったんだよね」という感じ
で、ものごとを断定的に言いたくないと
きに便利な表現です。 more ～ than I do で「私(がする) よ
りもっと～」ということです。He has
more experience than I do. なら「彼は
私より経験がある」です。It's more
expensive than I expected.「思ったよ
りずっと高い」という表現もあります。 do something for ～ で「～のために
何かする」という意味です。
Will you do something for me? なら
「私のために何かしてくれる？」つまり
「手伝ってよ」ということです。 Let's ～! は「～しよう！」という意味
でお馴染みの表現ですね。
Let's eat!「いただきます」
Let's get a drink!「一杯飲もう！」
Let's get started!「さあはじめよう」
など様々な場面で使われます。 Will you help me? は「手伝ってくれま
すか？」という意味で、相手に頼みごと
をする際によく使われます。受け答えの
表現には、Of course! / Sure!
「もちろん」とか、Sorry, I won't.
「ごめん、できない」などがあります。 customer は「顧客」のことで、店や
銀行などの常連客に対して使われます。
レストランやホテルでは、guest が
使われます。また、弁護士事務所や代理
店などでは、client「依頼人」という
表現がよく使われます。 cheer ～ up は「～を元気づける」とい
う意味です。Cheer up! だけでも「元気
だしなよ！」という意味で使われます。
友人や親しい人をなぐさめたり、
励ましたりするときに便利な表現です。 Take your time. は「あなたの時間を
とってください」つまり「ゆっくり時間
かけてください・焦らなくていいよ」
というときの決まり文句です。
I want to take my time.「焦りたくな
い」という表現もあります。 run には「(店や会社を) 経営する・切り
盛りする」という意味があります。
run a factory 「工場を経営する」
run a home business 「自営業を営む」
run a network 「ネットワークを運営管
理する」などの使い方があります。 coincidence は「偶然の一致」という
意味で、What a coincidence. は「すご
い偶然だね」というときの決まり文句
です。街中で知り合いに会ったときなど
にそのまま使えますので、ぜひ
覚えましょう。 interrupt は「中断する・割り込む」と
いう意味で、I'm interrupting your
work. は「仕事の邪魔をしてしまってい
る」という意味です。通常 I'm sorry.
と一緒に I'm sorry to interrupt you.
「お邪魔してすみません」と使われます。 available は「利用可能・入手可能」と
いう意味で、available 24 hours a day
なら「２４時間営業」ということ、
I'm available tomorrow. なら「明日は
空いています」です。ちなみに、
unavailable は「利用できない」です。 What did you do before? は「以前は
何をしていたの？」ということで、
通常は昔の仕事を尋ねる場合に使われま
す。ちなみに、今の職業を聞く場合は、
What do you do? といえばＯＫです。 guess は「～だろうと思う」と推測を
表す表現で、物事を断言したくない場合
に便利です。
I guess I can't accept. なら「お受け
できそうもないんですが」という意味で
やんわりとした否定の表現になります。 made from ～ は「～からできる」とい
うことで、通常「原材料」を表す表現で
す。原料を加工して作っている、という
イメ―ジがあります。「材質」の場合は
made of ～ を使い、a table made of
wood なら「木のテーブル」です。 introduce は「紹介する」という意味で
「誰かに紹介する」という場合は
introduce you to my family のように
to が使われます。時間や場所の場合は
主に in が使われ、introduced in 2011
なら「２０１１年に紹介した」です。 ～ means … in Japanese で、「日本語
の～は…のことです」という意味です。
"Hai" means "Yes" in Japanese. なら
「『はい』は日本語で『Yes』を意味し
ます」ということで、日本のことを説明
する際に使える表現です。 appreciate は感謝の気持ちを表す言葉
で、「～をありがたく思う・～の良さが
分かる」という意味です。
簡単に、Thank you, I appreciate it.
「ありがとう、感謝するわ」など、
日常会話でもよく使われます。 can't ～ any more で「これ以上～でき
ない」という意味合いです。
I can't eat any more! なら「これ以上
食べられない」
I can't stand it any more! なら
「もう我慢できない」です。 air には「雰囲気・態度」という意味が
あり、have the air of ～ で「～の雰囲
気がある」ということです。
She has the air of a child. なら
「彼女は子供のような雰囲気がある」
ということです。 with dark hair は「黒い髪をした」
who appears to be Asian は「東洋人に
見える」ということで、それぞれ人を
修飾する表現です。 just in case は「念のために」という
意味です。これだけでも使われますが、
You should bring an umbrella
just in case it rains.「雨が降ったと
きのために傘を持っていったほうがいい
よ」のような使い方もあります。 If there's anything that～, feel
free to …. はちょっと長い構文ですが
「もし何か～することがあれば、遠慮な
く…してください」という意味で普段
よく使われます。 Hey George, long time no see!
How have you been?
おい、ジョージ、久しぶり！
元気にしてたか？ We were so excited by the first
snow of this winter.
この冬初めての雪にとてもワクワク
しました。 Every time I had an opportunity to
speak to her, I screwed it up.
彼女と話す機会に巡り会うたびに
いつも台無しにしてた。 I took over my father's business
when I turned 20.
２０歳になったとき、私は父の事業を
引き継ぎました。 My father used to tell me that
I should never stop being
just the way I am.
父はよく、私は私らしくあるべきだ
と言ってくれました。 Please look after my garden while
I am away.
私の留守中、庭の世話をよろしく
お願いします。 I was busy talking on the phone
and forgot what to buy.
電話で話すのに夢中で、何を買うのか
忘れちゃった。 There was nothing but the blue
ocean as far as the eye could see.
見渡す限り紺碧の海だった。 Bill, thank you for coming. There's
something I need you to help me with.
ビル、来てくれてありがとう。
ちょっと手伝って欲しいことがあるの。 The books I am interested in
recently are on cooking.
僕は最近料理の本に興味があります。 Did you know that the gallery is
located in Greenwich Village?
そのギャラリーはグリニッジ・ビレッジ
にあるって知ってた？ I think he is kind of right about
what he said.
私は、彼が言ったこと、ある意味
正しいと思うな。 Because he pinches pennies, he has
more money than I do.
彼は倹約家だから、私よりもお金持って
るんだ。 I need you to do something for me.
Take me to the school, please.
僕のためにして欲しいことがあるんだ。
お願いだから学校まで連れてって。 Let's go to a fancy restaurant and
enjoy a romantic dinner together!
一緒にオシャレなレストランへ行って、
ロマンチックな食事を楽しもうよ！ I have to deliver all of these
goods today. Will you help me?
今日はこれらの商品をすべて届けな
なくちゃならないんだ。手伝ってく
れるかい？ First, we listen to our customers
carefully.
私たちはまず、お客様のお話をじっく
り伺います。 The letter from my friend cheered
me up and made me smile naturally.
友達からの手紙のおかげで元気が出て、
笑顔も自然に浮かびました。 A: I can't decide which one to buy.
　どれを買おうか決めかねます。
B: It's OK. Please take your time.
　結構ですよ。ごゆっくりどうぞ。 My friend is running a flower shop.
私の友達は花屋を経営しています。 We meet again! What a coincidence.
また会ったね！すごい偶然だ。 Do you mind if I watch TV here?
Am I interrupting your studying?
ここでテレビを見てもいいですか？
お勉強のお邪魔かしら？ The bar counter is only available for
our hotel guests.
バーカウンターは、当ホテルのご宿泊客
のみご利用可能です。 A: I came to Japan two years ago.
　僕は２年前に日本へ来ました。
B: What did you do before?
　以前は何をされていたんですか？ I guess I can't answer your
question.
どうやらご質問には答えられそうに
ありません。 Ice cream is made from milk!
アイスクリームは牛乳から作るんだ！ Baseball was introduced to Japan
by Americans.
野球はアメリカ人によって日本に
紹介された。 "Uno" means "one" in Spanish.
「ウノ」はスペイン語で「１」を
意味します。 We really appreciate what you have
taught us.
僕たちに教えてくれたこと、本当に
感謝してます。 I am so full!
I can't eat any more.
もうお腹いっぱい！
これ以上食べられないよ。 The man has the air of a scholar.
その男性は学者風の雰囲気があります。 There is a boy with light skin who
appears to be Caucasian.
色白で白人とおぼしき男の子がいます。 Why don't you set the alarm clock,
just in case?
念のために目覚まし時計セットしたら？ If there's anything that you need
help with, feel free to tell us.
もしも何かお手伝いが必要でしたら、
お気軽にお知らせください。 

****************************************
_out_EN_337.txt
****************************************

﻿m     L     ;     O     B          X     q   (  j   ?     S  X   m  f   ~  .     <     G     .     /     R     9                            	     ,
     Q     |     [
     7                                                                 $                \                         I          "                         I      !     h!     !  have not been ～ing Looking at ～, seem to ～ How's it going? make you ～ haven't been eating well be forced to ～ It turns out that ～. what's on your mind Would you be able to ～?  be ready to ～ turn at the corner that way wait for ～ on top of ～ water ～ all match catch up to ～ lack of ～ nothing makes ～ happier than … 「ずっと～ない」という過去から現在ま
で継続した状態を表すには、このように
have not been ～ing が使われます。
I haven't been feeling well lately.
だと「最近ずっと体の具合が良くない」
という意味になります。 Looking at ～, は「～を見ていると」
という意味です。文脈によって、「～か
ら判断すると」となる場合もあります。
Looking at the situation, なら「状況
から判断すると」ということです。 seem to ～ は「～のように見える・思
われる」という意味で、話し手の主観的
な印象を伝える表現です。
You seem to be sick. だと、「病気の
ように見えますが…」というニュアンス
です。 How's it going? で「調子はどう？・元
気ですか？」という意味で、日常使うフ
レンドリーなあいさつです。普通は、
Pretty good, thanks. 「調子いいよ」
Great, thanks.「最高よ」Not too bad.
「悪くないよ」などと答えます。 make you の後ろに食べ物や飲み物を続
けると「あなたに～をつくる」という意
味になります。make you a coffee なら
「あなたにコーヒーをいれる」で、I've
made you a coffee. なら「コーヒーい
れておいたよ」という感じです。 have been ～ing は「ある状態が現在ま
で続いている」ということで、継続して
いる場合と断続的に繰り返している場合
があります。haven't been eating well
は「あまりたくさん食べていない状態が
続いている」ということです。 force には、「(誰かに) 無理矢理～を
させる・～することを強いる」という
意味があり、be forced to ～ の形で、
「無理矢理～をさせられる」という
意味を表します。 turn out には「(物事が) ～である
ことがわかる」という意味があり、
It turns out that ～. の形で
「結局～だと判明する、わかる」
という意味で普段よく使われます。 what's on your mind は「心にあるも
の」つまり「思ったこと」です。
What's on your mind? だけで「何を
悩んでいるのですか？」という意味でも
使われます。 Would you be able to ～ ? は「(もし
そうなったら）～できる？」と仮定の
話を尋ねる表現です。
「可能」を表す can は would とは
一緒に使えないので、ここでは
be able to を使っています。 be ready to ～ は「～する準備ができ
ている」という状態を表します。
「準備をする」なら、get ready to ～
が使われます。 turn at the corner は「角のところで
曲がる」つまり「角を曲がる」です。
turn the corner でも同じ意味を
表せます。この turn the corner は、
「危機を脱する」という意味でも
使われます。 that way は「そちらの方向・あちらへ」
という意味で普段よく使われます。
Go out that way. なら「あちらから
でてください」ということです。
「こちらへ」という場合は this way が
使われます。 wait for ～ で「～を待つ」という意味
で、Wait for me at the station. なら
「駅で待っていて」ということです。
wait for + 時間 という使い方もあって
Wait for a second. なら「ちょっと
待って」ということです。 on top of ～ は「～の上に」という決
まり文句で「～に加えて・～より優位に
たって」という意味でも使われます。
具体的な場所の頂上、頂点というときは
on the top of ～ という表現を使う
こともあります。 water は「水」という意味ですが、動詞
として使って「(花など) に水やりをす
る」という意味にもなります。
water down で「水で薄める・中身を薄め
る・骨抜きにする」という言い方もあり
ます。 match は「調和している・匹敵する」と
いう意味で、この場合は all match で
「すべて統一されている」ということで
す。match は名詞として「試合・競争相
手・マッチ棒」などの意味でも使われま
す。 catch up to ～ で「～に追いつく」
という意味です。catch up with ～ が
使われることもあります。
Go ahead. I'll catch up soon.「先に
行って、すぐに追いつくから」と、
catch up だけで使うこともあります。 lack は「不足・欠如」ということで、
lack of ～ は「～の不足」ということ
です。lack of practice なら「練習不
足」、lack of courage なら「度胸不
足・勇気が足りない」ということです。 make ～ happy は「～を幸せにする」と
いうことで、
nothing makes ～ happier than … は
「…より～を幸せにするものはない」つ
まり「…が～を何より幸せにする」とい
う意味です。 Doctors in our town haven't been
sleeping for days.
この街の医者たちは、もう何日も寝て
いない。 Looking at the lake, he began to
feel better.
湖を見ているうちに、彼の気持ちは
落ち着いていった。 The toilet in the castle seems to be
new.
城の中のトイレは新品のように見える。 How's it going? I called you
yesterday.
元気ですか？昨日電話したのですが。 I've made myself a pizza.
自分のためにピザを作りました。 I haven't been eating well since
I moved.
引っ越しをしてから、あまりたくさん
食べていない。 That monkey is forced to do a
backflip.
あの猿は、無理矢理バク転を
させられている。 It turns out that our hotel was
a famous one.
有名なホテルに泊まっていたことが
判明する。 I can't tell what's on your mind.
あなたが何を思っているかわからない。 Would you be able to throw that
important ring?
その大切な指輪を投げることができる？ My elephant is ready to go on stage.
わたしの象はいつでも舞台へあがる用意
ができている。 The cat turned the corner carrying
fish in his mouth.
魚をくわえた猫が角を曲がった。 The closest second-hand bookstore is
that way.
一番近い古本屋はあっちの方向に
あります。 The last runner waits for his
teammate to show up running
toward him.
最終走者はチームメイトが自分の方へ
走りながら現れるのを待っている。 Mud splattered on top of their heads.
彼らの頭に泥がかかった。 I always water my flowers before
I go to work.
出勤する前に必ず花に水をやるの。 The stones seem to be randomly set,
but it all matches with the background.
石は無造作に置かれているように
見えるが、背景にあうよう統一されて
いる。 It's hard for me to catch up with
the latest fashion.
最新の流行に追いつくのは大変だ。 I think there is a lack of
information about the product.
その製品に関する情報が不足している
と思う。 Kids washing dishes, nothing makes
their mother happier than that.
子どもがお皿を洗うことは母親にとって
なによりもうれしいことだ。 

****************************************
_out_EN_338.txt
****************************************

﻿Y     N          p     @     ?     f     M     7     6   )  t   4  $   K  ]   S  4   e  V   q  k     F     3     (     /          E     o     _     @     A   
  @     ;   (     4     K          U	     f
     &               T
     
          W     v                                        ;                                   C     ;     L               ^                _            !     !     ;"     "     P#     #     3$     $     %     %     7&     &     '     h'     (     (     (     6)     )     L*  it seems that ～ in front of ～ follow be surrounded by ～ far from ～ get through make up one's mind the other side despite ～ in a hurry Could you explain ～? Got it? the center of ～ mind ～ing Don't mention it. make one's way into too ～ to … try to ～ forward backward lane filled with ～ Please note that ～. mumble to oneself I wonder ～. cheer up ～ deal with ～ work on ～ Do you have some time? seem ～ は「～のようにみえる・
～のようだ」という意味です。
It seems that ～ の形で
よく使われます。 front は「前面・前方」ということで、
in front of ～ なら「～の前に」という
意味になります。 follow は「～に従う・～の後について
いく」という意味ですが、そこから派生
して「理解する」という意味でも使われ
ます。I don't follow you. なら
「言っていることがよく分からない」と
いうことです。 surround は名詞では「周囲・環境」、
動詞では「取り囲む」という意味です。
be surrounded by ～で「～に囲まれて
いる」という意味になります。 far from ～ は「～から遠い」という
意味です。Is ～ far from here? なら
「～はここから遠いですか？」と
尋ねるときに使えます。 get through は「通り抜ける・通過する」
という意味です。
get through ～ という形で
「～を通り抜ける・切り抜ける」という
意味で使うこともできます。 make up ～ は「～を作り上げる」
という意味です。
make up one's mind で
「心を作り上げる」、つまり
「決心する」という意味になります。 the other side は「向こう側・反対側」
という意味です。
一方、「こちら側」は this side で
表現します。 despite ～ は「～にもかかわらず」
という意味で、後には名詞が続きます。
in spite of ～ でも同じ意味に
なりますが、despite of ～ とは
言わないので注意しましょう。 hurry は動詞では「急ぐ」、
名詞では「急ぐこと」という意味です。
in a hurryで「急いで」という
意味になります。 「～を教えてもらえる？・～を説明して
くれる？」という意味で、
Could you explain that to me again?
なら「もう一度説明してくれますか？」
ということです。この表現は普段いろい
ろな場面で使える便利な表現です。 Got it? はカジュアルな表現で
「わかった？」という意味です。
Have you got it? でも同じ意味です。 center は「真ん中、中心人物、中心地」
ということで、the center of ～は
「～の中心」という意味です。
「～の真ん中に」という場合は
at the center of ～ や in the
center of ～ と表現できます。 mind ～ing で「するのを嫌がる」と
いう意味です。
I don't mind ～ing 「私は～をしても
かまわない」という形でよく使われます。 Thank you. への受け答えとしては
You're welcome. が有名ですが、
このDon't mention it. も「気に
しないで・礼はいいから」という意味
でカジュアルな場面でよく使われます。
他にも No problem. などがあります。 make one's way into ～ は「～に進入
する・～に入り込む」という意味で
使われます。 too ～ to … は「…するには～
すぎる」という意味で、受験英語の
定番ですね。
実際には「～すぎて…できない」
という意味で使われます。 try to ～ は「～しようとする」という
意味です。
ちなみに、try ～ing だと
「(試しに）～してみる」という
意味になるので注意しましょう。 forward、backward はそれぞれ
「前に」「後ろに」という意味です。
空間についてだけでなく、
時間についても使えます。 lane は日本語にもなっている
「レーン・車線」ですね。
「細い道・狭い道」という意味で
使われることもあります。 fill ～ は「～をいっぱいにする」
という意味で、be filled with ～ で
「～でいっぱいだ」という状態を
表します。後ろには、dreams や love,
anger などの抽象的なモノのほか、
具体的なモノがくることもあります。 note は日本語の「メモ」ですが、
動詞として「注意する・書きとめる」
という意味があります。
Please note that ～. で「～にご注意
ください・留意してください」という
意味で主に書き言葉で使われます。 mumble は「つぶやく」という意味で、
mumble to oneself で「自分自身に
向かってつぶやく」ということです。
似たような表現で、talk to oneself
だと「独り言を言う」という意味になり
ます。 I wonder ～. は「～かしら・～かどう
か気になる」という意味で、日常よく
使われる表現です。
I wonder where he is. なら「彼がどこ
にいるのか気になる」ということです。 cheer up ～ で「～を励ます」という
意味です。
Cheer up! 「元気だして！」という形で
使われることもよくあります。 deal は名詞では「取引」、動詞では
「対応する」という意味です。
deal with ～ で「～に対応する・
～を相手にする」という意味で
使われます。 work は「働く」ということですが、
work on ～で「～に取り組む・従事す
る」という意味になります。
What are you working on? なら、
「なんの仕事に取り組んでいるの？」
という感じです。 Do you have some time? は「少し時間
ある？」、つまり「ちょっと付き合って
くれる？」という意味です。
ちなみに、Do you have the time? だと
「今の時刻がわかりますか？・
今何時ですか？」という意味です。 It seems that the flight is going to
be delayed.
どうやらフライトは遅れるようだ。 The shopping center is in front of
the river.
ショッピングセンターは川の前に
あります。 Are you following me?
私が言っていること理解してる？ The monument is surrounded by tall
buildings.
その記念碑は高いビルに囲まれている。 Is the train station far from here?
駅はここから遠いですか？ We have to get through this trouble.
このトラブルを切り抜けなきゃ。 I made up my mind to visit the country.
その国へ行ってみようと決心した。 The shop is on the other side of the
street.
お店は道の反対側にありますよ。 The restaurant was closed down
despite its popularity.
そのレストランは人気があったにも
かかわらず閉店した。 A: Why are you in such a hurry?
　なんでそんなに急いでるの？
B: Our train leaves in 2 minutes!
　あと２分で電車が出ちゃうんだよ！ Could you explain to me the way to
the hotel?
ホテルまでの道を教えてもらえますか？ Walk straight until you get to a big
park, and call me from there. Got it?
大きな公園に着くまでまっすぐ歩いて、
そこから電話してね。わかった？ The park is located
in the center of the city.
その公園は市の中心にあります。 A: Do you mind if we take this chair?
　この椅子をもらっても
　かまいませんか？
B: Not at all.
　もちろん。 A: Thank you again for your help.
　助けてくれてどうもありがとう。
B: Don't mention it.（No problem.）
　なんでもないよ。 He made his way into the crowd.
彼は人だかりの中に入り込んだ。 You're too young to travel abroad by
yourself.
君は一人で海外旅行するには若すぎるよ。
(若すぎて一人で海外旅行するなんて
 無理だよ) A: Have you tried calling the
   restaurant?
　レストランに電話してみた？
B: Not yet.
　まだだよ。 Don't forget to set your watch forward
five hours when you get there.
あっちへ着いたら時計の針を５時間
進めるのを忘れないでね。 Right lane must turn right.
(標識）右車線は右折のみ。 The palace was filled with tourists.
宮殿は観光客でいっぱいだった。 Please note that the service will no
longer be available starting next month.
来月以降このサービスはご利用できなく
なることにご注意ください。 People often tell me that I mumble
to myself.
私はよく自分につぶやいていると人に
言われる。 I wonder what the weather will be
like tomorrow.
明日の天気はどうかしら。 Let's take him to dinner and cheer
him up.
彼を夕食に連れ出して励まそう。 I have to deal with the manager of the
hotel to get the problem fixed.
問題解決のためにホテルのマネージャー
と話をつけなければ。 I have to work on my project tonight.
今晩は自分のプロジェクトにとりかから
なくてはならない。 A: Excuse me, but do you have the time?
　すみませんが、今何時ですか？
B: Sorry, I don't have my watch with me.
　ごめんなさい、時計がないもので。 

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_out_EN_339.txt
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﻿e     G     @     <     Z     *   )  A   2     @  )   G  R   O  6   _  :   j  R   u  >     8     a     L     E     G     o     4     a     <     >     &   )     1               	                    ~
          <     5          
          x          P                                                            b               ^               T               >            !     o!     !     +"     q"     "     M#     #     $     }$     $  be supposed to ～ tired from ～ be worth ～ see ～ off be wrong with ～ face ～ part with ～ sprain on foot set off for ～ figure out get caught out of the way look for ～ pick up ～ be packed with ～ the way to ～ hold on tight be out of ～ make it in time to ～ stand out take a look at ～ bring about look like ～ be lost be supposed to ～ は「～することに
なっている」という意味です。
過去形で使うと「～することになって
いたのにしなかった」
というニュアンスになります。 tired from ～ で
「～で（～が原因で）疲れている」
という意味になります。
ちなみに、tired of ～ というと
「～にうんざりしている」と全く違う
意味になるので注意しましょう。 worth は名詞では「価値」という
意味ですが、be worth ～ と使うと
「～の価値がある」となります。
It was worth it. で「その価値が
あった」、つまり「そのかいがあった」
という意味になります。 see は「見える・目に入る」という
意味ですが、see ～ off だと
「～が離れるのを見る」つまり「～を
見送る」という意味になります。
Thank you for seeing me off. なら
「お見送りありがとう」です。 be wrong with ～ は「～に何か
よくないことがある」という意味です。
What's wrong with ～? で
「～はどうかしたの？・～のどこが
悪いの？」となります。 face は「顔」という意味ですが、
face ～ で「～に面する・向かい合う・
直面する」という意味にもなります。
face the fact で「事実を直視する」
という使い方もできます。 part は名詞では「部分」という意味
ですが、動詞では「別れる・別の場所へ
行く」という意味があります。
part with ～ で「～と別れる」と
なります。 sprain は「(足を）くじく」という
意味です。名詞でもそのまま sprain で
「捻挫」という意味です。
ちなみに、bruise は「あざ」、
scratch は「かすり傷」、cut は
「切り傷」という意味で使われます。 on foot で「徒歩で」という意味です。
ちなみに「バスで」「車で」という
ときは、それぞれ、by bus, by car と
by を使って表現します。 set は「セットする・正しい位置に
置く」という意味ですが、この
set off は「出発する」ということで、
set off for ～で「～に（向けて）
出発する・出かける」という意味に
なります。 figure は名詞では「数字」という
意味があり、動詞になると
「計算する・考える」という意味が
あります。
この figure out は「解き明かす・
考え出す」という意味です。 catch は「捕まえる」という意味で、
get caught で「捕まった状態になる」
つまり「捕まる」という意味です。
get caught in a traffic jam だと
「渋滞に巻き込まれる」という感じ
です。 out of the way は「邪魔にならない
ところに」ということです。
Out of the way! で「どけ！」という
意味で使われます。
逆に、in the way で「邪魔になって」
という意味を表します。 look は「視線を向ける」ということ
ですが、look for ～ は「～を探す」
という意味になります。 pick up ～で「～を拾い上げる」という
意味で、「～を車で拾う・車で迎えに行
く」という場合にもよく使われます。
I'll pick you up at the station.
「駅で拾ってあげるわ」のように、
pick ～ up という形でも使われます。 pack には動詞で「詰め込む」という
意味があり、be packed with ～で
「～でいっぱいである・～で
あふれている」という状態を表します。 way には「道・方向・方法・手段」など
の意味があり、the way to ～ で
「～への行き方・～までの道・
～のやりかた」という意味になります。 hold on tight は「しっかりつかまる」
という意味です。
hold on tight to ～だと、
「～にしっかりつかまる」という意味に
なります。 out of ～ には「～がなくなって」
という意味があり、be out of breath
は「息がなくなる」、つまり「息が切れ
る・肩で息をする」という意味です。
run out of ～ で「～がなくなる」
という形でもよく使われます。 in time は「間に合って」という意味
です。make it in time to ～ で
「時間内に～する・～するのに間に
合う」という意味になります。 stand は「立つ」ということですが、
stand out は「目立つ」という意味で
使われます。 take a look at ～ で「～を(ちょっと)
見てみる」という意味です。
take a brief look at ～「～をさっと
見てみる」など、look の前に
いろいろな形容詞をつけて
応用することができます。 bring ～ は「～を持ってくる」という
意味で使われますが、この
bring about ～ は「～をもたらす・
～を引き起こす」という意味です。 look like ～ は「～のように見える」
という意味で、
What does he look like? なら「彼は
何のように見えますか？」つまり「彼は
どんな容ぼうですか？」という意味で
使われます。 lose ～ は「～をなくす」という
意味ですが、be lost で「道に迷う・
迷子になる」の意味で使われます。 We were supposed to get to the
airport by five.
私たちは５時までに空港に行くことに
なっていた（のに行かなかった）。 We're tired from being on a long flight.
長いフライトで疲れている。 The ring is worth a thousand dollars.
その指輪は１０００ドルの価値が
あります。 We went to see him off at the airport.
私たちは空港に彼を見送りに行った。 What's wrong with my outfit?
私の服装に何かまずいことでも？ The hotel faces ABC Boulevard.
ホテルはＡＢＣ大通りに面しています。 I parted with my friend and went home.
私は友達と別れて家に帰った。 He had a sprained foot.
彼は足をくじいていた。 How long will it take to get there
on foot?
そこまで徒歩だとどれくらいかかり
ますか？ We set off for London.
ロンドンに向けて旅立った。 We need to figure out how to make it
in time.
どうやったら間に合うか考えないと。 I got caught for speeding.
スピード違反で捕まっちゃった。 Excuse me, but you're in the way.
すみませんが、邪魔ですよ。 I'm looking for a good Italian
restaurant around here.
このあたりでいいイタリア料理の
レストランを探しています。 He came to pick us up at the airport.
彼は空港に私たちを車で迎えにきた。 The train was packed with people.
列車は人であふれかえっていた。 Would you tell me the way to the
post office?
郵便局への行き方を教えていただけ
ますか？ Hold on tight to the rope.
ロープにしっかりつかまって。 A: What's wrong?
　 どうしたの？
B: We're out of gas.
　 ガソリンがなくなった。 John didn't make it in time to turn
in his homework.
ジョンは宿題を提出するのに間に
合わなかった。 The mountain stood out against the
blue sky.
その山は青い空を背景にして目立って
いた。 You need to take a close look at the
picture.
写真をよく見てみないといけないよ。 The trip brought about a big change
in her.
その旅行で彼女に大きな変化が起きた。 What does the hotel look like?
ホテルはどんな外観ですか？ We were lost at the station.
私たちは駅で迷子になった。 

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_out_EN_34.txt
****************************************

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  l   ]
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_out_EN_340.txt
****************************************

﻿    (   l   .f  )    +このメッセージには
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_out_EN_341.txt
****************************************

﻿l   (   l   g   +このメッセージには
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_out_EN_342.txt
****************************************

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_out_EN_343.txt
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_344.txt
****************************************

﻿l   P   l      l      l   
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_345.txt
****************************************

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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ ネイティブテストで使用01 英 二行
英語リストテスト02 英 三行
英語リストテスト03 英
テスト 四行
英語リストテスト04 英
活用
事例 五行
英語リストテスト05 英
テスト
英語
リスト 六行
英語リストテスト06 英
テ
ス
ト
テスト 英語リストテストコピー文 英 t00_Flag_Native_01 フラグ 英 t00_Flag_Native_02 フラグ 英
ヒント t00_Flag_Native_03 フラグ 英
入手
ヒント t00_Flag_Native_04 フラグ 英
ヒ
ン
ト 英語リストヒントコピー文 英 二行
ネイティブヒント 英 ネイティブのヒントを
コマンドで指定 英 English select
test question English select
Select 1 English English select
Select 2 English English select
Select 3 English English select
explanation 重要フレーズ
解説2ページテスト
その1 英語の場合 重要フレーズ
解説2ページテスト
その2 英語の場合 +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_346.txt
****************************************

﻿b     l     l     l   )  l   h  l     l     l   %
  l   d
  l   
  l   
  l   !     `  l   e  l     l     l   "  l   a  l     l     l     l   ]  l     l     l     l   Y  l     l     l     l   U  l     l     l     l   Q  l     l     l     l   M  l     l     l   
  l   I  l     l     l     l   E  l     l     l     l   A  l     l     l     l   =  l   |  l     l     l   9  l   x  l     l     l   5  l   t  l     l     l   1  l   p  l     l     l   -  l   l  l     l     l   )  l   h  l     l     l   %  l   d  l     l     l   !  l   `  l     l     l      l   \   l      l      l   !  l   X!  l   !  l   !  l   "  l   T"  l   "  l   "  l   #  l   P#  l   #  l   #  l   
$  l   L$  l   $  l   $  l   	%  l   H%  l   %  l   %  l   &  l   D&  l   &  l   &  l   '  l   @'  l   '  l   '  T   '  T   (  T   =(  T   s(  l   (  l   (  l   )  l   J)  l   )  l   )  l   *  l   F*  l   *  l   *  l   +  l   B+     +     +  0   +  l   +  P   +  X   +  X   ,  l   6,  l   u,  l   ,  l   ,  l   2-  l   q-  l   -  l   -  english ɫ+touch+ test +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ test +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ translation test
1message translation test
2message
 +Okay+ translation test
3message
Okay dummy
 +Ice cream+ translation test
4message +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ timer1 timer2 time over +このメッセージには
英語訳がありません+ English select
Correct answer English select
Incorrect answer English select
Incorrect answer +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_347.txt
****************************************

﻿l   x   l      l      l   5  l   t  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_348.txt
****************************************

﻿   <     j               K               B               O          <	     }	  x   	     
     
     
     w
     
     ?     j     p     v     |          #               9
     
     
     (     .               V                      x   F                           x     x     x     x   8  x   j  x     x     x      x   2  x   d               *     t               R               0  ここは　エピソード選択画面です チャロのアイコンがある場所が
現在　あなたのいるエピソードです クリアすると　アイコンが
カラーになり― 新しく出現したアイコンには
ＮＥＷマークがつきます まだ選べない　エピソードは
カギのマークで　ロックされます 画面下には　ボタンが２つあります
左下の
『タイトルへ戻るボタン』と― 右下の
『エクストラメニューボタン』です エクストラメニューは
これまでに　チャロが集めた
英語コインや― お役立ちフレーズなど
いくつかの項目が
確認できるメニューです それでは　ＮＥＷがついた
アイコンを　タッチしてみましょう アイコンをタッチすると
そのエピソードのイメージ画像と
『はじめるボタン』が出現します イメージ画像の下にある　☆　は
そのエピソードの　お話の長さを
表しています 上画面には　エピソードの情報が
表示されます 『はじめるボタン』をタッチすると
エピソードがスタートします それでは　自由に
操作してみてください dummy dummy エピソード２をクリアしたので
新しいエピソードが
開放されました これまで　何も無かった場所に
新しいアイコンが出現しています このアイコンは　ある条件を
クリアしないと出現しない
ボーナスストーリーです まずは　タッチしてみましょう dummy dummy dummy 上画面が　ジグソーパズルに
切り替わりました 埋まっていないピースは
特定の条件を満たすことで
順次　埋めていけます パズル完成の条件は
各ストーリーに　必ず
４つずつ設定されています １つの条件を達成すると
３つのピースが　同時に埋まり― ４つの条件　全てを満たすと
１２のピースが埋まります
パズルの完成です パズルが完成することで
ボーナスストーリーを
楽しめるようになります ４つの条件は　下画面の
『条件を見るボタン』で
確認できます それでは
続きを　進めていきましょう dummy エピソード３をクリアしたので
新しいエピソードが　一度に３つも
選べるようになりました 今回のように　複数のエピソードが
同時に選べるようになる
ことがあります エピソードは　順番に
線で繋がっていますが― 新しいエピソードは　どれから
遊んでもかまいません それでは　好きなエピソードを
選んで　ストーリーの続きを
進めましょう dummy dummy エピソード２をタッチしてみましょう ボーナスストーリーを
タッチしてみましょう dummy dummy dummy dummy dummy ボーナスストーリーが
出現しました ボーナスストーリーが
出現しました ボーナスストーリーが
出現しました ボーナスストーリーが
出現しました ボーナスストーリーが
出現しました ボーナスストーリーが
出現しました ボーナスストーリーが
出現しました ボーナスストーリーが
出現しました ボーナスストーリーが
出現しました ボーナスストーリーが
出現しました ボーナスストーリー１が
見られるようになりました！ ボーナスストーリー２が
見られるようになりました！ ボーナスストーリー３が
見られるようになりました！ ボーナスストーリー４が
見られるようになりました！ ボーナスストーリー５が
見られるようになりました！ ボーナスストーリー６が
見られるようになりました！ ボーナスストーリー７が
見られるようになりました！ ボーナスストーリー８が
見られるようになりました！ ボーナスストーリー９が
見られるようになりました！ ボーナスストーリー１０が
見られるようになりました！ 

****************************************
_out_EN_349.txt
****************************************

﻿l   Q    l   Q    l   Q    l   Q  Q  l   Q    l   Q    l   Q    l   Q  M  l   Q    l   Q    l   Q  
  l   Q  I  l   Q    l   Q    l   Q    l   Q  E  l   Q    l   Q    l   Q    l   Q  A  l   Q    l   Q    l   Q    l   Q  =  l   Q  |  l   Q    l   Q    l   Q  9	  l   Q  x	  l   Q  	  l   Q  	  l   Q  5
  l   Q  t
  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_35.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_350.txt
****************************************

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****************************************
_out_EN_351.txt
****************************************

﻿l   X  l     l     l     l   T  l     l     l     l   P  l     l     l   
  l   L  l     l     l   	  l   H  l     l     l     l   D  l     l     l     l   @  l     l     l     l   <	  l   {	  +このメッセージには
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****************************************
_out_EN_352.txt
****************************************

﻿l     l   ;  l   z  l     l     l   7  l   v  l     l     l   3  l   r  l     l     l   /  l   n  l     l     l   +  l   j  l     l     l   '	  l   f	  l   	  l   	  l   #
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****************************************
_out_EN_353.txt
****************************************

﻿l   X  l     l     l     l   T  l     l     l     l   P  l     l     l   
  l   L  l     l     l   	  l   H  l     l     l     l   D  l     l     l     l   @  l     l     l     l   <	  l   {	  +このメッセージには
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****************************************
_out_EN_354.txt
****************************************

﻿l   p  l     l     l   -  l   l  l     l     l   )  l   h  l     l     l   %  l   d  l     l     l   !  l   `  l     l     l     l   \  l     l     l   	  l   X	  l   	  l   	  l   
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****************************************
_out_EN_355.txt
****************************************

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****************************************
_out_EN_356.txt
****************************************

﻿l     l     l     l   Y  l     l     l     l   U  l     l     l     l   Q  l     l     l     l   M  l     l     l   
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  l     l   A  l     l     l     l   =  l   |  l     l     l   9
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  l   5  l   t  l     l     l   1  l   p  l     l     l   -  l   l  l     l     l   )  l   h  l     l     l   %  l   d  l     l     +このメッセージには
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英語訳がありません+ 

****************************************
_out_EN_357.txt
****************************************

﻿l     l   #  l   b  l     l     l     l   ^  l     l     l     l   Z  l     l     l     l   V  l     l     l     l   R  l     l     l     l   N  l     l     l   	  l   J	  l   	  l   	  l   
  l   F
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  l     l   B  l     l     +このメッセージには
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****************************************
_out_EN_358.txt
****************************************

﻿l     l     l     l   E  l     l     l     l   A  l     l     l     l   =  l   |  l     l     l   9  l   x  l     l     l   5	  l   t	  l   	  l   	  l   1
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  l   !  l   `  l     l     l     l   \  l     l     l     l   X  l     l     l     l   T  l     l     l     l   P  l     +このメッセージには
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****************************************
_out_EN_359.txt
****************************************

﻿l     l   ;  l   z  l     l     l   7  l   v  l     l     l   3  l   r  l     l     l   /  l   n  l     l     l   +  l   j  l     l     l   '	  l   f	  l   	  l   	  l   #
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  l     l   ^  l     l     l     l   Z  l     l     l   
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  l     l   R  l     l     l     l   N  l     l     l     l   J  +このメッセージには
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英語訳がありません+ 

****************************************
_out_EN_36.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_360.txt
****************************************

﻿l      l   ?  l   ~  l     l     l   ;  l   z  l     l     l   7  l   v  l     l     l   3  l   r  l     l     l   /	  l   n	  l   	  l   	  l   +
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  l   '  l   f  l     l     l   #  l   b  l     l     l   
  l   ^
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  l     l   Z  l     l     l     l   V  l     l     l     l   R  l     l     l     l   N  l     l     l     l   J  l     l     l     l   F  l     l     l     l   B  l     +このメッセージには
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英語訳がありません+ 

****************************************
_out_EN_361.txt
****************************************

﻿l   X  l     l     l     l   T  l     l     l     l   P  l     l     l   
  l   L  l     l     l   	  l   H  l     l     l     l   D  l     l     l     l   @  l     l     l     l   <	  l   {	  +このメッセージには
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****************************************
_out_EN_362.txt
****************************************

﻿l     l     l     l   ]  l     l     l     l   Y  l     l     l     l   U  l     l     l   	  l   Q	  l   	  l   	  l   
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****************************************
_out_EN_363.txt
****************************************

﻿l     l   ;  l   z  l     l     l   7  l   v  l     l     l   3  l   r  l     l     l   /  l   n  l     l     l   +  l   j  l     l     l   '	  l   f	  l   	  l   	  l   #
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****************************************
_out_EN_364.txt
****************************************

﻿l     l   #  l   b  l     l     l     l   ^  l     l     l     l   Z  l     l     l     l   V  l     l     l     l   R  l     l     l     l   N  l     l     l   	  l   J	  l   	  l   	  l   
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****************************************
_out_EN_365.txt
****************************************

﻿l     l   ;  l   z  l     l     l   7  l   v  l     l     l   3  l   r  l     l     l   /  l   n  l     l     l   +  l   j  l     l     l   '	  l   f	  l   	  l   	  l   #
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_366.txt
****************************************

﻿l     l   #  l   b  l     l     l     l   ^  l     l     l     l   Z  l     l     l     l   V  l     l     l     l   R  l     l     l     l   N  l     l     l   	  l   J	  l   	  l   	  l   
  l   F
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  l     l   B  l     l     +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_367.txt
****************************************

﻿l   p  l     l     l   -  l   l  l     l     l   )  l   h  l     l     l   %  l   d  l     l     l   !  l   `  l     l     l     l   \  l     l     l   	  l   X	  l   	  l   	  l   
  l   T
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  l     +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_368.txt
****************************************

﻿l     l   ;  l   z  l     l     l   7  l   v  l     l     l   3  l   r  l     l     l   /  l   n  l     l     l   +  l   j  l     l     l   '	  l   f	  l   	  l   	  l   #
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****************************************
_out_EN_369.txt
****************************************

﻿l     l   #  l   b  l     l     l     l   ^  l     l     l     l   Z  l     l     l     l   V  l     l     l     l   R  l     l     l     l   N  l     l     l   	  l   J	  l   	  l   	  l   
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英語訳がありません+ 

****************************************
_out_EN_37.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_370.txt
****************************************

﻿l     l   S  l     l     l     l   O  l     l     l     l   K  l     l     l     l   G  l     l     l   	  l   C	  l   	  l   	  l    
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_371.txt
****************************************

﻿l   p  l     l     l   -  l   l  l     l     l   )  l   h  l     l     l   %  l   d  l     l     l   !  l   `  l     l     l     l   \  l     l     l   	  l   X	  l   	  l   	  l   
  l   T
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  l     +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_372.txt
****************************************

﻿l     l     l     l   ]  l     l     l     l   Y  l     l     l     l   U  l     l     l   	  l   Q	  l   	  l   	  l   
  l   M
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  l   A
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  l   =  l   |  l     l     l   9  l   x  l     l     l   5  l   t  l     l     l   1  l   p  l     l     l   -  l   l  l     l     l   )  l   h  l     l     l   %  l   d  l     l     l   !  l   `  l     l     l     l   \  l     l     l     +このメッセージには
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英語訳がありません+ 

****************************************
_out_EN_373.txt
****************************************

﻿l   p  l     l     l   -  l   l  l     l     l   )  l   h  l     l     l   %  l   d  l     l     l   !  l   `  l     l     l     l   \  l     l     l   	  l   X	  l   	  l   	  l   
  l   T
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英語訳がありません+ 

****************************************
_out_EN_374.txt
****************************************

﻿l   t  l     l     l   1  l   p  l     l     l   -  l   l  l     l     l   )  l   h  l     l     l   %  l   d  l     l     l   !	  l   `	  l   	  l   	  l   
  l   \
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
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英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_375.txt
****************************************

﻿l     l   #  l   b  l     l     l     l   ^  l     l     l     l   Z  l     l     l     l   V  l     l     l     l   R  l     l     l     l   N  l     l     l   	  l   J	  l   	  l   	  l   
  l   F
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英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_38.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_39.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_4.txt
****************************************

﻿      +Charo learned a new English phrase!+
+Traffic is backed up+ 

****************************************
_out_EN_40.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_41.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_42.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_43.txt
****************************************

﻿l   zQ     +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_44.txt
****************************************

﻿l   zQ  <   l   zQ  {   l   zQ     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_45.txt
****************************************

﻿   d                  ?     ~  +Charo learned a new English phrase!+
+You have good taste.+ +Charo learned a new English phrase!+
+We'll always be close.+ +Charo learned a new English phrase!+
+We are in the same boat.+ +Charo learned a new English phrase!+
+It's a must.+ +Charo learned a new English phrase!+
+It's a token of my appreciation.+ 

****************************************
_out_EN_46.txt
****************************************

﻿   P                  ?  +Charo learned a new English phrase!+
+There is an uneasy silence.+ +Charo learned a new English phrase!+
+He gives a warm smile.+ +Charo learned a new English phrase!+
+There are dark rings around his eyes.+ +Charo learned a new English phrase!+
+Actions speak louder than words.+ 

****************************************
_out_EN_47.txt
****************************************

﻿   <               +Charo learned a new English phrase!+
+There is something wrong.+ +Charo learned a new English phrase!+
+Something is lacking.+ +Charo learned a new English phrase!+
+Something like that.+ 

****************************************
_out_EN_48.txt
****************************************

﻿   d                  =     }  +Charo learned a new English phrase!+
+What are you looking at?+ +Charo learned a new English phrase!+
+What are you looking for?+ +Charo learned a new English phrase!+
+I'm on the way.+ +Charo learned a new English phrase!+
+It's a shame.+ +Charo learned a new English phrase!+
+It's last call.+ 

****************************************
_out_EN_49.txt
****************************************

﻿   P                  2  +Charo learned a new English phrase!+
+A friend in need is a friend indeed.+ +Charo learned a new English phrase!+
+It is humid.+ +Charo learned a new English phrase!+
+Failure is not an option.+ +Charo learned a new English phrase!+
+Made in Japan.+ 

****************************************
_out_EN_5.txt
****************************************

﻿l   <   l   {   l      +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_50.txt
****************************************

﻿l   <   l   {   l      +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_51.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_52.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_53.txt
****************************************

﻿   (      r   +Charo learned a new English phrase!+
+Better safe than sorry.+ +Charo learned a new English phrase!+
+Stop being a back seat driver.+ 

****************************************
_out_EN_54.txt
****************************************

﻿l      l      l   
  l   I  l     l     l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_55.txt
****************************************

﻿   x         r              U  p     +Charo learned a new English phrase!+
+Dogs are howling.+ +Charo learned a new English phrase!+ +This is an emergency.
Get out of the way.+ +Charo learned a new English phrase!+
+Step back.+ +Charo learned a new English phrase!+ +Scratch my back and
I'll scratch yours.+ 

****************************************
_out_EN_56.txt
****************************************

﻿   <      |         +Charo learned a new English phrase!+
+What a feast!+ +Charo learned a new English phrase!+
+He has butterflies in his stomach.+ +Charo learned a new English phrase!+
+It can't be!+ 

****************************************
_out_EN_57.txt
****************************************

﻿l     l     l   "  l   a  l     l     l     l   ]  l     l     l     l   Y  l     l     l     l   U  l     l     l     l   Q  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_58.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_59.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_6.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_60.txt
****************************************

﻿l   P  (   l   7Q  g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_61.txt
****************************************

﻿      +Charo learned a new English phrase!+
+Watch out.+ 

****************************************
_out_EN_62.txt
****************************************

﻿   P                  4  +Charo learned a new English phrase!+
+He is not what he used to be.+ +Charo learned a new English phrase!+
+It is hard to believe+ +Charo learned a new English phrase!+
+Not a soul is to be seen.+ +Charo learned a new English phrase!+
+Couldn't be better.+ 

****************************************
_out_EN_63.txt
****************************************

﻿l   <   l   {   l      +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_64.txt
****************************************

﻿               6                    ^            +Charo learned a new English phrase!+
+Stay strong.+ +Charo learned a new English phrase!+
+whenever you can+ +Charo learned a new English phrase!+
+Buy one, get one free.+ +Charo learned a new English phrase!+
+He looks satisfied.+ +Charo learned a new English phrase!+
+It is irresistible.+ +Charo learned a new English phrase!+
+We make everything from scratch.+ +Charo learned a new English phrase!+
+10 minutes to go+ +Charo learned a new English phrase!+
+Thank you for your cooperation.+ +Charo learned a new English phrase!+
+Left Turn Only+ 

****************************************
_out_EN_65.txt
****************************************

﻿   P                  &  +Charo learned a new English phrase!+
+The room is neat and tidy.+ +Charo learned a new English phrase!+
+I hope you like it.+ +Charo learned a new English phrase!+
+He is at a loss.+ +Charo learned a new English phrase!+
+She is yawning.+ 

****************************************
_out_EN_66.txt
****************************************

﻿   <      g         +Charo learned a new English phrase!+ +This is a place that you will never
find in the guidebook.+ +Charo learned a new English phrase!+
+She has a warm heart.+ 

****************************************
_out_EN_67.txt
****************************************

﻿l   7Q  x   l   7Q     l   7Q     l   7Q  5  l   7Q  t  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_68.txt
****************************************

﻿             
     5                    %     ^                    C     n                    J            +Charo learned a new English phrase!+ +Some Gyoji carry daggers to commit
seppuku if they make the wrong call.+ +Charo learned a new English phrase!+ +The katana is made from specially
processed steel called Tamahagane.+ +Charo learned a new English phrase!+ +A Bento that makes food look like
anime characters is called Charaben.+ +Charo learned a new English phrase!+ +The fifth taste that composes
Washoku is "Umami."+ +Charo learned a new English phrase!+ +Oshiya are posted on station
platforms at rush hour in Japan.+ +Charo learned a new English phrase!+ +The Japanese translation for
"president" is "big chief carpenter."+ +Charo learned a new English phrase!+ +Ukiyo-e went overseas as wrapping
paper for shipped goods.+ +Charo learned a new English phrase!+ +The Bank of Japan stands at
the site where Kinza used to be.+ +Charo learned a new English phrase!+ +Helen Keller helped the Akita to
become known in the United States.+ +Charo learned a new English phrase!+ +The place in Japan called "Maihama"
got its name from Miami Beach.+ 

****************************************
_out_EN_69.txt
****************************************

﻿l      l      l     l   ]  l     l     l     l   Y  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_7.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_70.txt
****************************************

﻿l     l     l   Z  l     l     l     l   V  l     l     l     l   R  l     l     l   	  l   N	  l   	  l   	  l   
  l   J
  l   
  l   
  l     l   F  l     l     l     l   B  l     l     l     l   >
  l   }
  l   
  l   
  l   :  l   y  l     l     l   6  l   u  l     l     l   2  l   q  l     l     l   .  l   m  l     l     l   *  l   i  l     l     l   &  l   e  l     l     l   "  l   a  l     l     l     l   ]  l     l     l     l   Y  l     l     l     l   U  l     l     l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_71.txt
****************************************

﻿l     l     l     l   A  l     l     l     l   =  l   |  l     l     l   9  l   x  l     l     l   5  l   t  l     l     l   1  l   p  l     l     l   -	  l   l	  l   	  l   	  l   )
  l   h
  l   
  l   
  l   %  l   d  l     l     l   !  l   `  l     l     l   
  l   \
  l   
  l   
  l     l   X  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_72.txt
****************************************

﻿~   (   l   ^   ...That's a good idea!
+Let's go+ to the movies. +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_73.txt
****************************************

﻿   (      h   +Charo learned a new English phrase!+
+I am worried.+ +Charo learned a new English phrase!+
+I am relieved.+ 

****************************************
_out_EN_74.txt
****************************************

﻿   P                    +Charo learned a new English phrase!+
+I am full.+ +Charo learned a new English phrase!+
+Be confident.+ +Charo learned a new English phrase!+
+You must be kidding.+ +Charo learned a new English phrase!+
+They really hit it off.+ 

****************************************
_out_EN_75.txt
****************************************

﻿~   (   l   ^   ...That's a good idea!
+Let's go+ to the movies. +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_76.txt
****************************************

﻿   <      y         +Charo learned a new English phrase!+
+Very small+ +Charo learned a new English phrase!+
+patient by nature+ +Charo learned a new English phrase!+
+like narrow places+ 

****************************************
_out_EN_77.txt
****************************************

﻿l      l      l   
  l   I  l     l     l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_78.txt
****************************************

﻿~   (   l   ^   ...That's a good idea!
+Let's go+ to the movies. +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_79.txt
****************************************

﻿   <               +Charo learned a new English phrase!+
+He has mixed feelings about it.+ +Charo learned a new English phrase!+
+There is no time to lose.+ +Charo learned a new English phrase!+
+He is the envy of everyone.+ 

****************************************
_out_EN_8.txt
****************************************

﻿      +Charo learned a new English phrase!+
+And I'm proud of it.+ 

****************************************
_out_EN_80.txt
****************************************

﻿l   (   l   g   +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_81.txt
****************************************

﻿   (      s   +Charo learned a new English phrase!+
+It makes a good picture.+ +Charo learned a new English phrase!+
+Will you take a picture of us?+ 

****************************************
_out_EN_82.txt
****************************************

﻿l      l      l   
  l   I  l     l     l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_83.txt
****************************************

﻿l   d   l      l      l   !  l   `  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_84.txt
****************************************

﻿l      l   /  l   n  l     l     l   +  l   j  l     l     l   '  l   f  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_85.txt
****************************************

﻿l   P   l      l      l   
  +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_86.txt
****************************************

﻿   7Q  d1 Q       7Q  8 ^O       7Q  1 @  (     7Q  K9 w  C     7Q  1 OL       7Q  9 /       aQ  C2 r    :   8Q  ^2 .       aQ  9 :    Z   aQ  E <  -  @   aQ  >2   @  |   aQ  Z-: rA  M  *   8Q  3 s
  e     7Q  C&3 $u  n  S   aQ  g3         aQ  i3 W       aQ  4 =    r   8Q  P4 7:       7Q  4 P[  9  ~   7Q  [4 '  q  C   8Q     BF    x   8Q  G  n       7Q  5  G       7Q    J       7Q  G D  
     7Q   p  6     7Q  ; F  f     7Q  E O       7Q  Δ P    x   8Q  n: 3    G   8Q  z:        7Q   bK       7Q  3 2  6     7Q   [  O     7Q  	 H       7Q  Q H       7Q  : c    p   7Q  ck 4)       hQ   T    f   iQ   0  7  h   hQ   G  J  z   8Q  f; |  m  	   8Q  R5        8Q  ; l    m   hQ  na H       hQ  y S       hQ  L Z    8   iQ  2Q ;3  >     hQ  m qF  K     hQ   {J  z     iQ  = l       iQ  , EP       7Q  Ҁ hJ    *   8Q  :   
     7Q   eV       8Q  < Y  =     iQ  \1 O7  p     7Q  h @    |   8Q  1.5 S       8Q  c 6    	   8Q  &5 h       8Q  5 DM    ]   8Q  D`< 3       8Q       1   8Q  5        iQ     %  *   8Q     +     7Q  ˓< `  3  {   7Q  < `8  g     hQ  	 ]  ~  =   8Q  `	 e       hQ  	        iQ  d
 Q    p   8Q  -= ~L       iQ  y=   1  >   8Q  > HR  r     hQ  k> h       7Q  
 J       8Q  d =G    |   7Q  J 8       Q       Q  n  ;   pQ  5     _   pQ  U6 %       8Q   %q       8Q  > +       8Q  -)6    1     7Q  x> ]  9  f   8Q  M46   n     7Q  - @       7Q  I2? 7       8Q  i? `A       7Q  |z N       8Q   3        7Q  yD U  9      7Q  D I  m   w   8Q   (        7Q  %
 `     t   8Q  `
 OY     Y   8Q  
  x        7Q  W 9  !     7Q   %J  1!  c   8Q   %  R!     8Q  ^ i  i!     7Q  @k E  !     7Q  H l  !     7Q  A <  !     7Q  } ,@  "     7Q   {  C"  &   8Q  ; !  "     7Q  ] =  "     7Q  -? \  "     7Q  @ W  "     7Q  L_@ W  #     7Q  P6 >  X#  !   7Q  6   w#  .   lQ  ' }'  #     8Q   5J  #  D   8Q   X+  #     kQ  F S  #  J   8Q   '  #  S   8Q   5%  $     kQ   
  $     8Q   ^  $     8Q  V   9$     8Q  =g V  ?$     8Q  + I  d$  H   8Q   4  $  ~   kQ  @ W  $  G   8Q  l@A   $  S   8Q  J6    $  y   8Q  @ x  $     kQ  8 :  %      8Q     5%     8Q   vr  <%     kQ  R H  e%     kQ  A X  %     8Q  !   %     kQ  7 A  %  8   8Q  m]A XS  %  ^   8Q  :6 .  %  &   8Q  6   %     kQ  F =  %     8Q   "  &     kQ   Q  %&     8Q  * Q  P&     8Q  | r  r&  i   kQ  > |-  &     8Q   N  &     7Q  @k R  &     kQ   /  &  \   8Q  LC *  7'     8Q  ŰA K  J'  ]   7Q  ]7 mB  l'     7Q  hA 3s  '  l   kQ  oB G  '     kQ  B }  '  \   kQ  q5C 3!  9(  p   kQ  VC B  K(  N   8Q  x #  m(     kQ   M  |(  d   8Q  0 $  (     kQ  RU j  (  E   kQ  X   (     7Q  r ^<  (  y   8Q   S9  )     7Q  W L  2)     8Q  8C Z  X)  l   Q  {)  C   8Q  &Z &  )     8Q     )  7   8Q  K '  )     7Q   ~9  )  C   8Q   |&  )     8Q   
  *     7Q  $ JG  *     7Q  "l 3  $*     7Q   e  =*     7Q  $  ;  m*     8Q  3@  U  *     8Q  D  O  *     8Q  c  J  *     7Q  K/! u  *     7Q  F!  O  "+  w   qQ  F! XM  N+     8Q  A"   n+     qQ  P7 ~  p+     qQ  	N" 	G  +     8Q  "   +     8Q  " ?  +     qQ  " `  +     qQ  w=# m  +,     qQ  7 Y  n,     qQ  7 k)  t,     qQ  #   ,     7Q  h$ p  ,     8Q  s$ Nw  -  \   7Q  f% }*  8-     7Q  >% C  K-     8Q  Y% Y  g-     7Q  C ~S  -     7Q  H8 o<  -     7Q  H8 0?  -     7Q  8 =  .     7Q  8 7  !.  K   8Q  mG& *  =.     7Q  -r& qK  M.     mQ  & -~  z.     mQ  ;' Vk  .     7Q  !' ?<  .     8Q  `' C  /  p   8Q  - v6  ,/     7Q  ^E- H  A/     oQ  "- 7s  n/  r   oQ  Y. 9  /     oQ  M;. 
a  /  z   oQ  W. H  /     7Q  Y. (:  
0     8Q  / O  %0     8Q  q&(   L0  R   8Q  h( w.  0  7   8Q  ( 
  0     7Q  ( 7  0  n   8Q  GD 
0  0  7   8Q  t+ [  0     7Q  !p/ F  0     7Q  ϶/ o  
1  Z   pQ  &0 8Z  =1  V   8Q  0 1H  _1  t   pQ  0 Q  p1     7Q  1 I  1     7Q   !  1     pQ  2 n  1  #   8Q   =8  2     7Q  4 w  2  6   7Q  P   S2     pQ  k   _2     7Q  H| ~n  d2     7Q   VS  2     pQ  > 
  2     8Q  ) t  2     7Q  ̒) ,O  2     nQ  ) (_  !3     nQ   A* Y  O3     nQ  Ě* R,  u3     7Q  * x>  3     8Q  + :  3     8Q  _@+ q  3  7   8Q  t+ [  3     7Q  Ͻ+ 8  4  r   7Q  + %]  "4     qQ  S, 7T  L4  d   nQ  , e"  p4     7Q  m, {D  4  This is New York's JFK airport. It is one of the busiest airports
in the world. One calm spring afternoon, a boy and a puppy sit on a bench,
waiting to board their plane. They are happy and seem like
close friends. The boy talks to the puppy. Our trip to America is over.
Wasn't it fun, Charo? Arf arf!
Yes, Shota! We did a lot of things... Wow, it's amazing! Look, Charo! That hot dog is so big! Arf arf! Before long, they hear the boarding
announcement for the plane to Japan. It's almost time. Please be patient in this cage,
Charo. When we get off the plane, we'll be
in Japan. Arf!
See you later, Shota. The plane +leaves for+ Japan,
with the boy aboard. But as for the puppy... (yawns)
I slept well... ... I hear talking.
Am I in Japan already? The inside of a small box. It is dark inside and hard to see. Light seeps through the holes at
the front. It seems to be the inside of a
small, dark box. Light seeps through the holes at
the front. Many people can be seen through
the holes. The people quickly walk past the
box. Oh... someone's coming. Is it Shota...? Many people can be seen through
the holes. There is someone nearby. A woman who appears to be dressed
in a uniform... and an old lady can be seen. They seem to be talking about
something. A woman in uniform and an old lady
are talking. Voices can be heard. What's taking my girl so long
to come out? Is your pet a dog? A dog!?
+You must be joking!+ Hm? It's English....
Am I not in Japan yet? ... Maybe I'll know if I listen.
I have to listen carefully... I hate dogs.
They bark too much. My Shirley is a beautiful snake, with very beautiful stripes indeed! Oh... I see. Now, hurry up and get my Shirley
out of there! +That's it!+
That yellow pet cage over there! OK. +I'll get it for you.+
You just wait right there. The woman in the uniform approaches. (gasps) The woman in the uniform grabs
the box. Wha... what should I do?
They're making a mistake! Your owner's here, Shirley. The box shakes and rattles. I have to do something!
Listen! You're wrong! I am... ... ... How should I say this?
Um... I am not a snake! Arf! I'm Charo! Whoa! (gasps) The startled woman drops the cage,
the lid opens... and Charo tumbles out. Oh, my! There's a dog in my cage! Um... uh....
Where am I? Heavens! Shirley! Shirley, my
dear girl! Where are you? Aaaaaah!!
Someone get that puppy! Arf arf!
Huh? Where's Shota!? (screams) It barked! I'll get bitten!
Someone catch it! Someone! What!?
I don't bite! That's right! Someone get rid of
this dog, fast! The commotion attracts the
guards! They're going to catch me!
I have to run! Charo flees the scene. +To switch subtitles, tap the "字幕"
icon at the top of the touch screen.+ +Japanese and English can also be
switched with the X Button.+ Over there! He went that way!
Get him! Huff... huff.... If I don't do
something, they'll catch me... I have to hide somewhere! ... Ah! In the middle of the lobby is
a mountain of luggage! Maybe over there... The guards chase after Charo! The guards' footsteps approach! Ah! If I don't do something,
they'll catch me! Charo arrives at the mountain
of luggage. I have to find a place to hide! Charo looks carefully at the
mountain of luggage... and decides to look for a place
to hide. Maybe I can hide here! Charo crawls into the gap
between the bags. Whew. That was close. ... Where am I?
What's going on? This is the middle of the lobby. English can be heard all around. It's all in English... I was on an airplane back to
Japan.... What happened? Charo is a Japanese dog. He came to the United States with
his owner Shota and Shota's father. They were on a family vacation. But +something has gone wrong.+ At this very moment, Shota is on a
plane, heading back home. Shota... This is the middle of the lobby. This is a gap between the bags piled
up like a mountain. Charo can hear a voice calling him
from somewhere. Separated from his beloved Shota,
all alone in a strange place... Charo doesn't know what to do. Then... Hey! Hey! What?
Uh... where is it coming from? Ah! Up there! Hey, +what's the matter?+
Are you in trouble? +Help yourself.+ May I help you? ? Um....
Did I say something funny? Um... She wants to know if I'm in trouble. So I should ask her to help me. Help... please. Sure. But first, tell me.
+What happened?+ That's what... ... I don't know. I was... in the airplane.
But suddenly I'm here. Where were you supposed to go? Japan! To... to Japan. With Shota.
He loves me. Sounds like there was a big mix-up. Hey, you're completely lost. Lost? This is New York, little doggie. New York...
oh, no... What should I do? Shota... There's nowhere for you to go? ... No. Where were you until you got on
the plane? This morning, I was at the hotel! I know! Shota might be waiting
for me at the hotel! What kind of hotel? There was a big building nearby! Charo does his best to explain. ... That's the Chrysler Building.
Manhattan... 42nd Street. Chrysler Building? If I go there, I can meet Shota!? Charo talks fast.
Just then... The footsteps approach again.
The guards are returning this way! It's dangerous here.
You'd better run. Outside the airport, look for a car
going to the Chrysler Building... and jump onto it. Now, hurry.
The exit is that way. OK. Thank you. You have to leave now!
They'll come and get you! Where should I go? Manhattan... 42nd Street.
The Chrysler Building. Don't forget! Charo arrives at the exit. It's an automatic door. The guards' footsteps approach
Charo. Wah! I have to hurry and get away! +このメッセージには
英語訳がありません+ I must hurry! Oh! It closed... The guards look for Charo. I must hurry! Now! Charo successfully runs out. Charo exits the airport, and finds himself in the
passenger pickup area. Many cars come and go. A car!
I have to get on a car! A car going to the Chrysler
Building! But... which one should I get on? This is the airport entrance.
Many people come and go. There is a woman talking on
her cell phone. Hello?
The Chrysler Building... ! Going to Manhattan today, right?
Driving down 42nd Street? That's right.
Near the Chrysler Building... !? I heard "Chrysler Building"! I'll be waiting here, so could you
come pick me up? You're not in your usual car? Well,
how am I supposed to find you? What? A red and white pickup? At least you can tell me what
make of car... hello? He hung up! The woman on the cell phone
disappears into the crowd. A car going to the Chrysler
Building is coming here! After some time... three cars park near Charo. Which car is going to the
Chrysler Building? The woman from before is
nowhere in sight. Three cars are parked near Charo. Two cars are parked near Charo. Two cars are parked near Charo. A car is parked near Charo. Is it this car? A voice can be heard from the
driver's seat. Just going to Brooklyn today, so
it shouldn't take long... Even so, 	+I'm running out of time.+
Better get going. The car is about to leave! Is this the right car to get on? What about this car? A voice can be heard from the
driver's seat. I'm so stupid! How could I forget
my cell phone? Now I can't call them! I may as well give up on Manhattan
for today. Oh, well...
I guess I'll leave first. The car is about to leave! Is this the best car for me
to get on? I don't know if this car will go
to the Chrysler Building, but... I'll go with this! Here goes! Charo jumps for the truck! I'll jump on this car. Here goes! Charo jumps for the passenger
seat. Just then, Charo's body is
lifted into the air. I finally got you,
you pesky dog. Stop! Let me go! You're coming with me! Charo is captured by the guard. Charo is captured by the guard
and taken back into the airport. Pesky little dog!
I'll throw you in the cage. N... no! Charo shakes his body, struggling
against the guard. Suddenly... Hey! A lucky break! He escapes from
the guard's clutches! Charo runs off at full speed. Stop! I wonder if this car will go to
the Chrysler Building? A voice can be heard from the
driver's seat. Manhattan traffic shouldn't be
too bad today. I just wanna get my chores done
fast. Looks like it's time to go. The car is about to leave! Should I get on this car? This car is probably going to
the Chrysler Building! Here goes! Charo jumps onto the truck. Just then, the woman
from before appears. I've been looking all over for
you! 
+Let's hit the road!+ The pickup truck begins to move. 

****************************************
_out_EN_87.txt
****************************************

﻿l   ,  l   k  l     l     l   (  l   g  l     l     l   $  l   c  l     l     l      l   _  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_88.txt
****************************************

﻿l   @            l        8     a       l     l   >  l   }  l     l     l   :  l   y  l     l     +このメッセージには
英語訳がありません+ It reads,
"The World's Greatest Circus!
 And +Coming soon!+" Charo learned a new English phrase!
+Coming soon!+ +このメッセージには
英語訳がありません+ Sales messages are on the
juice bottles. "+A glass of orange juice a day
keeps the doctor away.+" Charo learned a new English phrase!
+A glass of orange juice a day
keeps the doctor away.+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_89.txt
****************************************

﻿l   ,     k            l     l   V  l               l   Y  l     l     l     l   U  l     +このメッセージには
英語訳がありません+ It reads,
"+Can you answer this riddle?+" "What starts with T, ends with T,
 and is full of T?" Charo learned a new English phrase!
+Can you answer this riddle?+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ "+Try our home-made apple pie+ with
 vanilla ice cream." Charo learned a new English phrase!
+Try our home-made apple pie+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_9.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_90.txt
****************************************

﻿X   8Q  TE =  |  =   8Q  ݑE <    Q   8Q  E ^       7Q  ,F ?:       7Q  gF P\    F   8Q  QF 7       7Q  JF F  %     7Q  AG l\  R     nQ  .G P^  ~     qQ  ~ H ?;       qQ  ;H V    o   qQ  AH A       nQ  H e    -   nQ  9I   Y     nQ  @   c  j   nQ  UI $       nQ  yI %s       7Q  I 8       7Q  mJ d  5     8Q  J n  m  l     Z   8Q  K [       7Q  K kN       8Q  rEK 
       7Q  -PK _=       8Q  6L   8  8   8Q  L J  x     7Q  e n       7Q  1/ U    p   8Q  /M 
U  	  x   8Q  τM Ђ  +     7Q  N [  ^  x   8Q  AcN !5       7Q  bN (X       7Q  N G=    t   8Q  -O X    X   8Q  O .        7Q  PO p  !      7Q  (&P \E  R      7Q  kP K  m      7Q  P W        8Q  0Q 7     b   8Q  gQ uA        7Q  ]Q         tQ  Q   !     uQ  {R 9  U!     8Q  ɮ J  !     8Q  R :  !     7Q  (S a\  "     7Q  S _d  C"     7Q  ]T u  o"     7Q  T   "     7Q  p l  "     7Q  cZU `  #     7Q  U xW  =#     7Q  V j  h#     7Q  }V CR  #  8   8Q  bV ?  #  l   #     7Q  V SN  $     7Q  
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n ]  N/     rQ  /o l  /     8Q  Bo 5>  /     rQ  wo J  /  8   8Q  W%p   0     8Q  
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K  1     rQ  s w  1     rQ  R6t Q  2  v   rQ  t ;  -2     7Q  3t R@  C2     7Q  u @  c2     7Q  1Du Ԇ  }2  Q   8Q  u S#  2     7Q  Xu bJ  2     7Q  8v ;  2     7Q   \  
3     7Q  Dtv xF  A3     7Q  v Zb  c3     sQ  w   3  u   tQ  w Hw  3  g   sQ  Gx Ó  3     8Q  x !  	4  L   sQ  x =Y  4  m   sQ  <Ky U  (4  <   8Q  ֠y B  O4     tQ  y P  ]4  5   sQ  3z K  4     sQ  nz   4  	   8Q  
 { t  4     7Q  ~7{ v  4     tQ  {   
5  e   uQ  g|   D5     sQ  x| ¯  g5  b   8Q  :} ;  5     sQ  +}   5     8Q  l~ n\  5     7Q  1ױ I  6     7Q  %~ .  *6     7Q    5  B6     7Q  ~ ~  a6     7Q  ` MV  6  `   8Q   .  6     7Q     6     8Q     7     8Q  9 %  7     7     7Q  ^ŀ 8<  ;7  l   <Q   x2  [7     7Q  4 _  o7     7Q  
   7     8Q  /   7     8Q  ׂ qU  7  D   8Q  h- '  8  ,   8Q  QV K&  #8     7Q  $Y   38  >   8Q  ߃ $>  i8     7Q   )  w8  s   8Q  ( C  8     8Q   [  8  >   8Q  d> J  8     7Q   J  8  y   8Q  ԅ K  9     7Q   aG  29  s   7Q  if 8  Q9  q   8Q   jA  h9     8Q     9  j   <Q  3 Y  9  B   8Q  N D  9     <Q  k   9  !   8Q   &  9  u   <Q  ˇ s1  9     8Q  *   9  |   8Q  8 fL  9  q   8Q  ] |  9     8Q  .ڈ +u  :     <Q  YO U  L:  *   8Q   [  }:  /   8Q    -  :     8Q  . v  :     7Q  | N  :     7Q  T8 ۔  :     7Q  /͊ 6d  :     7Q  e1 i  +;     7Q  
 4~  _;     7Q  > u[  ;     7Q  t m  ;     7Q  4 `  <     7Q  B \  5<     7Q   (^  e<     8Q   S  <     8Q  7 b  <  l   =  l   F=     7Q  6 
[  =  s   yQ   lm  =  a   xQ   )  =     xQ  ( <  =     xQ  g N  >     yQ  g T  O>     xQ   M  o>     xQ  h	 J  >     yQ  T f_  >  w   yQ  | 6E  >  Q   xQ   -  ?     yQ  6&    ?     yQ  F s   ?  e   vQ   :  L?  \   xQ   t   n?     xQ  R ;  ?  o   vQ  HQ J  ?     vQ  " W  ?     vQ   F  @     7Q  }: G  )@  ^   vQ   F/  K@     vQ  B [  _@  r   xQ  T /  @     vQ  -<   @     vQ  M 4U  @     8Q  9 %  @     vQ   k  @  `   vQ  W  8F  A     8Q  f [  @A     7Q  p    nA     7Q  pV   A  Y   vQ  ~֗ 2  A  v   7Q   <  A  e   vQ  2E 9  B     vQ  0 I  /B  [   vQ  ɘ -  RB  %   8Q  1r 3  tB     7Q  H v  B     7Q   yD  B     7Q  j` Y  B     8Q  [ $  C     7Q  H P  JC  :   8Q  V A  qC     7Q  ڛ j  C  1   8Q  E ,  C     7Q  =r f  C     wQ  9ٜ R  D  c   8Q  ˲  r  -D     wQ  G- Y  TD     7Q   v  zD     7Q   c  D     8Q  a Tq  D     7Q  Ҟ   
E  q   7Q  V :3  PE     8Q  ׉ z  fE  5   wQ   $  E     8Q  N) _F  E  3   wQ  o   E     8Q  T ld  E     7Q   ZM  E     7Q  9 L  
F     wQ   2  1F  #   8Q   *  JF  #   8Q   	!  SF     8Q   {  \F     8Q  e f@  F     7Q  ˿ V  F     8Q   Vf  F  >   8Q  } 4  F     7Q  " w  F     7Q  ) _W  ;G  $   8Q  m A  cG     <Q   P  mG  7   8Q  u 6  G     8Q  	 u  G     <Q  D 1  G  s   8Q  S 4  G     <Q  5   G  j   8Q  S i  H  $   <Q  b   (H  ~   8Q  7 _  /H     <Q  ަ   YH  g   8Q  c rH  _H  O   <Q  = D  tH  N   8Q  で -  H  	   <Q  r   H  )   8Q  @ϧ   H  w   <Q  	 (<  H     8Q  1 Ѱ  H  e   <Q  = HD  H     8Q  Ψ   I     <Q   L  I     8Q  ꀩ ~
  YI     <Q  Z (  ^I     <Q   ^  yI  <   8Q  [n :  I     <Q  騪 U  I     <Q  p $\  I     <Q  Z d  I  R   8Q  u -e  (J     <Q  $ k  GJ  [   8Q  
 X?  vJ     7Q  e Q  J     7Q  v l  J     7Q  굴 Gy  K  Huh?
Was I sleeping...? Where am I?
Shota? +I remember now.+
I'm... lost. This is the truck's cargo bed. It is evening.
The town begins to light up. Where... am I? A voice from the driver's seat
can be heard. It is evening.
The town begins to light up. Getting caught up in that traffic
sure made us late. It wasn't just the traffic. You took a back road you've
never taken before. +It's always the same!+ 
+It's not like we had a choice.+
The roads were jammed. Anyway... There's got to be some landmark.
Ah! How about the Chrysler Building? I see it back there. We just go down this road
and it's goodbye, Manhattan. The spire of the Chrysler Building
can be seen against the sky. The car drives farther away
from the Chrysler Building. Oh, no!
I have to hurry and get off! +このメッセージには
英語訳がありません+ Oh....
It's moving again. He cannot jump off of a moving
car! Arf! Charo quickly jumps from the truck. Hmm.... Which way is the Chrysler
Building? Where is the hotel? Hmm...
+Which way?+ Charo stands up on his rear paws
and looks around the busy street. +Traffic is backed up+ due to the
evening rush. That's it!
The Chrysler Building! I'll go to that building!
Wait, Shota! I'm coming! The Chrysler Building can be
seen in the distance. I'll go to that building! The Chrysler Building shines from
afar. Charo runs toward the building. Huh?
Where's that building? Did I go past it? Evening draws near in a
back alley of Manhattan. Charo arrives near a cafe. Tall buildings are all around. Charo has +lost sight of+ the
Chrysler Building... Huh? Can I...
go through there? Suddenly, the little birds fly
away, chattering loudly! Tweet! You hear about that
macho man at the parking lot? +No kidding!+ That's funny!
Tweeeeeet, tweet, tweet! What should I do? I wanted to ask
them about the Chrysler Building... I think it's around here, but....
Is there anyone else I can ask? Charo +decides to+ go to another
area. He is near a cafe in a skyscraper
district. It is a cafe surrounded by a
lush green hedge. But the cafe +is closed+ today
and Charo cannot go inside. The hedge is very thick.
No one can see inside. Someone can be heard talking behind
the hedge. Voices can be heard from
behind the hedge. Charo looks around the area
where the cat disappeared... There is a small opening
in the hedge. This is it... +このメッセージには
英語訳がありません+ There is a small opening
in the hedge. Charo approaches the cafe hedge
to talk to the birds. Hello! Oh, and get this...
the parking lot... Yeah, yeah. Funny! ... The small birds are busy talking.
They don't notice Charo. It is the sound of small birds. Tweet! You hear about that
macho man at the cafe? No kidding! That's funny!
Tweeeeeet, tweet, tweet! Small birds can be heard talking
in the cafe patio. Is anyone there? I want to ask about
the Chrysler Building. Oh, and get this...
the parking lot... Yeah, yeah. Funny! Small birds can be heard talking
in the cafe patio. Charo arrives at an intersection.
There is a newsstand. A travel pamphlet lies on the
street. Twilight draws near in this
Manhattan alley. Not many people pass by here.
The place feels deserted. What kind of store is this? It is the first time Charo has ever
seen the shop, but... In Manhattan, these newspaper
stands are common. It is closed for the day. Is there anything here? Charo decides to check the
newsstand even further. It's a travel pamphlet with a
group of buildings on the cover. The Chrysler Building
appears on the front cover. It's a pamphlet with a photo of
the Chrysler Building. I know! I can show this... Charo is holding it in his mouth. A pamphlet is on the ground,
sticking out from under the shutter. That's the Chrysler Building
in the picture! Where is it? I think it's around here, but...
I can't tell from just a photo. Arf! Charo puts the pamphlet in his mouth
and decides to take it with him. Charo arrives at the main street. There is a garbage can. There is a major street ahead. It is rush hour right now.
The street is full of people. A puppy like Charo would be kicked
around. I can't go there... Arf! CRASH! Clangclangclangggg... Charo knocks over the garbage can. Meow.
Who's making that racket? Too late, dog.
There's no food left for you! And the cat runs off. Uh, wait!
... He's gone. There are only scraps of paper
inside. There isn't anything I can eat...
I'm hungry... Charo looks up... There is a space between the
buildings. He does not see the Chrysler
Building. Charo enters the cafe's patio. The cat from before is resting
on top of the table. This is the cafe's patio after
business hours. The surrounding hedge provides a
feeling of calmness. This is the cafe's patio after
business hours. No one is here. He casually grooms himself. Good evening.
I'm Charo. Meee-ow.
You're that dog from before! Why are you following me? ... So, you're lost, eh?
Not like it matters to me. But you caught me in a good mood.
I just ate a full meal. Today's your lucky day. Ask me
anything and I'll tell you! I'm looking for the Chrysler Building.
Where is it? How should I know what names
humans give to buildings? Well... I think I'll know if I
see it. Find something that has a photo
on it and bring it back here. I brought the photo, but...
what should I do? If you've already got it,
+why don't you try using it?+ If you go through the parking lot,
it'll be right in front of you. Where is the parking lot? You'll know if you go into the
alley. Thank you! He won't let me in the parking
lot. Did that human kick you out? What a slowpoke.
Meee-ow. If it were me, I'd show him my
footwork! Meow! Meow! MEOW! Why is he getting in my way? +How should I know?+
Meow. Well, my post-meal break is done!
Time to head home. You better not follow me again!
Meee-ow. Charo spreads the pamphlet
on the ground. This is the Chrysler Building.
Do you know where it is? Hmmm...
I know this. If you go through the parking lot,
it'll be right in front of you. Why are you lost when you're so
near it? You're a strange dog. Something went into the bushes. This is the cafe's patio. Perhaps surprised by Charo,
something has gone into the bushes. What was that? Charo decides to search carefully. These are thick green bushes. Perhaps this was designed with the
tropics in mind. They are a couple of small birds. They are a couple of strange,
small birds. Eek! He found us!
He did! He did! Ohhh, what'll we do? ... Huh?
Wait... he's not a cat. He's a puppy.
Yeah, still a puppy. Um... Ack! He spoke!
He spoke! Puppies can talk?
Looks like they can. Umm... hello. This little puppy scared off
that cat? Wow.
Yeah, wow! +By the way+, that guy...
Yeah, that guy, that guy. ... The birds are too busy talking.
They won't listen to Charo. Still, that macho man at the
parking lot. What a wuss. Yeah, yeah.
Pitiful. Just pitiful. He's afraid of snakes!
Oooooh, afraid of snakes! That's it! A snake! Ain't that a laugh! Tweeeet!
Afraid of snakes! Tweet! But...
where can I find a snake? Charo arrives at one end
of the alley. There is a garbage can. There is a major street ahead. It is rush hour right now.
The street is full of people. A puppy like Charo would be kicked
around. I can't go there... A big boxer with a patch on
one eye stands before Charo. Big... Arf! CRASH! Clangclangclangggg... He knocks over the garbage can. What are you doing? A big boxer suddenly appears! The big boxer glares at Charo.
Charo cannot move. I haven't eaten anything for a
long time.... I'm hungry. Isn't there anything to eat? What is this? Wahhh!
A snake! Just litter and broken toys.
There is nothing to eat. I'm hungry... The snake does not move.
A frightened Charo approaches it. It smells like rubber... Oh, it's just a toy snake. Huh?
Wait, I know! A toy snake is on the ground. I know!  I'll take this... Charo has it in his mouth now. Charo looks up, but... No Chrysler Building... Um... Get out.
This is my territory. I'm sorry. I... What? Ummm... Are you a stray dog? No! I have an owner! Shota! Right now... I'm just...
a little lost... I'm sure I'll see Shota if I
go to the hotel! Then +get out of here+ and go to
the hotel. Sir!
W... wait! He left... Arf! Charo holds the toy snake in his
mouth! The big boxer glares at Charo.
Charo cannot move. Charo arrives in front of the
parking lot entrance. Charo arrives in front of the
parking lot entrance. This is the front of a parking lot
that is surrounded by a fence. The parking lot attendant
stands at the entrance. There is another gate on the other
side of the parking lot. He is a sturdy and scary-looking
man. On the other side of a short
building nearby... ... the spire of the Chrysler Building
is visible. Ah! That building!
It's the Chrysler Building! Yay! This is the right place!
I'll go through this parking lot! +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ Just then, a woman shows up
with a boy. Give it back to me!
I won't do it anymore! No! +That's enough!+ Remember all of those promises
you broke? I told you never to leave it on
the customer seat. I was playing and I forgot, OK? +Don't you lie to me!+
You did that on purpose! Don't lie to your mother,
because I know! I'm sorry. I won't do it again. So give it back to me. No.
I threw it away! Why!? Where did you throw it away!?
Give it back! Evening, ma'am.
On your way home? Oh, good evening. Yes.
We've already closed for today. Hey there, Jim.
+Pulling pranks+ again? You'd get a scare out of me, too,
with that thing. Just don't try it on me,
all right? The boy pouts and doesn't answer. Well, drive safely. Looking forward to more of that
great coffee tomorrow. Thanks.
I'll see you tomorrow. Hm? Hey! Where'd you come from?
Go on! Arf! This is the gate of a parking lot.
You're blocking the way. Go away!
+You're in the way!+ Arf! Arf!
You're not going to let me through? The parking lot attendant cruelly
drives Charo away from the gate. Manhattan is +no longer+ a friendly
town to Charo. Hey!
Get out of here! Charo is chased away. Hey!
I told you to get... Wha...
what's that in your mouth!? A... a snaaaaake!!
AARRRRggghhh!! Arf!
I did it! Charo runs through the parking
lot and out to the main street. When Charo comes to the
main street... a familiar view stretches
out in front of him. The Chrysler Building!
Now... where is the hotel? Charo looks around the crowded
street. +There it is!+
The hotel! Ignoring the crowd,
Charo runs toward the hotel. Yes!
This is it! Charo runs toward the entrance
in delight, but... Hey, you can't come in here.
Shoo! Shoo! Arf arf! Let me in!
I was here before! You sure are a stubborn dog.
Go away! This is the hotel where Charo
stayed until this morning. Charo remembers the doorman
standing at the entrance. This has to be the hotel!
I'm sure! He is wearing the hotel uniform
and standing in front of the door. He is watching Charo. Arf arf!
I was here with Shota, remember? Noisy dog. Arf arf!
Don't you remember me? Get going! Arf arf!
Shota! Shota, are you here!? Charo tries to force himself in. However, the doorman kicks
him out. And don't you come back! ... Arf. I see... +Dogs aren't allowed+ in hotels by
themselves. They have to be with people... Charo sadly leaves the hotel. Shota...
did you go back to Japan? I'm hungry... This is the alley corner where Charo
had recently been lost. It is the big boxer that Charo
had met. S... sir! ...
I thought I told you to leave. I'm sorry... I guess Shota is not at the
hotel anymore... You couldn't find your owner? ... I have to go home. What? Uhh... sir...?
Which way is Japan? Japan? +How long does it take...
to Japan?+ What? If I walk, how long? Japan is... far. It takes days? ... Months? You came from Japan? Yes. I got lost. At the airport.
I was going back to Japan. But now you can't.
Not anymore. Why? Dogs can't get on the airplane, not
by themselves, you understand? Arf! Japan is far far far away. For you, it'll take more than
a lifetime. Life... time? Yeah. That means you'll be dead. Listen, you've got to learn to
live here. Forget about Japan and get used to
it here. うそだ！
Shota... Shota... Okay, okay. I'll help you,
but only for today. ... Yes.
Thank you... sir... The big boxer carries Charo
gently in his mouth and moves on. Charo sees the city lights moving
back and forth, until, comfortably, he feels
himself drift off to sleep. 

****************************************
_out_EN_91.txt
****************************************

﻿l   ,  l   k  l     l     l   (  l   g  l     l     l   $  l   c  l     l     l      l   _  l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_92.txt
****************************************

﻿l   h               &  l   r            l         _       l     l   J  l     l     l     l   F  l     l     +このメッセージには
英語訳がありません+ In front of some delicious looking
chocolate balls, Margherita says, "Unfortunately, +I am not a big fan
 of chocolate.+" Charo learned a new English phrase!
+I am not a big fan of chocolate.+ +このメッセージには
英語訳がありません+ The sign looks very old.
It reads, "+Since 1889.+" Charo learned a new English phrase!
+Since 1889.+ +このメッセージには
英語訳がありません+ "Assorted chocolates make great
 gifts" and "+Free shipping is
 available+ on orders over $50." Charo learned a new English phrase!
+Free shipping is available.+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_93.txt
****************************************

﻿=   8Q  ڄ W  4     8Q  ܵ   4     7Q  n   4  A   7Q   $  5     ;Q  u   !5  .   8Q  8+   &5     :Q  A I  15  _   8Q  l <  J5     7Q  gȷ i  f5     7Q  2 ?r  5  0   :Q  X .  5  g   8Q   #:  5     :Q     5     8Q  s   "6  M   :Q   t  '6  #   8Q  !   66     :Q   |G  =6     8Q  e	S  k6     :Q  f	+B  6     7Q  	U  6     :Q  46k  6     :Q  	5B  7     :Q  P
-  Z7  P   :Q  5(  t7  Y   :Q  5   7  0   8Q  8   7     :Q   	9  7  F   :Q  @ D  7  l   8Q  }
3  7     :Q  Nz YD  7  J   8Q  &X ("  8  j   :Q   2D  8  s   7Q   +4  48     7Q  (5ji  J8     7Q  V60  {8     :Q  6R  8  ;   8Q  V
.  8     8Q  7 nR  8  2   :Q  r N!  9     8Q   $@  9     :Q   `  $9     8Q  J H  Q9     :Q   }  n9  0   :Q     9     8Q  % U  9     7Q  z nW  9  \   :Q  7ҽ [   :     :Q  0. a`  ,:     8Q   H  g:     7Q   DR  :     7Q  {q  :     :Q  f J  ;     8Q   }  (;  q   :Q  6> vG  ^;     7Q   j\  z;  l   :Q   O  ;     8Q  2   ;  B   8Q  C 9  ;  p   8Q  n
n]  ;  w   8Q  <<5  ;  %   8Q   &  <  0   :Q  r*  "<     7Q  G g  0<     7Q  
 ]  Z<     7Q  n 1  <  {   RQ   V  <     RQ   PR  <     7Q  G Bq  <     7Q   E  =     7Q   A  G=     7Q  @ 6]  g=     7Q  ם k  =     7Q   P  =  u   7Q  X W'  =  ~   8Q  T K  >     QQ  E =C  #>     7Q  xB  D>     QQ  67~  a>     QQ  X7  >     QQ  T7|  >     QQ  q8  >     QQ  ^H  -?  l   QQ  '  R?  y   8Q  F  s?     QQ   c  ?     QQ  ls nI  ?     8Q  ڼ B  @     :Q   b  @     8Q  a P  J@     :Q  ? 5  h@  9   8Q   H#  @     :Q  >   @     7Q  ! ^  @     7Q  z 3  @     7Q  F
 z  A     QQ  ń l?  :A     QQ  1 V  WA     QQ     A     7Q  * I  A     7Q  t >@  A     :Q  v#M  A  =   8Q  ж K  A  2   :Q   4"  A     8Q  O   	B     7Q  _ a  B     7Q   T  QB  5   :Q   $  qB  -   8Q  K   {B     8Q  , k  B  E   :Q  И   B  2   8Q     B  s   8Q  V V  B     8Q  1' EX  B     8Q  v F  C  u   :Q   uH  ;C  v   8Q   8  RC     :Q  G 
  jC     8Q  R kc  pC  %   8Q     C     7Q  0X Z  C     7Q  Ѳ a:  C     7Q  2 [u  C     7Q  b ]  D  P   :Q     $D  T   8Q   L&  4D  2   :Q      DD     7Q  # R  ND     7Q  Nv   sD     :Q     D  h   8Q  u* )  D  |   :Q  T Ib  D  y   :Q  \ X  E     :Q  ] rR  *E     7Q  ` >  OE     7Q  
   E     7Q  ŋ Ǜ  E  #   >Q  ' 3  F     >Q  [   F     :Q   ;  IF     8Q  %   jF     :Q  1 V  oF     :Q     F  ^   8Q  t O  F  9   :Q  c =%  G     7Q  > .  G     7Q  ^ {  VG  \   7Q   g5  G  I   8Q  h -  G  C   =Q  "   G  a   =Q   $  G  L   =Q  0 %  G     =Q  U uW  G     8Q     G     8Q  2 T   H     :Q  H DH  .H     :Q  e [  GH     =Q   {  rH  ^   =Q  e< &O  H  v   =Q   f  H  `   =Q  
 ge  H  	   8Q  tW {  H     =Q  l 23  H     7Q  ! Z  I     7Q   
Y  5I     7Q  S m  YI     8Q  b N4  I     =Q   è  I     =Q  s mE  I     =Q   IN  J     8Q  )2 1i  'J     =Q  Z   FJ  M   =Q  ޳ K  MJ     =Q   \  dJ  Z   8Q  [ V  J     =Q  { 4  J  Y   8Q   7)  J     =Q     J     =Q  \   J     7Q   r  3K  |   7Q  T TK  gK  X   =Q  ۟ "  K     =Q   l  K  T   8Q  ` ,  K     =Q   %_  K  #   8Q  ?u   K     =Q  T Q]  L     =Q   N  ?L  A   8Q  < C&  ]L     7Q  k1 X  lL     7Q   ]  L     7Q  }9  L  f   8Q  d !  L     :Q   9U  L     :Q  W9{W  M     :Q  9B  AM  &   8Q  g
'  hM     :Q  { o  qM     :Q  9w  M  0   8Q  %
(  M     8Q  p D  N  a   :Q  H; /  "N  r   8Q  ?k j-  6N     :Q  h:i0  KN     :Q  N
:  gN  |   =Q  6
j  N  !   :Q  
'  N  	   8Q     N     8Q     N  T   =Q   q<  N  ^   8Q  
*  N  W   8Q   v:  N     7Q  A d^  O     7Q  ` x  4O     7Q  3 5  sO     7Q  
 #Y  O     =Q  $ Ѝ  O     =Q   ZG   P  r   7Q   M4  DP     7Q  S. oH  YP     7Q  v  S  P     7Q   p  P     =Q  T:s  P     =Q  GwD  Q     =Q  ;|  OQ     7Q  9 >  }Q  Z   8Q  w 5  Q  n   8Q   7  Q  O   8Q   +.  Q  z   =Q   S  Q     8Q  i Y  Q     =Q   }  R     =Q  Z CQ  \R     8Q  X B  R     =Q  ;U  R  Z   8Q  E_  R     =Q  C B  R  f   8Q  2 -  S     =Q  ` 8  "S  A   =Q  v &  @S  =   7Q  w :  US     QQ   
  bS     7Q   U  fS  z   QQ  Z@ N/  S      QQ  o   S     7Q  m{ F  S  e   QQ  g F  S  Y   =Q  R	 ;  S  q   QQ  8E Y1  T  p   7Q  x 4  T  5   QQ  ~;[+  1T     QQ   Y.  <T  7   8Q  W %/  WT  9   QQ  | <   kT  g   QQ  8w2  vT     QQ  
<]  T  Y   8Q  dZ0  T     QQ  . 4  T     QQ  c T=  T  Z   QQ   %  U  n   QQ   &  +U  O   QQ  1z/  BU     QQ  F  SU     QQ  {h<  yU  h   =Q  <-I  U  r   QQ  Q  U     =Q  h ;J  V     8Q  ^n  ?V  e   =Q  1==  {V     =Q  o=d  V     =Q  =  V     =Q  C W  W  x   =Q  Z kV  :W  a   8Q   -K  dW  A   =Q  < F.  W     7Q  	pw  W     8Q  \<  W     =Q  L]>I^  W  Y   |Q  "  X     7Q  x1w  X     =Q  W  aX     7Q  >z  X     7Q  ,6?b  X  t   =Q  3,~  Y  V   =Q  _V.  @Y     7Q  "?fT  QY     7Q  w{Z?  Y     7Q  {D  Y     8Q  dA  Y     =Q  6  Y  e   8Q  *Z  Y  w   8Q  ;J=  Z     7Q  ?F  .Z     7Q  4@F  WZ  8   7Q  x*  Z     7Q  X{@{U  Z     7Q  U_  Z     7Q  @([  Z     7Q  +Ang  ,[     7Q  iAz  R[     7Q   Bkf  [     7Q  ktB0>  [     ~Q  B~  [     Q  |1Cp  )\     Q  `wX  a\     7Q  +C4  \     7Q  HCp  \     Q  F=  \     Q  {y  ]     ~Q  AGD;U  W]     Q  |D0  ]     ~Q  3Dk  ]     ~Q  
9E%  ]     ~Q  ^EX  ^  /   Q  @   1^     =Q  ZEU  ;^     7Q  Fk  _^     8Q  aZ  ^     =Q  xFtr  ^  /   8Q  U`  ^     =Q  F  _     8Q  
W  O_     ~Q  Gk  o_     ~Q  VG%  _     ~Q  0HT  _     8Q  &[  _  a   8Q  3?   `     |Q  mHm  6`     8Q  +  s`     |Q  H9S  `     7Q  .IG  `     =Q  R  `  P   8Q  ?oJ  
a     |Q  vIS'  $a     8Q  q  =a  z   8Q  1HM  la  J   |Q  yH#  a     |Q  Nl>  a     |Q  c=  a     |Q  I6]  a     =Q  I/  a     |Q  (*J?\  b  c   =Q  gJ1  <b     8Q  >(x  Qb     8Q  f`q  b  o   |Q  J*  b     |Q  JY  b     =Q  <KZ  b     8Q  :I  c     =Q  ?Kw  $c     |Q  4Lu  ]c     |Q  ~1Z  c  0   =Q    c     8Q  U  c     |Q   L	:  c     =Q  u|  d     |Q  Q  Ld     |Q  	Ly  d     |Q  Dj~V  d     8Q  oa  d     |Q  8M`  e     |Q  }MHA  :e     |Q  M"t  Ye     8Q  6h  e     |Q  NNVt  e     |Q  /~c  e  d   8Q  r,  'f     8Q  *G  ;f  }   =Q  =NTm  ^f     7Q  0O=7  f     7Q  gO~  f     7Q  PO:y  f     7Q  #2  :g     7Q  _Pt  Xg     7Q  PkX  g     7Q  i8QK  g     7Q  IQ+  g  i   8Q  ?F(/  
h  :   =Q  Q"  "h     =Q  Q@  .h  l   8Q  [c4);  Xh     7Q  RZ  ph     7Q  gu@  h     QQ  %xF  h  P   8Q  M0  i     =Q  7[  "i     8Q  &CI  Ni  H   8Q  oON!  Si     =Q  p<  ai  /   =Q  QI  zi  o   8Q  h  i     =Q  \mR]  i     =Q  R  i     8Q  h*I  j     =Q  6N  j     8Q  I  0j     8Q  B  5j     =Q  cS  Oj     =Q  R  j     8Q  b''
  j     8Q  4EW  j  }   =Q  S_  j     8Q  ΋j  k  0   =Q  WUT  Ak     7Q  iTV  Kk  q   8Q  6  xk     =Q  2-fo  k     8Q  sn  k     =Q  Tp  k  #   8Q   ,   l     =Q  01UY  )l     =Q  7 /  Il     7Q  f @  cl     7Q  U<x  l     7Q  T|@Q  l     7Q  K}`I  l     7Q  V{Y  m     QQ  _xF  Wm     =Q  r\V	S  m     =Q  Z +  m  Y   8Q   D  m     =Q  {V?i  n     8Q  !s  7n     =Q  Wx  gn  N   8Q  ۋ!o3  n  ~   =Q  J!Y  n  S   8Q  "&  n     =Q  sW	`  n     8Q  ?"vH  o  t   8Q  2"l&  .o     =Q  |Wj  Co     8Q  "N  o  f   =Q  \X**  o     8Q  "8  o     =Q  EX8r  o     =Q  }Xcb  p     8Q  4#F  -p  J   =Q  z#Zw  Op     =Q  ZYi;  np  N   =Q  ;#9  p     =Q  +$0
  p     8Q  8$Q  p  h   8Q  MG$4  p  Y   =Q  IY  p  J   =Q  F|$=k  p  h   8Q  $4  p  Y   =Q  YG'  q  i   =Q  |%Y  q     7Q  7Y=  9q     Q  *Zd$  Wq     Q  >Zn\  oq     Q  ZT  q  i   Q  Z  q     Q  [a^  q     =Q  l['k  r     =Q  u%u  Kr  I   =Q  I%,  r     Q  [_*  r     Q  g\T  r  i   Q  YW\  r     7Q  &LK  r     7Q  c&l  %s     7Q  u\m  ]s     7Q  \B[  s     =Q  	?]1u  s      =Q  &"  s  ~   Q  :]F  t  h   =Q  ][  .t     8Q  S&z*  Qt     Q  V^2  jt     7Q  ^[  t  8   7Q  'P/  t     7Q  ^]  t     7Q  B_m  t     Q  3_T  7u  d   Q  
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Where am I? I remember.... This is New York....
Shota... Just then, something hits the ground
right in front of Charo. It's a bagel. Eat. Uh... sir? Dread. My name is Dread. Dread....
Thank you, Dread. Charo jumps right to the bagel
and munches. He hasn't eaten anything
for such a long time. And you? ... Charo. I'm Charo. Charo, huh? OK, Charo,
you feel strong +enough to+ walk now? Yes. Come on, then. Where? You +'ve got to+ live by yourself,
right? No! I am going back to Japan. ... you still don't get it, do you? Dread gives up and turns the
other way. Do you have a plan how to return
to Japan by yourself? No matter how much you hate it, you'll
have to live in this town from now on. If you're not prepared... you'll die here. Do you hear me? Y... yes... Then there's a lot to learn. Come with me. Where are we going? To a !+restaurant called Amici+. A restaurant? Follow me.
We'll walk for a bit. Dread starts to walk. A confused Charo doesn't move
from his position. Dread calls him from afar. What's the matter?
Come, or I'll leave you here. Wait, Dread!
I... What are we going to do at
a restaurant? Get food. They give food to dogs? That's right.
The owner... is a strange one. We're going to beg for food? To survive in this city, you have
to be willing to do anything. Let's go. Oops. We can't go through here. The road is closed due to
construction. Just our luck....
"+Of all+ the days... We'll have to take another route...
but it'll take longer. Dread! Do you think we can
walk on that moving bridge? Charo stares at the conveyor belt. Mounds of gravel are being conveyed
one after another toward them. I can...
but what about you, Charo? The other route will take longer,
right? I can do it! OK.
Then, I'll cross first. Dread carefully walks on top of
the belt. ... It seems safe.
Now, you try, Charo. Yes! OK! I will try! Mmmm. It's not easy... ... but I won't give up! #+I did it!+ OK.
Let's go. A delicious aroma drifts through
the air. Charo and Dread arrive at
the restaurant. They walk to the back door. Dread! I almost thought
you weren't coming. And hey, you've got company! This is the mouth of an alley
off of the main street. There is a back door to the
restaurant. The young woman's name is Rosa. Rosa is the person
who runs the restaurant. Charo is struck
by the charming way she looks. This is the back side of the
restaurant. There is a back door. Hello, my name is Charo!
Arf arf! So, you're still a little puppy. Rosa notices Charo's collar. Oh, you little puppy.
You have a tag on your collar. It's pretty.
Hmm. Something's engraved on it. There are English and oriental
characters together. The oriental characters... hmm...
I can't read them. Could the English letters be a
name? C-H-A-R-O...
Is your name Charo? Arf!
That's right. I'm Charo! $+If only I knew your language,
we could talk to each other...+ Wait, I'll bring something special
for you. Is this that person's home? That's right.
Wait here and be quiet, Charo. Is she going to give us food? She always does this, you know. She's kind. Hmph. Charo waits with Dread for a
short while. Rosa comes back from the kitchen
and tosses a sausage to Charo. Charo runs happily over to the
sausage and sniffs it. You like it? I'm glad, baby. It's all yours.
A nice-to-meet-you gift. Ciao! Rosa goes back into the
restaurant. Charo looks at the sausage. What's the matter?
You don't like sausages? I love them. Then eat. Yes... Charo brings his mouth to the
sausage, but he can't see it well. His eyes are filled with tears. Now what? Sausage. Shota gave me sausage, too.
When we first met. Who's Shota? My owner. I was just born.
I thought I was dying, I was so hungry.
Shota came and took me in. He fed me and saved my life. Hmm. Is he a kid, too? Eight. Eight years old. Hmph. I want to see Shota! I miss him! (cries) Suddenly Charo starts to cry. Dread seems embarrassed. He isn't really good
around sad, crying puppies. Finally Charo sheds his last tear. Feeling better? Yes. Thank you. Then eat. But Charo just looks at the sausage. He then takes it in his mouth, walks
over, and drops it beside Dread. What? Let's eat together. %+Thanks, but no thanks.+
It's yours, boy. Eat whenever you can,
whatever you can. That's rule number one in this city. Dread goes back to his own plate.
At this moment, Charo realizes... that, somehow, being close
to Dread makes him feel safe. Charo finishes eating when suddenly
he hears a loud voice. OK, OK! Oh, don't you worry.
Everything is going to be just fine! &+Here comes the noisy one.+ Who? Margherita.
She lives here, at the restaurant. She's got a '+big mouth+, and she
sticks her nose into everything. Margherita...
sounds like pizza. (chuckles) Margherita comes out with a shopping
basket hanging around her neck. Charo just stares at her, with his
mouth open. Finally, he says... Ahh...　ma'am? What's that? What did you say? Well, whatever. I'm Margherita. Call me that, OK? Um... (+Could you speak more slowly...
please?+ He just came from Japan. Your machine-gun talk is too fast
for him. Oh my, you came all the way from
Japan? )+Un-be-lieee-vable+! *+O-kie-do-kie!+
My name is Margherita. Mar-gheh-ree-tah. ... And what's your name, darling? She is a big and merry spaniel. She stares at Charo with curiosity. He looks at Margherita with a
baffled expression. Charo. My name is Charo. That's a nice name... Charo. And
may I ask you something, Charo? Whatever happened to your
owner? Calm down when you speak,
Charo. Uhm... he went back. To Japan. What!? Oh, ++poor thing!+ Charo, you were abandoned! A... ban... doned? You know, bye-bye. Sayonara. No! I'm just lost. Whatever it is, it's ,+terrible+.
But don't you worry. You've got Margherita here.
You see? I'm your friend! Dread is -+getting tired of+
Margherita's talk. He lies down and sighs. I've got an idea. I'm going shopping.
How would you like to come with me? Dogs can shop? Of course! Dogs can shop, easy. I see... If you're going to live here,
you should know the way around. So come on, Charo, follow me. Uh... Dread... Her eyes sparkle as she looks at
Charo. He is sleeping while facing
the other way. He looks sleepily at Charo. What do you think? If you really want to go back
to Japan... first, you need to survive in this
city. You won't get anywhere if you're
dead. Dread... .+Why not?+ You'll get to see the city.
Good chance to learn. Take a good look at the town
you're going to live in from now on. Y... yes... What are you going to do,
Dread? I'm going to sleep. Where are you going? I'm going back to the nest. Come back when you're done
shopping. Don't worry about him!
I'll take him back home. Hmph... ... OK. Charo, I'm going! I'm leaving, Dread. Yes! Please wait. This is the construction site behind
the alley. The conveyor belt blocks the narrow
path. Entry is prohibited. It is the conveyor belt that Dread
and Charo used to cross the site. Earth and sand are carried along the
belt. This is Rosa's restaurant.
It's the best in the whole world. This is the main entrance to
Amici. Many people pass by. It is much louder than the back
street. They are in front of the Italian
restaurant. Many customers can be seen beyond
the glass window. When I go shopping, I always think
of those customers. The smiles on their faces
encourage me to do my best. So, I love my job +and I'm proud of it+. Charo peeks into the basket. Fresh tomatoes... Yellow bell peppers... Celery stalks... See? It's written on it.
Let's go! The restaurant is full of people. That's right. This is a busy street,
and Rosa's food is delicious. Lots of friends gather here
at the restaurant. Where are we going to shop? John's store.
It's on the busy street. I see....
How do we shop? Rosa wrote down her order on
the memo. Where is the memo? The memo is in this basket... Oh, /+I forgot+! Just then... Oh! The door opens and Rosa appears. You're still here! Good. Here... Rosa holds out a piece of paper. The shopping memo.
You forgot it. Arf arf!
Thank you, Rosa! Careless, as always... Rosa looks at Charo. Oh, Charo. You're going shopping too? Arf arf!
Of course! (chuckles) What a good doggy! Is another sausage OK with you
for your reward? Arf arf!
Thank you, Rosa! I'll leave the memo in the basket. I want you to buy some vegetables. Fresh tomatoes... Yellow bell peppers... Celery stalks... I've written it all down on the
memo. It'd be great if you bring them back
fast. Thank you for your trouble! I've got it! Arf arf!
We'll be quick. 3+I'm counting on you+,
Margherita and Charo! Now that we've got the memo,
let's go. What should I do...? Will I be in
the way if I go with you? Don't worry, Charo! While we're out, I'll show you
around this neighborhood! We've told Dread about this, so you're
going shopping with me, right? Rosa's order?
It's right here on this memo. It's inside this basket.
You want to see? Margherita!
Let's go shopping! OK, let's go! Charo and Margherita arrive at
a corner with many shops. Is John's store nearby? Oh, yes. It's just a little further. Hello, Margherita. Just then, someone calls Margherita
from the other side of the street. Oh, Marilyn!
Are you on a stroll today? This is the front of a boutique. The
dog who had spoken to Margherita... is sitting close to the feet of a
woman holding a leash. 4+Let me introduce you.+
Charo, this is Marilyn. She's my friend. This is the front of the boutique
where Marilyn is. Coupe's owner is already
here... and has started chatting with
Marilyn's owner. So they really were here. Bingo! Ah! I know!
The boutique flyer! If we use that flyer... This is a street corner with
many shops. Marilyn's owner is chatting with
her friend. "30% OFF!" Bargain sale flyers are posted
on the shop window. Extra flyers are casually placed
below the window. She sits at her owner's feet
in front of the boutique. It is a "30% OFF" bargain sale
flyer. The prices are cheaper here than the
store on the street where Coupe is. It is a "30% OFF" bargain sale
flyer. Coupe was brought here by his owner. So... your business must be tough
with many boutiques around here. That's right. We have so many
competitors. Therefore... we are putting a lot of effort into
the sales this season. They are not talking about John. It seems the ladies have quickly
started gossiping about John. Yes, that's right. That "John." I can't believe it! And...
what will he give as a present? I advised him to go with flowers
at first. Yes. 6+That's a good idea.+ But there are some flowers you can't
get unless you pre-order them. ... That's what I told him. When John heard that, it made him
move faster. (giggles) Really...? The John we know? Huh... Margherita is curiously listening
in on the conversation. Margherita...
Did you find out something? What? Oh... uh, I think so.
The bouquet must be the hint. Bouquet? That's right. John must have gone to
the flower shop to order a bouquet. I see! Then let's go find John! But there are some flowers you can't
get unless you pre-order them. ... That's what I told him. When John heard that, it made him
move faster. So, John is at the flower shop... Um... hello, Marilyn. 7+Nice to meet you+, little boy.
So, your name is Charo. What are you doing here? I'm waiting for their conversation to
finish. The two ladies seem to love
chatting. It looks like it's going to take a
while. Hey Margherita,
let's go! Are you both in a hurry? We're going to John's store right
now to shop. Rosa told us to hurry. John's store? We were just at John's store. We were just at John's store. My owner had a long talk
with John. What were they talking about? I was waiting outside so I didn't
hear them. Oh... that's a pity. Margherita. Let's hurry up and
go to John's store. Marilyn, John is gone.
Do you know where he went? My owner might know. Because she was talking to John
just a bit ago. Really!?
We may have a lead, Charo. Yes! Marilyn, is there a way to find
out about John from her? Well... if someone who can gossip
about John with her comes, we'll surely be able to find
out where John is. That's it! Say, Marilyn.
Do you know where John is? I think my owner might know. You know what, Marilyn?
John is going on a date. What? John!? That's wonderful.
I should cheer him on. Well... if someone who can gossip
about John with her comes, we'll surely be able to find
out where John is. Marilyn, I saw Coupe over there. That's right! His owner is John's
friend. She is my owner's friend, too. If she comes here, you will be able
to hear gossip about John. I see! But...
how can we bring her here? See? They started gossiping about
John, as I thought. We'll surely be able to find out
where John is. Yes! You are right. John is at the flower shop,
right? Yes, it seems that way.
8+No doubt+ about it. Charo walks up to the boutique... He holds the bargain flyer that
reads "30% OFF!" in his mouth. The prices are cheaper here than the
store on the street where Coupe is. They arrive at a busy street. A candy store filled with delicious-
looking sweets, a shoe store... a flower shop, and a drugstore
are lined up. There are many posters and signs,
too. English is written on them. What does it say...? Say, Charo! I think the flower shop is around
here... OK. I will look for it! This is a busy street with a variety
of stores. There are many posters and signs. Please hurry and get fresh tomatoes,
yellow bell peppers, and celery stalks... Rosa is waiting. That's right. We have to hurry up
and shop. Yes! Is that John? Yes, that might be John! Let's go! Margherita,
this is a busy place. Yes, it's the busiest place
around here. See all of those stores?
They must make you curious... Yes! But first, let's go to John's store. Yes! Margherita, where's John? Mmm... somewhere around here.
Or maybe a different street... I don't know...
Anyway, let's gather information. Yes... John is at the flower shop,
right? Yes, it seems that way.
No doubt about it. Margherita!
There's a flower shop over there. Let's go. Charo and Margherita arrive at
John's store. Is this John's store? That's right!
My dear friend John's store! You're friends with a human!
That's great! John always reads the memo and
gives me the things we need. I see... Now, shall we do some shopping? Let's call John together. This is the front of John's store. There are no tall buildings around,
and the atmosphere here is calm. Charo peeks into the rather
small store... and sees many groceries
neatly lined up. A young clerk at the register is
talking to a customer. Please hurry and get fresh tomatoes,
yellow bell peppers, and celery stalks... Now, shall we do some shopping? Let's call John together. Say, Margherita.
What's going on? Well... I don't know either.
Anyway, let's find out. Margherita. How about that
person in the store? Mmm... I'm not sure.
But shall we try asking him? Yes! Let's try. We can't shop like this.
What should we do? What do we do? I wonder if anyone has seen
John today. You are right. Let's look around! Where could John be? He should be in the neighborhood.
I mean, his store is open. John's at the flower shop, right? Yes, 9+I'm sure of it.+ Let's go look for John. Yes. Let's look for him.
I'm sure he's nearby. I wonder if anyone has seen
John today. You're right. Let's look for him! Arf arf! John!
Hello! It's me! I'm here with my friend today! Open the door!
Arf arf! ...? ? No one's answering. :+What's going on?+ Arf arf! John!
Hello! It's me! No one's answering. What's going on? Arf arf!
We're here to shop! The clerk ignores Margherita. Hey, is John off today? No, the owner was here just
a minute ago, but... he said, "I'll step out for a bit,"
and took off. He hasn't returned. Our peak time starts now,
so I'm really worried. Looks like John's not here.
I wonder where he went. I'd like to get our shopping done
quick since Rosa's in a rush. Not too good. Hey, is John off today? He said, "I'll step out for a bit,"
and took off. He hasn't returned. They arrive at the east side of
North Street. It is a fancy street with boutiques
and cafes lined up. Two women are talking in the
shade of a tree. And, at their feet, there is a medium-sized dog with
short fur. Oh, it's Coupe.
Let me introduce you to him, Charo. Coupe! Hi, Margherita.
... Hmm? Who's the pup? This is Charo.
He's my new friend. Nice to meet you, Coupe! Nice to meet you, too, Charo. It is a fancy street with boutiques
and cafes. "25% OFF!" Bargain sale flyers are posted
on the shop window. He lies comfortably at the women's
feet in the shade of the tree. It's the bargain season. Have you
looked around the shops? Yeah, just a little. Most stores are discounting prices
a maximum of 25%. Is that right...? I hope there are
cheaper stores... If there is one,
I'll go right away! The two women are excitedly talking
about sales. Were you 5+taking a nap+ here? Well, as you can see... I'm here to collect information
with my owner. Are you both here to shop? Yes, we are!
We are here to shop at John's store! Yes, we want to shop at John's
store, but he's not there. Say, Coupe,
have you seen John? No, I haven't seen him today. Coupe,
John isn't at his store. Have you seen him? No, I haven't seen him today. Where could John be? Coupe, do you know anything
about John? Well... it may not have anything
to do with him, but... John is... Uh-huh. ... going on a date. Wow! On a date? The John we know? Yes, that John. Did John go out on a date
by any chance? And abandon his store? No, no. He said that the day of
the date wasn't for a while. Really? OK, then. It's good to know
that it's not today. Then, where did he go? Where did John go? I don't know... We just saw Marilyn. Oh, yeah? That's not good... Her owner and my owner are
close friends. Everytime they meet, they exchange
information for hours. Coupe,
are you friends with Marilyn? Yes.
Our owners are friends, so... we meet them at John's store
quite often. Ahh! That means... If we take Coupe's owner to
Marilyn and her owner, we might hear something about John! But how do we do that? Margherita...
Everyone's gone. (chuckles) Seems like we may soon
be able to find out where John is. Yes. Charo takes the flyer that reads,
"30% OFF"... and places it near the two
women who are chatting. Huh!? The sale over there is
already 30% off? What!? Really? Let's go to the shop now! The women take off in a flash. Ah! Well, see you later,
Margherita, Charo! Coupe runs off in a hurry. ... They left. Impressive... such quick action. Charo and Margherita arrive at
the front of the flower shop... and peek inside. Ah! It's John! That's John? So, he really was in the flower shop.
I'm glad we found him so quickly. Yes! It seems like John is consulting
with a clerk. Mmm... Should I go with roses? Yes, I'd recommend roses.
What color would you like? Red.... No, no.
That might be a bit too much... Well, let me see...
pink and white are popular. Mmm... John seems to be having a hard
time deciding. This is the front of the flower shop. Both the inside and outside of the
shop are full of different flowers. The scent is so strong that
it can make people cough. John is talking to the clerk. John is squatting down and
talking to Margherita. The hem of his apron is right in
front of Charo. Please hurry and get fresh tomatoes,
yellow bell peppers, and celery stalks... Arf arf! John,
we came to shop. Get back to your store. Arf arf! Huh? Margherita?
What's wrong? Is Rosa with you? Arf arf! Look at this.
We're here to shop. Rosa is in a hurry. Arf arf!
John, get back to your store. If Rosa was with you, I would
have something to ask her.... Hey, Margherita. Which should I choose?
The red or the pink roses? It's for a first date... ;+which
would you prefer to receive?+ John is squatting down and
talking to Margherita. The hem of his apron is right in
front of Charo. Arf arf!
Rosa is in a hurry. Hurry up and get back to your
store. Arf arf! Get back to your store.
Arf arf! Hey, Margherita. Which should I choose?
The red or the pink roses? It's for a first date... which
would you prefer to receive? Arf arf!
Rosa is in a hurry. Hurry up and come back to the
store. Arf arf! Charo starts to pull on
John's apron. Hey, hey. What's the matter?
Don't pull like that. Hey there, little fella.
Are you friends with Margherita? Why are you two making so
much noise? Charo sticks his head into the
shopping basket... and takes Rosa's memo in his mouth. Charo takes the memo to John. Arf arf! Look at this, John!
We're here to shop! Hm? John takes Rosa's memo. Let's see....
Tomatoes, bell peppers, celery... And lastly... please hurry... Oh no.
You need to shop quick. Arf arf! That's right.
We're in a hurry. Sorry, guys.
Let's go back to my store. John and the two dogs head to
the store together. On the way, Margherita... tells Charo about
how she met John. John is very nice. Yes. He's my friend and
he's a very sweet person. But I didn't like him at first. Really? Well... it's a long story, you see... Rosa once caught a terrible cold.
She was running a high fever. But we needed to buy supplies
for the restaurant... ... so I went to that store in place
of Rosa... ... with the memo in the basket
hanging from my neck. 0+It was pouring+ outside... At first, John just kicked me out
into the rain. Did he... really? Oh, yes. Still, I didn't give up. Finally, John came out. He saw
the memo and apologized. That's when we became friends. That's great! Yes, friends are great. They care for you and support you, not because they want something in
return, but because they love you. Yes. Right. And it was Rosa who taught this to
me. She was the one who took me in,
you know. Took... you... in?
Then... you were...? Yes. I was abandoned. She really, really cares for me. That's why I always want to
help her. I... was... abandoned, too. I was left in the park.
Shota saved me. Oh, then we're in the same boat.
Friends. Yes, friends. Charo and Margherita return to the
store with John. Well, sorry to keep you waiting,
you two. Shall we get you your vegetables? Arf arf! Thank you. Arf arf! Please hurry. John looks at the memo he
received from Charo earlier... and brings several vegetables
and fruits. So...
Rosa wants... tomatoes, bell peppers, celery.... That's right!
Arf arf! Wow...
it's as if you can understand me. Arf! (chuckles) Wow.
It's like we're really communicating. A-ha! 1+Here you go!+
Tomatoes, bell peppers, and celery. There're all kinds of colors and
sizes, but what does Rosa want? Could you pick them out? So then, you want to try again? Colorful vegetables and fruits are
placed in front of Charo. How about these tomatoes? Organic apples! Fresh tomatoes! Ripe cherries! How about these bell peppers? Yellow bell peppers! Red bell peppers! Green bell peppers! Finally,
how's this for the celery? Long green onions! Fat broccoli! Celery stalks! I don't think this was it. You... think so? I think you'd better check. Please hurry and get fresh tomatoes,
yellow bell peppers, and celery stalks... Tha... that's right! Wow! I don't believe it!
You're amazing! You're truly amazing! Even if it is... just coincidence! He said it was a coincidence... (chuckles) Oh, well.
At least we got to shop. Yes. I'll put them in the basket. Thank you, John!
Arf! Charo and Margherita finish
their shopping. Then... let's go home! Bye-bye, John!
Arf arf! 2+See you+ later, Margherita!
And you, too! It's late. Yeah, Rosa must be tired from
waiting. Let's hurry home. Yes! But thanks to you,
we were able to shop. Thank you, Charo. (chuckles) 

****************************************
_out_EN_94.txt
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_out_EN_95.txt
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﻿l      +このメッセージには
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_out_EN_96.txt
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﻿l      +このメッセージには
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_out_EN_97.txt
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x  )     Q  \G   *     Q  w  #*  	   8Q  g  F*     Q  Akc  J*     Q  :v`  o*     Q  "=}  *     7Q  ?  *     7Q  ذR|  *     7Q  TT  +  u   Q  {5  J+     Q  J7  c+     7Q  do`  +     7Q  رnb  +     7Q  :S  +     7Q    ,     7Q  /r  ],     7Q  QE  ,     7Q  z  ,     7Q  	  ,  2   8Q  q/  /-     Q  7B  A-     7Q  w  g-     7Q  Bhq:  -     8Q  1_  -  @   Q  bE  -  f   8Q  FG?J  -     Q    .  K   8Q  8nE  @.     Q  
~  Z.     8Q  d  .     8Q  l.  .     Q  z  .  f   8Q  gJ  	/  Y   Q  a8l  +/  3   8Q  U͹h:  Q/     Q  +  \/     7Q  膺Y  /     7Q  X  /     8Q  G9^  /     Q  x  0     7Q  S  G0     7Q  dD\  m0     8Q  ^  0     Q  ?O  0     8Q  !_  0  h   Q  o  #1     Q  q_o  O1  l   1     Q  aW  1  U   Q  }  1  9   8Q  lӾ  2     7Q  =Z  2  g   8Q  B	0  82  J   Q  rI  L2     Q  %8A  m2     Q  ;xE  2     Q  0|  2  ]   Q    2  p   8Q  ]6  3     Q  =^  ,3     Q  [+:  c3     Q  #W  3     Q  hn  3     8Q  2  3     Q  	  4     Q  %!&w  4  y   Q  K4*  F4  J   8Q  
/  ^4     8Q  {G  o4  `   Q  :|  4  -   8Q    4     Q  ~|  4  f   Q  J9  4  	   8Q  ф  5     Q  #[  5     8Q  I[  S5  l   5     7Q  QL>  5     7Q  ߄  5  S   8Q  ]k)  6     7Q  fi  /6     7Q  *{S  b6  l   7Q  5  6     8Q  B  6  o   Q  G>=  6     8Q  m  6  F   Q  D'  7  A   8Q  <Q0  7     Q  JX  ,7     Q  +Q  M7     Q  PB  x7     Q  6\M  7     Q  xb  7  u   8Q  nQ  7     Q  @8`  8     Q  ܘ|  -8     Q  k  p8  u   8Q  O  8     Q  NV  8  R   Q  F9  8     8Q  G  	9     Q  ]A  ,9  l   I9     8Q  @ID  9     7Q  O  9  %   8Q  [:#  9     7Q  ~Z  9  Charo is in New York right now. Although his wish to return to
Japan has not changed, he has not yet found a way to
do so. One day... Charo is walking by the park and a ball flies right in front of
him. It's a ball! Charo is near the biggest park
in the area. There are many trees in this park. They took the ball... Charo forgets the whole thing
and starts to walk again, but... at that moment, a charming little
dog comes out from the bushes. It's the same dog he saw the other
day. It is an orange ball.
Who does it belong to? The ball is a good size
for Charo to play with. She is a charming <+puppy+. +She is holding back her tears.+
Charo feels like crying, too. OK! Charo gets ready to jump onto the
ball, when suddenly... Hey, someone left a ball here!
Yeah! Great!
Let's play with it! A group of children take the
ball with them. ... Say, did you see a ball around
here? A ball? An orange ball. Yes. I did. Some boys took it just now and
went somewhere. What!? That ball =+belongs to+ Chris and me.
It means so much to us! Who is Chris? Chris is my owner. He is my
>+most important+ friend. Chris chose that ball for me. So... it's an important ball. That's right.
Ohhh... what will I do? Charo decides to help this
charming little dog. Don't worry about the ball.
I'll look for it. Thank you... I understand!
I will go look for the ball. What? Really!?
You promise? I promise, so don't cry! Wait here.
I will try! Charo promises to find the
ball for the puppy. Charo sets off. Charo returns with the ball. You found the ball?
Oh, thank you! The dog seems worried about
the ball. She is unhappy. She looks at Charo with the
ball. She is a charming little dog. I will go look for the ball.
Please wait a moment. ... This ball, right? Yes! That's it! Charo. Oh. Candy... that's a nice name. I've never seen any dog...
like you... in Japan. You're from another country? Yes, I'm from Japan. Candy! Chris is calling. I'd better get
going. Thanks for the ball. Charo wants to say something,
but Candy has already run back. He watches her jump cheerfully
around Chris. Here is your ball. Thank you! Candy! The voice comes from beyond the
bushes. Arf! Arf! I'm here! So... your name is Candy. Y... yes. And you? Charo arrives at the park entrance.
There are a lot of trees here. This is the park entrance. He does not see the children
with the ball. There is a squirrel on top
of the fence. The squirrel is eating
a nut. He is eating so much that his cheeks
are inflating like balloons. They make him look as if
+he has the mumps.+ This is the largest park in the
area. It is impossible to see the
entire park from here. Hello, I'm Charo. Hi!
Nice to meet you. Um....
About the children... ?+Good luck!+ Tha... thank you... Have you seen any children around
here? Are you looking for something? What? Um... Are you looking for something? I'm looking for children with
a doll. I didn't see any children like that. I'm looking for children with
a bull. I didn't see any children like that. I'm looking for children with
a ball. The children went into the park. +このメッセージには
英語訳がありません+ Thank you! This is an area near some bushes
in the park. There is no one around. This is an area near some bushes
in the park. There are no children around. This is an area near some bushes
in the park. Noisy birds fly out of the
bushes. Ack, that was @+scary+!
Yeah, scaryyy! Good thing it wasn't a cat!
Good thing, good thing! The noisy birds look familiar... Oh, really? I wonder where
you got that information. +A little bird told me.+ The little birds are busy chatting. Say, A+I wish there were hotels
for migratory birds.+ Yeah, it would be nice to
travel comfortably. But no birdcages. B+Nope+, no birdcages. Do you know what JFK used to
be called? JFK? C+You mean, the airport?+
Um... The answer is...
Idlewild Airport! Hey! I was still thinking! The birds are busy talking
to each other. Hello, I'm Charo. Ack! The puppy spoke!
I didn't know puppies could speak. Did you see any children around? I'm looking for some children.
They have a ball. Ack! The puppy spoke!
I didn't know puppies could speak. Say, about the park entrance.
Uh-huh. The entrance? Remember the puppy crying there?
Yeah, sure, the crying puppy. I wonder who made her cry.
Some people are D+mean+. Some people sure are mean.
They sure are. The birds are busy talking and
won't listen to Charo. ...
E+Forget it.+ Charo arrives under a big tree
in the park. There is no one around. Charo is beneath a large tree in
the park. There are no children around. Charo is beneath a large tree in
the park. New leaves are growing
on the tree. There is a hole in the tree trunk. There is no one around. A squirrel is inside the hole. The squirrel looks sleepy... Hello.
I'm Charo. Um... Mmmmm? The squirrel looks very sleepy. Did you see any children around? I'm looking for some children.
They have a ball. I don't know....
I was... sleeping.... I see... But do you know about this? What? Did you see any children around? I'm looking for some children.
They have a ball. I don't know....
I was... sleeping.... What do you mean? Which dog breed is known as a
Sausage Dog? Shiba Dog! Umm...
I don't think so. Bulldog! Umm...
I don't think so. Dachshund! Yes! That's it! I did it!
But why did you quiz me? I'm just showing off my knowledge. I hope it'll help you in some way. ... What's the matter? Aren't you happy? It is good to be a knowledgeable dog. But remember, +don't be a show-off.+ Charo arrives near a bench. The dog seems to be thinking.
He doesn't notice Charo. The dog is staring at something.
It looks like a flyer. That word... wait, wait. +It's on the tip of my tongue!+ The dog looks serious.
He is thinking about the puzzle. He stares at Charo F+with a look
of+ respect. English words are written on the
flyer. A bench sits in the shade of a tree.
There are no children around. The far side of the park is
hidden behind the trees. Someone is behind the bench. There is a dog with curly hair.
Charo has never seen him before. The bench is in the shade of a tree.
It's nice and cool there. Hello!
I'm Charo. Wah!
Don't G+scare+ me like that! The dog with the curly hair lifts
his head for a moment... but then looks down again. Hey, have you seen any children? Hmm?
I think I did. Really!?
Where did they go? That's not it....
Nope... that's not it either... Excuse me?
What's not it? Huh? Oh, sorry.
So... uh... what did you want? I'm looking for some children.
They have a ball. Do you know where they went? Ah, children. Yes, I do believe
I've seen them... Really? Great!
Where did they go? Let's see...
aww, H+it's no use.+ No... use? It's no use! I can't think
about two things at once! He seems to be focusing on
something. The conversation is going
I+nowhere+. I'm looking for some children.
They have a ball. It's no use! I can't think
about two things at once! He seems to be focusing on
something. The conversation is going
nowhere. I'm looking for some children.
They have a ball. Hurry up and solve the puzzle.
Then we can talk. I'm looking for some children.
They have a ball. Oh, right. That's it.
Children with a ball. They went that way...
to the open area in the park. +このメッセージには
英語訳がありません+ Well, I'm going to take this
flyer with me. J+See you around!+ Thank you. The dog with the curly hair
walks away. What is that flyer? Oh, this?
I K+picked it up+. If you solve the puzzle on this
flyer... it says that you'll win dog food. No matter how hard I try,
L+I still don't get it.+ Wait, maybe it's....
No, I guess not... What kind of puzzle? Several English words can be made by
entering letters. You're supposed to find them
all. M+Are you good at+ puzzles?
If you can solve this... I might be able to remember
what you want to know... Can you give me a hint? Well... N+I've got no clue.+
Can you ask someone else? You'll solve it for me? Yes, I will try. All right! O+I'll do my best!+ Wow, you're great!
Thanks a lot! (laughs) By the way, what was your question?
I'll answer if I can. What do you think?
Pretty hard, huh? ... If you get any good ideas,
come back and try again. I think I'll stop for now....
I'll do it later. +このメッセージには
英語訳がありません+ Charo finds the children! They're passing the orange ball
back and forth like a soccer ball. There they are! This is the open area on the
far side of the park. Their passing skills are quite
good. It's the orange ball. Arf arf!
Please give me back the ball! Huh? Watch out, dog! Arf arf! The ball belongs to
that little dog! Shut up, dog! Arf arf!
Give it back! Hey, I think he wants this ball. So, the doggy wants to play with
the ball? Let's see you take it back. It's not like the ball is ours
anyway. We'll give it to you if you can
take it from us. Arf arf!
Give me back the ball! If you want it, come and get it! Yeah, if you can get it from us
three times, we'll give it to you. The ball's not ours, anyway.
Try to take it from us three times! Arf arf!
Give me back the ball! Hey! Looks like the dog wants
to play. OK! Three times! All right! O+I'll do my best!+ Hey, dog! Are you giving up? +このメッセージには
英語訳がありません+ I need to prepare myself... Charo got the orange ball
back! I did it! Charo hurries back to the cute
little dog! 

****************************************
_out_EN_98.txt
****************************************

﻿l   |  l     l     l   9  l   x  l     l     l   5  l   t  l     l     l   1  l   p  l     l     l   -  l   l  l     l     +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ +このメッセージには
英語訳がありません+ 

****************************************
_out_EN_99.txt
****************************************

﻿l      +このメッセージには
英語訳がありません+ 

